Denkpause Films

Denkpause Films Denkpause Films is a film and video production company based in Stuttgart, Germany. We create enterta

 plays Emma in The Part of Me.    on 22     .entertainment.pictures
29/05/2024

plays Emma in The Part of Me. on 22 .entertainment.pictures

Today at White Lotus Eco Spa Retreat131 Mulberry DrStanardsville, VA 22973 we are screening the last Work-In-Progress sc...
10/02/2024

Today at White Lotus Eco Spa Retreat
131 Mulberry Dr
Stanardsville, VA 22973 we are screening the last Work-In-Progress screening of Father Spirit. If you are around please go and support this epic film Denkpause Films Community Grown Films.

A     by  Produced by .rck .entertainment.pictures                    🇩🇪
08/02/2024

A by Produced by .rck .entertainment.pictures
🇩🇪

Coming soon! A heartrending story of Hope!
07/02/2024

Coming soon! A heartrending story of Hope!

A (NOT SO) WARM WELCOMEFrankfurt International Airport – Dec 20, 2023I stride purposefully through the labyrinthine area...
28/12/2023

A (NOT SO) WARM WELCOME

Frankfurt International Airport – Dec 20, 2023

I stride purposefully through the labyrinthine area cordoned off in front of the border control counters at Frankfurt Airport. Having secured a seat in the front row of the economy cabin – yes, I still fly economy – near the main exit, I swiftly disembark the aircraft, eager to make my way to baggage claim. However, a crucial pitstop looms: passport control.

Approaching the yellow line, I lock eyes with a female officer who has taken the place of her, perhaps relieved, counterpart. A nod from her signals me to step forward and place my passport on the counter.

The ensuing dialogue unfolds as follows:

Me: Good evening, Ma’am.

Border Control Officer: So, Mister! What is the purpose of your visit?

Me: I live here.

As I begin retrieving my wallet from my jacket pocket, the officer, curtly, demands.

Officer: Where is your resident permit card?

Germans, known for their directness, spare no niceties. But the tone struck me as more than just efficient; it exuded intimidation.

Me: (complying) Just a sec, Ma’am.

As my resident permit emerges from my wallet, she snaps sharply.

Officer: (raising her voice) I don’t have time all day. People are waiting. Just give me your damn card.

Taken aback, I glance over my shoulder. The first passengers are still navigating the maze of guideposts with pulled bands.

My heart races.

Me: Ma’am, is this how you treat all passengers?

Officer: Mister, just give me the card. You are delaying everyone.
I hand over the card.

Me: Ma’am, you didn't wait five seconds before snapping at me. Is this the reception everyone gets?

She responds with one of those “don’t mess with me” looks.

Me: I know I'm a bit exhausted after the 9-hour flight, but I'm doing my best.

Officer: Just shut up! Don’t make trouble for yourself.

The threat in her voice is palpable. Intimidation, abuse of power, and authority, all converging.

By now, my chest pounds. I don’t fear anyone or anything, especially when I'm certain I've done nothing wrong. Yet, her harsh tone paints me as a criminal.

I retort immediately.

Me: This is not how you treat people entering the country. What's your name? Your ID number?

Officer: I don’t have to tell you.

Silent, she scans my passport. I turn to her bearded colleague.

Me: Sir, could you please provide me with her name and ID?

He ignores me completely. They're likely wondering, who is this guy? Why isn't he scared?

Well, because I fear only God, not man. Needless to say, my heart does race when I sense a threat or danger. Scientifically, I guess my amygdala responds with the fight mode rather than flight. What is going on under the hood is that I lose fear in such situations.

“Why be afraid of someone who can only destroy your body? Rather be afraid of the one who can destroy both your body and soul…”

I don't mean that in a religious fanatic sense, ready to blow myself up. Rather, when confronted with injustice, oppression, abuse, and the vulgar display of power, my fight mode is immediately activated.

I have another go at the male officer.

Me: Sir, can you at least tell me your name?
A blunt “No” is all I get.

Few know my middle name is “Singh,” derived from the Sanskrit word “SINGHAM,” meaning Lion. I don't often use it, but situations like this make it handy.

Did they just awaken a lion?

I salute them – honourable men and women.

The female officer slaps my documents on the counter.

Officer: Have a nice day!

Me: You too!

I swiftly collect my documents and leave.

