Brepols

Brepols International academic publisher of works in the humanities Brepols is an international academic publisher of works in the humanities.
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The focus of its publications lies in "source-works" from Antiquity, the Middle Ages and the Early Modern period. By this is meant critical editions of original texts and documents in their original language, reference works such as encyclopaedias, handbooks and bibliographies, as well as monograph studies and cutting-edge research. Fundamental series like the Corpus Christianorum and online datab

ases like the Library of Latin Texts, as well as the co-operation with highly respected institutes like I.R.H.T. (Paris) and the Institute for Medieval Studies (Leeds), explain and testify why Brepols works are being used in every well-respected academic library all over the world. Harvey Miller Publishers (an imprint of Brepols) has established a reputation for the quality and authority of its scholarly monographs and catalogues raisonnรฉs in the field of medieval, Renaissance and Baroque art. Besides publications under its own imprint Brepols distributes works from many world-class academic institutions. The mediums in which Brepols Publishers operates are the printed book (monographs, miscellanies and journals), microfiche, CD-ROM, online publishing (BREPOLiS) and online journals. Languages: English and French but also German, Spanish, Italian and Dutch (as well as old languages like Latin, Greek, Occitan etc.) Brepols Publishers has been founded in 1796 and is located in a 17th century building of the historic beguinage of Turnhout. Brepols Publishers has an editorial office for art history in New York (Harvey Miller / Brepols). The CTLO, a centre for computer-assisted research of classical languages, is also organised by Brepols Publishers and is housed in the Corpus Christianorum Library & Knowledge Centre.

Pleasure to see Robert Nosow at our booth at   today! He was very pleased to discover we are displaying a copy of his bo...
08/07/2024

Pleasure to see Robert Nosow at our booth at today!
He was very pleased to discover we are displaying a copy of his book 'Hobrecht and His Singers'.

About this book: bit.ly/45Y2xkI

08/07/2024

We are currently attending the ๐—œ๐—ป๐˜๐—ฒ๐—ฟ๐—ป๐—ฎ๐˜๐—ถ๐—ผ๐—ป๐—ฎ๐—น ๐— ๐—ฒ๐—ฑ๐—ถ๐—ฒ๐˜ƒ๐—ฎ๐—น ๐—ฎ๐—ป๐—ฑ ๐—ฅ๐—ฒ๐—ป๐—ฎ๐—ถ๐˜€๐˜€๐—ฎ๐—ป๐—ฐ๐—ฒ ๐— ๐˜‚๐˜€๐—ถ๐—ฐ ๐—–๐—ผ๐—ป๐—ณ๐—ฒ๐—ฟ๐—ฒ๐—ป๐—ฐ๐—ฒ (๐— ๐—ฒ๐—ฑ๐—ฅ๐—ฒ๐—ป) in Granada, Spain.

To celebrate, we offer a ๐Ÿฎ๐Ÿฌ% ๐—ฑ๐—ถ๐˜€๐—ฐ๐—ผ๐˜‚๐—ป๐˜ ๐—ฎ๐—ป๐—ฑ ๐—ณ๐—ฟ๐—ฒ๐—ฒ ๐˜€๐—ต๐—ถ๐—ฝ๐—ฝ๐—ถ๐—ป๐—ด on a wide selection of books regarding this topic, which you can discover below.

More info: www.brepols.net/MEDREN24

๐—ง๐—ฟ๐—ฎ๐˜‚๐—บ๐—ฎ๐˜€ ๐—ผ๐—ณ ๐Ÿญ๐Ÿฌ๐Ÿฒ๐Ÿฒ ๐—ถ๐—ป ๐˜๐—ต๐—ฒ ๐—Ÿ๐—ถ๐˜๐—ฒ๐—ฟ๐—ฎ๐˜๐˜‚๐—ฟ๐—ฒ๐˜€ ๐—ผ๐—ณ ๐—˜๐—ป๐—ด๐—น๐—ฎ๐—ป๐—ฑ, ๐—ก๐—ผ๐—ฟ๐—บ๐—ฎ๐—ป๐—ฑ๐˜†, ๐—ฎ๐—ป๐—ฑ ๐—ฆ๐—ฐ๐—ฎ๐—ป๐—ฑ๐—ถ๐—ป๐—ฎ๐˜ƒ๐—ถ๐—ฎBy Erin Michelle GoeresMore info: bit.ly/3XPpDrZ...
08/07/2024

๐—ง๐—ฟ๐—ฎ๐˜‚๐—บ๐—ฎ๐˜€ ๐—ผ๐—ณ ๐Ÿญ๐Ÿฌ๐Ÿฒ๐Ÿฒ ๐—ถ๐—ป ๐˜๐—ต๐—ฒ ๐—Ÿ๐—ถ๐˜๐—ฒ๐—ฟ๐—ฎ๐˜๐˜‚๐—ฟ๐—ฒ๐˜€ ๐—ผ๐—ณ ๐—˜๐—ป๐—ด๐—น๐—ฎ๐—ป๐—ฑ, ๐—ก๐—ผ๐—ฟ๐—บ๐—ฎ๐—ป๐—ฑ๐˜†, ๐—ฎ๐—ป๐—ฑ ๐—ฆ๐—ฐ๐—ฎ๐—ป๐—ฑ๐—ถ๐—ป๐—ฎ๐˜ƒ๐—ถ๐—ฎ
By Erin Michelle Goeres
More info: bit.ly/3XPpDrZ

Also available in Open Access



TABLE OF CONTENTS

Introduction. Learning to Hear

Chapter 1. Histories Entangled

Chapter 2. Dreaming of England

Chapter 3. Fratricide in the North

Chapter 4. Enigmas of Survival

Conclusion. Departures

Bibliography

Index

๐—•๐˜†๐˜‡๐—ฎ๐—ป๐˜๐—ถ๐—ป๐—ฒ ๐—”๐˜๐˜๐—ถ๐—ฐ๐—ฎ๐—”๐—ป ๐—”๐—ฟ๐—ฐ๐—ต๐—ฎ๐—ฒ๐—ผ๐—น๐—ผ๐—ด๐˜† ๐—ผ๐—ณ ๐—ฆ๐—ฒ๐˜๐˜๐—น๐—ฒ๐—บ๐—ฒ๐—ป๐˜ ๐—ฎ๐—ป๐—ฑ ๐—Ÿ๐—ฎ๐—ป๐—ฑ๐˜€๐—ฐ๐—ฎ๐—ฝ๐—ฒ (๐Ÿฐ๐˜๐—ต-๐Ÿญ๐Ÿฎ๐˜๐—ต ๐—–๐—ฒ๐—ป๐˜๐˜‚๐—ฟ๐—ถ๐—ฒ๐˜€)By Elli TzavellaMore info: bit.ly/3LcmfzM...
08/07/2024

๐—•๐˜†๐˜‡๐—ฎ๐—ป๐˜๐—ถ๐—ป๐—ฒ ๐—”๐˜๐˜๐—ถ๐—ฐ๐—ฎ
๐—”๐—ป ๐—”๐—ฟ๐—ฐ๐—ต๐—ฎ๐—ฒ๐—ผ๐—น๐—ผ๐—ด๐˜† ๐—ผ๐—ณ ๐—ฆ๐—ฒ๐˜๐˜๐—น๐—ฒ๐—บ๐—ฒ๐—ป๐˜ ๐—ฎ๐—ป๐—ฑ ๐—Ÿ๐—ฎ๐—ป๐—ฑ๐˜€๐—ฐ๐—ฎ๐—ฝ๐—ฒ (๐Ÿฐ๐˜๐—ต-๐Ÿญ๐Ÿฎ๐˜๐—ต ๐—–๐—ฒ๐—ป๐˜๐˜‚๐—ฟ๐—ถ๐—ฒ๐˜€)
By Elli Tzavella
More info: bit.ly/3LcmfzM



TABLE OF CONTENTS

Preface
Foreword & Acknowledgements
Introduction

Part I: Byzantine Attica: the geography, the history and earlier studies

Chapter I โ€“ Attica: a landscape surrounded by the sea
General geography of Attica
Natural environment and resources

Chapter II โ€“ Attica in Byzantine history
โ€˜Atticaโ€™ as a region in Byzantine sources
The history and administrative status of Byzantine Attica
Historical sources on Byzantine Attica

Chapter III โ€“ Byzantine Attica: earlier research
Archaeological excavations of Early and Middle Byzantine Attica
Studies on Byzantine churches in Attica
Field surveys and Byzantine finds
Research on the topography of Byzantine Attica
Toponyms in Byzantine Attica

Chapter IV โ€“ Land routes and maritime communication in Byzantine Attica
Introduction
The evidence of the โ€˜Tabula Peutingerianaโ€™
Land routes: topographic and archaeological evidence
Byzantine Megarid: a forgotten hub of interregional communications
Ports and anchorages in Byzantine Attica

Part II: Byzantine Attica: the archaeology of human activity

Chapter V โ€“ Attica in the Late Roman & Early Byzantine period (4th to mid-7th c.)
Settlements in all shapes and sizes
Economy
Defensive structures in all shapes and sizes
Religious buildings

Chapter VI โ€“ Attica in the โ€˜Transitional periodโ€™, mid-7th to 9th centuries
The โ€˜Transional Periodโ€™ (โ€˜Dark Agesโ€™): state of research
The problem of the textual sources
Attica and the โ€˜Slavic questionโ€™
Settlements in the Transitional Period
A note on the evidence

Chapter VII โ€“ Attica in the middle byzantine period, 10th to 12th centuries
Settlements in all shapes and sizes
Burial spaces
Settlement economy
Landed properties of the Metropolis of Athens in Attica
The emergence and flourishing of monasteries
The monastic economy

Chapter VIII โ€“ Discussion and concluding remarks
Attica in Byzantine times: an overview
Attica: fragmented regions, different geographies?
Byzantine Attica in perspective

Part III: Byzantine Attica: an inventory of sites

Chapter IX โ€“ Early and Middle Byzantine sites in Attica, 4th-12th c.

