funk magazine

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We Jazz—Shadow Shapes/Dorothy Ashby by David Mittleman, Don Cherry by Magnus Nygren, Peter Evans by Andrey Henkin, The R...
15/07/2023

We Jazz—Shadow Shapes/

Dorothy Ashby by David Mittleman, Don Cherry by Magnus Nygren, Peter Evans by Andrey Henkin, The Return Of the Q***r Jazz Scene by Tina Edwards, Jimetta Rose & the Voices Of Creation by Samuel Lamontagne, Asher Gamedze by Teju Adeleye, Jazz Taphonomy by Seymour Wright, Discaholic column by Mats Gustafsson, Guy Stevens by Lander Lenaerts, reviews, plus more/
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Modern Matte 21—The Shape of Things to Come/Join Modern Matter on an exciting journey into the future. Our latest issue ...
14/07/2023

Modern Matte 21—The Shape of Things to Come/

Join Modern Matter on an exciting journey into the future. Our latest issue stands at the nexus of art, culture, and technology. In it, we break new ground through images, interviews, and articles created with the assistance of AI. In fact, 80% of the research materials and ideas were conducted by the AI assistant, making this a truly groundbreaking publication, once again pushing the boundaries of the possible/
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Real Review 14—DIRECT PERCEPTION/ We spend almost a third of our lives connected to the internet, in a space-time of tot...
14/07/2023

Real Review 14—DIRECT PERCEPTION/
 
We spend almost a third of our lives connected to the internet, in a space-time of total internal reflection. Online lacks any randomness or chance; and this illusion of fate and order is at odds with the actual structure of the universe. Online we are not social beings but commodified identities; immersed in diluted ideas, weak connections and fleeting emotional states that neither originate within us, nor belong to us. We are possessed by the internet, and so dispossessed of life.
 
What is after the digital? We interview critical theorist JONATHAN CRARY on the internet complex. Artist CHRISTINE SUN KIM reviews contemporary society. TANYA AND ZHENYA POSTERNAK review graffiti written by soldiers in Ukraine, while SIRKHANE DARKROOM reviews the role of play on the Turkey-Syria border. RHEA DILLON performs an opera of the street, EMILY BARKER reviews accessible bathrooms and KAZEEM KUTEYI goes outside. SETH WHEELER and JAMILA SQUIRE review shoplifting. JACK SELF reviews object persistence, MADDY WEAVERS reviews comfort and SAMIHA MEEM reviews the Adobe Suite. JERRY GOGOSIAN reviews Instagram, LUCY ROEBER reviews the M**f and JACKIE WANG reviews Tiqqun… […]
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👋    .magazine
14/07/2023

👋 .magazine

👋 open this week Thu—Sat 12:00—18:00 📚💫
13/07/2023

👋 open this week Thu—Sat 12:00—18:00 📚💫

Dazed Summer 2023/-
08/07/2023

Dazed Summer 2023/
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📚💫Summer Sale💫📚
07/07/2023

📚💫Summer Sale💫📚

Interview—Jennifer Lawrence/-
07/07/2023

Interview—Jennifer Lawrence/
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Toiletpaper 20/-
06/07/2023

Toiletpaper 20/
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We Jazz—Universal Beings/Stories include Makaya McCraven by Ayana Contreras, Sonny Rollins by Ashley Kahn, Amina Claudin...
29/06/2023

We Jazz—Universal Beings/

Stories include Makaya McCraven by Ayana Contreras, Sonny Rollins by Ashley Kahn, Amina Claudine Myers by Seymour Wright, Adolphe Sax by Harry Eddy, Ronald Snijders by Mike Bindraban, introducing our new columnist Mats Gustafsson, Puristamo Helsinki pressing plant photo essay by Mathias Foster, reviews…
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Dummy—Lüge/Immer wieder verständigen wir uns in der Gesellschaft darüber, was wir als wahr anerkennen und was nicht. Das...
29/06/2023

Dummy—Lüge/

Immer wieder verständigen wir uns in der Gesellschaft darüber, was wir als wahr anerkennen und was nicht. Dass die Erde eine Kugel ist, werden die meisten unterschreiben, dass Corona lebensgefährlich war, schon weniger. Und ist Helene Fischer eine Frau? Oder wird sie vielleicht nur als solche gelesen und ist in ihrem tiefsten Inneren ein Mann? Gerade in den vergangenen Jahren haben gesellschaftliche Debatten zu neuen Perspektiven auf lieb gewonnene Wahrheiten geführt/
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Flash Art—anti cynicism/”Folks don’t understand how hard it is to make a thing that has fuzzy boundaries. It’s very, ver...
27/06/2023

Flash Art—anti cynicism/

”Folks don’t understand how hard it is to make a thing that has fuzzy boundaries. It’s very, very difficult to make a thing that doesn’t arrive already predigested. It’s a consequence of where we are in history.” Arthur Jafa’s words resonate meaningfully throughout this issue, as does Anne Imhof’s response: “There are layers of meaning in the images. And the images are many. Crystalized.” The question of how we relate to consumerism — our lifestyle addiction, materialist sensibility, and digital delirium — should be a constant struggle. Instead, we try to mitigate our impulses with a sort of self-flagellating self-awareness. This reflexive tendency to balance out material desire with a sense of guilt epitomizes the new definition of cynicism.