This unfolded after a grueling 32-hour journey with a 16-hour layover in Mumbai. Completely drained upon landing in Frankfurt, such a warm welcome was the dessert after the main course.

I possess an inherently confrontational disposition. Admittedly, someone else in my stead might have chosen the path of silent acquiescence, but not me. Disrespect towards me invites reciprocity. However, I recognize that this may not always be the wisest course of action. I am in the process of developing the ability to overlook various trivial matters. Following my extensive journey across two continents, my discernment was undoubtedly compromised.

BAGGAGE CLAIM – BELT 53

At the baggage claim belt, an Indian gentleman inquired about the altercation. He shared a similar experience, recounting the officer's discourteous inspection. Later, he disclosed that he is a colorectal surgeon practicing in Germany.

Spotting an officer walking by, I promptly approach her, outlining the issue and requesting to speak with the supervisor. Initially, she appears uncooperative, indicating that her jurisdiction is customs, as evident from her tag labeled 'Zoll.' Nevertheless, I persist, urging her assistance in reaching the appropriate authority to file a complaint. She instructs me to wait and, assuring a return, walks away.

Moments later, she reappears in the company of a tall Turkish officer. The pertinent factor isn't how I identify Turks, but the crucial matter at hand. I won't expound on the reasons behind their population's swifter growth compared to that of Germans; that's a topic for your exploration. Nevertheless, I'll furnish a concise narrative on their initial migration to Germany.

Post-World War II, severe labour shortages led Germany to invite Gastarbeiters (German for 'guest worker'), mainly from Mediterranean countries. When the infamous Berlin Wall was erected between East and West Germany, it triggered a labour crisis. With a restricted workforce, individuals from East Germany faced challenges in relocating to work in West Germany. Consequently, in 1961, the West German government entered into a labour recruitment agreement with Turkey, extending an invitation to the citizens of the Republic of Turkey to work in their country.

NOTE: Germany played a pivotal role in both World Wars. Under the N***s, Germany initiated World War II and also significantly contributed to the First World War by offering unwavering support to Austria for the assault on Serbia. These wars resulted in devastating defeats for Germany, reshaping the geopolitical landscape and fostering efforts for international cooperation.

These defeats might have had a profound impact on the culture and psyche of Germany, influencing how people perceive themselves as a nation. Notably, there seems to be a lack of national pride in Germany. Additionally, there's a suggestion that a lingering sense of guilt persists due to the inhuman atrocities committed against the Jews under the N***s.

When I first arrived in the country in 2002, I observed that Germans were often apologetic, even for their English proficiency. Conversations with Germans in English typically began with an apologetic tone - almost every time, it was along the lines of, 'Sorry! My English is not very good.' Well, I believed it was certainly better than my German. I couldn’t even say 'sorry' in German. 'Entschuldigung' would probably sound like something akin to driving over a rumble strip. Another noteworthy point is that complimenting a German might not yield much. They tend to be modest, and excessive flattery may make them uncomfortable, resulting in a rather subdued response.

The best you can get from them in terms of appreciation is a 'Nicht schlecht!' - not bad.

You know what the last words of Nietzsche, the great German philosopher, were: 'Mutter, ich bin dumm' (Mother, I am stupid). Poor guy. After dedicating his life to uncovering the profound truths of life and humanity, all he thought of himself was that he was a dumb guy. And this was even before both world wars. Is there something innate coded into the genome of the Germanic people? Why do so many of them suffer from low collective self-esteem to this day?"

For someone born in India, it's hard to understand the lack of patriotic sentiment. In India, the celebration of independence from the British Raj is not just an annual event; it's a profound expression of national pride. What further distinguishes Indians is their perpetual readiness to celebrate. This distinctive cultural trait, marked by a constant festive spirit, stands in contrast to the perhaps more reserved efficiency associated with Germans.

In a more solemn vein, Germany boasts an array of accomplishments beyond the realm of fast cars and football prowess on the international stage. The nation has given birth to some of the world's preeminent thinkers, philosophers, artists, composers, and scientists. From the musical genius of Bach to the profound philosophy of Nietzsche, from the enlightenment of Kant to the groundbreaking scientific contributions of Einstein, and from the psychological insights of Freud to the artistic mastery of Dürer—this list extends indefinitely. However, a pervasive sentiment, akin to the aphorism that one negative occurrence outweighs a multitude of positive attributes, looms over the nation like an ominous black cloud. The question persists: Why did Hi**er's actions have to tarnish the reputation of such a culturally rich and beautiful nation?