Appendix
From the ancient Attic โ€˜ demoiโ€™ to the Late Roman โ€˜choriaโ€™
A list of Attic โ€˜ demoiโ€™ relevant to this book

Churches and monasteries in Attica
List of colour maps
List of figures & colour plates
Notes
Bibliography
Index
Colour plates

Camilla Cavicchi came by our booth at the ๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿฐ ๐—œ๐—ป๐˜๐—ฒ๐—ฟ๐—ป๐—ฎ๐˜๐—ถ๐—ผ๐—ป๐—ฎ๐—น ๐— ๐—ฒ๐—ฑ๐—ถ๐—ฒ๐˜ƒ๐—ฎ๐—น ๐—ฎ๐—ป๐—ฑ ๐—ฅ๐—ฒ๐—ป๐—ฎ๐—ถ๐˜€๐˜€๐—ฎ๐—ป๐—ฐ๐—ฒ ๐— ๐˜‚๐˜€๐—ถ๐—ฐ ๐—–๐—ผ๐—ป๐—ณ๐—ฒ๐—ฟ๐—ฒ๐—ป๐—ฐ๐—ฒ and was happy to ...
08/07/2024

Camilla Cavicchi came by our booth at the ๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿฐ ๐—œ๐—ป๐˜๐—ฒ๐—ฟ๐—ป๐—ฎ๐˜๐—ถ๐—ผ๐—ป๐—ฎ๐—น ๐— ๐—ฒ๐—ฑ๐—ถ๐—ฒ๐˜ƒ๐—ฎ๐—น ๐—ฎ๐—ป๐—ฑ ๐—ฅ๐—ฒ๐—ป๐—ฎ๐—ถ๐˜€๐˜€๐—ฎ๐—ป๐—ฐ๐—ฒ ๐— ๐˜‚๐˜€๐—ถ๐—ฐ ๐—–๐—ผ๐—ป๐—ณ๐—ฒ๐—ฟ๐—ฒ๐—ป๐—ฐ๐—ฒ and was happy to discover a copy of her book 'Maistre Jan. La carriera di un cantore francese alla corte degli Este di (1512-1538)'.

About this book: bit.ly/3LcwQdU

๐—Ÿ๐—ฒ๐˜€ ๐—ฆ๐—ฎ๐—ถ๐—ป๐˜๐—ฒ๐˜€-๐—–๐—ต๐—ฎ๐—ฝ๐—ฒ๐—น๐—น๐—ฒ๐˜€ ๐—ฑ๐˜‚ ๐—ซ๐—œ๐—œ๐—œ๐—ฒ ๐—ฎ๐˜‚ ๐—ซ๐—ฉ๐—œ๐—œ๐—œ๐—ฒ ๐˜€๐—ถ๐—ฒฬ€๐—ฐ๐—น๐—ฒ๐—”๐—ฟ๐˜๐˜€ - ๐—ฃ๐—ผ๐—น๐—ถ๐˜๐—ถ๐—พ๐˜‚๐—ฒ - ๐—ฅ๐—ฒ๐—น๐—ถ๐—ด๐—ถ๐—ผ๐—ปร‰ditรฉ par Etienne Anheim et David FialaInfo: ...
08/07/2024

๐—Ÿ๐—ฒ๐˜€ ๐—ฆ๐—ฎ๐—ถ๐—ป๐˜๐—ฒ๐˜€-๐—–๐—ต๐—ฎ๐—ฝ๐—ฒ๐—น๐—น๐—ฒ๐˜€ ๐—ฑ๐˜‚ ๐—ซ๐—œ๐—œ๐—œ๐—ฒ ๐—ฎ๐˜‚ ๐—ซ๐—ฉ๐—œ๐—œ๐—œ๐—ฒ ๐˜€๐—ถ๐—ฒฬ€๐—ฐ๐—น๐—ฒ
๐—”๐—ฟ๐˜๐˜€ - ๐—ฃ๐—ผ๐—น๐—ถ๐˜๐—ถ๐—พ๐˜‚๐—ฒ - ๐—ฅ๐—ฒ๐—น๐—ถ๐—ด๐—ถ๐—ผ๐—ป
ร‰ditรฉ par Etienne Anheim et David Fiala
Info: bit.ly/3xQqbTQ



TABLE DES MATIรˆRES

ร‰tienne Anheim et David Fiala, Introduction : ร€ la recherche des Saintes-Chapelles

Elizabeth A.R. Brown, La Sainte-Chapelle de Paris, ses appelations et son renom aux XIIIe et XIVe siรจcles
Anne Massoni, Les Saintes-Chapelles, des chapitres collรฉgiaux comme les autres ?
Murielle Gaude-Ferragu, Les cรฉrรฉmonies extraordinaires ร  la Sainte-Chapelle de Paris (XIVe-XVe siรจcle)
Christophe Boucheron, Jean Mortis et le โ€˜Cartulaire de la Sainte-Chapelle de Parisโ€™ de 1457
Meredith Cohen, What Saint Louis Saw. The Sainte-Chapelle and the Palais de la Citรฉ in the Thirteenth-Century
ร‰tienne Hamon, La montรฉe de la Sainte-Chapelle de Paris : fonctions, symboles et formes
ร‰tienne Anheim, La maรฎtrise dโ€™enfants de la Sainte-Chapelle de Paris (XIIIe-XVIIIe s.). Institution et discipline entre la cour et lโ€™Eglise
Xavier Bisaro, Le vitrail et lโ€™image : la Sainte-Chapelle de Paris dans les sources cรฉrรฉmonielles du XVIIe siรจcle
Dany Sandron, Notre-Dame et la Sainte-Chapelle au XIIIe siรจcle
Paul Binski, Perspectives anglaises sur la Sainte-Chapelle
Jean-Bernard de Vaivre et Laurent Vissiรจre, Dรฉvotions aristocratiques ร  la Sainte-Chapelle de Dijon
Jean-Vincent Jourdโ€™heuil, La fondation de la Sainte-Chapelle de Bourges (1392-1405) : une fondation princiรจre durant le Grand Schisme
Yves Pauwels, Le porche de la Sainte-Chapelle de Champigny-sur-Veude : un manifeste de modernitรฉ architecturale
Julien Noblet, La Sainte-Chapelle de Chambรฉry et le projet dโ€™Amรฉdรฉe VIII : nouvelles observations archรฉologiques
Laura Gaffuri et Paolo Cozzo, De Chambรฉry ร  Turin. La Sainte-Chapelle et la Chapelle Royale de la Cour de Savoie (XVe-XVIIIe siรจcles)
Bernard Dompnier, Les calendriers festifs des Saintes-Chapelles aux XVIIe et XVIIIe siรจcles

ร‰tienne Anheim et David Fiala, Conclusion : Les Saintes-Chapelles, des institutions imaginaires

๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿฐ ๐—œ๐—ป๐˜๐—ฒ๐—ฟ๐—ป๐—ฎ๐˜๐—ถ๐—ผ๐—ป๐—ฎ๐—น ๐— ๐—ฒ๐—ฑ๐—ถ๐—ฒ๐˜ƒ๐—ฎ๐—น ๐—ฎ๐—ป๐—ฑ ๐—ฅ๐—ฒ๐—ป๐—ฎ๐—ถ๐˜€๐˜€๐—ฎ๐—ป๐—ฐ๐—ฒ ๐— ๐˜‚๐˜€๐—ถ๐—ฐ ๐—–๐—ผ๐—ป๐—ณ๐—ฒ๐—ฟ๐—ฒ๐—ป๐—ฐ๐—ฒ (๐— ๐—ฒ๐—ฑ๐—ฅ๐—ฒ๐—ป)6 -9 July 2024 โ€” Granada, SpainWe are currently att...
07/07/2024

๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿฐ ๐—œ๐—ป๐˜๐—ฒ๐—ฟ๐—ป๐—ฎ๐˜๐—ถ๐—ผ๐—ป๐—ฎ๐—น ๐— ๐—ฒ๐—ฑ๐—ถ๐—ฒ๐˜ƒ๐—ฎ๐—น ๐—ฎ๐—ป๐—ฑ ๐—ฅ๐—ฒ๐—ป๐—ฎ๐—ถ๐˜€๐˜€๐—ฎ๐—ป๐—ฐ๐—ฒ ๐— ๐˜‚๐˜€๐—ถ๐—ฐ ๐—–๐—ผ๐—ป๐—ณ๐—ฒ๐—ฟ๐—ฒ๐—ป๐—ฐ๐—ฒ (๐— ๐—ฒ๐—ฑ๐—ฅ๐—ฒ๐—ป)
6 -9 July 2024 โ€” Granada, Spain

We are currently attending the 2024 International Medieval and Renaissance Music Conference (MedRen) in Granada, Spain. A perfect opportunity to discover our newest titles in the field!

