08/07/2024
Pleasure to see Robert Nosow at our booth at today!
He was very pleased to discover we are displaying a copy of his book 'Hobrecht and His Singers'.
About this book: bit.ly/45Y2xkI
International academic publisher of works in the humanities Brepols is an international academic publisher of works in the humanities.
(8)
The focus of its publications lies in "source-works" from Antiquity, the Middle Ages and the Early Modern period. By this is meant critical editions of original texts and documents in their original language, reference works such as encyclopaedias, handbooks and bibliographies, as well as monograph studies and cutting-edge research. Fundamental series like the Corpus Christianorum and online datab
ases like the Library of Latin Texts, as well as the co-operation with highly respected institutes like I.R.H.T. (Paris) and the Institute for Medieval Studies (Leeds), explain and testify why Brepols works are being used in every well-respected academic library all over the world. Harvey Miller Publishers (an imprint of Brepols) has established a reputation for the quality and authority of its scholarly monographs and catalogues raisonnés in the field of medieval, Renaissance and Baroque art. Besides publications under its own imprint Brepols distributes works from many world-class academic institutions. The mediums in which Brepols Publishers operates are the printed book (monographs, miscellanies and journals), microfiche, CD-ROM, online publishing (BREPOLiS) and online journals. Languages: English and French but also German, Spanish, Italian and Dutch (as well as old languages like Latin, Greek, Occitan etc.) Brepols Publishers has been founded in 1796 and is located in a 17th century building of the historic beguinage of Turnhout. Brepols Publishers has an editorial office for art history in New York (Harvey Miller / Brepols). The CTLO, a centre for computer-assisted research of classical languages, is also organised by Brepols Publishers and is housed in the Corpus Christianorum Library & Knowledge Centre.
Pleasure to see Robert Nosow at our booth at today!
He was very pleased to discover we are displaying a copy of his book 'Hobrecht and His Singers'.
About this book: bit.ly/45Y2xkI
We are currently attending the 𝗜𝗻𝘁𝗲𝗿𝗻𝗮𝘁𝗶𝗼𝗻𝗮𝗹 𝗠𝗲𝗱𝗶𝗲𝘃𝗮𝗹 𝗮𝗻𝗱 𝗥𝗲𝗻𝗮𝗶𝘀𝘀𝗮𝗻𝗰𝗲 𝗠𝘂𝘀𝗶𝗰 𝗖𝗼𝗻𝗳𝗲𝗿𝗲𝗻𝗰𝗲 (𝗠𝗲𝗱𝗥𝗲𝗻) in Granada, Spain.
To celebrate, we offer a 𝟮𝟬% 𝗱𝗶𝘀𝗰𝗼𝘂𝗻𝘁 𝗮𝗻𝗱 𝗳𝗿𝗲𝗲 𝘀𝗵𝗶𝗽𝗽𝗶𝗻𝗴 on a wide selection of books regarding this topic, which you can discover below.
More info: www.brepols.net/MEDREN24
𝗧𝗿𝗮𝘂𝗺𝗮𝘀 𝗼𝗳 𝟭𝟬𝟲𝟲 𝗶𝗻 𝘁𝗵𝗲 𝗟𝗶𝘁𝗲𝗿𝗮𝘁𝘂𝗿𝗲𝘀 𝗼𝗳 𝗘𝗻𝗴𝗹𝗮𝗻𝗱, 𝗡𝗼𝗿𝗺𝗮𝗻𝗱𝘆, 𝗮𝗻𝗱 𝗦𝗰𝗮𝗻𝗱𝗶𝗻𝗮𝘃𝗶𝗮
By Erin Michelle Goeres
More info: bit.ly/3XPpDrZ
Also available in Open Access
TABLE OF CONTENTS
Introduction. Learning to Hear
Chapter 1. Histories Entangled
Chapter 2. Dreaming of England
Chapter 3. Fratricide in the North
Chapter 4. Enigmas of Survival
Conclusion. Departures
Bibliography
Index
𝗕𝘆𝘇𝗮𝗻𝘁𝗶𝗻𝗲 𝗔𝘁𝘁𝗶𝗰𝗮
𝗔𝗻 𝗔𝗿𝗰𝗵𝗮𝗲𝗼𝗹𝗼𝗴𝘆 𝗼𝗳 𝗦𝗲𝘁𝘁𝗹𝗲𝗺𝗲𝗻𝘁 𝗮𝗻𝗱 𝗟𝗮𝗻𝗱𝘀𝗰𝗮𝗽𝗲 (𝟰𝘁𝗵-𝟭𝟮𝘁𝗵 𝗖𝗲𝗻𝘁𝘂𝗿𝗶𝗲𝘀)
By Elli Tzavella
More info: bit.ly/3LcmfzM
TABLE OF CONTENTS
Preface
Foreword & Acknowledgements
Introduction
Part I: Byzantine Attica: the geography, the history and earlier studies
Chapter I – Attica: a landscape surrounded by the sea
General geography of Attica
Natural environment and resources
Chapter II – Attica in Byzantine history
‘Attica’ as a region in Byzantine sources
The history and administrative status of Byzantine Attica
Historical sources on Byzantine Attica
Chapter III – Byzantine Attica: earlier research
Archaeological excavations of Early and Middle Byzantine Attica
Studies on Byzantine churches in Attica
Field surveys and Byzantine finds
Research on the topography of Byzantine Attica
Toponyms in Byzantine Attica
Chapter IV – Land routes and maritime communication in Byzantine Attica
Introduction
The evidence of the ‘Tabula Peutingeriana’
Land routes: topographic and archaeological evidence
Byzantine Megarid: a forgotten hub of interregional communications
Ports and anchorages in Byzantine Attica
Part II: Byzantine Attica: the archaeology of human activity
Chapter V – Attica in the Late Roman & Early Byzantine period (4th to mid-7th c.)
Settlements in all shapes and sizes
Economy
Defensive structures in all shapes and sizes
Religious buildings
Chapter VI – Attica in the ‘Transitional period’, mid-7th to 9th centuries
The ‘Transional Period’ (‘Dark Ages’): state of research
The problem of the textual sources
Attica and the ‘Slavic question’
Settlements in the Transitional Period
A note on the evidence
Chapter VII – Attica in the middle byzantine period, 10th to 12th centuries
Settlements in all shapes and sizes
Burial spaces
Settlement economy
Landed properties of the Metropolis of Athens in Attica
The emergence and flourishing of monasteries
The monastic economy
Chapter VIII – Discussion and concluding remarks
Attica in Byzantine times: an overview
Attica: fragmented regions, different geographies?
Byzantine Attica in perspective
Part III: Byzantine Attica: an inventory of sites
Chapter IX – Early and Middle Byzantine sites in Attica, 4th-12th c.
Appendix
From the ancient Attic ‘ demoi’ to the Late Roman ‘choria’
A list of Attic ‘ demoi’ relevant to this book
Churches and monasteries in Attica
List of colour maps
List of figures & colour plates
Notes
Bibliography
Index
Colour plates
Camilla Cavicchi came by our booth at the 𝟮𝟬𝟮𝟰 𝗜𝗻𝘁𝗲𝗿𝗻𝗮𝘁𝗶𝗼𝗻𝗮𝗹 𝗠𝗲𝗱𝗶𝗲𝘃𝗮𝗹 𝗮𝗻𝗱 𝗥𝗲𝗻𝗮𝗶𝘀𝘀𝗮𝗻𝗰𝗲 𝗠𝘂𝘀𝗶𝗰 𝗖𝗼𝗻𝗳𝗲𝗿𝗲𝗻𝗰𝗲 and was happy to discover a copy of her book 'Maistre Jan. La carriera di un cantore francese alla corte degli Este di (1512-1538)'.
