Side-Line Reviews

Side-Line Reviews INFERNO SOUND DIARIES is meant as an online platform for lovers of EBM, Dark-Electro, Electro-Pop, I That’s why the review format will change a little bit.

INFERNO SOUND DIARIES is meant as an online platform for lovers of EBM, dark-electro, industrial, power-noise, tribal, industrial-trance, dark-ambient, techno-body, gothic, new-wave, ethereal, synth-pop and related genres. INFERNO SOUND DIARIES will bring you brief news items, reviews, click-interviews and music links + clips. BACKGROUND

-I (Stéphane Froidcoeur) am into new-wave music, EBM, Indus

trial music ao since the early 80s.
-I joined Side-Line magazine in 1991 and got mainly active as main reviewer and interviewer.
-After 25 years of involvement, becoming the main and during the past few years, single reviewer of Side-Line.com, I decided early 2016 to leave the magazine. Because of some internal disagreements I think it was time for something different. From my Side-Line period I only want to keep the good things in mind and I can assure you there were a lot of unforgettable moments. That’s the reason I’ll still go on supporting this magazine.
-From start on I used –among others, the nickname ‘Deranged Psyche’ (DP) to write most of my reviews/interviews. I was managing the ‘Reviews’ section in between 2008 and early 2016.
-I was active as singer inside different bands like Nebula-H (together with Mika Goedrijk/This Morn'Omina), FuzeBoxMachine (together with Benoit Blanchart/Aiboforcen), Toxic Shock Syndrome (together with Johan Van Roy/Su***de Commando) ao.
-I contribute to the famous Alfa-Matrix compilation series "Endzeit Bunkertracks"- by recommending interesting bands. INFERNO SOUND DIARIES

-From now on I’ll mainly focalize at my Facebook-page, which I decided to rename from ‘Side-Line Reviews’ into ‘INFERNO SOUND DIARIES’.
-INFERNO SOUND DIARIES gives me the opportunity to get total freedom about my work and involvement while I got the idea to become freelancer as well. The first magazine I got in touch with quite logically was Side-Line.com. Bernard Vanisacker (chief-editor of Side-Line.com) and I found an agreement so all of my reviews and possibly interviews will be edited at Side-Line.com as well.
-The idea posting reviews, interviews and news at Facebook comes from the observation that most of the people and music lovers are mainly active at Facebook.
-The idea all of my posts can be shared by all visitors, readers, bands, labels, promoters... all people who will help artists and their labels to get a wider diffusion so in the end WE ALL TOGETHER can help the best we can our lovely dark underground scene!!! PROMO MATERIAL

-Physical promo material (CD/CDR/vinyl) can be send to:
INFERNO SOUND DIARIES (& Side-Line.com)
c/o Stéphane Froidcoeur
Leuvenselaan 251
3300 Tienen – BELGIUM

-Digital promo material can be send to this Facebook-page and/or [email protected]
[[[ Physical promo material gets my preference when it comes to make a review, while I can't make any promise when it comes to digital promo material. There's too much ask and it's not possible to treat all the input. I refuse streaming to make review(s) ]]]
-I'll get back to you once the review/interview online. REVIEW POLICY

Find below some information about my review policy, which has changed since January, 1st, 2022.. After thirty years of involvement I’ve decided to reduce my activities. Reviews and interviews will be still made, but I’ll spent less time doing it. What I consider as being ‘great productions’ will still get a ‘normal’ review while all the others will get a ‘short review’ format. The goal is to catch the essence of a production and write it down in a few lines.

-Main priority is always given to physical promo stuff (CD/CDR/Vinyl/Cassette/USB); it means that the review will be sooner online.

-Digital promotion, which can be downloaded is accepted, BUT promises that your stuff will be reviewed can’t be given. Due to the a high amount of requests choices have to be made. Albums are getting my preference while I’m no longer reviewing compilations, singles, EP’s featuring an endless amount of remixes…

-Streaming (spotify, bandcamp, itunes, soundcloud etc) is not accepted for review. I personally think that streaming is a great tool to discover music, but I don’t feel comfortable with it when it comes to make a review. You think I’m old-school? Yes, I am because I’m doing this ‘job’ for 30 years now!

