International Journal of Design Sciences and Technology

International Journal of Design Sciences and Technology IJDST
Journal empowered by the CNU 71e and the HCERES in SIC since 2016
R***e habilitée par le CNU

Art in the Age of Artificial Intelligence 2d 3ai international symposiumhttps://3ai-24.sciencesconf.org/ 26-27 May 2024,...
20/02/2024

Art in the Age of Artificial Intelligence
2d 3ai international symposium
https://3ai-24.sciencesconf.org/
26-27 May 2024, Corfu, Greece
The 1st "3AI" was held in La Louvière in Belgium on 27-28 April 2023 and was organized by Transculutures (Centre of Digital and Sound Arts, Belgium) and CiTU-Paragraphe (University Paris 8, France).
The second 3AI follows the same line as the 1st symposium. It observes that an increasing number of artworks are now inspired by or produced with advanced technologies mainly influenced by generative AI, deeply infused at the very heart of the artworks. Such development interrogates the notion of Art, including the artist and the definition of artistic approach. It also questions how artworks are discovered, exchanged, collected, and preserved. The advent of increasingly advanced digital technologies provokes profound philosophical and ethical inquiries. These ongoing transformations across artistic, cultural, economic, political, and professional realms seem to be long-lasting, with implications that have started to resonate within society.
Similar to human curiosity, the evolution of emergent technologies never stops, making us to rethink new forms of Art.
The goal of the second 3AI Symposium is twofold. First, to contribute to the discussion of various interrogations about "What makes Art today?" Second, to reflect on the new context and environment of artistic production.
Artists, artistic instruments (intelligent, extended, mixed, augmented & virtual ones), designers, producers, critics, collectors, spectators, researchers, and policymakers are all invited to be part of the presentations (conference, exhibition, podcasts, video, installation, ...) and discussions (round tables, social networks).
Important dates: deadlines
* Proposals for long or short papers: March 15th, 2024
* Final Notification of selection for proposals: April 2d, 2024
* Submission deadline for proposals of artworks: March 31st, 2024
* Submission deadline for final long and short selected papers: July 12th, 2024
* Notification of selected artworks: April 9th, 2024

The 1st "3AI" was held in La Louvière in Belgium on 27-28 April 2023 and was organised by Transculutures (Centre of Digital and Sound Arts, Belgium) and CiTU-Paragraphe (University Paris 8, France). 

Art in the Age of Artificial Intelligence 2d 3ai international symposiumhttps://3ai-24.sciencesconf.org/ 26-27 May 2024,...
20/02/2024

Art in the Age of Artificial Intelligence
2d 3ai international symposium
https://3ai-24.sciencesconf.org/
26-27 May 2024, Corfu, Greece

The 1st "3AI" was held in La Louvière in Belgium on 27-28 April 2023 and was organised by Transculutures (Centre of Digital and Sound Arts, Belgium) and CiTU-Paragraphe (University Paris 8, France).
The second 3AI follows the same line as the 1st symposium. It observes that an increasing number of artworks are now inspired by or produced with advanced technologies mainly influenced by generative AI, deeply infused at the very heart of the artworks. Such development interrogates the notion of Art, including the artist and the definition of artistic approach. It also questions how artworks are discovered, exchanged, collected, and preserved. The advent of increasingly advanced digital technologies provokes profound philosophical and ethical inquiries. These ongoing transformations across artistic, cultural, economic, political, and professional realms seem to be long-lasting, with implications that have started to resonate within society.
Similar to human curiosity, the evolution of emergent technologies never stops, making us to rethink new forms of Art.
The goal of the second 3AI Symposium is twofold. First, to contribute to the discussion of various interrogations about "What makes Art today?" Second, to reflect on the new context and environment of artistic production.
Artists, artistic instruments (intelligent, extended, mixed, augmented & virtual ones), designers, producers, critics, collectors, spectators, researchers, and policymakers are all invited to be part of the presentations (conference, exhibition, podcasts, video, installation, ...) and discussions (round tables, social networks).

Important dates: deadlines
* Proposals for long or short papers: March 15th, 2024
* Final Notification of selection for proposals: April 2d, 2024
* Submission deadline for proposals of artworks: March 31st, 2024
* Submission deadline for final long and short selected papers: July 12th, 2024
* Notification of selected artworks: April 9th, 2024

The 1st "3AI" was held in La Louvière in Belgium on 27-28 April 2023 and was organised by Transculutures (Centre of Digital and Sound Arts, Belgium) and CiTU-Paragraphe (University Paris 8, France). 