About this book: bit.ly/3LcwQdU
𝗟𝗲𝘀 𝗦𝗮𝗶𝗻𝘁𝗲𝘀-𝗖𝗵𝗮𝗽𝗲𝗹𝗹𝗲𝘀 𝗱𝘂 𝗫𝗜𝗜𝗜𝗲 𝗮𝘂 𝗫𝗩𝗜𝗜𝗜𝗲 𝘀𝗶𝗲̀𝗰𝗹𝗲
𝗔𝗿𝘁𝘀 - 𝗣𝗼𝗹𝗶𝘁𝗶𝗾𝘂𝗲 - 𝗥𝗲𝗹𝗶𝗴𝗶𝗼𝗻
Édité par Etienne Anheim et David Fiala
Info: bit.ly/3xQqbTQ
TABLE DES MATIÈRES
Étienne Anheim et David Fiala, Introduction : À la recherche des Saintes-Chapelles
Elizabeth A.R. Brown, La Sainte-Chapelle de Paris, ses appelations et son renom aux XIIIe et XIVe siècles
Anne Massoni, Les Saintes-Chapelles, des chapitres collégiaux comme les autres ?
Murielle Gaude-Ferragu, Les cérémonies extraordinaires à la Sainte-Chapelle de Paris (XIVe-XVe siècle)
Christophe Boucheron, Jean Mortis et le ‘Cartulaire de la Sainte-Chapelle de Paris’ de 1457
Meredith Cohen, What Saint Louis Saw. The Sainte-Chapelle and the Palais de la Cité in the Thirteenth-Century
Étienne Hamon, La montée de la Sainte-Chapelle de Paris : fonctions, symboles et formes
Étienne Anheim, La maîtrise d’enfants de la Sainte-Chapelle de Paris (XIIIe-XVIIIe s.). Institution et discipline entre la cour et l’Eglise
Xavier Bisaro, Le vitrail et l’image : la Sainte-Chapelle de Paris dans les sources cérémonielles du XVIIe siècle
Dany Sandron, Notre-Dame et la Sainte-Chapelle au XIIIe siècle
Paul Binski, Perspectives anglaises sur la Sainte-Chapelle
Jean-Bernard de Vaivre et Laurent Vissière, Dévotions aristocratiques à la Sainte-Chapelle de Dijon
Jean-Vincent Jourd’heuil, La fondation de la Sainte-Chapelle de Bourges (1392-1405) : une fondation princière durant le Grand Schisme
Yves Pauwels, Le porche de la Sainte-Chapelle de Champigny-sur-Veude : un manifeste de modernité architecturale
Julien Noblet, La Sainte-Chapelle de Chambéry et le projet d’Amédée VIII : nouvelles observations archéologiques
Laura Gaffuri et Paolo Cozzo, De Chambéry à Turin. La Sainte-Chapelle et la Chapelle Royale de la Cour de Savoie (XVe-XVIIIe siècles)
Bernard Dompnier, Les calendriers festifs des Saintes-Chapelles aux XVIIe et XVIIIe siècles
Étienne Anheim et David Fiala, Conclusion : Les Saintes-Chapelles, des institutions imaginaires
𝟮𝟬𝟮𝟰 𝗜𝗻𝘁𝗲𝗿𝗻𝗮𝘁𝗶𝗼𝗻𝗮𝗹 𝗠𝗲𝗱𝗶𝗲𝘃𝗮𝗹 𝗮𝗻𝗱 𝗥𝗲𝗻𝗮𝗶𝘀𝘀𝗮𝗻𝗰𝗲 𝗠𝘂𝘀𝗶𝗰 𝗖𝗼𝗻𝗳𝗲𝗿𝗲𝗻𝗰𝗲 (𝗠𝗲𝗱𝗥𝗲𝗻)
6 -9 July 2024 — Granada, Spain
We are currently attending the 2024 International Medieval and Renaissance Music Conference (MedRen) in Granada, Spain. A perfect opportunity to discover our newest titles in the field!
Browse our online conference offer: https://bit.ly/3VJOvi9
During the International Medieval Congress - University of Leeds our Publishing Manager Rosie Bonté took part in an interesting round table discussion on how to take your first steps in publishing in the academic field.
We have no doubt that her years of experience inspired many young academics to publish their first monograph!
Want to know more about publishing with Brepols, visit https://www.brepols.net/publishing-with-brepols.
𝗖𝗮𝗿𝗲𝗲𝗿𝘀 𝗮𝗻𝗱 𝗢𝗽𝗽𝗼𝗿𝘁𝘂𝗻𝗶𝘁𝗶𝗲𝘀 𝗮𝘁 𝘁𝗵𝗲 𝗥𝗼𝗺𝗮𝗻 𝗖𝘂𝗿𝗶𝗮, 𝟭𝟯𝟬𝟬–𝟭𝟱𝟬𝟬
𝗔 𝗦𝗼𝗰𝗶𝗼-𝗘𝗰𝗼𝗻𝗼𝗺𝗶𝗰 𝗛𝗶𝘀𝘁𝗼𝗿𝘆 𝗼𝗳 𝗣𝗮𝗽𝗮𝗹 𝗔𝗱𝗺𝗶𝗻𝗶𝘀𝘁𝗿𝗮𝘁𝗶𝗼𝗻
Edited by Wolfgang Mueller
More info: http://bit.ly/45PnZZj
TABLE OF CONTENTS
Editor’s Introduction
Part I – Ecclesiastical Benefices
Chapter 1. The Roman Curia and the Late Medieval Benefice Market
Chapter 2. Patronage and Clientele in the Late Medieval Church. The Example of Nicholas of Cusa
Chapter 3. A ‘Rope Team’ of Clerics from Hanover in the Late Middle Ages
Chapter 4. On Nanker, Bishop of Kraków (1320-1326) and Wrocław (1326-1341)
Chapter 5. The Vatican Archives and Their Uses for Regional Historians. The Example of Late Medieval Saxony
Part II – Curial Offices
Chapter 6. The Venality of Offices. An Institution from the Period of Absolutism and its Medieval Roots
Chapter 7. The Roman Curia from the Great Schism to the Reform Councils (1378-1447)
Chapter 8. On Behalf of the Pope. The Papal cursores from 1200 to about 1470
Chapter 9. Leon Battista Alberti’s Career in the Apostolic Chancery
Chapter 10. Position and Rank of the Vice-Chancellor at the Curia
Bibliography
Index
𝗖𝗮𝗹𝗹 𝗳𝗼𝗿 𝗖𝗼𝗻𝘁𝗿𝗶𝗯𝘂𝘁𝗶𝗼𝗻𝘀 - 𝗠𝗲𝗱𝗶𝗲𝘃𝗮𝗹 𝗦𝘁𝘂𝗱𝗶𝗲𝘀
In celebration of the International Medieval Congress - University of Leeds
Browse all selected book series and journals in the field of medieval studies looking for new contributions: www.brepols.net/ContributionsMedievalStudies
Congratulations to Harriet Strahl, the winner of our book raffle at the International Medieval Congress - University of Leeds!
She chose to go home with a copy of 'Textual Communities, Textual Selves: Essays in Dialogue with Brian Stock'.
Happy reading!
About this book: bit.ly/3SNK3i9
You can now include your name in the Tabula Gratulatoria of 𝗣𝗼𝗽𝗲𝘀, 𝗕𝗶𝘀𝗵𝗼𝗽𝘀, 𝗥𝗲𝗹𝗶𝗴𝗶𝗼𝘂𝘀, 𝗮𝗻𝗱 𝗦𝗰𝗵𝗼𝗹𝗮𝗿𝘀 in a honour of Patrick N. R. Zutshi's 70th birthday.
To enter your name and buy a copy at a discount price, visit bit.ly/45MVQSI.
We are proud to present our newest series 'Women of the Past' with this inaugural volume 𝗪𝗼𝗺𝗲𝗻 𝗼𝗳 𝘁𝗵𝗲 𝗣𝗮𝘀𝘁, 𝗜𝘀𝘀𝘂𝗲𝘀 𝗳𝗼𝗿 𝘁𝗵𝗲 𝗣𝗿𝗲𝘀𝗲𝗻𝘁.