-Reviews of singles will be no longer made!
-Reviews of EP’s featuring an endless amount of remixes will be no longer made!
-Reviews of digital compilations will be no longer made!
-Reviews of productions, which I consider as ‘not good enough’ will be no longer made!

-Only the following genres & influences are accepted: EBM, Dark-Electro, Techno-Body, Dark-Techno, Synth-Pop, Future-Pop, Indie-Pop, Gothic, Goth-Metal, Dark-Cold-Wave, Dark-Ambient, Industrial, Death-Industrial, Rhythmic-Noise, Ritual, Dark-Trance, Ethereal and related genres.

-A brief info sheet with some info about the album –and eventually your project/band, is always welcome.

-Reviews and interviews will first be posted at my Facebook-page.
-The reviews will next be posted at Side-Line.com.
-I’m also making interviews by email. They’ll first be posted at my page and next at Side-Line.com.

!!! If you send promos from the USA or any other country outside the EUROPEAN UNION, please make sure to:

-Ask at the post-office for a special document for ‘CUSTOMS DECLARATION’
-You’ve to fill in this document, which will mention:
°detailed description of the item (example: 2 CD’s)
°value of the item (example: 15$ / 20€)
°category of the item > you here have to mention it’s a ‘GIFT’
°the ‘customs declaration’ has to be stuck at the front of the package

This is the only, valid way to make sure I’ll get your package. An alternative-, but more expensive solution is to work with a courier company. NEWS ITEMS

-I’m no longer posting news items at my FB page, but you can get in touch with Bernard Vanisacker ( [email protected] ) from Side-Line.com who’s posting news items at daily basis.

Mayflower Madame – Insight (Digital/CD/Vinyl Album – Icy Cold Records / Up In Her Room / Night Cult Records)We welcome t...
10/11/2024

Mayflower Madame – Insight (Digital/CD/Vinyl Album – Icy Cold Records / Up In Her Room / Night Cult Records)

We welcome the third album from the Norwegian band Mayflower Madame. While the four-year gap between each album might seem coincidental, it could also reflect the band’s commitment to patiently perfecting their work. That patience pays off, rewarding fans with a beautifully crafted album that leans more toward Dark-Wave than previous releases. They deliver a sound that is dark yet melodic, occasionally evoking renowned bands like Clan of Xymox, The Mission, and even Siouxsie & The Banshees in certain guitar sections. The guitar plays a crucial role in the emotional texture of these tracks, particularly in the first half, which builds upon a deep, resonant bassline. The vocals amplify the dark, seductive ambiance, enhancing the album’s mood. While the first half is especially compelling, the second half, though slightly less mesmerizing, still holds its own. This is undoubtedly Mayflower Madame's best work and a must-discover for any Post-Punk fan. (Rating:8½).

Listen to “Tightrope Walker”:
https://icycoldrecords.bandcamp.com/track/tightrope-walker

08/11/2024

Echoberyl – Through The Chaos (Digital/CD/Vinyl Album –Icy Cold Records / Mother Solitude Records)

Paris-based duo Echoberyl, featuring Cecilia Dassonneville and producer/mixer Adriano Iacoangeli, returned this year with “Through The Chaos”. The album is pure Cold-Wave with a minimalist edge; simple yet powerful and irresistibly infectious. Cecilia’s seductive vocals, marked by her distinct French accent, add an alluring quality to each track. Rather than relying on traditional melodies, the songs are built on cold, melodic sequences. The rhythms are highly danceable, though occasional melancholic and ethereal sections add variety, even if they’re not the album’s strongest moments. Both the digital and CD versions include bonus tracks, including a heavier, slightly EBM-influenced piece. New listeners may find Echoberyl’s sound compelling and hard to resist. (Rating:8½).