Browse our online conference offer: https://bit.ly/3VJOvi9

During the International Medieval Congress - University of Leeds our Publishing Manager Rosie Bontรฉ took part in an inte...
05/07/2024

During the International Medieval Congress - University of Leeds our Publishing Manager Rosie Bontรฉ took part in an interesting round table discussion on how to take your first steps in publishing in the academic field.
We have no doubt that her years of experience inspired many young academics to publish their first monograph!

Want to know more about publishing with Brepols, visit https://www.brepols.net/publishing-with-brepols.

๐—–๐—ฎ๐—ฟ๐—ฒ๐—ฒ๐—ฟ๐˜€ ๐—ฎ๐—ป๐—ฑ ๐—ข๐—ฝ๐—ฝ๐—ผ๐—ฟ๐˜๐˜‚๐—ป๐—ถ๐˜๐—ถ๐—ฒ๐˜€ ๐—ฎ๐˜ ๐˜๐—ต๐—ฒ ๐—ฅ๐—ผ๐—บ๐—ฎ๐—ป ๐—–๐˜‚๐—ฟ๐—ถ๐—ฎ, ๐Ÿญ๐Ÿฏ๐Ÿฌ๐Ÿฌโ€“๐Ÿญ๐Ÿฑ๐Ÿฌ๐Ÿฌ๐—” ๐—ฆ๐—ผ๐—ฐ๐—ถ๐—ผ-๐—˜๐—ฐ๐—ผ๐—ป๐—ผ๐—บ๐—ถ๐—ฐ ๐—›๐—ถ๐˜€๐˜๐—ผ๐—ฟ๐˜† ๐—ผ๐—ณ ๐—ฃ๐—ฎ๐—ฝ๐—ฎ๐—น ๐—”๐—ฑ๐—บ๐—ถ๐—ป๐—ถ๐˜€๐˜๐—ฟ๐—ฎ๐˜๐—ถ๐—ผ๐—ปEdited by Wolfgan...
05/07/2024

๐—–๐—ฎ๐—ฟ๐—ฒ๐—ฒ๐—ฟ๐˜€ ๐—ฎ๐—ป๐—ฑ ๐—ข๐—ฝ๐—ฝ๐—ผ๐—ฟ๐˜๐˜‚๐—ป๐—ถ๐˜๐—ถ๐—ฒ๐˜€ ๐—ฎ๐˜ ๐˜๐—ต๐—ฒ ๐—ฅ๐—ผ๐—บ๐—ฎ๐—ป ๐—–๐˜‚๐—ฟ๐—ถ๐—ฎ, ๐Ÿญ๐Ÿฏ๐Ÿฌ๐Ÿฌโ€“๐Ÿญ๐Ÿฑ๐Ÿฌ๐Ÿฌ
๐—” ๐—ฆ๐—ผ๐—ฐ๐—ถ๐—ผ-๐—˜๐—ฐ๐—ผ๐—ป๐—ผ๐—บ๐—ถ๐—ฐ ๐—›๐—ถ๐˜€๐˜๐—ผ๐—ฟ๐˜† ๐—ผ๐—ณ ๐—ฃ๐—ฎ๐—ฝ๐—ฎ๐—น ๐—”๐—ฑ๐—บ๐—ถ๐—ป๐—ถ๐˜€๐˜๐—ฟ๐—ฎ๐˜๐—ถ๐—ผ๐—ป
Edited by Wolfgang Mueller

More info: http://bit.ly/45PnZZj



TABLE OF CONTENTS

Editorโ€™s Introduction

Part I โ€“ Ecclesiastical Benefices
Chapter 1. The Roman Curia and the Late Medieval Benefice Market
Chapter 2. Patronage and Clientele in the Late Medieval Church. The Example of Nicholas of Cusa
Chapter 3. A โ€˜Rope Teamโ€™ of Clerics from Hanover in the Late Middle Ages
Chapter 4. On Nanker, Bishop of Krakรณw (1320-1326) and Wrocล‚aw (1326-1341)
Chapter 5. The Vatican Archives and Their Uses for Regional Historians. The Example of Late Medieval Saxony

Part II โ€“ Curial Offices
Chapter 6. The Venality of Offices. An Institution from the Period of Absolutism and its Medieval Roots
Chapter 7. The Roman Curia from the Great Schism to the Reform Councils (1378-1447)
Chapter 8. On Behalf of the Pope. The Papal cursores from 1200 to about 1470
Chapter 9. Leon Battista Albertiโ€™s Career in the Apostolic Chancery
Chapter 10. Position and Rank of the Vice-Chancellor at the Curia

Bibliography

Index

04/07/2024

๐—–๐—ฎ๐—น๐—น ๐—ณ๐—ผ๐—ฟ ๐—–๐—ผ๐—ป๐˜๐—ฟ๐—ถ๐—ฏ๐˜‚๐˜๐—ถ๐—ผ๐—ป๐˜€ - ๐— ๐—ฒ๐—ฑ๐—ถ๐—ฒ๐˜ƒ๐—ฎ๐—น ๐—ฆ๐˜๐˜‚๐—ฑ๐—ถ๐—ฒ๐˜€
In celebration of the International Medieval Congress - University of Leeds

Browse all selected book series and journals in the field of medieval studies looking for new contributions: www.brepols.net/ContributionsMedievalStudies

Congratulations to Harriet Strahl, the winner of our book raffle at the International Medieval Congress - University of ...
04/07/2024

Congratulations to Harriet Strahl, the winner of our book raffle at the International Medieval Congress - University of Leeds!
She chose to go home with a copy of 'Textual Communities, Textual Selves: Essays in Dialogue with Brian Stock'.

Happy reading!

About this book: bit.ly/3SNK3i9

You can now include your name in the Tabula Gratulatoria of ๐—ฃ๐—ผ๐—ฝ๐—ฒ๐˜€, ๐—•๐—ถ๐˜€๐—ต๐—ผ๐—ฝ๐˜€, ๐—ฅ๐—ฒ๐—น๐—ถ๐—ด๐—ถ๐—ผ๐˜‚๐˜€, ๐—ฎ๐—ป๐—ฑ ๐—ฆ๐—ฐ๐—ต๐—ผ๐—น๐—ฎ๐—ฟ๐˜€ in a honour of Patri...
04/07/2024

You can now include your name in the Tabula Gratulatoria of ๐—ฃ๐—ผ๐—ฝ๐—ฒ๐˜€, ๐—•๐—ถ๐˜€๐—ต๐—ผ๐—ฝ๐˜€, ๐—ฅ๐—ฒ๐—น๐—ถ๐—ด๐—ถ๐—ผ๐˜‚๐˜€, ๐—ฎ๐—ป๐—ฑ ๐—ฆ๐—ฐ๐—ต๐—ผ๐—น๐—ฎ๐—ฟ๐˜€ in a honour of Patrick N. R. Zutshi's 70th birthday.

To enter your name and buy a copy at a discount price, visit bit.ly/45MVQSI.