Edited by Nina Javette Koefoed and Rubina Raja
More info: bit.ly/3XQeabI
TABLE OF CONTENTS
List of Illustrations
List of Abbreviations
Nina Javette Koefoed and Rubina Raja
Women of the Past, Issues for the Present
Lien Foubert
1. Gendered Mobility in the Ancient Mediterranean
Getting Rid of Faceless and S*xless Crowds
Trine Arlund Hass and Sine Grove Saxkjær
2. Daughter of Caesar, Wife of Pompey
The Role and Narratives of Julia Caesaris
Nathanael Andrade
3. The Trafficking of the Enslaved
Women and Children in the Legal Documents from the Roman Empire
Alexandra Sanmark
4. An Examination of the Concepts of S*x and Gender and their Application to Viking-Age and Old Norse Society
Jonas Lindström and Karin Hassan Jansson
5. Wet-Nurses and Verbs
Methodological Experiences of Studying Gender and Work in Early Modern Europe
Anne Montenach
6. Women in Trade: Female Advertisers in Eighteenth-Century French Provincial Towns
Deborah Simonton
7. Working Girls: Girlhood, Mobility, and Gender in Eighteenth-Century Europe
Kristine Dyrmann
8. Elite Women’s Spaces and Practices of Letter-Writing in Late Eighteenth-Century Denmark
Birgitte Possing
9. Will, Wisdom, Values, Life’s Works, and Networks
Karen Gram-Skjoldager
10. Gabriele Rohde and the Transformation of Mid-Twentieth-Century Diplomacy
Rubina Raja
11. ‘This Is a Man’s World’
Women Working in Jerash in the Early Twentieth Century and Some Notes on the Societal Contextualization of Research Interest Development
Index
𝗧𝗿𝗲𝗲 𝗦𝗲𝗮𝗿𝗰𝗵 𝗙𝘂𝗻𝗰𝘁𝗶𝗼𝗻𝗮𝗹𝗶𝘁𝘆 𝗻𝗼𝘄 𝗮𝘃𝗮𝗶𝗹𝗮𝗯𝗹𝗲 𝗶𝗻 𝗕𝗥𝗘𝗣𝗢𝗟𝗶𝗦’ 𝗯𝗶𝗯𝗹𝗶𝗼𝗴𝗿𝗮𝗽𝗵𝗶𝗲𝘀
Explore the enhanced beta version of Brepolis Bibliographies, now featuring the innovative Tree Search functionality!
Available in L’Année Philologique, the International Medieval Bibliography, the Bibliographie de Civilisation médiévale, the International Bibliography of Humanism and the Renaissance and the Bibliography of British and Irish History.
Info: https://bit.ly/3L7JhYH
Gerda Brunnlechner proudly presents her newest book 𝗗𝗶𝗲 ‚𝗚𝗲𝗻𝘂𝗲𝘀𝗶𝘀𝗰𝗵𝗲 𝗪𝗲𝗹𝘁𝗸𝗮𝗿𝘁𝗲 𝘃𝗼𝗻 𝟭𝟰𝟱𝟳‘. 𝗕𝗶𝗹𝗱 𝘂𝗻𝗱 𝗦𝘁𝗶𝗺𝗺𝗲 𝗲𝗶𝗻𝗲𝗿 𝗮𝗺𝗯𝗶𝗴𝘂𝗲𝗻 𝗪𝗲𝗹𝘁 at our booth at the International Medieval Conference ( ) in Leeds, UK.
More info: http://bit.ly/3LmDL4F
Now available from the American Numismatic Society
𝗟𝗼𝗰𝗮𝗹 𝗖𝗼𝗶𝗻𝗮𝗴𝗲𝘀 𝗶𝗻 𝗮 𝗥𝗼𝗺𝗮𝗻 𝗪𝗼𝗿𝗹𝗱 (𝗦𝗲𝗰𝗼𝗻𝗱 𝗖𝗲𝗻𝘁𝘂𝗿𝘆 𝗕𝗖–𝗙𝗶𝗿𝘀𝘁 𝗖𝗲𝗻𝘁𝘂𝗿𝘆 𝗔𝗗)
𝗔 𝗖𝗮𝘁𝗮𝗹𝗼𝗴𝘂𝗲 𝗼𝗳 𝘁𝗵𝗲 𝗥𝗶𝗰𝗵𝗮𝗿𝗱 𝗕. 𝗪𝗶𝘁𝘀𝗰𝗵𝗼𝗻𝗸𝗲 𝗖𝗼𝗹𝗹𝗲𝗰𝘁𝗶𝗼𝗻 𝗼𝗳 𝗖𝗼𝗶𝗻𝘀 𝗶𝗻 𝘁𝗵𝗲 𝗘𝗮𝗿𝗹𝘆 𝗥𝗼𝗺𝗮𝗻 𝗣𝗿𝗼𝘃𝗶𝗻𝗰𝗲𝘀
By Lucia F. Carbone
Info: bit.ly/3xx4kRl
The Richard B. Witschonke Collection of more than 3,700 coins, now in the collection of the American Numismatic Society, provides the historical and numismatic prologue to the study of Roman provincial coinage. Most of the specimens are of great historical and numismatic value, as explained in the historical introductions preceding each of the 36 sections of this catalogue. This collection offers a unique overview of the diverse ways in which the monetary systems of the Mediterranean basin responded to the Roman conquest in the second and early first centuries BCE and to the related necessity of interconnectivity.
We are currently attending the International Medieval Congress - University of Leeds.
To celebrate, we offer a 20% discount and free shipping on a wide selection of books regarding medieval topics, which you can discover below.
More info: brepols.net/IMCLeeds24
We are currently attending the International Medieval Congress in Leeds.
Browse our conference offer: bit.ly/3xjCXKd
The Burlington Magazine, the world's leading art periodical, has recently published a laudatory review of our title '𝗧𝗵𝗲 𝗔𝗿𝗰𝗵𝗶𝘁𝗲𝗰𝘁𝘂𝗿𝗮𝗹 𝗗𝗿𝗮𝘄𝗶𝗻𝗴𝘀 𝗼𝗳 𝗔𝗻𝘁𝗼𝗻𝗶𝗼 𝗱𝗮 𝗦𝗮𝗻𝗴𝗮𝗹𝗹𝗼 𝘁𝗵𝗲 𝗬𝗼𝘂𝗻𝗴𝗲𝗿 𝗮𝗻𝗱 𝗛𝗶𝘀 𝗖𝗶𝗿𝗰𝗹𝗲. 𝗩𝗼𝗹. 𝗜𝗜𝗜: 𝗔𝗻𝘁𝗶𝗾𝘂𝗶𝘁𝘆 𝗮𝗻𝗱 𝗧𝗵𝗲𝗼𝗿𝘆' (edited by Christoph Frommel and Georg Schelbert).
More info: bit.ly/3yUvFtv
The 36th World Congress in Lyon has come to an end. Thank you all for visiting our booth the past few days. We've had a wonderful time meeting our authors and readers alike, and we're already looking forward to the next edition in 2029!
