Gotta Let It Out

Gotta Let It Out An independent music label. https://linktr.ee/gottaletitout Gotta Let It Out is an independent music label and a publishing house. Hipermania.
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It was established in 2017 in Copenhagen by the musician Tomo Jacobson and the photo/video artist Malwa Grabowska aka.

OUT TODAYBartosz Szablowski - Id​(​ee)Id​(​ee) is a debut solo album from Bartosz Szablowski (the drummer of RASP LOVERS...
01/06/2024

OUT TODAY
Bartosz Szablowski - Id​(​ee)

Id​(​ee) is a debut solo album from Bartosz Szablowski (the drummer of RASP LOVERS) filled with piano soundscapes, electronic flows, forward drumming, and metaphysical spoken word. In Bartosz's own words:

"This music is very intimate to me, as it was mostly recorded in my bedroom, in which there stood two pianos tuned with a 10 Hz difference (A: 440 Hz & 430 Hz). I just had to do something with the ambivalence of their common sound. The idea for the album was to recreate the calming effect I experienced over and over again playing the piano just before going to sleep. The title "Id(ee)" refers to the primary system of mental organization (ID), as well as to the verb I GO (in Polish, IDĘ), because no matter how slowly it happens, we are always moving. I hope forward."

Cover art by Pola Włodarczyk

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This was released two months ago, do you remember? What an album - Sacha Perry / Ben Street / Kresten Osgood playing jaz...
31/05/2024

This was released two months ago, do you remember?
What an album - Sacha Perry / Ben Street / Kresten Osgood playing jazz like no one does.

Hein Westgaard / Katt Hernandez / Raymond Strid's 'The Knapsack, The Hat, and The Horn' featured on Best Jazz on  Bandca...
12/03/2024

Hein Westgaard / Katt Hernandez / Raymond Strid's 'The Knapsack, The Hat, and The Horn' featured on Best Jazz on Bandcamp, February 2024

Our guide to the month’s crucial jazz releases.

OUT TODAY!"The Knapsack, The Hat and The Horn” is a unique album of improvisations in an acoustic setting featuring Norw...
23/02/2024

OUT TODAY!
"The Knapsack, The Hat and The Horn” is a unique album of improvisations in an acoustic setting featuring Norwegian guitarist Hein Westgaard, U.S. violinist Katt Hernandez, and the Swedish drummer legend Raymond Strid. Recorded in a single day in Gävle, Sweden by Jon Fält, the unique instrumentation of plucked and bowed strings with percussion leads the music sometimes into abstract territory, other times into a kind of psychedelic, hypnotic folk music. The title is taken from the lesser known Brothers Grimm story of the same name, about one of three brothers who ventures into the forest and discovers different objects with magical properties, eventually making him the ruler of the entire kingdom.

Hein Westgaard says about the project:
“Playing unamplified with a drummer, violinist and a steel string acoustic guitar is a very fragile situation - especially since I play without a pick or other preparations of my instrument - but luckily Raymond and Katt are such great listeners and amazing improvisers, making it possible for everyone to contribute equally and beautifully to this special session. I have wanted to do an improvised project with a violin and drums for a long time, and this also happens to be my first record where I play completely acoustically on the guitar, two things that I am very excited about. With help from sound engineers Jon Fält and Francesco Toninelli - who are both great musicians in their own right - we managed to bring out some of the more subtle sound details of the recording session, while always trying to preserve a naturalistic sound image. I am really happy with how this record turned out, and I sincerely hope some adventurous listeners out there will resonate with it as well.”

Hein Westgaard is a Norwegian guitarist, improviser and composer, currently based in Copenhagen, Denmark. In addition to his own genre-bending Hein Westgaard Trio mixing folk, rock, country, free jazz and disco, he can be heard in the post-minimalistic quartet Ototoi, working with conceptual sound-art with Ensemble Ektos, in duo with the Lithuanian double bassist Aurelijus Uzameckis or the New Zealand pianist Alexander Ventling, playing ad-hoc free improvised constellations, or simply performing in the solo acoustic guitar format where he focuses on his own instrumental songs in the fingerpicking tradition. Raymond Strid is one of the most important voices in free improvised drumming in Scandinavia. Particularly inspired by some of the European master drummers like Han Bennink, Paul Lytton and Tony Oxley, Strid's first concert was 30 September 1977 and he subsequently performed in a variety of local groups in Stockholm. In 1988 he formed the Swedish trio GUSH together with Mats Gustafsson and Sten Sandell. From that point work has also included a wide number of groupings and projects such as Guy/ Gustafsson/Strid (Tarfala Trio), Crispell/Jormin/ Strid and the free jazz trio LSB (Fredrik Ljungkvist and Johan Berthling). The Electrics (Axel Dörner, Sture Ericson and Ingebrigt Flaten (Joe Williamson replacing Flaten in 2011)) was formed in 2000 and that same year he became a member of the Barry Guy New Orchestra.

