Arts of the Working Class

Arts of the Working Class Kontaktinformationen, Karte und Wegbeschreibungen, Kontaktformulare, Öffnungszeiten, Dienstleistungen, Bewertungen, Fotos, Videos und Ankündigungen von Arts of the Working Class, Zeitschrift, Lynarstraße 38, Berlin.

Distributed on the streets of Western Europe by those excluded from the system, Arts of the Working Class is a newspaper covering Art, Poverty, Wealth and Precarity.

Every subscription sows the seeds of our collective future!*First and last image caption:Camilo Egas, Las floristas, 191...
04/04/2025

Every subscription sows the seeds of our collective future!
*
First and last image caption:
Camilo Egas, Las floristas, 1916 Colección de arte moderno y contemporáneo MUNA.

BREAKING: Regierung setzt auf KI-Zensur – “Error 404: Inhalt nicht gefunden”Der Berliner Senat überlässt die Zensur ab s...
01/04/2025

BREAKING: Regierung setzt auf KI-Zensur – “Error 404: Inhalt nicht gefunden”

Der Berliner Senat überlässt die Zensur ab sofort einer KI. Das “Projekt Silencio” ersetzt politisch, künstlerisch oder moralisch heikle Inhalte mit einer Standardmeldung: “Error 404: Inhalt nicht gefunden.”

“Effizient und unkompliziert,” so Senatssprecherin Anna Glatt – mehr sagte sie nicht, denn ihre Pressekonferenz blieb inhaltslos. Die KI folgt einer einfachen Regel: “Wenn sich jemand beschwert, verschwindet es.”

Besonders drastisch bei der Anthologie Politisch, Poetisch, Polemisch: Das Buch schrumpfte in Sekunden auf eine einzige Seite mit der Überschrift “Frauen haben Meinungen?” – “eine objektive Verbesserung,” lobte Regierungsberaterin Dr. Helene Stramm.

Autor*innen und Journalist*innen warnen vor der Auslöschung unbequemer Wahrheiten. Die Regierung reagierte prompt: “Error 404: Beschwerde nicht gefunden.”

Bleiben Sie dran – sofern dieser Post nicht verschwindet. Oder lesen Sie die Rezension von Octavia Abril zu “Politisch, Poetisch, Polemisch – Texte zur feministischen Gegenwart, herausgegeben von Caroline Kraft und Elisabeth Wellershaus und Leykam Verlag.

New Column Drop!Introducing Art in Permacrisis, Sepp Eckenhaussen’s take on the art world’s endless instability—and the ...
29/03/2025

New Column Drop!

Introducing Art in Permacrisis, Sepp Eckenhaussen’s take on the art world’s endless instability—and the memes that shape its survival.

From radical experiments to contagious ideas, this is for everyone dreaming of a sustainable art economy.

the intro via the link in bio AWC on the streets

Image Credits: Portrait of Sepp Eckenhaussen, courtesy of the author.

Art as the State of Our Wealth
Inequalities in the art world stay invisible—much like an unpaid invoice—until someone da...
27/03/2025

Art as the State of Our Wealth

Inequalities in the art world stay invisible—much like an unpaid invoice—until someone dares to shine a light. Amelie Jakubek explores the delicate art of surviving on “exposure” in AWC’s administration department.

the letter at the link in the bio
donating to our ongoing campaign on betterplace.org

This Won’t Be a Wholly Aestheticized Documenta  the notes by  on Naomi Beckwith’s first press conference as artistic dir...
20/03/2025

This Won’t Be a Wholly Aestheticized Documenta

the notes by on Naomi Beckwith’s first press conference as artistic director of in Kassel

Artwork: Glenn Ligon, Give Us a Poem, 2007

When violence is omnipresent, to resist is to be united.“No Other Land” premiered a year ago in Masafer Yatta, West Bank...
18/03/2025

When violence is omnipresent, to resist is to be united.

“No Other Land” premiered a year ago in Masafer Yatta, West Bank where it was filmed. Since October 7, 2023, along with the bombing in Gaza, settler violence, displacement, and de facto annexation have escalated in the area.