𝗗𝗶𝗲 ‚𝗚𝗲𝗻𝘂𝗲𝘀𝗶𝘀𝗰𝗵𝗲 𝗪𝗲𝗹𝘁𝗸𝗮𝗿𝘁𝗲 𝘃𝗼𝗻 𝟭𝟰𝟱𝟳‘
𝘽𝙞𝙡𝙙 𝙪𝙣𝙙 𝙎𝙩𝙞𝙢𝙢𝙚 𝙚𝙞𝙣𝙚𝙧 𝙖𝙢𝙗𝙞𝙜𝙪𝙚𝙣 𝙒𝙚𝙡𝙩
By Gerda Brunnlechner
Info: bit.ly/3LmDL4F
Sample pages available
Dieses Buch lenkt den Fokus auf die Rolle vormoderner Karten als potenzielle Stimmen, die Überzeugungen und Handlungsaufforderungen vermittelten. Es stellt ein neues Konzept zur Analyse vormoderner Karte vor und setzt es am Beispiel der sogenannten ‘Genuesischen Weltkarte‘ von 1457 um, einer anonymen, dem nordmediterranen Raum entstammenden Karte, von der weder der genaue Erstellungsort noch der unmittelbare Nutzungskontext bekannt sind. Im ausgehenden Mittelalter beschäftigten sich verschiedenartige Kreise intensiv mit geographischen und kartographischen Fragen. Zusätzlich zu den Zeugnissen gelehrter Mönche und Kleriker wird nun das Interesse von weltlichen Gelehrten, Fürsten, Notaren, Händlern, Seefahrern und humanistischen Zirkeln an Karten greifbarer. Angeregt wurde dieses Interesse durch das Anwachsen des Wissens über die Welt. Lateineuropäische Reisende und Gesandte aus fernen Ländern berichteten über ihre Erfahrungen aus Asien und Afrika. Frühe Humanisten fanden Handschriften fast vergessener antiker Werke wieder, so dass sich der Blick auf das Autoritätenwissen änderte. Insbesondere die spätestens 1409 fertiggestellte lateinische Übersetzung der ‚Geographia‘ des Alexandriner Astronomen Klaudios Ptolemaios machte Furore und wird in der Forschung als Anstoß einschneidender Veränderungen der Kartographie gesehen.
Der Abgleich der ‘Genuesischen Weltkarte‘ mit Karten aus über 130 Archivsignaturen zeigt, dass sie sich in mehrfacher Hinsicht von den üblichen Karten des 14./15. Jahrhunderts der nordmediterranen Region abhebt. Ihre Kartenmacher waren keine konventionellen Ersteller von Küstenlinienkarten oder Serienkarten. Vielmehr waren sie humanistisch interessiert, mathematisch gebildet und entstammten wahrscheinlich dem Umfeld der Kurie und des Konzils von Ferrara-Florenz (1438-1445). Es greift zu kurz, ihre innovative Anlehnung an Ptolemaios als Verengung des Fokus rein auf topographische Genauigkeit zu deuten, vielmehr zeichneten sie ein raumzeitliches, als kohärente heilsgeschichtliche Erzählung zu verstehendes Bild der Welt.
TABLE OF CONTENTS
Einleitung
Kapitel Eins: Grundlagen
Kapitel Zwei: Kartenmachende – Annäherung an den Handlungsraum
Kapitel Drei: Kartenbild – Strukturen der dargestellten Welt
Kapitel Vier: Kommunikation – Stimmen der Kartenmachenden im Kartenbild
Epilog
Summary in English
Anhang:
I. Erläuterungen, Transkriptionen und Übersetzungen zu den Kartenzeichen der ‚Genuesischen Weltkarte‘
II. Liste der Vergleichskarten
III. Vergleich der ‚Genuesischen Weltkarte‘ mit den Koordinaten des Ptolemaios
IV. Vergleich der Größen verschiedener Karten
𝗠𝘂𝘀𝗶𝗾𝘂𝗲𝘀 𝗲𝘁 𝗺𝘂𝘀𝗶𝗰𝗶𝗲𝗻𝘀 𝗱𝗲𝘀 𝗳𝗲̂𝘁𝗲𝘀 𝘂𝗿𝗯𝗮𝗶𝗻𝗲𝘀 𝗲𝘁 𝘃𝗶𝗹𝗹𝗮𝗴𝗲𝗼𝗶𝘀𝗲𝘀 𝗲𝗻 𝗙𝗿𝗮𝗻𝗰𝗲 (𝗫𝗜𝗩𝗲 – 𝗫𝗩𝗜𝗜𝗜𝗲 𝘀𝗶𝗲̀𝗰𝗹𝗲)
Par Luc Charles-Dominique
Info: bit.ly/3VK8Xzu
Si les premières traces de ritualisation musicale (noces, banquets…) remontent au début du xiiie siècle avec les jongleurs, ce n’est vraiment qu’à partir du siècle suivant que les ménétriers ou joueurs d’instruments sont chargés de la représentation des pouvoirs et de l’animation de la vie sociale dans sa totalité (fêtes politiques et religieuses, de métiers, calendaires, votives, familiales, etc.) et qu’ils se regroupent en confréries ou corporations.
S’appuyant sur son « terrain » toulousain premier ainsi que sur le dépouillement systématique de deux siècles de littérature sur les ménétriers des provinces françaises et sur la collaboration de certains chercheurs en régions, l’auteur propose une nouvelle réflexion d’ampleur sur le personnage historique du ménétrier (plus de trois mille musiciens recensés), son genre, son statut social (poids de la marginalité musicienne des aveugles, mendiants, concurrence des musiciens occasionnels comme les maîtres d’école), sa fonction, sa pratique et ses formes d’organisation.
Cette étude d’anthropologie musicale historique est doublée d’une approche territoriale, cette géographie ménétrière étant abordée au niveau des provinces, des villes (notamment des quarante ayant abrité des corporations et confréries ménétrières), des villages et de l’organisation administrative de ce vaste espace de la Ménestrandise (royauté et lieutenances ménétrières). Par ailleurs, cette histoire sensible de l’art des ménétriers est aussi celle de leur rapport aux musiques dites « savantes », d’église, aux cultures musicales autres, comme celle des Bohémiens.
À l’aide de nombreuses archives, de tableaux, cartes, documents iconographiques, cet ouvrage dépeint la grande fresque d’une musique historique encore méconnue, malgré sa longévité et sa centralité sociale et sociétale, celle des ménestrels et joueurs d’instruments.
TABLE OF CONTENTS
Introduction
I. Naissance & fonctionnement des institutions ménétrieres
II. Éléments pour une géographie ménétrière en france
III. Devenir ménétrier
IV. Profils sociaux, identités statutaires, genrées et professionnelles
V. Jouer ménétrier : instruments, techniques et « beau jeu »
VI. La musique des ménétriers, au coeur de la vie sociale et politique
VII. La relégation par les interdits, la réprobation morale, l’académisme et l’évolution du goût musical
Conclusion
Table des cartes et des tableaux
Table des illustrations et des crédits photographiques
Annexes
Bibliographie
Index
𝗟'𝗜𝗻𝘀𝘁𝗶𝘁𝘂𝘁 𝗱'𝗘́𝘁𝘂𝗱𝗲𝘀 𝗔𝘂𝗴𝘂𝘀𝘁𝗶𝗻𝗶𝗲𝗻𝗻𝗲𝘀 has released two new volumes of its journals 'R***e d’Études Augustiniennes et Patristiques' (vol. 69/2) and 'Recherches augustiniennes et patristiques' (vol. 40).
Info: http://bit.ly/4cdXjUD and http://bit.ly/45KHbav
𝗜𝗻𝗴𝗲𝗻𝗶𝗼𝘂𝘀 𝗜𝘁𝗮𝗹𝗶𝗮𝗻𝘀, 𝗜𝗺𝗺𝗶𝗴𝗿𝗮𝗻𝘁 𝗔𝗿𝘁𝗶𝘀𝘁𝘀 𝗶𝗻 𝗘𝗶𝗴𝗵𝘁𝗲𝗲𝗻𝘁𝗵-𝗰𝗲𝗻𝘁𝘂𝗿𝘆 𝗕𝗿𝗶𝘁𝗮𝗶𝗻
By Katherine McHale
Info: https://bit.ly/3KYjfHi
Sample pages available
This book fills a significant gap in the literature on eighteenth-century art in Britain. Although immigrant Italian artists played a crucial role in the development of Britain’s expanding art world over the course of that century, they have been largely overlooked in books on both British and Italian art. When mentioned in works on eighteenth-century British art, Italian artists are regarded as bit players who were tangential to the art world. Ingenious Italians seeks to correct this view, demonstrating the critical role played by immigrants who brought their skills and talents to a new country. In Britain, they established networks of Italian and British colleagues, cultivated new patrons and created innovative works for a growing market. In doing so, they influenced the development of art in British society. This little-explored facet of art history in Britain presents readers with a new perspective from which to consider the art of the era, highlighting the important work contributed by Italian artists in Britain. The book also contains an appendix of biographical information on the Italian artists working in Britain throughout the eighteenth century.
