24/04/2024
Sarah Rebecca, the most Parisian of American divas, is back with “PLEASURE MADE” May 3rd (pre-save link in comment)
Known worldwide for her collaborations with SLOVE, French 79, Kid Francescoli, Tiësto, Dombrance, Naeleck ... her songs synchronized in the Netflix series Emily in Paris, Russian Doll, Never Have I Ever, Locke & Key... or in luxury ads Cartier, JIMMY CHOO, SAINT LAURENT ... the Mississippi native returns to business and sets the tone from the start on the "Road trip" at the opening of her second album:
"Sweet little girl who fell to earth
tell me did it hurt?
when the devil fu**ed you up?
tell me, tell me, did it hurt?”
Ready to fight, Sarah Rebecca delivers her most personal texts and magnifies them with her incredible voice, recognizable among all. Whether flamboyant or melancholic, ambitious or nostalgic, realistic or dreamy, direct or suave, luminous or dark, dazzling or introspective, Sarah Rebecca's songs all have the common point of coating her impulses with glamour.
"Love ends like this
But I swear it’s coming
Coming around again"
Sensual sounds and scents of thwarted love, his tracks can be listened to like devouring a diary. She expresses all her creativity and all her talent, as if freed from a sinister past, whether distant or near.
“Being an artist in Mississippi is very oppressive. It’s the countryside, they are quite racist and misogynistic. At seventeen, with my school choir I was able to sing Vivaldi in the legendary Saint Mark's Basilica in Venice. When I turned 18, I left. I couldn't stand this conservative and patriarchal climate any longer. I went to New York, all over California. One day, I had a friend who said to me: ‘Wouldn’t you like to do a little tour of Europe? Spain, London, France? And then I said to myself that it really wasn’t stupid and that I really wanted to see these countries. And then when I arrived in Paris, the big cliché, I met a man and I stayed. For better and for worse ".
After practicing in the gospel choir of the Baptist church with her grandmother then perfecting her art with her mother at karaoke, Sarah Rebecca then draws on the strength of the women who inspired her and claims active feminism. Beneath her appearance as a luscious platinum blonde with Marylin Monroe-style red lips, Sarah Rebecca is not the type of woman to let her destiny escape her.
"The sacred that I mix with pop, is a way to write with my heart and to sing with hope. It is an escape but also the expression of my soul, of my deepest emotions, of my desires , of my sorrows, of my doubts: I am someone impulsive, without filter"
On "PLEASURE MADE" Sarah Rebecca, plowing the furrow of her hit "Call Me", is determined to take control of her chaotic life and transpose it into a synthetic setting, navigating between French touch and disco pop.
"I know you’ve been going through it
Feeling like you failed again
I know you are tired of trying
But everyone deserves a second chance
if only you could see yourself
See how far you’ve come
Show the world
Who you are
If only you could see yourself
Another shining star
When you open up open up
Your heart"
The songs on “PLEASURE MADE” are the fruit of a fury to live with passion.
They show a rich palette of expressions that Sarah Rebecca knows how to play brilliantly, between darkness and light.