We want to focus on the opposite tendency. Titled ANTI CYNICISM, this issue features an artist whose work has been controversial since day one. As Arthur Jafa comments in his conversation with Anne Imhof, people either find her work to be the most amazing experience they’ve ever had, or else they hate it. Imhof addresses our titular theme with a special production, conceived especially for the magazine, in which, wearing Saint Laurent, she has been photographed in Berlin and New York by Joshua Woods.
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Standard 31—goodbyes and coffee/New design, more content and more sustainable printing! ⚡️💫👌
25/06/2023

Standard 31—goodbyes and coffee/
New design, more content and more sustainable printing! ⚡️💫👌

Gurke with Curlz/Mit viel Liebe und voller Stolz stellen wir euch GURLZ WITH CURLZ Issue 04 vor. Auch in diesem Jahr sch...
24/06/2023

Gurke with Curlz/

Mit viel Liebe und voller Stolz stellen wir euch GURLZ WITH CURLZ Issue 04 vor. Auch in diesem Jahr schafft das Magazin wieder einen ästhetischen Raum für die Perspektiven und Expertise Schwarzer Frauen* in Bereichen wie Kunst, Kultur, Politik, Wissenschaft und Lifestyle. Neben ausdrucksstarken visuellen Inhalten findet ihr eine Vielzahl an interessanten Artikeln und spannenden Interviews von und mit inspirierenden Persönlichkeiten, wie beispielsweise Autorin und Vermittlerin für Rassismuskritik Tupoka Ogette, Dermatologin Dr. Ephsona Shencoru und Journalistin Anna Dushime. Wir stellen kleine und große Brands vor, teilen Reisetipps für verschiedene afrikanische Länder und Aufrufe zu beruflicher Vernetzung. Des Weiteren findet ihr mit Influencerin Christl Clear und der Fashion Brand Kids of the Diaspora erstmalig auch Schwarze Perspektiven aus Österreich. Insgesamt liegt der Fokus der sorgfältig kuratierten Inhalte bewusst auf den schönen und wertvollen Dingen, die Schwarze Menschen, ihre Community und Kultur, ausmachen und bewegen/
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R***e Faire 42—45/-
24/06/2023

R***e Faire 42—45/
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Eaten—Vegetables/From the unusual origins of the baby carrot to the enduring legacy of taro in Hawai’i and the mostly na...
24/06/2023

Eaten—Vegetables/

From the unusual origins of the baby carrot to the enduring legacy of taro in Hawai’i and the mostly naked life of America’s first celebrity body builder, EATEN No. 17: Vegetables has all the vitamins and minerals your brain needs to get you through the summer/
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Art Aurea—Kunststoff/Plastic.Arts & crafts magazine in DE+ENG.Vom Zauber eines Stoffes, der zum Problem wurde. Vieles, w...
24/06/2023

Art Aurea—Kunststoff/Plastic.
Arts & crafts magazine in DE+ENG.

Vom Zauber eines Stoffes, der zum Problem wurde. Vieles, was uns die Moderne gebracht hat, ist Segen und Fluch zugleich. Dies gilt auch für Kunststoffe. Ihre technischen Eigenschaften wie Formbarkeit, Festigkeit oder billige Verarbeitung haben maßgebliche Entwicklungen in Wissenschaft, Technik und Wirtschaft überhaupt erst möglich gemacht. Leider hat man die damit verbundenen Gefahren ignoriert. Leichtfertig und verschwenderisch eingesetzt, belasten Kunststoffabfälle nun unsere Böden, schwimmen in furchterregenden Mengen in Flüssen und Meeren und zerstören Leben, tierisches und am Ende wohl auch menschliches. […]
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ZWEIKOMMASIEBEN 27/-
23/06/2023

ZWEIKOMMASIEBEN 27/
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Kunstforum 289—Cuteness/Niedliche Kunst? Das galt lange als Widerspruch in sich. Kunst konnte vieles sein – aber gewiss ...
22/06/2023

Kunstforum 289—Cuteness/

Niedliche Kunst? Das galt lange als Widerspruch in sich. Kunst konnte vieles sein – aber gewiss nicht süß. Während durch Readymades, Pop Art oder Appropriation Art andere Motive der Konsum- und Populärkultur selbstverständlich aufgegriffen wurden, blieb „Cuteness“ lange eines der letzten Tabus in der Bildenden Kunst. Doch durch Globalisierung und Soziale Medien werden etablierte Kunstvorstellungen und Werkformen immer wieder herausgefordert – so auch, indem das Niedliche in den Bereich der Bildenden Kunst vordringt, wie etwa in der fortlaufenden Serie „Hello Masterpiece“ von Leslie Holt, die das berühmteste Kätzchen der gegenwärtigen Konsumkultur, Hello Kitty, auf die bedeutendsten Kunstwerke der Welt treffen lässt/
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032c Issue 43—CULTURE CRISIS. Therapies for the confused/ -
22/06/2023