TABLE OF CONTENTS
Introduction
Chapter 1: Early Arrivals: Verrio and the Venetians
Chapter 2: Life in Britain
Chapter 3: Innovative Italians: New Ideas for New Clients
Chapter 4: The Impact of Italian Immigrants: 'Exciting a Spirit of Ardent Emulation'
Conclusion
Bibliography
Appendix: Italian Artists Active in Britain 1700-1800
Index
𝗣𝗮𝗶𝗻𝘁𝗶𝗻𝗴 𝗔𝗿𝗰𝗵𝗶𝘁𝗲𝗰𝘁𝘂𝗿𝗲 𝗶𝗻 𝗘𝗮𝗿𝗹𝘆 𝗥𝗲𝗻𝗮𝗶𝘀𝘀𝗮𝗻𝗰𝗲 𝗜𝘁𝗮𝗹𝘆
Innovation and Persuasion at the Intersection of Artistic and Architectural Practice
By Livia Lupi
Info: https://bit.ly/3zj0ls3
Why did artists include prominent architectural settings in their narrative paintings? Why did they labour over specific, highly innovative structural solutions? Why did they endeavour to design original ornamental motifs which brought together sculptural, painterly and architectural approaches, as well as showcasing their understanding of materiality? Painting Architecture in Early Renaissance Italy addresses these questions in order to shed light on the early exchanges between artistic and architectural practice in Italy, arguing that architecture in painting provided a unique platform for architectural experimentation.
Rather than interpreting architectural settings as purely spatial devices and as lesser counterparts of their built cognates, this book emphasises their intrinsic value as designs as well as communicative tools, contending that the architectural imagination of artists was instrumental in redefining the status of architectural forms as a kind of cultural currency. Exploring the nexus between innovation and persuasion, Livia Lupi highlights an early form of little-discussed paragone between painting and architecture which relied on a shared understanding of architectural invention as a symbol of prestige.
This approach offers a precious insight into how architectural forms were perceived and deployed, be they two or three-dimensional, at the same time clarifying the intersection of architecture and the figural arts in the work of later, influential figures like Giuliano da Sangallo, Raphael, Michelangelo and Baldassarre Peruzzi, whose work would not have been possible without the architectural experimentation of early fifteenth-century artists.
TABLE OF CONTENTS
INTRODUCTION
The Architectural Imagination of Artists
Pictorial Space and Architecture in Painting
Visual Rhetoric
The Case Studies
All’antica Innovation and Paragone
1 A NEW ARCHITECTURAL CONSCIOUSNESS
MASOLINO DA PANICALE AT CASTIGLIONE OLONA
Masolino and Architecture
Architecture as Cultural Currency
Architecture, Nature and Encomiastic Ekphrasis
2 PERFORMING MAGNIFICENCE
THE PELLEGRINAIO AT SANTA MARIA DELLA SCALA IN SIENA
Ornament and Structure
Architectural Portrait and Ex Novo Reinvention
Building the Community
The Pellegrinaio as a Stage
3 BUILDING LEGITIMACY
FRA ANGELICO’S NICHOLAS V CHAPEL IN THE VATICAN PALACE
Fra Angelico and Architecture
Crafting Time and Place through Architecture
Dignity and Authority
Roman Echoes
CONCLUSION
Craftsmanship and Patronage
Innovation and Self-promotion
Disegno and Paragone
Architectural Forms as Persuasion
Appendix
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𝗣𝗶𝘀𝗮𝗻𝗲𝗹𝗹𝗼 𝗮𝗻𝗱 𝘁𝗵𝗲 𝗚𝗿𝗼𝘂𝗻𝗱𝘀 𝗼𝗳 𝗜𝗻𝘃𝗲𝗻𝘁𝗶𝗼𝗻
By C. Jean Campbell
Info: https://bit.ly/3JH7VP6
The work of the fifteenth-century Italian painter Pisanello has long proven resistant the interpretative procedures of art history, in ways that point to the limits of those procedures as they evolved in the period after the Second World War. Taking Pisanello’s art as an example of a larger theoretical issue, the book proposes a model of interpretation that addresses the realm of imitative practice. Using Cennino Cennini’s 𝘐𝘭 𝘓𝘪𝘣𝘳𝘰 𝘥𝘦𝘭’ 𝘈𝘳𝘵𝘦 as a primer, the author argues for an approach that confronts the evidence of the artist’s self-tempering work, and then tests that model through an examination of Pisanello’s drawings and medals. She exposes the drawings as primary evidence of the ontological groundwork within which the painter finds his own habits of invention, and also demonstrates the value of looking for the groundwork in a selection of Pisanello’s official works, including the surviving wall paintings in Veronese churches. In the end, the author contends that the self-reflexive recognition of creative agency is a prerequisite for the apprehension of Pisanello’s art, especially the agonistic scenario staged in his panel of 𝘛𝘩𝘦 𝘝𝘪𝘳𝘨𝘪𝘯 𝘢𝘯𝘥 𝘊𝘩𝘪𝘭𝘥 𝘸𝘪𝘵𝘩 𝘚𝘢𝘪𝘯𝘵𝘴 𝘎𝘦𝘰𝘳𝘨𝘦 𝘢𝘯𝘥 𝘈𝘯𝘵𝘩𝘰𝘯𝘺 and its enigmatic signature.
TABLE OF CONTENTS
List of Figures
Acknowledgements
Introduction
𝟭. 𝗧𝗲𝗺𝗽𝗲𝗿: 𝗖𝗲𝗻𝗻𝗶𝗻𝗼 𝗖𝗲𝗻𝗻𝗶𝗻𝗶’𝘀 𝗔𝗿𝘁𝗲
𝟮. 𝗚𝗿𝗼𝘂𝗻𝗱: 𝗣𝗶𝘀𝗮𝗻𝗲𝗹𝗹𝗼’𝘀 𝗜𝗻𝘃𝗲𝗻𝘁𝗶𝗼𝗻𝘀
𝟯. 𝗧𝗵𝗿𝗲𝘀𝗵𝗼𝗹𝗱: 𝗣𝗶𝘀𝗮𝗻𝗲𝗹𝗹𝗼’𝘀 𝗙𝗿𝗮𝗺𝗲𝘄𝗼𝗿𝗸𝘀
𝟰. 𝗔𝗴𝗼𝗻: 𝗣𝗶𝘀𝗮𝗻𝘂𝘀 𝗣𝗶𝗻𝘅𝗶𝘁
Epilogue Under the Table
Notes
Bibliography
OPEN ACCESS
𝗘𝗽𝗶𝗱𝗲𝗺𝗶𝗰𝘀 𝗮𝗻𝗱 𝗣𝗮𝗻𝗱𝗲𝗺𝗶𝗰𝘀
𝗣𝗵𝗶𝗹𝗼𝘀𝗼𝗽𝗵𝗶𝗰𝗮𝗹 𝗣𝗲𝗿𝘀𝗽𝗲𝗰𝘁𝗶𝘃𝗲𝘀
Edited by Alessandro Palazzo and Michele Nicoletti
Info: https://bit.ly/3RwvrTe
Epidemics, pandemics, contagion, immunity, social distance, zoonosis are just a few of the concepts that have become commonplace in the academic community and in everyday conversation since the outbreak of the Covid-19. This book aims to provide the reader with a philosophical guide to this conceptual vocabulary by investigating the meanings, implications, and history of words related to the current emergency of Covid-19.
This book addresses the fundamental anthropological, ethical, and political issues that have come under the spotlight of the public debate (life and death, freedom and authority, fear and protection, poverty and access to medical care). In this context, particular attention is given to the conflict between the scientific discourse on the one hand, and irrational bias, misinformation and fake news on the other.