The indelible scars of the Holocaust will perpetually linger in the hearts and minds of individuals, particularly among the Jewish community. Regardless of the positive strides made, the profound atrocities endured by the Jewish people under the rule of a tyrant are beyond redemption. I believe that Germany should liberate itself from the burdensome weight of historical guilt. Instead, the nation should forge ahead with a simultaneous acknowledgment of past mistakes and a commitment to a future where decisions are grounded solely in the merit of justice, unencumbered by the obligation to favour one nation over another.

Sufficient with the philosophical discourse; let us return to the narrative at the airport. I recount the entire incident to the Turkish individual, outlining the mistreatment I endured. His response is a vacant stare. Subsequently, I inquire about his authority, to which he asserts that the superior is ensconced in his office adjacent to the border check counters. However, gaining access to this office requires navigating the checkpoint once more, a prospect I recognize as impractical. Undeterred, I persist in my demand for someone endowed with the authority to censure and rectify the inappropriate conduct of the officer.

Following a momentary, contemplative gaze, the Turk directs me to accompany him. Our path converges with a female police officer brandishing an MP5 submachine gun. It remains striking how the mere presence of this metallic accoutrement draped around one's neck imparts an aura of formidable authority. Resuming my narrative for the third time, I find myself contemplating the efficacy of my endeavours – am I squandering my time in pursuit of an abstract concept like "justice for all"? Regardless, I am resolute in my commitment. I yearn for the transgressor to comprehend her transgressions, emphasizing that the disparaging treatment of foreigners is unacceptable. What I seek is not merely an apology, for such a gesture holds little value unless it emanates from genuine contrition and sparks a transformation in behaviour.

Initially, the police officer gestures toward the Chief's office, situated beyond the checkpoint. Weary and drained, I implore this astute officer to convey my message directly to the alleged perpetrator. I appoint her as the arbiter in this exchange. She acquiesces to the responsibility, possibly contemplating the eccentricity of the situation or questioning her preparedness for such a task.

She proceeds into the officer's cabin, trailed by the male officer stationed outside, his right hand casually resting on the grip of his MP5. After a brief interval, she emerges and approaches me. Anticipating the need for documentation, I activate the camera app on my phone and commence recording. The ensuing transcript encapsulates the exchange that unfolds.

Smart Officer:

Okay, apparently there was some just miscommunication between the two of you because she was missing your residence permit and apparently she was asking you about it.

Vikram:
No, she yelled at me. She was...

Smart Officer:
I wasn't here. Yeah. I'm just here. I'm the translator between the two of you. She just told me she's sorry if it sounded rude or whatever.

Vikram:
Can she apologize to me?

Smart Officer:
She can, but since there are a lot of people in line, I don't know if you wanna…(wait)

Vikram
It’ll just take a minute. (In fact) It'll just take 10 seconds.

Smart Officer:
No, no, no. The people in line are actually… priority first. So, if you want to stay here, grab your luggage and come back.

Vikram:
I mean, you know it takes 10 seconds. She can just see my face and say sorry.
It might take even less than that, you know. It might take less than that.

Smart Officer:
I know. I'm just, like I said, I'm just, I'm the translator between the two of you.

Vikram:
The way you talked right now with her probably took longer than it would take her to say sorry. You know what I mean?

Smart Officer:
All I can say right now…

Vikram
What's her name? Can I get her name at least?

Smart Officer:
I'm not giving out any names of my colleagues without their permission.

Vikram:
I mean, you should be, you're in public service, you should be wearing tags. I mean, you're carrying an ID tag.

Smart Officer:
She does too, but if she's sitting and she has it on her trousers, she doesn't see it.

Vikram:
Yeah, I mean, it doesn't help in any way. ID has to be on you, like here. (Points to the male police officer badge)

Smart Officer:
Like I said, all I can say from my position right now is that we are sorry for the situation that it occurred to you. And if you're good with that, you can grab your luggage and go.

Vikram:
See, looking at the history of this nation. People should be more kind when people, foreigners are coming in.

