We record music with an amazing collection of vintage microphones. Some expemples: 5 Neumann M50, 6 Neumann U47, 2 Neumann M49, 2 AKG C12, 4 Neumann KM56, 1 RCA44 and probably every Mic Neumann ever made. Often we record in a “old-school” way, mainly for Jazz. Scoring work is a speciality too.
Once your music is recorded we mix it on our legendary Cadac G-Console. For a great mix with a loth of depth and physical integrity, an analog console is just clearly better than a digital DAW. Our console was used to record Queen’s Bohemian Rhapsody. And world famous producer Ken Scott mixed two Supertramp Records on that very console.
We are, as far as we know, the only mixing studio that features the incredible acourate mastering monitors SE-MF2 by Strauss Elektroakustik. Those were custom built for the Mastering Suites of the Sony Music Studio in Tokio and New York. See what one of the leading producers, Eric Valentine, says about them after a visit at my place:
https://www.youtube.com/watch?v=Q5m4xsU9EQ4&feature=youtu.be#t=10m39s
We have great outboard, such as an Undertone Audio Unfairchild ii, a Fairman TMEQ, 3 1178, DW-Fearn Tube Compressor, Studer C37 and A80 tape machines, Lexicon 960 and 480, Sony DRE 777, Bricasti Reverb and many more.
Most important: We do love music but we love it even more if it sounds right.
Some artists we worked for:
Herbert Grönemeyer, London Symphony Orchestra, ECM (Pierre Favre), Niki Reiser, Ute Lemper, David Klein, WDR Bigband, Kolsimcha, Nils Wogram, Christian Zehnder, Jasmin Tabatabai, Xavier Naidoo, Hans Feigenwinter.
Scoring Work: "The White Massai", "Das Blaue vom Himmel", "Huck Finn", "Heidi", "Im Winter ein Jahr" and many more.