Dokumuzik Group Projects

15/01/2021

A magazine on Eurasia with sharper edge of Middle East art in mind. ALK is a collective forum on aesthetics and media,(AKL) az kolexion e London and dokumuziok group(DMG)…

30/07/2020

Before COVID-19, another pandemic known as the " Spanish flu" occurred in 1918 . This deadly virus infected approximately 500 million people and killed at least 50 million people. The 19th century European paintings depicting the pandemic vividly represent poverty, homelessness. Hunger and despair. The vulnerable artists could no longer show or sell their artworks and most did not survive the unforgiving ravages of the pandemic. The Georgian artist Niko Pirosmani (1862-1918) was born on a large trade route between East and West Caucasus. The orphaned self-taught painter Pirosmani worked as servant of a wealthy family, as a railroad conductor, and later as a laborer in a dairy farmhand in order to survive and pay for his art supplies. Pirosmani earned income by creating shop signboards for bar and local restaurants.

It was not until the 1910s that Pirosmani's work reached a wider audience when the Russian poet Mikhail Le Dantu, discovered Pirosmani's work in a tavern inTbilisi.By 1913, poet and avant-garde advocate Ilya Zdanevich was writing about Pirosmani and promoting his art in Moscow. Despite his lack of recognition Pirosmani is viewed as a key figure in the development
of the Russian avant-garde, particularly the Neo-Primitivist movements. Pirosmani's use of traditionalrural themes can also be seen as influencing the work of Kazimir Malevich and Marc Chagall. Outside of Russia and Georgia, In particular, Pablo Picasso was intrigued by the work of
Pirosmani, appreciating the unique perspective that his rural roots brought to his art. In 1918 Pirosmani at the age of 55 died from malnutrition and liver failure in the cellar of a tavern in Tbilisi.

Nami Naz Ouni
Music / Bratsch
Based on/ Pirosmani (1969) by Giorgi Shengelaia
Visual adaptations / Massod Vadiee
Produced / Arden Zahedi-Bogucka
A Dokumuzik Group Project
London,uk,2020

29/07/2020

Nami Naz Ouni
Muisc / Bratsch
Based on/ Pirosmani (1969) by Giorgi Shengelaia
visual adaptations /Massod Vadiee
Produced / Arden Zahedi-Bogucka
A Dokumuzik Group Project
London,uk,2020

Before COVID-19, another pandemic known as the " Spanish flu" occurred in 1918.This deadly virus infected approximately 500 million people and killed at least 50 million people. The 19th century European paintings depicting the pandemic vividly represent poverty, homelessness. Hunger and despair. The vulnerable artists could no longer show or sell their artworks and most did not survive the unforgiving ravages of the pandemic. The Georgian artist Niko Pirosmani (1862-1918) was born on a large trade route between East and West Caucasus. The orphaned self-taught painter Pirosmani worked as servant of a wealthy family, as a railroad conductor, and later as a laborer in a dairy farmhand in order to survive and pay for his art supplies. Pirosmani earned income by creating shop signboards for bar and local restaurants.

It was not until the 1910s that Pirosmani's work reached a wider audience when the Russian poet Mikhail Le Dantu, discovered Pirosmani's work in a tavern inTbilisi.By 1913, poet and avant-garde advocate Ilya Zdanevich was writing about Pirosmani and promoting his art in Moscow. Despite his lack of recognition Pirosmani is viewed as a key figure in the development of the Russian avant-garde, particularly the Neo-Primitivist movements. Pirosmani's use of traditionalrural themes can also be seen as influencing the work of Kazimir Malevich and Marc Chagall. Outside of Russia and Georgia, In particular, Pablo Picasso was intrigued by the work of Pirosmani, appreciating the unique perspective that his rural roots brought to his art. In 1918 Pirosmani at the age of 55 died from malnutrition and liver failure in the cellar of a tavern in Tbilisi.

Armenian Lyrics :
Na Mi Naz Ouni' by Bratsch

Նա մի նազ ունի
հեղինակ՝ Գուսան Շերամ

Եկան գարնան անուշ օրեր,
Ծաղկով լցվան դաշտեր, ձորեր,
Յարս զուգվել, սեյրան կերթա`
Հագած կապած ալվան շորեր։

Նա մի նազ ունի,
Նազ ունի, նազ ունի,
Ձեռքին սազ ունի,
Սազ ունի, սազ ունի,
Չալելով սեյրան կերթա,
Դարձել է ջեյրան` կերթա․․․

Արտուտն եկավ մըտավ արտը,
Բըլբուլն իջավ գըրկեց վարդը,
Հազար սիրուն, հազար հեքիմ
Չեն իմանա սրտիս դարդը։

Նա մի նազ ունի,
Նազ ունի, նազ ունի,
Ձեռքին սազ ունի,
Սազ ունի, սազ ունի,
Չալելով սեյրան կերթա,
Դարձել է ջեյրան` կերթա․․․