Listen to “Lady M”:
https://icycoldrecords.bandcamp.com/track/lady-m

Dead. – Transmissions & Verse (Digital/CD Album – Icy Cold Records) As we await the new album from the French band Dead,...
07/11/2024

Dead. – Transmissions & Verse (Digital/CD Album – Icy Cold Records)

As we await the new album from the French band Dead, they earlier this year have also released “Transmissions & Verse”, a collection of two earlier EPs originally put out in 2012 and 2014, and previously compiled on cassette in 2015 by Cold Dark Matter Records. “Transmissions” offers a seamless blend of Shoegaze and Dark-Wave, layered with icy electronic sequences. It feels like a sonic cross between The Jesus And Mary Chain and Su***de. “Verse” leans slightly more toward Shoegaze, yet retains those core influences, with most tracks building to intense climaxes. The guitar work is stunning, driving the record with a raw energy, while the cold electronic textures enhance its atmospheric depth. This release is a true masterpiece, showcasing a phenomenal band you’ll want to discover. (Rating:8½).

Listen to “No Place For Us”:
https://icycoldrecords.bandcamp.com/track/no-place-for-us-transmissions-ep

Closed mouth – Forgotten (Digital/CD Album – Icy Cold Records)   Since 2016, French artist Yannick Rault has been prolif...
06/11/2024

Closed mouth – Forgotten (Digital/CD Album – Icy Cold Records)

Since 2016, French artist Yannick Rault has been prolific, releasing numerous works that push sonic boundaries. This past summer, he stroke back with a new album under his alter-ego, Closed Mouth. The album, featuring 10 tracks, transports listeners back to the grandiose 80s, evoking the depth and intensity of Dark-Wave and Post-Punk. Rault once again strikes a careful balance between guitar and electronic arrangements, with a deep, resonant bassline that underscores the album's darker tones, complemented by sharp, striking guitar riffs. His sometimes monotonous, almost sterile vocal style and the album's immersive atmosphere are reminiscent of The Danse Society -a fitting reference for this work. While I’ve enjoyed several of Rault's past productions, “Closed Mouth” takes his artistry a step further. This album is an essential addition to today’s Post-Punk scene. (Rating:8).

Listen to “What’s Real?”:
https://icycoldrecords.bandcamp.com/track/whats-real

Protokoll 19 – Mental Decay (Digital Album – Danse Macabre Records)The Finnish Dark-Electro project Protokoll 19 has alr...
05/11/2024

Protokoll 19 – Mental Decay (Digital Album – Danse Macabre Records)

The Finnish Dark-Electro project Protokoll 19 has already released several singles and EPs, and this summer they returned with their debut album, “Mental Decay”. The album features seven tracks plus three remixes. The sound immediately captures the essence of 'Hell-Electro,' with icy, dark atmospheres, hard-hitting rhythms, and menacing bass lines. The harsh, relentless vocals further amplify the tormented mood that permeates the album. Remixes have been exposed to C-Lekktor, Frontal Boundary and Midnight Nightmare. Protokoll 19's style feels like a hybrid of Su***de Commando, Acylum, and Centhron. (Rating:8).

Listen to “Clairvoyance”.
https://protokoll19.bandcamp.com/track/clairvoyance-3

Omega Attraktor – Being Of The Dawn (Digital Album – Omega Attraktor)Following their promising debut album “Fields Of So...
04/11/2024

Omega Attraktor – Being Of The Dawn (Digital Album – Omega Attraktor)

Following their promising debut album “Fields Of Sorrow”, the Swiss project Omega Attraktor returns with four elaborate, extended tracks. The songs are carefully constructed, balancing pure Experimental elements with Electro and Space-Ambient influences. At times, the sound feels minimal, yet the compositions still manage to captivate the listener. While it presents a bit of a challenge, the music consciously avoids typical Dark-Ambient clichés. Though not a masterpiece, it remains a pleasant and intriguing experience. (Rating:7½).

