
12/11/2021
Performance art by Indigenous women is often inherently political, employing aesthetics and pedagogies that evade the encapsulation of colonial modernity.
In her performance 'Ayum-ee-aawach Oomama-mowan' (Speaking to Their Mother), Rebecca Belmore engages in a collective articulation of community, presence, and sovereignty in the face of colonial dispossession and violence.
How Rebecca Belmore employs performances and aesthetics in an act of fugitive Indigenous resistance.