The SARS-CoV-2 outbreak is only the latest episode in a long history of pandemics and epidemics that have constellated human history since its very beginning. Authoritative accounts have made some of these contagious plagues famous (Thucydides’ pages immortalizing the Athenian epidemic of the 5th century B.C.; Boccaccio’s description of the Black Death; Manzoni’s depiction of the Plague ravaging 17th-century Milan). Because a full understanding of the present is not possible without historical inquiry, several contributions in the book explore debates about calamitous phenomena as documented in philosophical literature from Antiquity to 20th-century philosophy.
TABLE OF CONTENTS
Naomi Zack, Epidemics and Pandemics: Philosophical Perspectives. What's Philosophy Got to Do with It?
Michele Nicoletti, Alessandro Palazzo, Introduction
Part I. History of a Problem
Mauro Bonazzi, Thucydides and the Politics of the Plague
Marco Di Branco, Between Religion and Science. The Debate on the Concept of Contagion in the Medieval Islamic World and its Western Parallels
Alessandro Palazzo, Pestilences and Contagious Diseases in the Middle Ages. Albert the Great and the Fourteenth-Century Plague Treatises
Diana Di Segni, Latin-into-Hebrew Treatises on the Black Death
Concetta Pennuto, Contagion and Pandemics. Plague in Early Modern Medical Thought
Mariangela Priarolo, New Sciences and Old Diseases. Seventeenth-Century Readings of the Causes of the Plague
Fabrizio Meroi, Contagion and Epidemics in Twentieth-Century Thought. A Hypothesis about Bergson
Part II. Concepts and Theories
Carlo Brentari, Zoonosis
Michele Nicoletti, Fear and Dispossession
Nidesh Lawtoo, The Mimetic Faculty Reloaded: Contagion, Immunization, Conspiracies in the Age of Viral Reproduction
L'udmila Lacková, Crisis of the Subject in Mediated Communication
Federico Laudisa, The Epistemology of Models in the Era of Pandemic
Pejman Abdolmohammadi, The COVID-19 Pandemic. An Exogenous Shock into Political Systems in the Middle East and North Africa?
Michele Nicoletti, Alessandro Palazzo, Conclusion
Inscrire l’art médiéval
Objets, textes, images
Vincent Debiais
Info: https://bit.ly/4cp0mZB
Ce livre est consacré aux relations entre écriture épigraphique et art médiéval. Il se propose de placer les inscriptions tracées sur la pierre, le métal, le bois, la peinture ou la mosaïque dans le contexte des pratiques écrites et artistiques du Moyen Âge occidental, et de signaler quelques pistes de recherche originales pour appréhender le statut, la forme et la fonction de la rencontre entre l’écriture épigraphique et les oeuvres d’art médiévales.
Cet essai se situe à la confluence de l’histoire de l’écriture et de l’histoire des formes. Il est fondé sur l’analyse d’un certain nombre d’objets graphiques du Moyen Âge central produits en Europe occidentale. Il s’inscrit donc dans une pensée chrétienne de l’écriture et de l’image, et accorde une place importante à la théologie. Il est moins pensé comme un manuel épigraphique à l’attention des historiens de l’art que comme un répertoire de questions à explorer, à repenser ou encore à traiter, et s’adresse à quiconque aspire à la réunion des cultures écrite, visuelle et matérielle du Moyen Âge.
TABLE OF CONTENTS
Ouverture
Une affaire de discipline
Une question pourtant récurrente
Déplacer le point de vue
Propositions
L’angoisse de la date
Datation et commémoration
Ansquitil à Moissac
La date des lettres
Dans la vie de l’œuvre
Discordance des temps
Questions d’approche
Accessoire et auxiliaire
Passes d’armes
Diatribes chronographiques
Nom et signature, une affaire de style
Variations en contexte
Autographie et document
De la signature en épigraphie
Au-delà du contenu, une relation
L’océan épigraphique du nom
L’épuisement par le nominatif
Rendre l’image à ce qu’elle est
Mise en propre
La possibilité du titre
Cet objet-là, cette image-ci
Une ekphrasis au carré
Une lecture topique et technologique des inscriptions
Inscrire dans le matériau
L’esthétique du fragment
Le lieu du moment
Poétique de l’objet
Débordement épigraphique
Redire ou presque
La tension métrique
Défaire le cadre
Une évocation de l’hors-champ
Retournement épigraphique
Une écriture de la déception
Conques comme laboratoire
Corpus et listes
Affleurement
L’écriture comme poétique du visuel
Essai de culture écrite
Begijnhof 67
Turnhout
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We are currently attending the International Medieval Congress - University of Leeds. To celebrate, we offer a 20% discount and free shipping on a wide selection of books regarding medieval topics, which you can discover below. More info: brepols.net/IMCLeeds24 #IMC2024 #medieval
(𝗡𝗲𝘄) 𝗕𝗼𝗼𝗸 𝗦𝗲𝗿𝗶𝗲𝘀 𝗶𝗻 𝗠𝗲𝗱𝗶𝗲𝘃𝗮𝗹 𝗦𝘁𝘂𝗱𝗶𝗲𝘀 𝗖𝗮𝗹𝗹 𝗳𝗼𝗿 𝗖𝗼𝗻𝘁𝗿𝗶𝗯𝘂𝘁𝗶𝗼𝗻𝘀 Discover some our (new) book series in the field of medieval studies on the occasion of the 59th International Congress on Medieval Studies in Kalamazoo. Browse all calls for contributions: https://bit.ly/3Ml3Cen #kzoo2024 #medieval
𝟱𝟵𝘁𝗵 𝗜𝗻𝘁𝗲𝗿𝗻𝗮𝘁𝗶𝗼𝗻𝗮𝗹 𝗖𝗼𝗻𝗴𝗿𝗲𝘀𝘀 𝗼𝗻 𝗠𝗲𝗱𝗶𝗲𝘃𝗮𝗹 𝗦𝘁𝘂𝗱𝗶𝗲𝘀 𝟵 -𝟭𝟭 𝗠𝗮𝘆 𝟮𝟬𝟮𝟰 — 𝗞𝗮𝗹𝗮𝗺𝗮𝘇𝗼𝗼, 𝗠𝗜, 𝗨𝗦𝗔 Ready for the first day of the 59th International Congress on Medieval Studies in Kalamazoo! Make sure to drop by our book exhibit in collaboration with ISD and meet up with publishing manager Julian Yolles from Brepols. Browse our newest titles in Medieval Studies: https://bit.ly/3UA0myM #kzoo2024
𝗧𝗵𝗲 𝟱𝟵𝘁𝗵 𝗜𝗻𝘁𝗲𝗿𝗻𝗮𝘁𝗶𝗼𝗻𝗮𝗹 𝗖𝗼𝗻𝗴𝗿𝗲𝘀𝘀 𝗼𝗻 𝗠𝗲𝗱𝗶𝗲𝘃𝗮𝗹 𝗦𝘁𝘂𝗱𝗶𝗲𝘀 On our way to the 59th International Congress on Medieval Studies in Kalamazoo, MI. Looking forward to meeting everyone at our book exhibit in collaboration with ISD. Browse our newest titles in Medieval Studies: https://bit.ly/3UA0myM