032c Issue 43—CULTURE CRISIS. Therapies for the confused/
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💫open Thu—Sat 12—18:00/
21/06/2023

💫open Thu—Sat 12—18:00/

Vestoj—The platform for critical thinking on fashion/»On Every Day Live« is an exploration of routines, rituals and repe...
20/06/2023

Vestoj—The platform for critical thinking on fashion/

»On Every Day Live« is an exploration of routines, rituals and repetitions, the many ingenious ways in which the weak make use of the strong, how ‘common people’ reappropriate and subvert material culture to suit their own interests and rules, and a lyrical and critical exploration of generic, inexpensive and mass produced objects. We are looking at the practice and poetics of the everyday, consumption as a creative act, and consumers not as passive receptacles, but rather active agents with the ability to adapt the system imposed on them in a myriad of small, personal and intuitive ways in order to navigate and enjoy life/
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 Lesung bei uns im Hof 💫 Zukunftsaussichten begleitet von Donner, es war dramatisch schön⚡️-
19/06/2023

Lesung bei uns im Hof 💫 Zukunftsaussichten begleitet von Donner, es war dramatisch schön⚡️
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Eye 104  The urge to make static artwork that depicts or creates movement has long been a human preoccupation. In our Re...
19/06/2023

Eye 104

The urge to make static artwork that depicts or creates movement has long been a human preoccupation. In our Reputations interview, influential Elle art director and photographer Peter Knapp talks about his desire to infuse magazines with movement. At a time – the 1960s– when the conventions of fashion publishing and photography were being reinvented, Knapp was a central figure.

The practice of motion design has a deep history and rich present; ‘Jump cuts’ is an examination of some current practitioners who are creating resonant, personal work – from Saskia Marka’s TV titles, via Hiromu Oka’s animated Riso prints, to the haunting transformations that Dirk Koy shares on social media. This is a tantalising time – especially now that the means to make ‘direct film’ (to borrow Len Lye’s useful term), are on most designers’ computers.

Christopher Wilson’s thorough feature about the series of Album Cover Albums engages with a period when graphic design and music culture were entangled to an unprecedented degree. As Wilson demonstrates, the books ‘traced shifts in graphic design and in ideological differences between generations of designers.’

In Ukraine, art director Glib Kaporikov and editor Anna Karnauh have made an edition of design magazine Telegraf that shows the design community’s response to war. Karnauh says: ‘Telegraf is about a new reality, where creativity is the weapon against the aggressor.’

Bricks from the kiln 06/This instalment of Bricks from the Kiln doubles as issue 06 of the journal and as an exhibition ...
17/06/2023

Bricks from the kiln 06/

This instalment of Bricks from the Kiln doubles as issue 06 of the journal and as an exhibition catalogue for the thematic show ‘BFTK #6: Tentative — Incomplete — Inconsistent: A Catalogue of the Disappeared, Destroyed, Lost or Otherwise Inaccessible’. Presenting objects, artworks, artefacts, models, events and animals that no-longer — or never did — exist in physical form, the exhibition explores themes of death, destruction and reincarnation, examining persisting interests in notions of ephemerality and permanence, memory and record, preservation and erasure, creation and reconstruction. How do we remember and memorialise? How is space given to the unrecorded? How do we experience the out of reach, concealed, unseen, undiscovered? How can the dematerialised be materialised again, through the mediation of writing, image and sound?
-from.the.kiln

Backstage Talks 07—Empathy for sale/How much empathy should we sell to our clients and how much do we need to keep for o...
17/06/2023

Backstage Talks 07—Empathy for sale/

How much empathy should we sell to our clients and how much do we need to keep for our teams, and ourselves? We talked about the importance of empathy in creative work with Anna Kulachek, Brian Collins, Hedda Lilleng, Mark Pollard, David Numwami, Heidi L Maibom, Tereza Ruller and more!

Backstage Talks is a magazine of casual, but in-depth dialogues on design and business. Our decisions shape and influence this complex world—to have a chance to make the right ones, we need to talk.
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🥳Heute 16:00—21:00/-nrw
16/06/2023

🥳Heute 16:00—21:00/
-nrw

Racquet 22/Get ready to get dirty! Spring is here, and so is Racquet No. 22, in which we celebrate clay court tennis. In...
15/06/2023

Racquet 22/
Get ready to get dirty! Spring is here, and so is Racquet No. 22, in which we celebrate clay court tennis. Inside, we take a deep dive—or should we say dig—into our favorite playing surface. We visit clay manufacturers in Charlottesville, VA and Buenos Aires and view the majestic Monte Carlo Country club from the sky. Keeping with the terra battue, we finally answer the question: Just who exactly was Roland Garros? In this issue we also profile American star Michael Mmoh and the “Little Maestro” of the Philippines Felicisimo Ampon, and cover the Austin Open as only we can. Finally, we offer two fantastic excerpts from new books by Robert Lopez and Janet Malcolm. The cover features the painting “Down the Line” by the British artist Charlotte Keates, whose work is also presented inside/
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👋📚open Thu—Sat 12:00—18:00/
15/06/2023

👋📚open Thu—Sat 12:00—18:00/

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