We are proud to present our newest series 'Women of the Past' with this inaugural volume ๐—ช๐—ผ๐—บ๐—ฒ๐—ป ๐—ผ๐—ณ ๐˜๐—ต๐—ฒ ๐—ฃ๐—ฎ๐˜€๐˜, ๐—œ๐˜€๐˜€๐˜‚๐—ฒ๐˜€ ๐—ณ๐—ผ๐—ฟ ๐˜...
03/07/2024

We are proud to present our newest series 'Women of the Past' with this inaugural volume ๐—ช๐—ผ๐—บ๐—ฒ๐—ป ๐—ผ๐—ณ ๐˜๐—ต๐—ฒ ๐—ฃ๐—ฎ๐˜€๐˜, ๐—œ๐˜€๐˜€๐˜‚๐—ฒ๐˜€ ๐—ณ๐—ผ๐—ฟ ๐˜๐—ต๐—ฒ ๐—ฃ๐—ฟ๐—ฒ๐˜€๐—ฒ๐—ป๐˜.
Edited by Nina Javette Koefoed and Rubina Raja
More info: bit.ly/3XQeabI

TABLE OF CONTENTS

List of Illustrations

List of Abbreviations

Nina Javette Koefoed and Rubina Raja
Women of the Past, Issues for the Present

Lien Foubert
1. Gendered Mobility in the Ancient Mediterranean
Getting Rid of Faceless and S*xless Crowds

Trine Arlund Hass and Sine Grove Saxkjรฆr
2. Daughter of Caesar, Wife of Pompey
The Role and Narratives of Julia Caesaris

Nathanael Andrade
3. The Trafficking of the Enslaved
Women and Children in the Legal Documents from the Roman Empire

Alexandra Sanmark
4. An Examination of the Concepts of S*x and Gender and their Application to Viking-Age and Old Norse Society

Jonas Lindstrรถm and Karin Hassan Jansson
5. Wet-Nurses and Verbs
Methodological Experiences of Studying Gender and Work in Early Modern Europe

Anne Montenach
6. Women in Trade: Female Advertisers in Eighteenth-Century French Provincial Towns

Deborah Simonton
7. Working Girls: Girlhood, Mobility, and Gender in Eighteenth-Century Europe

Kristine Dyrmann
8. Elite Womenโ€™s Spaces and Practices of Letter-Writing in Late Eighteenth-Century Denmark

Birgitte Possing
9. Will, Wisdom, Values, Lifeโ€™s Works, and Networks

Karen Gram-Skjoldager
10. Gabriele Rohde and the Transformation of Mid-Twentieth-Century Diplomacy

Rubina Raja
11. โ€˜This Is a Manโ€™s Worldโ€™
Women Working in Jerash in the Early Twentieth Century and Some Notes on the Societal Contextualization of Research Interest Development

Index

03/07/2024

๐—ง๐—ฟ๐—ฒ๐—ฒ ๐—ฆ๐—ฒ๐—ฎ๐—ฟ๐—ฐ๐—ต ๐—™๐˜‚๐—ป๐—ฐ๐˜๐—ถ๐—ผ๐—ป๐—ฎ๐—น๐—ถ๐˜๐˜† ๐—ป๐—ผ๐˜„ ๐—ฎ๐˜ƒ๐—ฎ๐—ถ๐—น๐—ฎ๐—ฏ๐—น๐—ฒ ๐—ถ๐—ป ๐—•๐—ฅ๐—˜๐—ฃ๐—ข๐—Ÿ๐—ถ๐—ฆโ€™ ๐—ฏ๐—ถ๐—ฏ๐—น๐—ถ๐—ผ๐—ด๐—ฟ๐—ฎ๐—ฝ๐—ต๐—ถ๐—ฒ๐˜€

Explore the enhanced beta version of Brepolis Bibliographies, now featuring the innovative Tree Search functionality!
Available in Lโ€™Annรฉe Philologique, the International Medieval Bibliography, the Bibliographie de Civilisation mรฉdiรฉvale, the International Bibliography of Humanism and the Renaissance and the Bibliography of British and Irish History.

Info: https://bit.ly/3L7JhYH

Gerda Brunnlechner proudly presents her newest book ๐——๐—ถ๐—ฒ โ€š๐—š๐—ฒ๐—ป๐˜‚๐—ฒ๐˜€๐—ถ๐˜€๐—ฐ๐—ต๐—ฒ ๐—ช๐—ฒ๐—น๐˜๐—ธ๐—ฎ๐—ฟ๐˜๐—ฒ ๐˜ƒ๐—ผ๐—ป ๐Ÿญ๐Ÿฐ๐Ÿฑ๐Ÿณโ€˜. ๐—•๐—ถ๐—น๐—ฑ ๐˜‚๐—ป๐—ฑ ๐—ฆ๐˜๐—ถ๐—บ๐—บ๐—ฒ ๐—ฒ๐—ถ๐—ป๐—ฒ๐—ฟ ๐—ฎ๐—บ๐—ฏ๐—ถ๐—ด๐˜‚๐—ฒ๐—ป...
02/07/2024

Gerda Brunnlechner proudly presents her newest book ๐——๐—ถ๐—ฒ โ€š๐—š๐—ฒ๐—ป๐˜‚๐—ฒ๐˜€๐—ถ๐˜€๐—ฐ๐—ต๐—ฒ ๐—ช๐—ฒ๐—น๐˜๐—ธ๐—ฎ๐—ฟ๐˜๐—ฒ ๐˜ƒ๐—ผ๐—ป ๐Ÿญ๐Ÿฐ๐Ÿฑ๐Ÿณโ€˜. ๐—•๐—ถ๐—น๐—ฑ ๐˜‚๐—ป๐—ฑ ๐—ฆ๐˜๐—ถ๐—บ๐—บ๐—ฒ ๐—ฒ๐—ถ๐—ป๐—ฒ๐—ฟ ๐—ฎ๐—บ๐—ฏ๐—ถ๐—ด๐˜‚๐—ฒ๐—ป ๐—ช๐—ฒ๐—น๐˜ at our booth at the International Medieval Conference ( ) in Leeds, UK.

More info: http://bit.ly/3LmDL4F

Now available from the American Numismatic Society ๐—Ÿ๐—ผ๐—ฐ๐—ฎ๐—น ๐—–๐—ผ๐—ถ๐—ป๐—ฎ๐—ด๐—ฒ๐˜€ ๐—ถ๐—ป ๐—ฎ ๐—ฅ๐—ผ๐—บ๐—ฎ๐—ป ๐—ช๐—ผ๐—ฟ๐—น๐—ฑ (๐—ฆ๐—ฒ๐—ฐ๐—ผ๐—ป๐—ฑ ๐—–๐—ฒ๐—ป๐˜๐˜‚๐—ฟ๐˜† ๐—•๐—–โ€“๐—™๐—ถ๐—ฟ๐˜€๐˜ ๐—–๐—ฒ๐—ป๐˜๐˜‚๐—ฟ๐˜† ๐—”๐——) ...
02/07/2024

Now available from the American Numismatic Society
๐—Ÿ๐—ผ๐—ฐ๐—ฎ๐—น ๐—–๐—ผ๐—ถ๐—ป๐—ฎ๐—ด๐—ฒ๐˜€ ๐—ถ๐—ป ๐—ฎ ๐—ฅ๐—ผ๐—บ๐—ฎ๐—ป ๐—ช๐—ผ๐—ฟ๐—น๐—ฑ (๐—ฆ๐—ฒ๐—ฐ๐—ผ๐—ป๐—ฑ ๐—–๐—ฒ๐—ป๐˜๐˜‚๐—ฟ๐˜† ๐—•๐—–โ€“๐—™๐—ถ๐—ฟ๐˜€๐˜ ๐—–๐—ฒ๐—ป๐˜๐˜‚๐—ฟ๐˜† ๐—”๐——)
๐—” ๐—–๐—ฎ๐˜๐—ฎ๐—น๐—ผ๐—ด๐˜‚๐—ฒ ๐—ผ๐—ณ ๐˜๐—ต๐—ฒ ๐—ฅ๐—ถ๐—ฐ๐—ต๐—ฎ๐—ฟ๐—ฑ ๐—•. ๐—ช๐—ถ๐˜๐˜€๐—ฐ๐—ต๐—ผ๐—ป๐—ธ๐—ฒ ๐—–๐—ผ๐—น๐—น๐—ฒ๐—ฐ๐˜๐—ถ๐—ผ๐—ป ๐—ผ๐—ณ ๐—–๐—ผ๐—ถ๐—ป๐˜€ ๐—ถ๐—ป ๐˜๐—ต๐—ฒ ๐—˜๐—ฎ๐—ฟ๐—น๐˜† ๐—ฅ๐—ผ๐—บ๐—ฎ๐—ป ๐—ฃ๐—ฟ๐—ผ๐˜ƒ๐—ถ๐—ป๐—ฐ๐—ฒ๐˜€
By Lucia F. Carbone
Info: bit.ly/3xx4kRl

The Richard B. Witschonke Collection of more than 3,700 coins, now in the collection of the American Numismatic Society, provides the historical and numismatic prologue to the study of Roman provincial coinage. Most of the specimens are of great historical and numismatic value, as explained in the historical introductions preceding each of the 36 sections of this catalogue. This collection offers a unique overview of the diverse ways in which the monetary systems of the Mediterranean basin responded to the Roman conquest in the second and early first centuries BCE and to the related necessity of interconnectivity.

02/07/2024

We are currently attending the International Medieval Congress - University of Leeds.
To celebrate, we offer a 20% discount and free shipping on a wide selection of books regarding medieval topics, which you can discover below.