Հավքերն եկան երամ-երամ,
Անուն ունիմ` աշուղ Շերամ,
Էնքան պիտի յարիս կանչեմ,
Տեյմոր վառվիմ որպես Քյարամ։

Նա մի նազ ունի,
Նազ ունի, նազ ունի,
Ձեռքին սազ ունի,
Սազ ունի, սազ ունի,
Չալելով սեյրան կերթա,
Դարձել է ջեյրան` կերթա․․

30/05/2020

Magazine on Eurasia With Sharper Edge of Middle East Art in Mind A Collective Forum on Aesthetics and Media, AKL is a Eurasic collective of artists, media practitioners,…

08/03/2020

| Returning Siberian Crane and The Holy Qur'an
القرآن الكريم In Naeemeh Naeemaei's Dreams Before Extinction | DREAMS BEFORE EXTINCTION Dissolving the artificial boundary between human society and wild nature is the task of “Dreams Before Extinction,” a series of paintings about endangered species by the Iranian artist NAEEMEH NAEEMAEI Through a deeply personal visual narrative that is disturbing for both its intimacy and its boldness, she herself bravely crosses the dividing line between humans and wild nature, to awaken awareness and emotional concern not only for the animals in question, but also for the environment as a whole. Her own vulnerability and personal involvement in this endeavor impel us to experience more deeply the pain and suffering of all life forms that are threatened by our blind obedience to unsustainable models of economic growth and continued disregard for the fate of the environment.“Dreams Before Extinction” provides us with stunning new examples of the ways these issues can be infused with emotional force and broad cultural meaning, even within the context of political cultures and religious beliefs that may be resistant or hostile to environmental activism and cultural change. Her paintings achieve this catharsis by creating an engaging personal narrative that expresses the fear and loneliness she herself feels in the face of the imminent extinction of these animals, an event which in her view augurs ill for the survival of human society itself.(innovateheritage)

Born in Tehran, Iran, in 1984, NAEEMEH NAEEMAEI received her BA in art from Tehran Art University in 2006 where her major was sculpture. The subject of her last series of sculptures at the university was the “Decay of Plants.” Upon completion of these sculptures, she began her first paintings on the same theme. Then she began the series of twelve paintings about endangered species that led to her first solo exhibition “Dreams Before Extinction” at the Henna Gallery in Tehran in December 2011. This show was favorably reviewed in the Tehran journal Art of Tomorrow. She is active in Iran’s environmental movement and involved with several organizations that seek to raise awareness about endangered species and other environmental issues.

29/02/2020

| Foreign Bodies | The Death Of Schengen | مرگ شنگن
Official Selection Oxford Human Rights Festival
Official Selection Doc Lisboa
Footage&Music/Hyenaz
Mix Mastering / Bartłomiej Kuźniak Studio 3
Edit / Massod Vadiee & Heriknaz Sibirian
Produced/Arden Zahedi-Bogucka
Az Kolexion ‘e London,Uk
https://www.facebook.com/azkolexione.london/
https://www.hyenaz.com/foreign-bodies-the-death-of-schengen/

12/02/2020

Rouz'o Shab |شب و روز
Lamentu di cursichella "
imagery / Sergei Parajanov
music by Kiya Tabassian & Maxime Merlandi
project CANTI DI A TERRA / Constantinople & Barbara Furtuna
created and produced /massod vadiee & arden zahedi-bogucka
a dokumuzik projekt and eram'rynek group

23/12/2019

| La Presencia Escénic |
A musician's brilliant obsession with blurring lines between ethnomusicology,culinary experience and ars medica
Music / Kamran Hooshmand & Javier Palacios
Barbat & Vocals / Kamran Hooshmand
Visual Adaptations / Massod Vadiee
Produced / Arden Zahedi-Bogucka
Dokumuzik Group Projects
London,UK 2019

15/12/2019

Kamran | La Presencia Escénica |
Based on / Pajarillo Verde | پرنده کوچک سبز |
Music / Kamran Hooshmand & Javier Palacios
Barbat & Vocals / Kamran Hooshmand
Visual Adaptations / Massod Vadiee
Produced / Arden Zahedi-Bogucka
A Dokumuzik Group Projects
London,UK , 2019

10/11/2019

AFTER RAIN by Hossein Valamanesh HEARTLAND - CONTEMPORARY ART FROM SOUTH AUSTRALIA Art Gallery of South Australia. Adelaide 2013 Curators Nici Cumpston &…

05/11/2019

Karolina Bogucka

Lapmpedusa Deliriums | Curtains Down in Europe based on / AES+F Th Feast Of Trimalchio muisic / Shahram Nazeri & Amir Maleki sound collage/heriknaz sibirian visual…