Amour, solidarité et santé! Que 2024 soit l'année de toutes les intelligences, notamment celles du sociale!Pensée spécia...
01/01/2024

Amour, solidarité et santé! Que 2024 soit l'année de toutes les intelligences, notamment celles du sociale!
Pensée spéciale à celles et ceux qui nous ont quitté.e.s en 2023
***
Love, solidarity and health! May 2024 be the year of all intelligences, especially social ones!
Special thought to those who left us in 2023
***
(Ph: , , , , , #2023, )

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Aims and scope of IJDST

Today’s design strongly seeks ways to change itself into a more competitive and innovative discipline taking advantage of the emerging advanced technologies as well as evolution of design research disciplines with their profound effects on emerging design theories, methods and techniques. A number of reform programmes have been initiated by national governments, research institutes, universities and design practices. Although the objectives of different reform programmes show many more differences than commonalities, they all agree that the adoption of advanced information, communication and knowledge technologies is a key enabler for achieving the long-term objectives of these programmes and thus providing the basis for a better, stronger and sustainable future for all design disciplines. The term sustainability - in its environmental usage - refers to the conservation of the natural environment and resources for future generations. The application of sustainability refers to approaches such as Green Design, Sustainable Architecture etc. The concept of sustainability in design has evolved over many years. In the early years, the focus was mainly on how to deal with the issue of increasingly scarce resources and on how to reduce the design impact on the natural environment. It is now recognized that “sustainable” or “green” approaches should take into account the so-called triple bottom line of economic viability, social responsibility and environmental impact. In other words: the sustainable solutions need to be socially equitable, economically viable and environmentally sound.

IJDST promotes the advancement of information and communication technology and effective application of advanced technologies for all design disciplines related to the built environment including but not limited to architecture, building design, civil engineering, urban planning and industrial design. Based on these objectives the journal challenges design researchers and design professionals from all over the world to submit papers on how the application of advanced technologies (theories, methods, experiments and techniques) can address the long-term ambitions of the design disciplines in order to enhance its competitive qualities and to provide solutions for the increasing demand from society for more sustainable design products. In addition, IJDST challenges authors to submit research papers on the subject of green design. In this context “green design” is regarded as the application of sustainability in design by means of the advanced technologies (theories, methods, experiments and techniques), which focuses on the research, education and practice of design which is capable of using resources efficiently and effectively. The main objective of this approach is to develop new products and services for corporations and their clients in order to reduce their energy consumption.

The main goal of the International Journal of Design Sciences and Technology (IJDST) is to disseminate design knowledge. The design of new products drives to solve problems that their solutions are still partial and their tools and methods are rudimentary. Design is applied in extremely various fields and implies numerous agents during the entire process of elaboration and realisation. The International Journal of Design Sciences and Technology is a multidisciplinary forum dealing with all facets and fields of design. It endeavours to provide a framework with which to support debates on different social, economic, political, historical, pedagogical, philosophical, scientific and technological issues surrounding design and their implications for both professional and educational design environments. The focus is on both general as well as specific design issues, at the level of design ideas, experiments and applications. Besides examining the concepts and the questions raised by academic and professional communities, IJDST also addresses the concerns and approaches of different academic, industrial and professional design disciplines. IJDST seeks to follow the growth of the universe of design theories, methods and techniques in order to observe, to interpret and to contribute to design's dynamic and expanding sciences and technology. IJDST will examine design in its broadest context. Papers are expected to clearly address design research, applications and methods. Conclusions need to be sufficiently supported by both evidence from existing research (reference to existing design research knowledge) as well as strong case-studies from any design discipline. A paper must contain at least one chapter on research questions, methodology of research and methods of analysis (the minimum length is 1500 words). The concluding chapter (the minimum length is 1000 words) will summarise the paper and its results. The concluding chapter also examines and discuss applications, advantage, shortcomings and implications of the investigation for both professional and educational design communities as well as for the people and the society. Also authors are also encouraged to include in this chapter a discussion of the possible future research that is required or is possible in order to enhance the research findings.

The papers considered for IJDST cover a wide range of research areas including but not limited to the following topics: Design research, design science, design thinking, design knowledge, design history, design taxonomy, design technology, design praxeology, design modelling, design metrology, design axiology, design philosophy, design epistemology, design pedagogy, design management, design policy, design politics, design sociology, design economics, design aesthetics, design semantics, design decision-making, design decisions, design evaluation, design sustainability, design logic, design ontology, design logistics, design syntaxis, design ethics, design objective, design responsibility, design environment, design awareness, design informatics, design organization, design communication, design intelligence, design evaluation, design education, design theories, design techniques, design methods, design operations, design processes, design products, design users, design participation, design innovation, design inspired by nature, design case studies, design experiments, etc.