More info: brepols.net/IMCLeeds24

We are currently attending the International Medieval Congress in Leeds.Browse our   conference offer: bit.ly/3xjCXKd   ...
01/07/2024

We are currently attending the International Medieval Congress in Leeds.
Browse our conference offer: bit.ly/3xjCXKd

The Burlington Magazine, the world's leading art periodical, has recently published a laudatory review of our title '๐—ง๐—ต๐—ฒ...
28/06/2024

The Burlington Magazine, the world's leading art periodical, has recently published a laudatory review of our title '๐—ง๐—ต๐—ฒ ๐—”๐—ฟ๐—ฐ๐—ต๐—ถ๐˜๐—ฒ๐—ฐ๐˜๐˜‚๐—ฟ๐—ฎ๐—น ๐——๐—ฟ๐—ฎ๐˜„๐—ถ๐—ป๐—ด๐˜€ ๐—ผ๐—ณ ๐—”๐—ป๐˜๐—ผ๐—ป๐—ถ๐—ผ ๐—ฑ๐—ฎ ๐—ฆ๐—ฎ๐—ป๐—ด๐—ฎ๐—น๐—น๐—ผ ๐˜๐—ต๐—ฒ ๐—ฌ๐—ผ๐˜‚๐—ป๐—ด๐—ฒ๐—ฟ ๐—ฎ๐—ป๐—ฑ ๐—›๐—ถ๐˜€ ๐—–๐—ถ๐—ฟ๐—ฐ๐—น๐—ฒ. ๐—ฉ๐—ผ๐—น. ๐—œ๐—œ๐—œ: ๐—”๐—ป๐˜๐—ถ๐—พ๐˜‚๐—ถ๐˜๐˜† ๐—ฎ๐—ป๐—ฑ ๐—ง๐—ต๐—ฒ๐—ผ๐—ฟ๐˜†' (edited by Christoph Frommel and Georg Schelbert).

More info: bit.ly/3yUvFtv

The 36th   World Congress in Lyon has come to an end. Thank you all for visiting our booth the past few days. We've had ...
28/06/2024

The 36th World Congress in Lyon has come to an end. Thank you all for visiting our booth the past few days. We've had a wonderful time meeting our authors and readers alike, and we're already looking forward to the next edition in 2029!

๐——๐—ถ๐—ฒ โ€š๐—š๐—ฒ๐—ป๐˜‚๐—ฒ๐˜€๐—ถ๐˜€๐—ฐ๐—ต๐—ฒ ๐—ช๐—ฒ๐—น๐˜๐—ธ๐—ฎ๐—ฟ๐˜๐—ฒ ๐˜ƒ๐—ผ๐—ป ๐Ÿญ๐Ÿฐ๐Ÿฑ๐Ÿณโ€˜๐˜ฝ๐™ž๐™ก๐™™ ๐™ช๐™ฃ๐™™ ๐™Ž๐™ฉ๐™ž๐™ข๐™ข๐™š ๐™š๐™ž๐™ฃ๐™š๐™ง ๐™–๐™ข๐™—๐™ž๐™œ๐™ช๐™š๐™ฃ ๐™’๐™š๐™ก๐™ฉBy Gerda BrunnlechnerInfo: bit.ly/3LmDL4FSample p...
27/06/2024

๐——๐—ถ๐—ฒ โ€š๐—š๐—ฒ๐—ป๐˜‚๐—ฒ๐˜€๐—ถ๐˜€๐—ฐ๐—ต๐—ฒ ๐—ช๐—ฒ๐—น๐˜๐—ธ๐—ฎ๐—ฟ๐˜๐—ฒ ๐˜ƒ๐—ผ๐—ป ๐Ÿญ๐Ÿฐ๐Ÿฑ๐Ÿณโ€˜
๐˜ฝ๐™ž๐™ก๐™™ ๐™ช๐™ฃ๐™™ ๐™Ž๐™ฉ๐™ž๐™ข๐™ข๐™š ๐™š๐™ž๐™ฃ๐™š๐™ง ๐™–๐™ข๐™—๐™ž๐™œ๐™ช๐™š๐™ฃ ๐™’๐™š๐™ก๐™ฉ
By Gerda Brunnlechner
Info: bit.ly/3LmDL4F

Sample pages available



Dieses Buch lenkt den Fokus auf die Rolle vormoderner Karten als potenzielle Stimmen, die รœberzeugungen und Handlungsaufforderungen vermittelten. Es stellt ein neues Konzept zur Analyse vormoderner Karte vor und setzt es am Beispiel der sogenannten โ€˜Genuesischen Weltkarteโ€˜ von 1457 um, einer anonymen, dem nordmediterranen Raum entstammenden Karte, von der weder der genaue Erstellungsort noch der unmittelbare Nutzungskontext bekannt sind. Im ausgehenden Mittelalter beschรคftigten sich verschiedenartige Kreise intensiv mit geographischen und kartographischen Fragen. Zusรคtzlich zu den Zeugnissen gelehrter Mรถnche und Kleriker wird nun das Interesse von weltlichen Gelehrten, Fรผrsten, Notaren, Hรคndlern, Seefahrern und humanistischen Zirkeln an Karten greifbarer. Angeregt wurde dieses Interesse durch das Anwachsen des Wissens รผber die Welt. Lateineuropรคische Reisende und Gesandte aus fernen Lรคndern berichteten รผber ihre Erfahrungen aus Asien und Afrika. Frรผhe Humanisten fanden Handschriften fast vergessener antiker Werke wieder, so dass sich der Blick auf das Autoritรคtenwissen รคnderte. Insbesondere die spรคtestens 1409 fertiggestellte lateinische รœbersetzung der โ€šGeographiaโ€˜ des Alexandriner Astronomen Klaudios Ptolemaios machte Furore und wird in der Forschung als AnstoรŸ einschneidender Verรคnderungen der Kartographie gesehen.

Der Abgleich der โ€˜Genuesischen Weltkarteโ€˜ mit Karten aus รผber 130 Archivsignaturen zeigt, dass sie sich in mehrfacher Hinsicht von den รผblichen Karten des 14./15. Jahrhunderts der nordmediterranen Region abhebt. Ihre Kartenmacher waren keine konventionellen Ersteller von Kรผstenlinienkarten oder Serienkarten. Vielmehr waren sie humanistisch interessiert, mathematisch gebildet und entstammten wahrscheinlich dem Umfeld der Kurie und des Konzils von Ferrara-Florenz (1438-1445). Es greift zu kurz, ihre innovative Anlehnung an Ptolemaios als Verengung des Fokus rein auf topographische Genauigkeit zu deuten, vielmehr zeichneten sie ein raumzeitliches, als kohรคrente heilsgeschichtliche Erzรคhlung zu verstehendes Bild der Welt.

TABLE OF CONTENTS
Einleitung
Kapitel Eins: Grundlagen
Kapitel Zwei: Kartenmachende โ€“ Annรคherung an den Handlungsraum
Kapitel Drei: Kartenbild โ€“ Strukturen der dargestellten Welt
Kapitel Vier: Kommunikation โ€“ Stimmen der Kartenmachenden im Kartenbild
Epilog
Summary in English
Anhang:
I. Erlรคuterungen, Transkriptionen und รœbersetzungen zu den Kartenzeichen der โ€šGenuesischen Weltkarteโ€˜
II. Liste der Vergleichskarten
III. Vergleich der โ€šGenuesischen Weltkarteโ€˜ mit den Koordinaten des Ptolemaios
IV. Vergleich der GrรถรŸen verschiedener Karten

๐— ๐˜‚๐˜€๐—ถ๐—พ๐˜‚๐—ฒ๐˜€ ๐—ฒ๐˜ ๐—บ๐˜‚๐˜€๐—ถ๐—ฐ๐—ถ๐—ฒ๐—ป๐˜€ ๐—ฑ๐—ฒ๐˜€ ๐—ณ๐—ฒฬ‚๐˜๐—ฒ๐˜€ ๐˜‚๐—ฟ๐—ฏ๐—ฎ๐—ถ๐—ป๐—ฒ๐˜€ ๐—ฒ๐˜ ๐˜ƒ๐—ถ๐—น๐—น๐—ฎ๐—ด๐—ฒ๐—ผ๐—ถ๐˜€๐—ฒ๐˜€ ๐—ฒ๐—ป ๐—™๐—ฟ๐—ฎ๐—ป๐—ฐ๐—ฒ (๐—ซ๐—œ๐—ฉ๐—ฒ โ€“ ๐—ซ๐—ฉ๐—œ๐—œ๐—œ๐—ฒ ๐˜€๐—ถ๐—ฒฬ€๐—ฐ๐—น๐—ฒ)Par Luc Charles-Dominique Inf...
27/06/2024