Listen to “Being Of The Dawn”:
https://omegaattraktor.bandcamp.com/track/beings-of-the-dawn

'CLICK INTERVIEWwith SCHEITAN (Scheitan - Gothic Rock Band) is also available at Side-Line Magazine:
04/11/2024

'CLICK INTERVIEWwith SCHEITAN (Scheitan - Gothic Rock Band) is also available at Side-Line Magazine:

Originally formed in 1996, Swedish band Scheitan began its journey blending Black-Metal with touches of Gothic-Rock, creating a sound both intense and haunting.

‘CLICK INTERVIEW’ WITH SCHEITAN (Scheitan - Gothic Rock Band)  Originally formed in 1996, Swedish band SCHEITAN began th...
03/11/2024

‘CLICK INTERVIEW’ WITH SCHEITAN (Scheitan - Gothic Rock Band)

Originally formed in 1996, Swedish band SCHEITAN began their journey blending Black-Metal with touches of Gothic-Rock, creating a sound both intense and haunting. They released three notable albums in the late '90s. This year, SCHEITAN has returned to the scene, unveiling their first full-length album in 25 years. Titled “Songs For The Gothic People” and released by The Circle Music, the album leans into Post-Punk influences, layered with melodic elements that build to an exhilarating crescendo. I had the chance to speak with Pierre Törnkvist, the sole driving force behind SCHEITAN, about the band’s resurrection and this impressive new opus.

‘AGE TEACHES US TO SEE THE WORLD FROM ANOTHER PERSPECTIVE’

Q: “Songs For The Gothic People” marks SCHEITAN’s first new album in 25 years. It seems to represent not just a comeback, but a complete metamorphosis in genre and the evolution into a solo project. Could you share more about this revival and the shifts in genre and influences?

Pierre: SCHEITAN was a musical project that already back in the late 90’s shifted in style, and to be honest, I think what changed most from our 1999 “Nemesis” album and the new are the vocals. The rest was already there in 1999, maybe not in a clear form like this -and it’s certainly also a musical development but to me there was melodies, lyrical darkness, some slow songs, some up-tempo ones already back then.
Our first album in 1997 one could call a ‘Black-Metal’ album, at least musically but we already shifted gears in 1998 with the 4 more Gothic songs that were on “Berzerk 2000”. And for “Nemesis” the furious tempo was all gone. So, a part of the transition was already made. This was just the finishing touch.


Q: When did you begin working on “Songs For Gothic People” and how did the album ultimately take shape?

Pierre: Well, I was experimenting in the studio, tired of doing the usual screaming stuff and decided to try to sing properly. This was not an easy task since I am 75% deaf since the age of 5 so singing in tune is a challenge. But things got better with time, I practiced a lot and at the same time I wrote the song “Lost In Time”. At first I did not know what to do with the song and was thinking of what to name this ‘project’. But the more I thought about it I felt that this would be a natural continuation of SCHEITAN, this would be the logical next step.

As I said, the music was already there and now the vocals would be in place. I did not have the opportunity to work with my singing like this back in the day so it could not happen then, and instead it happened now. I was always a fan of the Greek underground scene and when The Circle Music released the last THOU ART LORD-EP I sent the label-boss Maria an e-mail together with the song. She liked it a lot and asked if I wanted to do an album, and the rest is history.


Q: The title is quite explicit, suggesting a clear target audience. Is there a deeper meaning behind it? Can you elaborate on the lyrical themes and influences that shaped the album?

Pierre: About the title, it’s not necessarily aimed at ‘Goth’ people. But rather at people who feel that they do not belong to this world and all the madness that is going on. That, to me, is what goth really represents, not how you look but how you feel. To look at all this insanity from the side, feeling and realizing it’s all wrong. Other than that, the lyrics are very dark and existential. I think this comes naturally with age, when you start experiencing the death of your friends and your parents combined with war and misery everywhere. Age teaches us to see the world from another perspective. And also realizing that life is not a clock spinning around and around but rather an hourglass running out of sand sooner than later did have an impact on the lyrics.