Raymond Strid works constantly with occasional ad-hoc groups and temporary meetings. He has been touring and participating regularly at major improvisation festivals in Europe and North America. He also considers that, since around 2005, his playing moves stylistically between free improvisation and free jazz, sometimes mixing the two. Raymond Strid also teaches improvisation, methods and aesthetics. Katt Hernandez is a renowned violinist from the USA, living in Sweden since 2010. Katt is classically trained on her violin but she has also studied composition, electronic music, jazz, Eastern European folk music and improvisation.

Katt Hernandez plays mainly free improvised music and is a veteran of the improvisation and experimental music scenes in Boston, Philadelphia, Baltimore, and New York. Katt has performed in contexts ranging from underground venues to large concert halls alongside an incredible array of musicians, dancers, visual artists, filmmakers, and performance artists including Joe Maneri, Joe Morris, Jonathan Vincent, Gordon Beeferman, Joel Grip, John Berndt, Matt Samolis, Gene Coleman, Audrey Chen, Saul Levine, Zack Fuller, Erik Ruin, and many others.

here's the two new ones!"Easy to Remember" by Holmström / Jansson / Osgood + Ström"for Jerome" by Rasmus Kjær + Jerome C...
20/02/2024

here's the two new ones!

"Easy to Remember" by Holmström / Jansson / Osgood + Ström

"for Jerome" by Rasmus Kjær + Jerome Cooper & Tomo Jacobson

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ALBUM OUT!This is another one in a series of albums we'll be releasing with the great Kresten Osgood.In KO's own words:"...
17/02/2024

ALBUM OUT!
This is another one in a series of albums we'll be releasing with the great Kresten Osgood.

In KO's own words:
"I have been playing with the Swedish saxophonist Gilbert Holmström for over 15 years. He is among the most important musicians in Swedish jazz history. When we started playing together he was in his early 70s, now he is 86 years old and plays with completely undiminished strength. He is the last survivor of the generation of Swedish musicians that started in the 1950s. A musician who understood the metaphysics of bebop. A musician who actually saw Charlie Parker play live and learned to play the saxophone by listening to a Charlie Parker record. In Denmark, we had Bent Jædig. In Sweden they had Bernt Rosengren and Gilbert Holmström.
My idea for this album was to go to Gothenburg and catch Gilbert Holmstöm in his element with some musicians from his own city in an informal setting.
My playing with Gilbert has developed a lot over the last few years and it was simply time to secure some recordings documenting our unique music together."

SPLIT TAPE OUT TODAY!Celebrating the life and music of the multi-dimensional drummer and composer, Jerome Cooper.Born in...
26/01/2024

SPLIT TAPE OUT TODAY!

Celebrating the life and music of the multi-dimensional drummer and composer, Jerome Cooper.

Born in 1946, Jerome is best known for his solo work, as a band leader, as a member of Art Ensemble of Chicago and Revolutionary Ensemble, and for his collaborations with Cecil Taylor, Rahsaan Roland Kirk, Sam Rivers, Andrew Hill, Anthony Braxton, and Kresten Osgood to name a few. Jerome died on May 6, 2015, in Brooklyn, NY.

This split tape we present to you consists of THE MIMETIC SUITE written and performed by the Danish keyboard and piano player Rasmus Kjær, and an archival recording, made just before Jerome’s passing, of Jerome’s composition MY BIRDS performed by Jerome himself in a duo with Tomo Jacobson on double bass.

THE MIMETIC SUITE
Rasmus says:
“After being Jerome Cooper's student at Jyderup Accordeontræf 2014, a workshop for improvised music organized by Kresten Osgood, I went through an intense period of studying his music
Jerome left us in 2015, and wanting to celebrate his life, I organized a memorial concert in 2017 in Copenhagen with performances by me (solo), our ensemble from Jyderup Accordeontræf, and Kresten Osgood Quintet. A beautiful night it was, where Cooper’s ex-wife Beth Cummins was also present. That night I also premiered the first version of the suite live with the ensemble.
The Mimetic Suite draws on the spirit of Jerome’s music, his way of composing, and his use of pre-recorded structures as building blocks in making music. This piece is an imagining of Jerome’s travels as he was gathering inspiration from traditional music cultures around the world.
After recording the suite, I shelved it for years but now it finally found its right platform in collaboration with Gotta Let It Out and Tomo Jacobson.