๐— ๐˜‚๐˜€๐—ถ๐—พ๐˜‚๐—ฒ๐˜€ ๐—ฒ๐˜ ๐—บ๐˜‚๐˜€๐—ถ๐—ฐ๐—ถ๐—ฒ๐—ป๐˜€ ๐—ฑ๐—ฒ๐˜€ ๐—ณ๐—ฒฬ‚๐˜๐—ฒ๐˜€ ๐˜‚๐—ฟ๐—ฏ๐—ฎ๐—ถ๐—ป๐—ฒ๐˜€ ๐—ฒ๐˜ ๐˜ƒ๐—ถ๐—น๐—น๐—ฎ๐—ด๐—ฒ๐—ผ๐—ถ๐˜€๐—ฒ๐˜€ ๐—ฒ๐—ป ๐—™๐—ฟ๐—ฎ๐—ป๐—ฐ๐—ฒ (๐—ซ๐—œ๐—ฉ๐—ฒ โ€“ ๐—ซ๐—ฉ๐—œ๐—œ๐—œ๐—ฒ ๐˜€๐—ถ๐—ฒฬ€๐—ฐ๐—น๐—ฒ)
Par Luc Charles-Dominique
Info: bit.ly/3VK8Xzu


Si les premiรจres traces de ritualisation musicale (noces, banquetsโ€ฆ) remontent au dรฉbut du xiiie siรจcle avec les jongleurs, ce nโ€™est vraiment quโ€™ร  partir du siรจcle suivant que les mรฉnรฉtriers ou joueurs dโ€™instruments sont chargรฉs de la reprรฉsentation des pouvoirs et de lโ€™animation de la vie sociale dans sa totalitรฉ (fรชtes politiques et religieuses, de mรฉtiers, calendaires, votives, familiales, etc.) et quโ€™ils se regroupent en confrรฉries ou corporations.
Sโ€™appuyant sur son ยซ terrain ยป toulousain premier ainsi que sur le dรฉpouillement systรฉmatique de deux siรจcles de littรฉrature sur les mรฉnรฉtriers des provinces franรงaises et sur la collaboration de certains chercheurs en rรฉgions, lโ€™auteur propose une nouvelle rรฉflexion dโ€™ampleur sur le personnage historique du mรฉnรฉtrier (plus de trois mille musiciens recensรฉs), son genre, son statut social (poids de la marginalitรฉ musicienne des aveugles, mendiants, concurrence des musiciens occasionnels comme les maรฎtres dโ€™รฉcole), sa fonction, sa pratique et ses formes dโ€™organisation.
Cette รฉtude dโ€™anthropologie musicale historique est doublรฉe dโ€™une approche territoriale, cette gรฉographie mรฉnรฉtriรจre รฉtant abordรฉe au niveau des provinces, des villes (notamment des quarante ayant abritรฉ des corporations et confrรฉries mรฉnรฉtriรจres), des villages et de lโ€™organisation administrative de ce vaste espace de la Mรฉnestrandise (royautรฉ et lieutenances mรฉnรฉtriรจres). Par ailleurs, cette histoire sensible de lโ€™art des mรฉnรฉtriers est aussi celle de leur rapport aux musiques dites ยซ savantes ยป, dโ€™รฉglise, aux cultures musicales autres, comme celle des Bohรฉmiens.
ร€ lโ€™aide de nombreuses archives, de tableaux, cartes, documents iconographiques, cet ouvrage dรฉpeint la grande fresque dโ€™une musique historique encore mรฉconnue, malgrรฉ sa longรฉvitรฉ et sa centralitรฉ sociale et sociรฉtale, celle des mรฉnestrels et joueurs dโ€™instruments.

TABLE OF CONTENTS
Introduction
I. Naissance & fonctionnement des institutions mรฉnรฉtrieres
II. ร‰lรฉments pour une gรฉographie mรฉnรฉtriรจre en france
III. Devenir mรฉnรฉtrier
IV. Profils sociaux, identitรฉs statutaires, genrรฉes et professionnelles
V. Jouer mรฉnรฉtrier : instruments, techniques et ยซ beau jeu ยป
VI. La musique des mรฉnรฉtriers, au coeur de la vie sociale et politique
VII. La relรฉgation par les interdits, la rรฉprobation morale, lโ€™acadรฉmisme et lโ€™รฉvolution du goรปt musical
Conclusion
Table des cartes et des tableaux
Table des illustrations et des crรฉdits photographiques
Annexes
Bibliographie
Index

๐—Ÿ'๐—œ๐—ป๐˜€๐˜๐—ถ๐˜๐˜‚๐˜ ๐—ฑ'๐—˜ฬ๐˜๐˜‚๐—ฑ๐—ฒ๐˜€ ๐—”๐˜‚๐—ด๐˜‚๐˜€๐˜๐—ถ๐—ป๐—ถ๐—ฒ๐—ป๐—ป๐—ฒ๐˜€ has released two new volumes of its journals 'R***e dโ€™ร‰tudes Augustiniennes et Patri...
26/06/2024

๐—Ÿ'๐—œ๐—ป๐˜€๐˜๐—ถ๐˜๐˜‚๐˜ ๐—ฑ'๐—˜ฬ๐˜๐˜‚๐—ฑ๐—ฒ๐˜€ ๐—”๐˜‚๐—ด๐˜‚๐˜€๐˜๐—ถ๐—ป๐—ถ๐—ฒ๐—ป๐—ป๐—ฒ๐˜€ has released two new volumes of its journals 'R***e dโ€™ร‰tudes Augustiniennes et Patristiques' (vol. 69/2) and 'Recherches augustiniennes et patristiques' (vol. 40).
Info: http://bit.ly/4cdXjUD and http://bit.ly/45KHbav

๐—œ๐—ป๐—ด๐—ฒ๐—ป๐—ถ๐—ผ๐˜‚๐˜€ ๐—œ๐˜๐—ฎ๐—น๐—ถ๐—ฎ๐—ป๐˜€, ๐—œ๐—บ๐—บ๐—ถ๐—ด๐—ฟ๐—ฎ๐—ป๐˜ ๐—”๐—ฟ๐˜๐—ถ๐˜€๐˜๐˜€ ๐—ถ๐—ป ๐—˜๐—ถ๐—ด๐—ต๐˜๐—ฒ๐—ฒ๐—ป๐˜๐—ต-๐—ฐ๐—ฒ๐—ป๐˜๐˜‚๐—ฟ๐˜† ๐—•๐—ฟ๐—ถ๐˜๐—ฎ๐—ถ๐—ปBy Katherine McHaleInfo: https://bit.ly/3KYjfHiSample...
26/06/2024

๐—œ๐—ป๐—ด๐—ฒ๐—ป๐—ถ๐—ผ๐˜‚๐˜€ ๐—œ๐˜๐—ฎ๐—น๐—ถ๐—ฎ๐—ป๐˜€, ๐—œ๐—บ๐—บ๐—ถ๐—ด๐—ฟ๐—ฎ๐—ป๐˜ ๐—”๐—ฟ๐˜๐—ถ๐˜€๐˜๐˜€ ๐—ถ๐—ป ๐—˜๐—ถ๐—ด๐—ต๐˜๐—ฒ๐—ฒ๐—ป๐˜๐—ต-๐—ฐ๐—ฒ๐—ป๐˜๐˜‚๐—ฟ๐˜† ๐—•๐—ฟ๐—ถ๐˜๐—ฎ๐—ถ๐—ป
By Katherine McHale
Info: https://bit.ly/3KYjfHi

Sample pages available



This book fills a significant gap in the literature on eighteenth-century art in Britain. Although immigrant Italian artists played a crucial role in the development of Britainโ€™s expanding art world over the course of that century, they have been largely overlooked in books on both British and Italian art. When mentioned in works on eighteenth-century British art, Italian artists are regarded as bit players who were tangential to the art world. Ingenious Italians seeks to correct this view, demonstrating the critical role played by immigrants who brought their skills and talents to a new country. In Britain, they established networks of Italian and British colleagues, cultivated new patrons and created innovative works for a growing market. In doing so, they influenced the development of art in British society. This little-explored facet of art history in Britain presents readers with a new perspective from which to consider the art of the era, highlighting the important work contributed by Italian artists in Britain. The book also contains an appendix of biographical information on the Italian artists working in Britain throughout the eighteenth century.