𝗖𝗮𝘁𝗮𝗹𝗼𝗴𝘂𝗲 𝗡𝗲𝘄 𝗮𝗻𝗱 𝗙𝗼𝗿𝘁𝗵𝗰𝗼𝗺𝗶𝗻𝗴 𝗧𝗶𝘁𝗹𝗲𝘀 𝗦𝗽𝗿𝗶𝗻𝗴 - 𝗦𝘂𝗺𝗺𝗲𝗿 𝟮𝟬𝟮𝟰 Discover our publications scheduled for Spring & Summer 2024 Browse Online (Issuu): https://bit.ly/43RVdWN Download (pdf): https://bit.ly/3JauRpK
𝗖𝗮𝗹𝗹 𝗳𝗼𝗿 𝗖𝗼𝗻𝘁𝗿𝗶𝗯𝘂𝘁𝗶𝗼𝗻𝘀 Take the time during the 2024 Renaissance Society of America meeting, to discover some of our (new) book series and journals in the field of Renaissance and Early Modern Studies. Go to: https://bit.ly/3J8Ezch #rensa24
𝟮𝟬𝟮𝟰 𝗺𝗲𝗲𝘁𝗶𝗻𝗴 𝗼𝗳 𝘁𝗵𝗲 𝗥𝗲𝗻𝗮𝗶𝘀𝘀𝗮𝗻𝗰𝗲 𝗦𝗼𝗰𝗶𝗲𝘁𝘆 𝗼𝗳 𝗔𝗺𝗲𝗿𝗶𝗰𝗮 21-23 March 2024 — Chicago, IL, USA We are ready for day one of the 2024 meeting of the Renaissance Society of America! Looking forward to meeting everyone at our booth, in collaboration with ISD, where a selection of our newest titles in the field of Renaissance and Early Modern Studies will be on display. More Info: https://bit.ly/3v9exCj #renaissance #earlymodern
𝟮𝟬𝟮𝟰 𝗠𝗲𝗲𝘁𝗶𝗻𝗴 𝗼𝗳 𝘁𝗵𝗲 𝗥𝗲𝗻𝗮𝗶𝘀𝘀𝗮𝗻𝗰𝗲 𝗦𝗼𝗰𝗶𝗲𝘁𝘆 𝗼𝗳 𝗔𝗺𝗲𝗿𝗶𝗰𝗮 This week, we are attending the 2024 meeting of the Renaissance Society of America in Chicago, in collaboration with ISD. Make sure to come by our #rensa24 book exhibit, meet up with a publishing manager from Brepols and Harvey Miller or browse our newest titles in the field of Renaissance and Early Modern Studies. More Info: https://bit.ly/3v9exCj
𝗦𝗲𝗹𝗲𝗰𝘁𝗲𝗱 𝗕𝗼𝗼𝗸 𝗦𝗲𝗿𝗶𝗲𝘀 𝗠𝗲𝗱𝗶𝗲𝘃𝗮𝗹 𝗦𝘁𝘂𝗱𝗶𝗲𝘀 Discover some of our new and reference book series in the field of medieval studies on the occasion of the 2024 meeting of The Medieval Academy of America. Go to: https://bit.ly/3Ml3Cen #middleages #history #medieval #maa2024
𝗦𝘁𝘂𝗱𝗶𝗲𝘀 𝗶𝗻 𝗣𝗮𝗹𝗺𝘆𝗿𝗲𝗻𝗲 𝗔𝗿𝗰𝗵𝗮𝗲𝗼𝗹𝗼𝗴𝘆 𝗮𝗻𝗱 𝗛𝗶𝘀𝘁𝗼𝗿𝘆 This week, we are attending the 2023 meeting of ASOR in Chicago. A perfect opportunity to discover the book series 'Studies in Palmyrene Archaeology and History' edited by Rubina Raja, who will also be giving the #asor2023 plenary address. More Info: https://bit.ly/3ukZcOg
𝟮𝟬𝟮𝟯 𝗛𝗶𝘀𝘁𝗼𝗿𝘆 𝗼𝗳 𝗦𝗰𝗶𝗲𝗻𝗰𝗲 𝗦𝗼𝗰𝗶𝗲𝘁𝘆 𝗔𝗻𝗻𝘂𝗮𝗹 𝗠𝗲𝗲𝘁𝗶𝗻𝗴 This week, we are attending the 2023 meeting of the History of Science Society (HSS) in Portland, Oregon. Come by our booth, discover our newest titles in the field, meet up with Alexander Sterkens and discuss your project with us, or benefit from conference discounts via: https://bit.ly/3LSgmZb #hss2023 #hss23 #historyofscience #histsci
𝟮𝟬𝟮𝟯 𝗙𝗿𝗮𝗻𝗸𝗳𝘂𝗿𝘁𝗲𝗿 𝗕𝘂𝗰𝗵𝗺𝗲𝘀𝘀𝗲 We are attending the 75th Frankfurter Buchmesse. See you in Hall 4.0, booth D96 to browse our newest (e)books and (e)journals, our Harvey Miller and Corpus Christianorum imprints or discover the BREPOLiS database-projects. #FBM2023 #fbm23
𝗠𝗮𝗽𝗽𝗮𝗲 𝗺𝘂𝗻𝗱𝗶 (𝗩𝗜𝗜𝗜𝗲-𝗫𝗜𝗜𝗲 𝘀𝗶𝗲𝗰𝗹𝗲) 𝗖𝗮𝘁𝗮𝗹𝗼𝗴𝘂𝗲 𝗰𝗼𝗱𝗶𝗰𝗼𝗹𝗼𝗴𝗶𝗾𝘂𝗲 Patrick Gautier Dalché Launch Price / Prix de souscription (valid until / valable jusqu’au 31/12/2023): https://bit.ly/3F1ajhf “The mappae mundi exist in scores of manuscripts and much work needs to be done before secure generalizations may be based upon them”, wrote the English historian Denys Hay in 1957. This book aims to contribute to this study by describing in detail the hundreds of diagrams and more elaborate maps found in medieval (mainly Latin) manuscripts up to around 1200. Most documents have been examined directly, some having been described from microfilm or electronic reproductions. Each document, far from being considered in isolation, is described in terms of its materiality (how the drawings were made, reprints and corrections, etc.), its codicological context (place of the drawing in the economy of the codex, rubrication, etc.) and its intellectual context (illustrated texts, place of the drawing on the page and in the codex as a whole). Taking these data into account will enable specialists to define precisely the reasons that contributed to the creation of these drawings. Each entry is accompanied by a reproduction of the map in large format to allow for comparisons and more in-depth study, making this book an indispensable resource for all related research. « Les mappae mundi existent dans un grand nombre de manuscrits, et beaucoup de travail doit être accompli avant que des généralisations certaines puissent être fondées sur elles », écrivait l’historien anglais Denys Hay en 1957. Cet ouvrage entend contribuer à ce programme en décrivant dans le détail les centaines de diagrammes et de cartes plus développées que l’on rencontre dans les manuscrits médiévaux (principalement latins) jusqu’aux environs de 1200. La plup
𝗖𝗮𝗹𝗹 𝗳𝗼𝗿 𝗖𝗼𝗻𝘁𝗿𝗶𝗯𝘂𝘁𝗶𝗼𝗻𝘀 𝗔𝗥𝗖𝗛𝗔𝗘𝗢𝗟𝗢𝗚𝗬 Book Series and Journals Discover some of our new book series and journals on the occasion of the 2023 meeting of the EAA European Association of Archaeologists in Belfast. Go to: https://bit.ly/3PlZgFv #EAA2023
Food & History - Vol. 21:1 (2023) 𝗙𝗮𝘁 𝗪𝗼𝗿𝗹𝗱𝘀 𝗙𝗲𝗮𝘀𝘁𝗲𝗿𝘀 𝗮𝗻𝗱 𝗟𝗼𝗮𝗳𝗲𝗿𝘀 𝗶𝗻 𝗠𝗲𝗱𝗶𝗲𝘃𝗮𝗹 𝗮𝗻𝗱 𝗘𝗮𝗿𝗹𝘆 𝗠𝗼𝗱𝗲𝗿𝗻 𝗘𝘂𝗿𝗼𝗽𝗲 / 𝗚𝗼𝘂𝗿𝗺𝗮𝗻𝗱𝘀 𝗲𝘁 𝗳𝗮𝗶𝗻é𝗮𝗻𝘁𝘀 𝗱𝗮𝗻𝘀 𝗹’𝗘𝘂𝗿𝗼𝗽𝗲 𝗺é𝗱𝗶é𝘃𝗮𝗹𝗲 𝗲𝘁 𝗺𝗼𝗱𝗲𝗿𝗻𝗲 Edited by Roberta Colbertaldo and Christine Ott Info: https://bit.ly/3pSGk7l TABLE OF CONTENTS ROBERTA COLBERTALDO AND CHRISTINE OTT Fat Worlds: Feasters and Loafers in Medieval and Early Modern Europe Carnival and Lent 1. Andrea MARASCHI (Università di Bari) Carnival in Late Medieval Italian Sermons: A Time of Overeating in Pagan Fashion 2. TIMOTHY J. TOMASIK (Valparaiso University) From Carnival to Cockaigne: Banquet and Gaster as Humanist Anti-Heroes in Early Modern France 3. Roberta COLBERTALDO (Goethe University Frankfurt) The Court and the Gut. A Study of Carnival and Lent Representations in Giulio Cesare Croce’s Work Lands of Cockaigne 4. Filippo RIBANI (Bologna) A Lost Gastronomic Paradise in Baldassarre da Fossombrone’s Menzoniero overamente Bosadrello (1475) 5. Andrea BALDAN (Goethe University Frankfurt) Dreaming of Cockaigne, Dreaming of Distant Worlds: Old World and New World Foodstuffs in a Fictional French Representation of Sumatra in the Sixteenth Century 6. Isabella AUGART (Georg-August-Universität Göttingen) Nel Paese de Cuccagna: Nicolò Nelli and the Topographies of Abundance Fat Bodies 7. Christine OTT (Goethe University Frankfurt) Fat Carnival Princess in Renaissance Rome: Luigi Pulci’s Political Misogyny 8. Holly FLETCHER (University of Sussex) The Fat World of the Hutterites: Food and Fatness in the Criticism of Hutterite Anabaptists in Early Modern Moravia Book reviews / Comptes rendus Paul Freedman, Why Food Matters (