MY BIRDS
Tomo says:
“I met Jerome for the first time, just like Rasmus, at Jyderup Accordeontræf 2014. He was chatty, his laughter contagious, he was hip beyond. His drums, synth, and reed playing blew my mind of course, and changed my life forever.
A few months later I was moving for a year to NYC as a part of my studies, and called him right away to ask if he’d be willing to meet and play. I got some money from the Rhythmic Music Conservatory for lessons, so I was able to pay him for his time from that.
He kindly agreed and invited me to his place, but only on the condition that we would be meeting regularly for a while. I was thrilled of course. In the end, we only met a few times before his passing.
The first time I visited him in his apartment, we didn’t play but just talked. Well, most of the time he talked. I don’t mean it in a bad way, just that he had a lot to say and I didn’t. The second time I visited him, there was an incredibly different vibe around him. He was dressed up in robes and had his ceremonial dagger on him. He didn’t talk at all. I tried to strike up a casual conversation, but he’d just ignore me or answer in a way that wouldn’t leave anything more for me to say. The contrast confused me, but I went with it. I didn’t get it at that time, but I guess he was in the tone world already. There’s a chatting time, and there’s a music time, and you don’t mix them, was the message. I unpacked my bass. And then without saying anything he sat by his Yamaha PSR-1500 and started playing what I only later learned was his composition ‘My Birds’ (from the 2010 CD ‘A Magical Approach’ and Revolutionary Ensemble’s 2012 album ‘Counterparts’). He went for it and I love him for that. The fact that he just played out his life for 20+ minutes with me that day is a kind of generosity I’ll never forget. He had a spirit, a real spirit.
A few years ago Rasmus wrote to me that he’d like to release The Mimetic Suite on my label Gotta Let It Out. I was into it but thought it should be a split tape, and then for a few years, I couldn’t find anything matching for the B side. About a year ago I stumbled upon this recording. that I forgot about on my hard drive and thought that if anything could become a B side for Rasmus’ piece that he wrote in Jerome’s memory, it would be Jerome himself. And we went for it. Here you go, love to Jerome solidified into a cassette tape. Presto!”

The New York City Jazz Record's Best of 2023 list is up and Kresten Osgood / Bob Moses / Tisziji Muñoz - 'Spiritual Drum...
08/01/2024

The New York City Jazz Record's Best of 2023 list is up and Kresten Osgood / Bob Moses / Tisziji Muñoz - 'Spiritual Drum Kingship' is among the listed.
Also read a on point review from Brian Charette in NYCJR newest issue

REvIEW!
12/12/2023

REvIEW!

Read the review of Kresten Osgood, Bob Moses and Tisziji Muñoz - Spiritual Drum Kinship (Gotta Let It Out, 2023) on The Free Jazz Collective

We got a label feature in the Dec. edition of The New York City Jazz Record! Read along!
02/12/2023

We got a label feature in the Dec. edition of The New York City Jazz Record! Read along!

The New York City Jazz Record's DECEMBER 2023 Holiday Issue is now available, including at locations throughout NYC and online in full color at http://nycjazzrecord.com. This month's coverage includes features on Marty Ehrlich Gregory Hutchinson Jeff Lederer Little i Music Stephanie Nakasian Eartha Kitt Gotta Let It Out Records, a Carla Bley In Memoriam, the Holiday Gift Guide + Festival Reports from Jazzfest Berlin, BRIC Celebrate Brooklyn Festival Śmietana Competition, Event Calendar, 100 Miles Out, 50+ album reviews, etc.!

Andrej Thompson - Light, Time and SpaceTime perception lies at the heart of transcendental consciousness.Light, Time and...
20/11/2023

Andrej Thompson - Light, Time and Space

Time perception lies at the heart of transcendental consciousness.
Light, Time and Space is a large-scale, long-term project based in Copenhagen seeking to examine the relationship of musical objects with light, time and space. These three central conceptual elements are examined in a variety of different musical settings and with a variety of different musical devices and systems. The current focus is on time perception and inspired by Ed Sarath and Olivier Messiaen.