Q: Transitioning from a band to a solo project is a significant change. How did this shift impact your process of composing and producing the songs? What were your greatest challenges and opportunities, as well as your most significant sources of satisfaction and pride?

Pierre: Well, SCHEITAN was never a ‘band’ anyway. SCHEITAN was me and Oscar, and that meant it basically was me writing songs and Oscar playing drums. He wrote music in many other musical projects, like THE EVERDAWN and HELLTRAIN but with SCHEITAIN he trusted me 100% with the writing. Of course he did a few riffs here and there but he was usually happy with what I wrote and rarely had any wishes to change anything. And I think that if Oscar had been alive today he would have liked the new album a lot. He was the one introducing me to bands like FIELDS OF THE NEPHILIM and SISTERS OF MERCY from which I obviously have drawn inspiration to create this music.

But what really differs now from back in the day is that I have a studio in my own home, I have such better possibilities to create and record music, that is a huge change. The biggest challenge was the vocals, no doubt, but once I gained the self confidence that I could do it, very much coached during the process by Daniel Bergstrand who mixed the album, I think it moved on quite smoothly. The biggest opportunity is definitely the fact that I have infinite amounts of time in the studio as it is my own. And yes, I am really proud of this album, I have said it before, when I listen to it now there are times that I find it hard to believe that I did this all by myself, that I had this album in me.

Regarding the solo project/band definition I would say that the ‘band’ feeling of SCHEITAN has never been as strong as it is today after me and Axel started playing live shows together. In the beginning I think both of us just tried to do our best to perform the songs but this has developed into a real project where we continuously improve our performance and discuss new ideas for the future. Axel has contributed a lot to both the visual identity as well as the contact with the audience during this short period of time.


Q: How would you describe yourself as a musician, and what was your approach to creating the songs for this album? Were there any key moments or influences that significantly shaped your development as a musician?

Pierre: I think it’s more of a collection of things that made all this happen. Firstly of course the fact that I built the studio a few years ago. Then all the stuff I learned along the way, how to record, how to arrange the songs better, how to use the software, vocal practice… a lot of different things. I spent a lot of time the last few years listening to completely different music, like EDM, Pop stuff -really anything but Metal just to learn from songwriters with a different approach. I think this helped a lot to make me better at writing and arranging songs.

So I would not say there are key moments, rather persistence and the will to constantly keep going, keep evolving, staying curious with a will to learn new things. A lot of people talk about inspiration, they look to be ‘inspired’ to get something going. If there is one thing to pinpoint in all this I think it’s the lie of ‘inspiration’, there is no such thing. Just get in the studio, and start somewhere, after five minutes you will be lost in the flow and come out a few hours later. I think this approach is applicable to any kind of artist, it doesn't matter if you write books, do paintings or whatever.


Q: What can fans look forward to in the coming months in terms of performances, new music videos, remixes, and other potential projects?

Pierre: Well, SCHEITAN recently released the new single “Fury Flow” which is a re-recording of a song from the “Nemesis”-album. Really just done out of curiosity and to prove the point that the songs on that album were not very far from what SCHEITAN is today. By the end of November there will be another single titled “Love n’ Death”, it will probably be released earlier on YouTube. Then by the end of January there will be another single, “Carry Me Home”. We also hope to book some more shows.