𝗧𝗮𝗯𝘂𝗹𝗮 𝗚𝗿𝗮𝘁𝘂𝗹𝗮𝘁𝗼𝗿𝗶𝗮 Mystics, Goddesses, Lovers, and Teachers. Medieval Visions and Their Legacies / Studies in Honour of Barbara Newman 𝗦𝗽𝗲𝗰𝗶𝗮𝗹 𝗣𝗿𝗶𝗰𝗲 𝗮𝗻𝗱 𝗙𝗿𝗲𝗲 𝗦𝗵𝗶𝗽𝗽𝗶𝗻𝗴 - 𝗗𝗲𝗮𝗱𝗹𝗶𝗻𝗲: 𝟭𝟱 𝗔𝘂𝗴𝘂𝘀𝘁 𝟮𝟬𝟮𝟯 This volume showcases new investigations of mysticism and religious writing in the Middle Ages and the early modern period. It also presents groundbreaking explorations of the feminized divine, from medieval to modern, and the many debts of medieval secular texts and cultures to the religious world that surrounded them. These collected chapters examine mystics from Hildegard of Bingen and Juliana of Cornillon to Richard Rolle, Julian of Norwich, and Tomás de Jesús; the modern theologies of Philip K. Dick and Charles Williams; goddesses like Fame, Dame Courtesy, and Mother Church; and the role of religious belief in shaping conceptions of pacifism, obscenity, authorship, and bodily integrity. Together, they show the extraordinary impact of Barbara Newman’s scholarship across a range of fields and some of the new areas of investigation opened by her work. 𝗦𝘂𝗯𝘀𝗰𝗿𝗶𝗯𝗲 𝗻𝗼𝘄 𝘃𝗶𝗮: https://bit.ly/3D6OoEu Table of Contents I. Introductions Across the Margins: Gender, Religion, and the Remaking of Medieval Literary Studies STEVEN ROZENSKI, CLAIRE M. WATERS, and JOSHUA BYRON SMITH On Publishing Barbara Newman JEROME E. SINGERMAN II. Mystics and (Re)Visions The Art of Light: Romanesque Enamels and the Illumination of Hildegard’s Scivias KATHRYN KERBY-FULTON Juliana of Cornillon and the Flowering of Medieval Mimesis JESSE NJUS Richard Rolle’s Love-Song to the Virgin (‘Canticum amoris’): Text and Translation ANDREW KRAEBEL ‘Sixteen Shewinges’: The Composition of Julian of Norwich’s Revelation of Love Revisited NICHOLAS WATSON
FORTHCOMING - JUNE 2023 𝗡𝗲𝘁𝘄𝗼𝗿𝗸𝗶𝗻𝗴 𝗘𝘂𝗿𝗼𝗽𝗲 𝗮𝗻𝗱 𝗡𝗲𝘄 𝗖𝗼𝗺𝗺𝘂𝗻𝗶𝘁𝗶𝗲𝘀 𝗼𝗳 𝗜𝗻𝘁𝗲𝗿𝗽𝗿𝗲𝘁𝗮𝘁𝗶𝗼𝗻 (𝟭𝟰𝟬𝟬–𝟭𝟲𝟬𝟬) Edited by Margriet Hoogvliet, Manuel F. Fernández Chaves and Rafael M. Pérez García Relating to the special thematic Imc Leeds focus ‘Networks & Entanglements’, we are happy to highlight our forthcoming book "Networking Europe and New Communities of Interpretation (1400–1600)"! Long-distance ties connecting Europeans from all geographical corners of the continent during the fifteenth and sixteenth century facilitated the sharing of religious texts, books, iconography, ideas, and practices. The contributions to this book aim to reconstruct these European networks of knowledge exchange by exploring how religious ideas and strategies of transformation ‘travelled’ and were shared in European and transatlantic cultural spaces. More Info: https://bit.ly/3p4eEf8 TABLE OF CONTENTS Introduction: Networking Europe and New Communities of Interpretation — MARGRIET HOOGVLIET, MANUEL F. FERNÁNDEZ CHAVES, and RAFAEL M. PÉREZ GARCÍA Transnational History and Social Network Theory: A Brief Introduction to Theory and Terminology — SUZAN FOLKERTS and MARGRIET HOOGVLIET Francisco de Osuna’s Tercer Abecedario Espiritual and the Medieval Mystical Tradition in Western Europe — RAFAEL M. PÉREZ GARCÍA The Sixteenth-Century Polish Protestant Martyrology and its Latin Sources — MIROSŁAWA HANUSIEWICZ-LAVALLEE (Re-)Constructing a Community of Readers: The Image of the Laity in Books Printed in Delft (1477–1500) — MARCIN POLKOWSKI Spanish Merchants and Dissidents outside Spain in the Sixteenth Century — IGNACIO GARCÍA PINILLA The Library of the Pious House and Chapel of Saint Andrew of the Flemish Nation in Seville under Philip V — MANUEL FERNÁNDEZ CHAVES Business Is Business: Book Merc
Brepols is an international academic publisher of works in the humanities. The focus of its publications lies in "source-works" from Antiquity, the Middle Ages and the Early Modern period. By this is meant critical editions of original texts and documents in their original language, reference works such as encyclopaedias, handbooks and bibliographies, as well as monograph studies and cutting-edge research.
Fundamental series like the Corpus Christianorum and online databases like the Library of Latin Texts, as well as the co-operation with highly respected institutes like I.R.H.T. (Paris) and the Institute for Medieval Studies (Leeds), explain and testify why Brepols works are being used in every well-respected academic library all over the world. Harvey Miller Publishers (an imprint of Brepols) has established a reputation for the quality and authority of its scholarly monographs and catalogues raisonnés in the field of medieval, Renaissance and Early Modern art. Besides publications under its own imprint Brepols distributes works from many world-class academic institutions.
The mediums in which Brepols Publishers operates are the printed book (monographs, miscellanies and journals), online publishing (BREPOLiS) and eBooks en eJournals (BrepolsOnline). Languages: English and French but also German, Spanish, Italian and Dutch (as well as old languages like Latin, Greek, Occitan etc.) Brepols Publishers has been founded in 1796 and is located in a 17th century building of the historic beguinage of Turnhout. Brepols Publishers has also editorial offices in Chicago, USA and Notthingham, UK. The CTLO, a centre for computer-assisted research of classical languages, is also organised by Brepols Publishers and is housed in the Corpus Christianorum Library & Knowledge Centre.