Smart Officer:
Sir, I'm doing my very best here. I know. Just being like, in between the two of you. I am actually on a completely different task right now. I know, I know. I'm just here like, for you to handle this situation somewhat properly. All I can say right now, for my colleagues, I'm sorry.

Vikram:
Okay, Alright, alright, I take that, yeah?
I accept that. One thing I'll tell you, when people are coming in, this is the first time it has happened to me. I've been coming here 20 years - for 20 years, and this is the first time it has happened to me. Apparently, she's having a bad day or she's having some other issue. I don't know, but please, this is feedback from me.

Be kind to people. And not only me… the people who were behind me, I just met them at the belt…They also experienced the same thing. Okay.

Smart Officer:
Then I can just say, I'm sorry.

Vikram:
So, you know, this lady, you tell her what she has to do. Otherwise. She'll run into more trouble. I'm just telling you that. You know what I mean?

Smart Officer:
Thanks for the feedback. I hope you still enjoy the holidays. Okay. Thank you.

Vikram:
Thank you.

[End of transcript]

I articulated my sentiments with the anticipation that this discerning officer would effectively convey the message, not only to her but potentially to her colleagues as well, ensuring that she refrains from displaying disrespect towards others in the future. Subsequently, I departed from the scene, inhaling deeply and adjusting my posture, not in celebration of a monumental achievement, but rather as a testament to my audacity in confronting discourteous and impolite conduct.

Above all, I departed with a narrative to recount, one that carries the potential to inspire and resonate with all who encounter it.

I appreciate your attention. Thank you!
© Vikram Bhandari

Murphy’s LawLast week, I directed a short film in Austria alongside Dennis, the producer, with whom I had worked on prep...
18/10/2023

Murphy’s Law

Last week, I directed a short film in Austria alongside Dennis, the producer, with whom I had worked on preproduction. We devised a meticulous plan, created a comprehensive shot list, and organized our team, aligning all our ducks in a row. I believed we were in an excellent position to undertake the creative challenge of translating our script's vision onto the screen.

Our plan was to arrive at our location in Hagenau, Austria, during Monday afternoon and commence shooting by 7:30 pm. However, we had to take a detour through Munich to acquire a vintage car, a crucial prop for our film. By the time we reached Austria, it was past 6 pm, and further time was consumed for check-in and dinner. Consequently, we weren't ready to start until around 11 pm. The crew and cast gradually acclimated, but when we finally concluded our work, it was already 1:30 am.

Everyone was already exhausted due to the travel, and the late start only compounded the lethargy. I retired to bed at around 2:30 am. The following day was a full one, but due to the late previous night, we had a sluggish start. Our initial scene featured the vintage car, which we had retrieved in Munich. We arrived at a picturesque location, a long winding street, on a bright sunny morning. It was a montage scene meant to convey the budding romance between the lead actors. I intended to capture this with a drone to obtain a variety of stunning shots from different angles. But just as we were about to commence filming, the car unexpectedly sputtered to a halt on the tarmac. Despite various attempts, including the intervention of a local biker who offered his expertise, the car refused to cooperate and stalled as soon as the actor attempted to move it into position for the scene.

"Anything that can go wrong will go wrong," as the old adage suggests. Our unfortunate experience validated this saying. After multiple efforts to resuscitate the old-timer, we reluctantly decided to return it to its owner. Nevertheless, before doing so, we managed to capture a few scenes where the car's motion was not essential, providing some value to the film.

The delay and the late start from the night before significantly set us back, and by the time we were shooting the final scene at night, the crew's frustration and exhaustion were palpable. A couple of members even expressed their frustration, but I remained focused on completing the scene. Once we wrapped up for the day, the weary crew vented their frustrations to Dennis, the producer, stating that the shoot was disorganized and improperly planned. They also mentioned that it was unfair to continue working after 9:30 pm. I offered my apologies to the crew, acknowledging the unexpected car breakdown and assuring them that we would strive to adhere to the shooting schedule the next day.

However, the next morning brought a fresh dose of Murphy's Law. I awoke to the news that Dennis had broken his leg and required immediate medical attention. I visited him in his room, ensuring him that I would manage the production to ensure the shoot continued as planned. With unwavering determination, I seized the helm and navigated the ship through tumultuous waters of production. The day featured the most scenes we had tackled thus far, and I moved from scene to scene, from one set to another seamlessly. I was in my creative flow.