And yes, we are looking for a booking agency, so if anyone out there would be interested in working with SCHEITAN, just get in touch. Also, check out the website at www.scheitan.se

Neon Insect – Liberty Flowers (Digital/CD/Cassette Album – Neon Insect)Neon Insect is the musical alter ego of Nils Sina...
02/11/2024

Neon Insect – Liberty Flowers (Digital/CD/Cassette Album – Neon Insect)

Neon Insect is the musical alter ego of Nils Sinatsch. Having already released several works, he returns with a continuation of the dystopian world he previously developed. Musically, the sound is dark, blending atmospheric Dark-Electro with Industrial-Pop. The production feels bombastic, yet features dream-like strings that soften the edges. The vocals, on the other hand, are harsh and devilish. Toward the end of the album, there are even hints of Dub-like elements. This new work is varied, making it both engaging and easy to listen to. (Rating:7).

Listen to “Love s*x + Robots”:
https://neoninsect.bandcamp.com/track/love-s*x-robots-2

Sieben – Brand New Dark Age (Digital/CD Album – Redroom) Matt Howden returns with ten new tracks, delivered alongside hi...
01/11/2024

Sieben – Brand New Dark Age (Digital/CD Album – Redroom)

Matt Howden returns with ten new tracks, delivered alongside his trusted companion, Kev, the violin. Sieben remains an experience beyond easy description; it's unmistakably Experimental, with elements of Chanson woven through socially conscious lyrics, and often has a Cinematic quality that lends a haunting, melancholic feel. Howden's violin work is as unparalleled as ever; at times, he conjures riffs reminiscent of Led Zeppelin, and moments later, he brings an eerie, atmospheric touch. There are even highly danceable passages featured. His lyrics are delivered with a unique blend of passion and enchantment, capturing something almost otherworldly. Matt Howden isn’t just a musician; he’s a sorcerer of sound, wielding his violin with an artistry all his own. Notably, the digital edition of this album also includes live versions of all 10 tracks, offering an added dimension to the experience. (Rating:8).

Listen to “Stay The Hand”:
https://sieben.bandcamp.com/track/05-stay-the-hand

Hiemis – Nephilim (Digital/CD Album – Noctivagant)Spanish artist Juan Carlos Toledo continues his prolific output under ...
31/10/2024

Hiemis – Nephilim (Digital/CD Album – Noctivagant)

Spanish artist Juan Carlos Toledo continues his prolific output under the Hiemis name. In this latest work, inspired by the mythical and Biblical figures of the 'Nephilim,' Toledo delves into an intensely dark musical landscape mixing Dark-Ambient, Cinematic, and Soundscape elements. The atmosphere is deeply ominous, with powerful, resonating sound waves that evoke a desolate, hopeless world. “Nephilim” feels like a journey with no return, capturing the breath of the afterlife -a relentless, cutting wind that lingers as you pass through it alone. Hiemis has crafted a production with strong visual appeal, offering beautiful tracks that, despite their inherent monotony, captivate the listener. (Rating:7½).

Listen to “Chaos”:
https://hiemismusic.bandcamp.com/track/chaos

AD:Key (AD:keY offical) – 06.09 (Digital/CD Album – Alfa Matrix)The newest and seventh album by the German duo AD:Key, c...
30/10/2024

AD:Key (AD:keY offical) – 06.09 (Digital/CD Album – Alfa Matrix)

The newest and seventh album by the German duo AD:Key, comprised of Andrea and René Nowotny, stands out as a particularly special release. Titled “06.09”, it references the couple's wedding date, celebrating their bond through music. This album stays true to the energetic, intelligent, and old-school EBM style that has become AD:Key's signature, delivering a powerful sound. Both members contribute vocals throughout, and they also invited long-time friend Uwe Kanka (Armageddon Di**os) to collaborate on one track. Interestingly, the album's strongest tracks are positioned toward its conclusion. Compared to previous works, “06.09” has a slightly ‘softer’ or more Body-Pop sound, though it remains a refined and well-balanced production, merging strength and sophistication. An additional album complements the release with numerous remixes and alternative versions. Label mates Miseria Ultima and Digital Factor, as well as Martin Bodewell of Orange Sector, contribute compelling remixes, alongside AD:Key’s own reworks and another one from their side project, Rector Scanner. (Rating:8).

