British Cinematographer

21/12/2024

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For this edition, we dive deep with Lawrence Sher ASC about his work on Joker: Folie à Deux.

For future versions of The Long Read, subscribe to our newsletter at the link in bio.

19/12/2024

“The strategic action plan that runs throughout our organisation is called Our Planet and it is a commitment to driving emissions down. It’s inspired by a clear purpose: to transform lives and lead positive change across the rental industry to deliver a better future.”                                                                         

Mike Pollard, managing director of film & TV at Sunbelt Rentals.

Read the full article at the link in bio.

19/12/2024

As virtual production technology becomes more widely adopted in filmmaking, its environmental benefits are gaining attention. While significant strides have been made in comparing virtual production to traditional filmmaking regarding sustainability, there is still a long journey ahead. 

Hit the link in bio to read ROE Visual’s full debrief on how VP enhances sustainability on set.

17/12/2024

“I wanted it to be at first like a woven mural or tapestry rather than a movie, so I needed imagery that could express this elusive feeling.”

Mihai Mălaimare Jr. ASC () on shooting Francis Ford Coppola’s Megalopolis.

Read the full interview at the link in bio.

📸: Lionsgate / Phil Caruso

17/12/2024

Union VFX carry out VFX work on HBO’s The Regime

View their VFX reel in full here:

From digitally reimagining Vienna’s Schönbrunn Palace to creating dramatic warzone transitions, decaying prosthetics, and realistic crowd scenes, Union delivered an immersive and visually arresting experience. Their extensive work included everything from CG landscapes and atmospheric effects to ...

17/12/2024

2025 Sundance Film Festival unveils short film program

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Sundance Institute announced the 57 short films being presented at the 2025 Sundance Film Festival.

16/12/2024

“Looking further ahead, virtual production will continue to grow in effectiveness and popularity as the industry balances traditional methods with the benefits of technology across the production lifecycle. In doing so, it can help deliver a win-win scenario where the environmental impact of content creation is minimised while also allowing professionals to work to the highest creative standards.”

Jason Grey, technical sales consultant at CVP, explains how virtual production provides sustainable, cost-effective alternatives to traditional shoots, tackling both economic challenges and environmental impacts in filmmaking. 

Read more at the link in bio.

16/12/2024

BC were thrilled to join for the official launch of their new Wembley home last week 💚💛

13/12/2024

We’re reliving the celebrations and creative connections from last week’s Operators Night! Congratulations to all the new BSC members who were presented with their certificates!

To see the full gallery of images for the sparkling night of cinematic splendour, visit the link in bio. 

📸: Richard Blanshard and James Hill

12/12/2024

“I think one of our guiding principles with the lighting was to do with story motivation. Early in the film we wanted it to feel like quite a cold world, harder lighting choices, drab. And then become warmer and softer as we grew more intimate. We wanted a colour palette that replicated the earthy winter world outside. There were to be no strong sunny areas, our centre focus was on this insular world until they start growing closer, at which point we start to brighten and see the world around us.”

DP Angela Zoe Neil on shooting Louisa Connolly-Burnham’s Sister Wives.

Read an interview with the pair at the link in bio.

📸: Thomas Elliot Wood

11/12/2024

From using recycled bus batteries to donating left over food to women’s shelters, the crew on Pathé UK and Wildgaze’s historical drama, Joy, found unique and innovative ways to reduce the environmental impact of the production.  

Read the full article, taken from our Focus On Sustainability guide, at the link in bio.

09/12/2024

Benjamin Kračun BSC wins cinematography award at European Film Academy Awards

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Benjamin Kračun BSC took home the European cinematography award for The Substance.

09/12/2024

The British Independent Film Awards 2024 winners have been announced!

View the full list of winners here:

The winners of the British Independent Film Awards were announced at the annual ceremony, which saw BIFA make a return to the Roundhouse.

08/12/2024

A huge congratulations to for winning the award for best cinematography last night!

A truly well deserved award for Ben’s incredible work shooting The Substance 🧪💚

07/12/2024

This year, the European Film Awards are making their way to the stunning city of Lucerne, Switzerland, where cinema will shine like never before! 🌟 

The European Film Academy is proud to spotlight the incredible work both of the winners of the last few years for the Best Cinematographer Award, alongside the works of some of the Members of the

European Film Academy from this year’s host country Switzerland:  
Benjamin Kracun BSC – The Substance 
Crystel Fournier AFC – Great Freedom 
Fabian Kimoto – Soul of a Beast 
Kate McCullough ISC – The Quiet Girl 
Silvan Hillmann – Unrueh 
Valentina Provini – L’Amour du Monde 

Each of these DPs brings a unique vision to the screen, capturing the stories that move, inspire, and challenge us.  

SWISS FILMS and the European Film Academy are proud to support these visionary filmmakers and their unforgettable work. Join us in celebrating European cinema at its finest, and witness these talents live in Lucerne! ✨ .2024  

07/12/2024

Newsletter subscribers!

Check your inbox now for an exclusive chance to read our latest Long Read on Anora! We dive deep with Drew Daniels about his incredible work on Sean Baker’s Palme d’Or winning film.

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📸: Augusta Quirk / Universal Pictures

06/12/2024

“Without the Aputure DELTA Pro we wouldn’t have been able to shoot a single scene in that barn in the middle of a field. Not only the lights, but also the sound equipment and the camera batteries were powered by the DELTA Pro. And let’s not forget the fog machine!”  

Cinematographer Hugo Boué outlines why working with portable power station with a rechargeable battery, Aputure DELTA Pro, was essential for his recent productions. 

Read the full interview at the link in bio.

05/12/2024

ARRI announces the small and lightweight ALEXA 265 camera

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ARRI introduces ALEXA 265, a new-generation 65 mm camera that responds to feedback from users of the ALEXA 65, its predecessor.