TABLE OF CONTENTS
Introduction
Chapter 1: Early Arrivals: Verrio and the Venetians
Chapter 2: Life in Britain
Chapter 3: Innovative Italians: New Ideas for New Clients
Chapter 4: The Impact of Italian Immigrants: 'Exciting a Spirit of Ardent Emulation'
Conclusion
Bibliography
Appendix: Italian Artists Active in Britain 1700-1800
Index

๐—ฃ๐—ฎ๐—ถ๐—ป๐˜๐—ถ๐—ป๐—ด ๐—”๐—ฟ๐—ฐ๐—ต๐—ถ๐˜๐—ฒ๐—ฐ๐˜๐˜‚๐—ฟ๐—ฒ ๐—ถ๐—ป ๐—˜๐—ฎ๐—ฟ๐—น๐˜† ๐—ฅ๐—ฒ๐—ป๐—ฎ๐—ถ๐˜€๐˜€๐—ฎ๐—ป๐—ฐ๐—ฒ ๐—œ๐˜๐—ฎ๐—น๐˜†Innovation and Persuasion at the Intersection of Artistic and Architectu...
26/06/2024

๐—ฃ๐—ฎ๐—ถ๐—ป๐˜๐—ถ๐—ป๐—ด ๐—”๐—ฟ๐—ฐ๐—ต๐—ถ๐˜๐—ฒ๐—ฐ๐˜๐˜‚๐—ฟ๐—ฒ ๐—ถ๐—ป ๐—˜๐—ฎ๐—ฟ๐—น๐˜† ๐—ฅ๐—ฒ๐—ป๐—ฎ๐—ถ๐˜€๐˜€๐—ฎ๐—ป๐—ฐ๐—ฒ ๐—œ๐˜๐—ฎ๐—น๐˜†
Innovation and Persuasion at the Intersection of Artistic and Architectural Practice
By Livia Lupi
Info: https://bit.ly/3zj0ls3


Why did artists include prominent architectural settings in their narrative paintings? Why did they labour over specific, highly innovative structural solutions? Why did they endeavour to design original ornamental motifs which brought together sculptural, painterly and architectural approaches, as well as showcasing their understanding of materiality? Painting Architecture in Early Renaissance Italy addresses these questions in order to shed light on the early exchanges between artistic and architectural practice in Italy, arguing that architecture in painting provided a unique platform for architectural experimentation.

Rather than interpreting architectural settings as purely spatial devices and as lesser counterparts of their built cognates, this book emphasises their intrinsic value as designs as well as communicative tools, contending that the architectural imagination of artists was instrumental in redefining the status of architectural forms as a kind of cultural currency. Exploring the nexus between innovation and persuasion, Livia Lupi highlights an early form of little-discussed paragone between painting and architecture which relied on a shared understanding of architectural invention as a symbol of prestige.

This approach offers a precious insight into how architectural forms were perceived and deployed, be they two or three-dimensional, at the same time clarifying the intersection of architecture and the figural arts in the work of later, influential figures like Giuliano da Sangallo, Raphael, Michelangelo and Baldassarre Peruzzi, whose work would not have been possible without the architectural experimentation of early fifteenth-century artists.

TABLE OF CONTENTS
INTRODUCTION

The Architectural Imagination of Artists
Pictorial Space and Architecture in Painting
Visual Rhetoric
The Case Studies
Allโ€™antica Innovation and Paragone

1 A NEW ARCHITECTURAL CONSCIOUSNESS
MASOLINO DA PANICALE AT CASTIGLIONE OLONA
Masolino and Architecture
Architecture as Cultural Currency
Architecture, Nature and Encomiastic Ekphrasis

2 PERFORMING MAGNIFICENCE
THE PELLEGRINAIO AT SANTA MARIA DELLA SCALA IN SIENA
Ornament and Structure
Architectural Portrait and Ex Novo Reinvention
Building the Community
The Pellegrinaio as a Stage

3 BUILDING LEGITIMACY
FRA ANGELICOโ€™S NICHOLAS V CHAPEL IN THE VATICAN PALACE
Fra Angelico and Architecture
Crafting Time and Place through Architecture
Dignity and Authority
Roman Echoes

CONCLUSION
Craftsmanship and Patronage
Innovation and Self-promotion
Disegno and Paragone
Architectural Forms as Persuasion
Appendix

We are currently attending the 36th CIHA World Congress in Lyon.  Browse our CIHA conference offer: https://bit.ly/CIHA2...
24/06/2024

We are currently attending the 36th CIHA World Congress in Lyon.

Browse our CIHA conference offer: https://bit.ly/CIHA24

๐—ฃ๐—ถ๐˜€๐—ฎ๐—ป๐—ฒ๐—น๐—น๐—ผ ๐—ฎ๐—ป๐—ฑ ๐˜๐—ต๐—ฒ ๐—š๐—ฟ๐—ผ๐˜‚๐—ป๐—ฑ๐˜€ ๐—ผ๐—ณ ๐—œ๐—ป๐˜ƒ๐—ฒ๐—ป๐˜๐—ถ๐—ผ๐—ปBy C. Jean CampbellInfo: https://bit.ly/3JH7VP6 The work of the fifteenth-century ...
24/06/2024

๐—ฃ๐—ถ๐˜€๐—ฎ๐—ป๐—ฒ๐—น๐—น๐—ผ ๐—ฎ๐—ป๐—ฑ ๐˜๐—ต๐—ฒ ๐—š๐—ฟ๐—ผ๐˜‚๐—ป๐—ฑ๐˜€ ๐—ผ๐—ณ ๐—œ๐—ป๐˜ƒ๐—ฒ๐—ป๐˜๐—ถ๐—ผ๐—ป
By C. Jean Campbell

Info: https://bit.ly/3JH7VP6

The work of the fifteenth-century Italian painter Pisanello has long proven resistant the interpretative procedures of art history, in ways that point to the limits of those procedures as they evolved in the period after the Second World War. Taking Pisanelloโ€™s art as an example of a larger theoretical issue, the book proposes a model of interpretation that addresses the realm of imitative practice. Using Cennino Cenniniโ€™s ๐˜๐˜ญ ๐˜“๐˜ช๐˜ฃ๐˜ณ๐˜ฐ ๐˜ฅ๐˜ฆ๐˜ญโ€™ ๐˜ˆ๐˜ณ๐˜ต๐˜ฆ as a primer, the author argues for an approach that confronts the evidence of the artistโ€™s self-tempering work, and then tests that model through an examination of Pisanelloโ€™s drawings and medals. She exposes the drawings as primary evidence of the ontological groundwork within which the painter finds his own habits of invention, and also demonstrates the value of looking for the groundwork in a selection of Pisanelloโ€™s official works, including the surviving wall paintings in Veronese churches. In the end, the author contends that the self-reflexive recognition of creative agency is a prerequisite for the apprehension of Pisanelloโ€™s art, especially the agonistic scenario staged in his panel of ๐˜›๐˜ฉ๐˜ฆ ๐˜๐˜ช๐˜ณ๐˜จ๐˜ช๐˜ฏ ๐˜ข๐˜ฏ๐˜ฅ ๐˜Š๐˜ฉ๐˜ช๐˜ญ๐˜ฅ ๐˜ธ๐˜ช๐˜ต๐˜ฉ ๐˜š๐˜ข๐˜ช๐˜ฏ๐˜ต๐˜ด ๐˜Ž๐˜ฆ๐˜ฐ๐˜ณ๐˜จ๐˜ฆ ๐˜ข๐˜ฏ๐˜ฅ ๐˜ˆ๐˜ฏ๐˜ต๐˜ฉ๐˜ฐ๐˜ฏ๐˜บ and its enigmatic signature.

TABLE OF CONTENTS

List of Figures
Acknowledgements
Introduction
๐Ÿญ. ๐—ง๐—ฒ๐—บ๐—ฝ๐—ฒ๐—ฟ: ๐—–๐—ฒ๐—ป๐—ป๐—ถ๐—ป๐—ผ ๐—–๐—ฒ๐—ป๐—ป๐—ถ๐—ป๐—ถโ€™๐˜€ ๐—”๐—ฟ๐˜๐—ฒ
๐Ÿฎ. ๐—š๐—ฟ๐—ผ๐˜‚๐—ป๐—ฑ: ๐—ฃ๐—ถ๐˜€๐—ฎ๐—ป๐—ฒ๐—น๐—น๐—ผโ€™๐˜€ ๐—œ๐—ป๐˜ƒ๐—ฒ๐—ป๐˜๐—ถ๐—ผ๐—ป๐˜€
๐Ÿฏ. ๐—ง๐—ต๐—ฟ๐—ฒ๐˜€๐—ต๐—ผ๐—น๐—ฑ: ๐—ฃ๐—ถ๐˜€๐—ฎ๐—ป๐—ฒ๐—น๐—น๐—ผโ€™๐˜€ ๐—™๐—ฟ๐—ฎ๐—บ๐—ฒ๐˜„๐—ผ๐—ฟ๐—ธ๐˜€
๐Ÿฐ. ๐—”๐—ด๐—ผ๐—ป: ๐—ฃ๐—ถ๐˜€๐—ฎ๐—ป๐˜‚๐˜€ ๐—ฃ๐—ถ๐—ป๐˜…๐—ถ๐˜
Epilogue Under the Table
Notes
Bibliography