Now, with the violation of the ceasefire agreement by Israel, acknowledging the reality of violence and the continuous displacement of the Palestinian population is more urgent than ever.

At the Berlinale, directors Yuval Abraham & Basel Adra called the conditions of life of Palestinians ruled by apartheid—their words sparked indignation in Germany. Still, the reality on the ground speaks for itself.

the piece at the link in the bio
*
Image Caption
Cover: No Other Land by Basel Adra, Hamdan, Ballal, Yuval Abraham, Rachel Szor, Palestine/Norway, 2024, 95’, video still.

Who gets justice? In the second chapter of the Narrating Protest column, Noa Jaari explores how Justice Collective, thro...
14/03/2025

Who gets justice?

In the second chapter of the Narrating Protest column, Noa Jaari explores how Justice Collective, through its documentation of over 230 trials, has uncovered systemic racism, disproportionate sentencing, and the criminalization of poverty within the German legal system.

# Read the contribution at the link in the bio
*
Image Credits
Members of the Justice Collective in front of the local court Tiergarten, Moabit in Berlin ©Justice Collective

Be a polyphonic collective voice with us:What do you attach value to? In a world where worth is measured in capital, Art...
12/03/2025

Be a polyphonic collective voice with us:

What do you attach value to? In a world where worth is measured in capital, Arts of the Working Class invites you to contribute to our next four issues, by thinking along the editorial themes of Experience, Transfiguration, Choreography and Relationships.

the Open Calls criteria and guidelines at the link in the bio
or
them on our Issue 35.
*
Image Credits
The open calls are illustrated by Julieta Aranda’s Time Bank series.

International Womxn’s Day was yesterday / is every day.Victor Mideros painted this portrait of the chaguarmisque, a wate...
09/03/2025

International Womxn’s Day was yesterday / is every day.

Victor Mideros painted this portrait of the chaguarmisque, a water carrier from the Ecuadorian Andes, whose strength and resilience embody the spirit of womxn everywhere.

Thanks to our collaboration with the Guayaquil, we had the privilege of workshopping with inspiring individuals whose words and artworks are now part of Arts of the Working Class.

With the courtesy of the digital archive of , we are delighted to share and contemplate this painting with you.

La Lucha Continúa.

TIME TO RESET! AWC has never been static—it’s a seismograph of crisis, a shape-shifting institution forged in instabilit...
04/03/2025

TIME TO RESET!

AWC has never been static—it’s a seismograph of crisis, a shape-shifting institution forged in instability. But what does it mean to reset when precarity is the status quo?

Resetting isn’t erasing—it’s reckoning. It’s choosing, again and again, how to move forward, how to refuse spectacle while making space for new voices.

Issue 35 is about working against precarity, not just rejecting it. It’s about maintenance, commitment, and the conditions that shape intellectual and artistic work.

FEAT. Octavia Abril, Julieta Arandas, Tony Balseca, Pamela Cevallos, Marcel Cedeño, Sepp Eckenhaussen, Kathy García, Martha Hellion, Pablo Hermida, Amelie Jakubek, Daniela Labra, Movimiento GRSB, Nachbarschaftshaus Urbanstraße e.V., Hortensia Pico, María Inés Plaza Lazo, Krishan Rajapakshe, Blanca Rivadeneira, Sonia Rosales, Jerónimo Ruedi, Lilo Ruminawi, Amelia Sánchez Mosquera, Pauł Sochacki, Rocío Soria Díaz, Trinidad Pérez, Ana Cristina Vásquez, Rico Zyrrano

Dewsigned by

 your copy on the street
 it on Shopify

In shared agony, these crises demand reflection on our entanglements with the planet and its systems:Wildfires in Los An...
26/02/2025

In shared agony, these crises demand reflection on our entanglements with the planet and its systems:

Wildfires in Los Angeles, floods in Libya, earthquakes in Morocco, and droughts in the Horn of Africa deepen not just anthropocentric environmental damage, but social and political inequalities.