Listen to “By Your Side”:
https://alfamatrix.bandcamp.com/track/by-your-side

MARTINÉ – Nichts Währt Ewig (Digital/CD Album – ECHOZONE) After releasing his debut album on Nadanna, MARTINÉ returns wi...
29/10/2024

MARTINÉ – Nichts Währt Ewig (Digital/CD Album – ECHOZONE)

After releasing his debut album on Nadanna, MARTINÉ returns with this second opus, which even includes an additional disc of remixes in the CD format. This project is particularly difficult to categorize, as the album blends a variety of genres. It begins with typical German EBM in the style of DAF, before transitioning into more Electro/Body-Pop tracks. Later on, Dark-Electro influences emerge, evoking the early years of Skinny Puppy. Towards the album’s end, the sound becomes more sophisticated, incorporating elements reminiscent of Haujobb. Although the album may feel somewhat incoherent at times, it remains a strong release because Martiné excels across all genres. The work is filled with excellent songs, supported by solid production.
The second disc also features many compelling remixes, with highlights including tracks remixed by Mach Fox and Insect Plasma, which I highly recommend. (Rating:8½).

Listen to “Stuka”:
https://martineofficial.bandcamp.com/track/stuka

'CLICK INTERVIEW' with Monya is also available at Side-Line Magazine:
29/10/2024

'CLICK INTERVIEW' with Monya is also available at Side-Line Magazine:

Monya Cperski, known simply as Monya, is a Polish artist making waves in the Industrial-Techno music scene. She also founded the Corresponding Positions label.

Konstant- Unbändige Kinder (Digital/Vinyl Album – Subject To Restrictions Discs / Default Mode Records)Konstant is a new...
28/10/2024

Konstant- Unbändige Kinder (Digital/Vinyl Album – Subject To Restrictions Discs / Default Mode Records)

Konstant is a new project and duo from Switzerland, and their debut album is a particularly pleasant surprise. The duo skillfully incorporates clear 80s influences, breathing new life into Electro-Wave. There's also a subtle Grauzone influence, which makes sense given the band’s Swiss origins. However, their influences extend beyond New-Wave, incorporating elements of harder EBM as well as pure, psychedelic touches that take us into Krautrock territory. The songs are quite long but are also very well-crafted, each reaching a powerful climax. The German vocals further enhance the 80s vibe that permeates the album. “Unbändige Kinder” is a brilliant work and an absolutely phenomenal debut. (Rating:9).

Listen to “Unbändige Kinder”:
https://konstant.bandcamp.com/track/unb-ndige-kinder

‘CLICK INTERVIEW’ WITH Monya  Monya Cperski, known simply as Monya, is a Polish artist making waves in the Industrial-Te...
27/10/2024

‘CLICK INTERVIEW’ WITH Monya

Monya Cperski, known simply as Monya, is a Polish artist making waves in the Industrial-Techno music scene. Alongside her musical endeavors, she founded the Corresponding Positions label, further showcasing her dedication to the craft. After relocating to Berlin, the city's vibrant culture significantly shaped her artistic development. Monya began releasing her first productions and soon connected with the renowned Industrial label Hands. This year, she unveiled her third full-length album, “Euphoria”, which features a bold and uncompromising fusion of Industrial and Techno. The album also includes more nuanced tracks, reflecting Monya's evolution as an artist. “Euphoria” stands out as a powerful production from a passionate woman who knows exactly what she wants to express. (Picture credits by picture Keyi Studio)


‘I ALSO HOPE PROMOTERS START RECOGNIZING REAL TALENT OVER JUST MARKETING APPEAL’


Q: How did you first discover the Industrial-Techno scene, and what inspired you to start creating your own music?

Monya: I’ve been fascinated with Industrial-Techno from the very beginning. I may not have been deeply into Industrial music in its earliest days, but over time, I became more and more immersed. My real breakthrough came when I discovered the HANDS label -that’s where my story truly began.