Speaking of flow, when I'm in the zone, the world around me dissipates, my focus becomes laser-sharp, honed in on the creative task at hand. I lose track of time and even hunger, gaining a nearly supernatural surge of energy. I've heard of people experiencing similar states when they're immersed in what they love, and I adore every aspect of making films, including the struggles that come with it.

While Murphy's Law may contain some kernels of truth, it should never serve as an obstacle when looking ahead. We can methodically plan, strategize, and prepare, but sometimes life throws unexpected punches, necessitating swift adaptation to persevere. That's what I do - I adapt and persist. Numerous other challenges cropped up, and for each one, we found a solution. Eventually, by the week's end, we had successfully filmed all the scenes. It reminds me of Shakespeare's words, "All's well that ends well."

It also echoes another famous phrase: "Everything will be okay in the end. If it's not okay, it's not the end."

© 2023 Vikram Bhandari

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15/10/2023

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15/10/2023

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11/10/2023

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**IN SEARCH OF DRAMA**The perplexing question I'm frequently asked, often upon meeting someone new, is, "So, what do you...
05/10/2023

**IN SEARCH OF DRAMA**

The perplexing question I'm frequently asked, often upon meeting someone new, is, "So, what do you do?" My response tends to vary depending on my mood and state of mind. Lately, however, it has leaned toward this: "I assist individuals in healing their emotional wounds and navigating through traumatic experiences." You see, I've encountered numerous individuals who bear the weight of emotional scars on my life's journey. Some have passed on, while the living continue to grapple with their pain.

At this point, the conversation often takes a turn. "Can you make a living from that?" My response is a candid, "Not yet; I have other means to make ends meet." Allow me to elucidate; for nearly two decades, I've been a television producer and filmmaker, a career that has provided me with stability and sustenance. Throughout my life, I've prioritised joy, passion, and freedom over financial security—easier said than done, as you might imagine. Now, however, I sense it's time to raise the stakes.

Speaking of my passion, I'm presently directing a short film titled "The Part of Me," which draws inspiration from a true story about finding hope in the midst of tragedy.

The film is set in post-World War II Germany, in the American-occupied zone, our story revolves around Liam, an American immigrant. He encounters Emma, the love of his life, through his best friend Tony and Tony's girlfriend, Livia. As their life unfolds, Liam becomes increasingly consumed by materialistic pursuits, driven by the fear of losing Emma if he can't provide for her. Meanwhile, Emma longs for emotional connection and intimacy within their marriage.

Before Liam can shift his focus and truly comprehend Emma's needs, he tragically succumbs to a heart attack, the result of relentless overwork and stress. Liam never has the opportunity to become a father to their daughter or a devoted husband to Emma.

Emma's world shatters in the wake of her husband's untimely death. In her darkest moments, she finds solace in a book that reignites her hope, although the pain of her loss remains a constant companion. Throughout her lifetime, she remains devoted to her profound love for Liam, tending to his grave until her final days.

I'm thrilled to announce that we'll be filming at two remarkable locations from October 9th to the 13th. Our primary setting is the magnificent "Schloss Hagenau" (The Castle of Hagenau) in Hagenau, a municipality near the city of Salzburg, Austria. Although the exact construction date of the castle remains uncertain, the earliest documented record traces it back to the Hagenau family in 1088 ("Hartwicus de Hagenowe"), suggesting its age to be approximately a thousand years or more.

Our second filming location is Schloss Bogenhofen in Austria. Originally, Bogenhofen was a single-story wooden structure, but in 1834, it underwent a transformation into an Empire-style palace. Today, Bogenhofen Seminary, or Seminar Schloss Bogenhofen, serves as a theology seminary. An interesting historical note is that both locations are in close proximity to the town of Braunau am Inn, the birthplace of Adolf Hi**er.

But enough about history lessons. While I cherish every aspect of film production, the shooting stage stands out as the most exhilarating and, simultaneously, the most stressful. During this phase, one must not only keep the creative vision at the forefront but also manage various departments to ensure each team member can deliver their best.

When I mention that a director envisions the film long before it's brought to life, it's somewhat of an arbitrary statement. In my view, any given story has three distinct films. The first is the one the writer pens—the screenplay. The second is the film captured during principal photography. The third and final film, the one seen by all, takes shape on the editing table. In essence, the film the director envisions isn't precisely the one that graces the screen. However, as long as the core of the original narrative is conveyed, and the primary intent remains intact, we have succeeded.