at the link in bio the interview by María Inés Plaza Lazo with curators Didem Yazici and Burcu Cimen about the exhibition „States of Earth“ at Yapı Kredi Museum in Istanbul

until March 30, 2025.
*
Image Captions

Rozelin Akgün, Pîne (Patch), 2024.
Yapı Kredi 80th Anniversary Special Edition. Photograph: Koray Şentürk

Gözde Mimiko Türkkan, Giving (oneself) to the River Seine, 2024-work in progress. Photograph: Koray Şentürk

Berna Dolmacı, Foggy Blue, 2022. Photograph: Koray Şentürk

Gözde Mimiko Türkkan, Giving (oneself) to the River Seine, 2024-work in progress. Photograph: Koray Şentürk

Murat Yıldız Flowers & Lamp; Leaves serisi series, 2023
2023. ATuval üzerine taze çiçek ve yaprak
Photograph: Koray Şentürk

Fill out the form   or   a comment—thank you for being part of our transformation.
25/02/2025

Fill out the form or a comment—thank you for being part of our transformation.

We want to introduce you to  , a groundbreaking initiative in Mexico City that provides community-driven support for tho...
12/02/2025

We want to introduce you to , a groundbreaking initiative in Mexico City that provides community-driven support for those facing social exclusion.

Through solidarity networks and inclusive spaces, they empower individuals experiencing houselessness, forced migration, unemployment, and extreme precarity. Their work is a testament to the power of connecting art, education, and mutual aid in fostering dignity and autonomy for everyone.

The issue you see here (no.34) is one of our favorites. It’s about growing old and loving it. our dream collaborator—our . Thank you, Arturo Soto and the Valedores, for being such an inspiration and plotting with us. Such a joy to have finally met. Here’s to future collaborations and many more exchanges to come! 🌟

  mañana: „Realidad social y Modernidad Artística: 1916-1958“ en el  El verano pasado, desayunamos con Trinidad Pérez en...
08/02/2025

mañana: „Realidad social y Modernidad Artística: 1916-1958“ en el

El verano pasado, desayunamos con Trinidad Pérez entre sus diligencias como docente de la Universidad Andina de Quito y como curadora de „Realidad social y modernidad artística: 1916-1958“, una muestra que marcó el programa del Museo Antropológico y de Arte Contemporáneo (MAAC) de Guayaquil bajo la dirección de Stephanie García Albán.

Publicamos online -para conmemorar su cierre- fragmentos de una larga conversación en la que exploramos los desafíos y decisiones que guiaron la selección de obras y el diseño curatorial de su muestra, la primera del MAAC en colaboración con la fundación

Desde la dificultad de obtener préstamos hasta la intención de abrir espacios de interpretación para el público, Pérez comparte cómo la exhibición busca generar diálogos entre el pasado y el presente. También reflexiona sobre la evolución de la representación social en el arte ecuatoriano y la manera en que el realismo social sigue resonando en las prácticas contemporáneas.

Visiten artsoftheworkingclass.org para una lectura de fin de semana y no se la pierdan la oportunidad de visitar la muestra!

Imagen:
Camilo Egas, India, 1916, Colección de arte moderno y contemporáneo MUNA de Quito, Óleo sobre lienzo, 40 x 33 cm. Cortesía de EACHEVE

Opening today: the 16th edition of the Sharjah BiennialCurated by brilliant curators Alia Sw****ka, Amal Khalaf, Megan T...
06/02/2025

Opening today: the 16th edition of the Sharjah Biennial

Curated by brilliant curators Alia Sw****ka, Amal Khalaf, Megan Tamati-Quennell, Natasha Ginwala, and Zeynep Öz.

Titled “to carry,” the Biennial asks: What does it mean to bear change? Whether through technology, community, ritual, or resistance, over 190 incredible artists (with 200+ new commissions!) come together to explore this question across the Emirate of Sharjah.

Don’t miss it—open until June 15!

👀 Follow AWC for special updates & contributions


📸 Image: Güneş Terkol, Gori Leso Leso, 2024. Courtesy of the artist.

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