17/12/2019
Et Nikon dama le pion de tout le monde au petit jeu du RAW en vidéo sur hybride. Vivement les premiers retours d'utilisation !
À tous ceux qui avaient prédit sur le ProRes Raw ne sortirai pas suite au procès entre Red et Apple ... ben c’est loupé !
C’est parti aujourd’hui ! C’est une nouvelle étape dans l’aventure des photocam, l’arrivée de ce codec Raw sur les hybrides réduit encore plus la différence entre les superbes hybrides comme les NIKON Z et bientôt le S1H !
Pour les NIKON Z ce n’est pas uniquement une mise à jour logicielle ça passe par un retour SAV, pour ceux qui ont pris la version « filmmaker » du Z6 la mise à jour sera gratuite et payante pour les autres mais je ne sais pas combien.
voilà le communiqué officiel de Atomos ce matin :
Melbourne, Australia – December 16, 2019 — Atomos today released the revolutionary RAW over HDMI recording solution for the Ninja V HDR monitor/recorder when combined with the Nikon Z 6 or Z 7 cameras*. The transformative innovation frees users from the choice between mirrorless features but lower video quality, or full-frame RAW cinema cameras with a budget-busting price tag.
“Until now, RAW video was the domain of dedicated cinema cameras that are either limited in features or priced far beyond the reach of most filmmakers,” said Jeromy Young, CEO of Atomos.
“Working in collaboration with Nikon, we’ve given two mirrorless cameras the capability to record in the Apple ProRes RAW format, and the message this sends to video content creators everywhere is game-changing. It tells them to upgrade their ambitions even more, and to aim for the cinematic quality they probably assumed was out of their reach – because it’s now possible.”
In particular, the Z 6 and Ninja V combination will allow users to experience the full quality and flexibility of RAW video shooting with a full-frame sensor, recording in stunning 12-bit 4K UHD resolution**. Together they form an affordable state-of-the-art cinema setup – which is also the first at any price to feature full-frame RAW video with in-body image stabilization, opening up new possibilities for shooting handheld RAW video.
Creators are granted complete creative control of their video images in post-production as ProRes RAW combines the flexibility of RAW video with the real-time performance of ProRes. The format gives filmmakers incredible latitude when adjusting the look of their images and extending brightness and shadow detail — making ProRes RAW ideal for HDR workflows.
Ninja V users can now update with the free AtomOS 10.2 to enable RAW recording from HDMI. At the same time, a new Nikon service procedure*, beginning today, installs RAW video output functionality to the two popular Z series cameras. This empowers Nikon Z 6 and Z 7 cameras to output 12-bit 4K UHD or full-HD RAW via a 4K HDMI 2.0 cable*** to the Atomos Ninja V.
The upgraded Z 6 or Z 7 camera delivers the RAW data from its image sensor to the Ninja V without in-camera processing. The Ninja V records the RAW data onto removable SSD drive in the ProRes RAW format. When shooting is complete, the drive is removed and connected to a computer via USB for offload and editing.
In addition to providing the groundbreaking combination of flexibility and performance, ProRes RAW files are smaller than other RAW files which simplifies and accelerates file transfer, media management, and archiving. ProRes RAW is fully supported in Final Cut Pro X along with a collection of other apps including ASSIMILATE SCRATCH, Colorfront, FilmLight Baselight, and Grass Valley Edius. Adobe and Avid have announced that Premiere Pro and Media Composer will support ProRes RAW in 2020.
The Ninja V also allows users to accurately monitor the RAW signal on its daylight-viewable 5” HDR screen, previewing it for HDR in a choice of HLG and PQ (HDR10) formats. It offers touchscreen access to tools like waveforms, magnify or engage peaking check focus for each angle and make any adjustments to get the perfect HDR or SDR shots.
This all makes ProRes RAW on the Ninja V and Nikon Z 6 and Z 7 an ideal combination for the creative filmmaker. The release marks another huge stride forward in Atomos’ mission to make filming in high quality RAW the new standard for creative video content creation.
# # #
Users can update their Ninja V units by downloading the latest AtomOS 10.2 from https://www.atomos.com/firmware/ninja-v and following the instructions.
Watch demo videos shot on Z6 and Ninja V in ProRes RAW here:
https://youtu.be/4VDDqht9HVc
https://youtu.be/h4LA3gcHy9Y
Watch Z6 and Ninja V setup for RAW shooting here:
https://youtu.be/L-fzUsb0y0k
For more details on the Nikon RAW output capability visit the following support pages
JP: https://www.nikon-image.com/support/whatsnew/2019/1217.html
US: www.nikonusa.com/RAWvideo
Nikon Filmmaker’s kit: https://www.nikonusa.com/en/nikon-products/product/mirrorless-cameras/13545/z-6.html
EU: https://www.nikon.co.uk/en_GB/news-press/press.tag
Essential Movie Kit : https://www.nikon.co.uk/en_GB/product/digital-cameras/mirrorless/enthusiast/z-6-camera-body-z-6-essential-movie-kit
ASIA: https://nikn.ly/Firmware2_20
CN: https://www.nikon.com.cn/sc_CN/about/corporate_news.page?ID=templatedata/sc_CN/taggable_content/data/news/1355
*Customers who wish to have the RAW video output capability installed on their Nikon Z 6 or Z 7 can bring or send their camera to a Nikon service center. The Nikon RAW video output capability upgrade will incur a fee, but will be included free of charge as part of Nikon Z 6 filmmakers kit and Z 6 essential movie kit bundles. Those customers in the Americas and Europe who have already purchased a Nikon Z 6 filmmakers kit and Z 6 essential movie kit will be eligible to have the fee waived (proof of purchase required).
** When the Z 6 is used, recording of either 4Kp24/25/30 UHD or full-HD RAW video up to 1080p60 is possible with both FX- and DX-based movie formats.
With the Z 7, full-HD RAW video to 1080p60 can be recorded using the FX-based movie format, and 4Kp24/25/30 UHD RAW video can be recorded using the DX-based movie format.
***Use of Atomos 4K HDMI 2.0 cable recommended