Yet, there exists an exception to this principle, embodied by Tommy Wiseau's "The Room," a film that strays from the norm. Wiseau's initial aspiration was to create the greatest American drama, but the outcome was a comedic masterpiece. I may not have watched "The Room," but I wholeheartedly recommend "The Disaster Artist." This cinematic gem, starring, produced, and directed by James Franco, delves into the true story of Tommy Wiseau, an outsider in Hollywood with dreams of producing a major motion picture. The film explores the friendship between Wiseau and Greg Sestero, culminating in the creation of Wiseau's film, "The Room," often regarded as one of the worst movies ever made. Adapted from Greg Sestero and Tom Bissell's book, this blend of comedy and drama offers a captivating narrative.

Whether I'm engrossed in filmmaking or engaged in dialogue with individuals, I find solace in stories. Every person possesses a unique narrative, a one-of-a-kind chronicle. I'm particularly drawn to stories brimming with drama because, truth be told, the ordinary can often seem mundane and lacklustre. As Alfred Hitchcock, the renowned English film director and producer, once opined, "A good film is one that leaves out all the boring bits."

Perhaps that's why I tend to gravitate toward those who have experienced profound pain and suffering. In storytelling, conflict is indispensable; without it, the plot would fall flat, leading nowhere. In the protagonist's journey, two types of conflict surface—the inner conflict, wherein one battles their own demons, and the external conflict, an obstacle standing in the protagonist's path. I relish the opportunity to delve into a person's inner conflict, as it is often the most formidable to conquer, and at times, even to recognize.

Now, I pose this question to you: What does your life's film resemble? What conflicts do you face on your journey? Every individual carries within them internal wounds. Have you acknowledged and worked through them? Don't allow them to fester like a malignant growth. If you seek someone to confide in, please reach out. Recognize those wounds, for they may manifest as destructive emotions such as anger and fear.

Remember, you are destined for more; you deserve more. Identify your heart's true desire and pursue it with all your heart, mind and strength. However, before you embark on that journey, you'll have to confront the “devil”. You will have to unshackle those chains before you can cross that threshold. There is only one who can set you free. Yes! He is the truth, the way and the life.

– Vikram Bhandari

“As the great artist Vincent van Gogh once said, "I am seeking. I am striving. I am in it with all my heart." This senti...
18/08/2023

“As the great artist Vincent van Gogh once said, "I am seeking. I am striving. I am in it with all my heart." This sentiment encapsulates the essence of art's profound connection between creator and observer. Just as a painter pours their heart onto the canvas, the viewer brings their own unique life experiences, emotions, and perceptions to the masterpiece before them.

Pablo Picasso echoed this sentiment, stating, "Every act of creation is first an act of destruction." Here, he highlights the transformative nature of art, where an artist's original intentions may evolve into something entirely new through the eyes of the beholder. Art becomes a conversation between the artist's vision and the observer's reality, each lending a voice to the narrative.

The beauty of art lies not only in its creation but also in its reception. When we realize that interpretation is as diverse as the spectrum of human experiences, we free ourselves from rigid expectations and open the door to an array of interpretations. Embracing this truth liberates artists from the constraints of predicting how their work will be received, enabling them to focus on the authentic expression of their innermost thoughts and feelings.

So, let us heed the wisdom of these artistic luminaries and approach the act of creating and sharing art with an open heart and an open mind. By embracing the multitude of perspectives that will inevitably emerge, we enrich our artistic journey and foster a more profound connection between the creator, the creation, and the observer. In this dance of interpretation, we find the true magic of art - an ever-evolving symphony of human experience.” - Vikram Bhandari

The sketch below is by my friend Marc Böttler Marc Böttler, the best motion artist in Germany 🇩🇪 Take that spark 🔥

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Think in Pictures.

Denkpause's vision is to tell thought provoking stories on various relevant themes, ideas and subjects in an entertaining way through the medium of films to a global audience.

Denkpause Films is a film and video production company based in Stuttgart, Germany and Dehradun, India. We create entertaining and meaningful, original content for online, broadcast and film audiences across the globe.

Denkpause also helps companies and non-profit organizations worldwide to communicate their goals, objectives and vision through compelling storytelling using visual media.