OPEN ACCESS๐—˜๐—ฝ๐—ถ๐—ฑ๐—ฒ๐—บ๐—ถ๐—ฐ๐˜€ ๐—ฎ๐—ป๐—ฑ ๐—ฃ๐—ฎ๐—ป๐—ฑ๐—ฒ๐—บ๐—ถ๐—ฐ๐˜€๐—ฃ๐—ต๐—ถ๐—น๐—ผ๐˜€๐—ผ๐—ฝ๐—ต๐—ถ๐—ฐ๐—ฎ๐—น ๐—ฃ๐—ฒ๐—ฟ๐˜€๐—ฝ๐—ฒ๐—ฐ๐˜๐—ถ๐˜ƒ๐—ฒ๐˜€Edited by Alessandro Palazzo and Michele Nicoletti Info: htt...
18/06/2024

OPEN ACCESS
๐—˜๐—ฝ๐—ถ๐—ฑ๐—ฒ๐—บ๐—ถ๐—ฐ๐˜€ ๐—ฎ๐—ป๐—ฑ ๐—ฃ๐—ฎ๐—ป๐—ฑ๐—ฒ๐—บ๐—ถ๐—ฐ๐˜€
๐—ฃ๐—ต๐—ถ๐—น๐—ผ๐˜€๐—ผ๐—ฝ๐—ต๐—ถ๐—ฐ๐—ฎ๐—น ๐—ฃ๐—ฒ๐—ฟ๐˜€๐—ฝ๐—ฒ๐—ฐ๐˜๐—ถ๐˜ƒ๐—ฒ๐˜€
Edited by Alessandro Palazzo and Michele Nicoletti

Info: https://bit.ly/3RwvrTe

Epidemics, pandemics, contagion, immunity, social distance, zoonosis are just a few of the concepts that have become commonplace in the academic community and in everyday conversation since the outbreak of the Covid-19. This book aims to provide the reader with a philosophical guide to this conceptual vocabulary by investigating the meanings, implications, and history of words related to the current emergency of Covid-19.

This book addresses the fundamental anthropological, ethical, and political issues that have come under the spotlight of the public debate (life and death, freedom and authority, fear and protection, poverty and access to medical care). In this context, particular attention is given to the conflict between the scientific discourse on the one hand, and irrational bias, misinformation and fake news on the other.

The SARS-CoV-2 outbreak is only the latest episode in a long history of pandemics and epidemics that have constellated human history since its very beginning. Authoritative accounts have made some of these contagious plagues famous (Thucydidesโ€™ pages immortalizing the Athenian epidemic of the 5th century B.C.; Boccaccioโ€™s description of the Black Death; Manzoniโ€™s depiction of the Plague ravaging 17th-century Milan). Because a full understanding of the present is not possible without historical inquiry, several contributions in the book explore debates about calamitous phenomena as documented in philosophical literature from Antiquity to 20th-century philosophy.

TABLE OF CONTENTS

Naomi Zack, Epidemics and Pandemics: Philosophical Perspectives. What's Philosophy Got to Do with It?

Michele Nicoletti, Alessandro Palazzo, Introduction

Part I. History of a Problem

Mauro Bonazzi, Thucydides and the Politics of the Plague

Marco Di Branco, Between Religion and Science. The Debate on the Concept of Contagion in the Medieval Islamic World and its Western Parallels

Alessandro Palazzo, Pestilences and Contagious Diseases in the Middle Ages. Albert the Great and the Fourteenth-Century Plague Treatises

Diana Di Segni, Latin-into-Hebrew Treatises on the Black Death

Concetta Pennuto, Contagion and Pandemics. Plague in Early Modern Medical Thought

Mariangela Priarolo, New Sciences and Old Diseases. Seventeenth-Century Readings of the Causes of the Plague

Fabrizio Meroi, Contagion and Epidemics in Twentieth-Century Thought. A Hypothesis about Bergson

Part II. Concepts and Theories

Carlo Brentari, Zoonosis

Michele Nicoletti, Fear and Dispossession

Nidesh Lawtoo, The Mimetic Faculty Reloaded: Contagion, Immunization, Conspiracies in the Age of Viral Reproduction

L'udmila Lackovรก, Crisis of the Subject in Mediated Communication

Federico Laudisa, The Epistemology of Models in the Era of Pandemic

Pejman Abdolmohammadi, The COVID-19 Pandemic. An Exogenous Shock into Political Systems in the Middle East and North Africa?

Michele Nicoletti, Alessandro Palazzo, Conclusion

Inscrire lโ€™art mรฉdiรฉvalObjets, textes, imagesVincent DebiaisInfo: https://bit.ly/4cp0mZBCe livre est consacrรฉ aux relati...
18/06/2024

Inscrire lโ€™art mรฉdiรฉval
Objets, textes, images
Vincent Debiais

Info: https://bit.ly/4cp0mZB

Ce livre est consacrรฉ aux relations entre รฉcriture รฉpigraphique et art mรฉdiรฉval. Il se propose de placer les inscriptions tracรฉes sur la pierre, le mรฉtal, le bois, la peinture ou la mosaรฏque dans le contexte des pratiques รฉcrites et artistiques du Moyen ร‚ge occidental, et de signaler quelques pistes de recherche originales pour apprรฉhender le statut, la forme et la fonction de la rencontre entre lโ€™รฉcriture รฉpigraphique et les oeuvres dโ€™art mรฉdiรฉvales.

Cet essai se situe ร  la confluence de lโ€™histoire de lโ€™รฉcriture et de lโ€™histoire des formes. Il est fondรฉ sur lโ€™analyse dโ€™un certain nombre dโ€™objets graphiques du Moyen ร‚ge central produits en Europe occidentale. Il sโ€™inscrit donc dans une pensรฉe chrรฉtienne de lโ€™รฉcriture et de lโ€™image, et accorde une place importante ร  la thรฉologie. Il est moins pensรฉ comme un manuel รฉpigraphique ร  lโ€™attention des historiens de lโ€™art que comme un rรฉpertoire de questions ร  explorer, ร  repenser ou encore ร  traiter, et sโ€™adresse ร  quiconque aspire ร  la rรฉunion des cultures รฉcrite, visuelle et matรฉrielle du Moyen ร‚ge.

TABLE OF CONTENTS

Ouverture
Une affaire de discipline
Une question pourtant rรฉcurrente
Dรฉplacer le point de vue
Propositions

Lโ€™angoisse de la date
Datation et commรฉmoration
Ansquitil ร  Moissac
La date des lettres
Dans la vie de lโ€™ล“uvre
Discordance des temps

Questions dโ€™approche
Accessoire et auxiliaire
Passes dโ€™armes
Diatribes chronographiques

Nom et signature, une affaire de style
Variations en contexte
Autographie et document
De la signature en รฉpigraphie
Au-delร  du contenu, une relation

Lโ€™ocรฉan รฉpigraphique du nom
Lโ€™รฉpuisement par le nominatif
Rendre lโ€™image ร  ce quโ€™elle est
Mise en propre
La possibilitรฉ du titre

Cet objet-lร , cette image-ci
Une ekphrasis au carrรฉ
Une lecture topique et technologique des inscriptions
Inscrire dans le matรฉriau
Lโ€™esthรฉtique du fragment
Le lieu du moment

Poรฉtique de lโ€™objet
Dรฉbordement รฉpigraphique
Redire ou presque
La tension mรฉtrique

Dรฉfaire le cadre
Une รฉvocation de lโ€™hors-champ
Retournement รฉpigraphique
Une รฉcriture de la dรฉception

Conques comme laboratoire
Corpus et listes
Affleurement
Lโ€™รฉcriture comme poรฉtique du visuel

Essai de culture รฉcrite

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Brepols is an international academic publisher of works in the humanities. The focus of its publications lies in "source-works" from Antiquity, the Middle Ages and the Early Modern period. By this is meant critical editions of original texts and documents in their original language, reference works such as encyclopaedias, handbooks and bibliographies, as well as monograph studies and cutting-edge research.

Fundamental series like the Corpus Christianorum and online databases like the Library of Latin Texts, as well as the co-operation with highly respected institutes like I.R.H.T. (Paris) and the Institute for Medieval Studies (Leeds), explain and testify why Brepols works are being used in every well-respected academic library all over the world. Harvey Miller Publishers (an imprint of Brepols) has established a reputation for the quality and authority of its scholarly monographs and catalogues raisonnรฉs in the field of medieval, Renaissance and Early Modern art. Besides publications under its own imprint Brepols distributes works from many world-class academic institutions.

The mediums in which Brepols Publishers operates are the printed book (monographs, miscellanies and journals), online publishing (BREPOLiS) and eBooks en eJournals (BrepolsOnline). Languages: English and French but also German, Spanish, Italian and Dutch (as well as old languages like Latin, Greek, Occitan etc.) Brepols Publishers has been founded in 1796 and is located in a 17th century building of the historic beguinage of Turnhout. Brepols Publishers has also editorial offices in Chicago, USA and Notthingham, UK. The CTLO, a centre for computer-assisted research of classical languages, is also organised by Brepols Publishers and is housed in the Corpus Christianorum Library & Knowledge Centre.