Andrej Thompson - tenor sax
Calum Builder - alto sax
Håkon Guttormsen - trumpet
Rasmus Holm - trombone
Matt Choboter - piano
Asger Thomsen - double bass
Johannes Nästesjö - double bass
Jan Kadereit - drums

All music by Andrej Thompson

08/11/2023
06/10/2023
ALL THE WONDER OF SIX LITTLE SPOONS is a project founded in 2021 in Cologne (DE) by the Polish, Copenhagen-based compose...
06/10/2023

ALL THE WONDER OF SIX LITTLE SPOONS is a project founded in 2021 in Cologne (DE) by the Polish, Copenhagen-based composer and guitarist Szymon Wójcik (RASP Lovers).

The ensemble consists of 10 musicians from different parts of the world, coming from various musical backgrounds: Thea Soti (voice), Ferdinand Schwarz (trumpet), Jonas Engel (alto sax, clarinet), Victor Fox (bass clarinet), Emilia Gołos (piano), Zoe Argiriou (vibraphone, bass drum, timpani), Magdalena Lorenz (violin), Jonas Gerigk (double bass), Anthony Greminger (drums) and Wojcik himself on electric guitar.

The album is an attempt to escape and find an alternative to the hierarchical composer-ensemble relationship. Wójcik closely involved the musicians in the creation and development of the music, by composing specifically for unique styles and techniques used by each member of the ensemble.
The music of „All the…” is a search for balance between the precise organisation of musical material and freedom of expression. Wójcik gives up the idea of a soloist in favor of a dialogue and searching for a common language within the ensemble. He draws from various musical traditions, often at first glance far apart, creating trans-genre environment full of contrasts and oxymorons.

The music is strongly influenced by the writing of Gertrude Stein, specifically her „Tender Buttons”, and a poem by Polish artist Monika Orpik. Language in Wójcik’s compositions has been used not only as a narrative tool but primarily as another instrument, of which the phonetic layer is an extremely important element.

 hits the streets today! Come to Blågårds Plads for loppemarked today, hang out, and buy records! SPECIAL PROMOS!
01/10/2023

hits the streets today! Come to Blågårds Plads for loppemarked today, hang out, and buy records! SPECIAL PROMOS!

He originates from a parallel universe and is in possession of alien technology that he uses to create self-discovery mu...
01/09/2023

He originates from a parallel universe and is in possession of alien technology that he uses to create self-discovery music for your listening pleasure.

After his ultra-low-fi Mini CD single PLAYS (Gotta Let It Out, 2023), TOMO comes back with not one but two stunning EPs released on a single 180g vinyl in a beautiful gatefold cover.

Six 80s YAMAHA synths and drum machines, the beloved midi-ribbon, and two Fostex 4-track tape recorders become a space-time ship here, taking us on an idiosyncratic journey into sound and a stylistic blender.

In TOMO's own words: "Each of these machines has their own unique sound to them. There's limitations and glitches. There's particulates of tone. There's an illusion of an unbroken conviction in each and every sound they make. There's a stylistic mishmash. There's emotional and cultural contexts these tones inhabit in our collective and subjective psyche. These machines make music on their own if you let them. This is my tribute to them."

We gave up on trying to describe this music, but perhaps the way TOMO classifies it could help:
lo-fi, Nu-80s, ADHD, ASD, inside-out, ultimate-stoner, proto-dance, naiveté, electro-shamanic, spiritual, toddler-jam, magical realism, space-emo.

-fi -80s

PUBLIX ANNOUNCEMENTWe're partnering with one of the loves of our life (and yours too we hope) Kresten Osgood to start re...
23/05/2023

PUBLIX ANNOUNCEMENT

We're partnering with one of the loves of our life (and yours too we hope) Kresten Osgood to start releasing some of the gems from his vast body of unreleased recordings featuring the many of his musical encounters with the great masters of music!

And we start with a bang!
Guess who is on the picture below - the first correct answer gets a free copy of their upcoming CD!

Coming out June 16

Jesper Nordberg Trio is a group based in Copenhagen (DK) and Malmö (SE), featuring the double bass player Jesper Nordber...
12/05/2023

Jesper Nordberg Trio is a group based in Copenhagen (DK) and Malmö (SE), featuring the double bass player Jesper Nordberg, violinist Stefan Pöntinen and trumpetist Ruhi Erdogan. With Nordberg's compositions as a starting point, the trio's playing can be characterized by close interplay, radical shifts, and having elements ranging from experimental improvisation, Balkan music, Scandinavian folklore, jazz and expressionism.

Jesper Nordberg's warm tone and rhythmic displacements meet Ruhi's trumpet playing, that gives the listener associations to everything from Miles Davis to a Turkish village wedding, and Stefan's brave and innovative expression on the violin, all resulting in a completely unique musical landscape.

Link in bio

Released May 17, 2023

Jesper Nordberg Trio is a group based in Copenhagen (DK) and Malmö (SE), featuring the double bass player Jesper Nordber...
12/05/2023

Jesper Nordberg Trio is a group based in Copenhagen (DK) and Malmö (SE), featuring the double bass player Jesper Nordberg, violinist Stefan Pöntinen and trumpetist Ruhi Erdogan. With Nordberg's compositions as a starting point, the trio's playing can be characterized by close interplay, radical shifts, and having elements ranging from experimental improvisation, Balkan music, Scandinavian folklore, jazz and expressionism.

Jesper Nordberg's warm tone and rhythmic displacements meet Ruhi's trumpet playing, that gives the listener associations to everything from Miles Davis to a Turkish village wedding, and Stefan's brave and innovative expression on the violin, all resulting in a completely unique musical landscape.

Link in bio

Released May 17, 2023

Introducing TOMO with his debut Mini-CD single!He plays 80s YAMAHA synths, claims to originate from a parallel universe,...
11/05/2023

Introducing TOMO with his debut Mini-CD single!

He plays 80s YAMAHA synths, claims to originate from a parallel universe, and has a bunch of releases (and other shenanigans!) coming up soon.
We gave up with describing this music, but perhaps the way TOMO classifies it could help:
lo-fi, Nu-80s, ADHD, ASD, inside-out, ultimate-stoner, proto-dance, naiveté, electro-shamanic, spiritual, toddler-jam, magical realism, space-emo.

-fi -80s -out -stoner -dance -shamanic -jam -realism -emo

Introducing TOMO with his debut Mini-CD single!He plays 80s YAMAHA synths, claims to originate from a parallel universe,...
11/05/2023

Introducing TOMO with his debut Mini-CD single!

He plays 80s YAMAHA synths, claims to originate from a parallel universe, and has a bunch of releases (and other shenanigans!) coming up soon.
We gave up with describing this music, but perhaps the way TOMO classifies it could help:
lo-fi, Nu-80s, ADHD, ASD, inside-out, ultimate-stoner, proto-dance, naiveté, electro-shamanic, spiritual, toddler-jam, magical realism, space-emo.

-fi -80s -out -stoner -dance -shamanic -jam -realism -emo

Introducing Tomo Jacobson's new cross-genre ensemble SOUNDING SOCIETY.SOUNDING SOCIETY's debut album "HOMECOMING MEDLEY ...
11/05/2023

Introducing Tomo Jacobson's new cross-genre ensemble SOUNDING SOCIETY.

SOUNDING SOCIETY's debut album "HOMECOMING MEDLEY or SOCIETY INTO SOUND" is a continuous 40-minute-long brewing-together of grooves, New Age, free jazz, world music influences, drones, and electronica in one, generously spacious cauldron over a retro-futuristic bonfire.

The band consists of long-time collaborators, members of the duo WOOD ORGANIZATION, Tomo Jacobson (WARMBLADDER, Sun Araw, Mat Maneri) & Szymon Pimpon (Pimpono Ensemble, E/I, Czajka & Puchacz), here joined by the Danish keyboard wiz Rasmus Kjær Larsen (Tourist, Klimaforandringer, SVIN), and the Italian gong player & healer Ylenia Fiorini.

INTRODUCING Jesper Nordberg TrioAVAILABLE FOR PRE-ORDERJesper Nordberg Trio is a group based in Copenhagen (DK) and Malm...
04/05/2023

INTRODUCING Jesper Nordberg Trio
AVAILABLE FOR PRE-ORDER

Jesper Nordberg Trio is a group based in Copenhagen (DK) and Malmö (SE), featuring the double bass player Jesper Nordberg, violinist Stefan Pöntinen and trumpetist Ruhi Erdogan. With Nordberg's compositions as a starting point, the trio's playing can be characterized by close interplay, radical shifts, and having elements ranging from experimental improvisation, Balkan music, Scandinavian folklore, jazz and expressionism.

Jesper Nordberg's warm tone and rhythmic displacements meet Ruhi's trumpet playing, that gives the listener associations to everything from Miles Davis to a Turkish village wedding, and Stefan's brave and innovative expression on the violin, all resulting in a completely unique musical landscape.

Adresse

Copenhagen

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