Q: You lived in Berlin, a city often called the 'Mecca' of Electronic and Techno music. How did the city's vibrant club scene and community influence your career and development as a musician?

Monya: I left Berlin five years ago, but it had a huge influence on my music. From the start of my career, I met many incredible artists. If you attended the ‘right’ events in Berlin, you'd encounter the ‘crème de la crème’ of your favorite producers. Some of them even became friends. My first significant gig was at Tresor Berlin in 2012, which was an amazing way to kick off. After that, I played at Tresor regularly and became more recognized in Berlin, leading to more gigs at other renowned clubs in the city. I also got the chance to collaborate with some legendary artists I admired at the time. I have great memories of those pre-Instagram days -it was a special time for my journey, and it all started at Tresor.


Q: Your third album was released this year, but you seem to focus more on EPs. How do you approach working on an album versus an EP, and do you think the album format has a future in an era dominated by streaming and playlists?

Monya: I believe albums leave a lasting impression. There are still many fans who appreciate holding vinyl or CDs in their hands. Albums allow for deeper expression; they give artists more space to explore emotions, styles, and possibilities. An album can tell a broader story than an EP, which is often more concise.


Q: Let’s talk your latest album, “Euphoria”. How did the concept come together? What were your main sources of inspiration, and were there any specific references you drew upon during the mixing and production process?

Monya: “Euphoria” is an exploration of sound, driven by my passion for music and my desire for new and diverse sonic experiences. It represents the euphoria of life, of music, and the excitement before a great party. With this album, I was able to experiment and blend different styles -it all flowed naturally from me.


Q: Can you share a bit about your home studio setup and creative workflow? What were the key steps in bringing “Euphoria” to life?

Monya: Right now, I use Ableton as my DAW, and I work with synthesizers like the Analog Rytm, Korg Minilogue, a small modular crusher from Error Instruments, the Uno Pro X, and I use the Sherman Filter for effects. I always start with one central sound, a ‘mother sound’, and build the track around it. My best tracks are usually created in a single day. If I have to work on a track for weeks, it’s often a sign it won’t come together. The best results come when I can develop an idea progressively and intuitively.


Q: The Electronic music scene, like many others, has a noticeable gender imbalance. What are your thoughts on this, and have you noticed any differences in how you're treated compared to your male peers?

Monya: Yes, there are definitely more male artists out there, but in recent years, we’ve seen more women stepping up. Unfortunately, many talented female artists are overshadowed by the focus on younger, Instagram-centric acts who market themselves based on image rather than music. I hope this is changing, and that true artistry is coming back into the spotlight. I also hope promoters start recognizing real talent over just marketing appeal. Men still seem to be taken a bit more seriously, which can be a challenge for women in the scene right now.


Q: What are your upcoming plans and projects?

Monya: Right now, I’m focusing heavily on my live performances, which are my true passion. I also have plans for some new releases. My goal is to continue pushing the boundaries of my live shows and discover new ways to perform better and better.


Listen to “Stimme”:
https://handsofficial.bandcamp.com/track/stimme

Red Industrie – Spiritualizer (Digital/CD/Vinyl Album – Advanced Synergy / Pür Zynth)Helder Camberos returns with a new ...
26/10/2024

Red Industrie – Spiritualizer (Digital/CD/Vinyl Album – Advanced Synergy / Pür Zynth)

Helder Camberos returns with a new opus under his Red Industrie project. The Mexican artist and owner of the Advanced Synergy label has already enjoyed a prolific career with various projects (including the Minimal-Electro act Isis Signum), but Red Industrie has clearly become his most prominent work. Over the years, his sound and influences have evolved, yet they remain rooted in an Electro/Minimal-Wave style, fused with elements of Electro-Pop, Cold-Wave, and even Punk. While the core is still an Electro production, the presence of guitar adds a Dark-Wave and Post-Punk influence. Sometimes dreamy, sometimes geared toward the dancefloor, the album offers a broad range, even featuring guest vocalist Sarah Noxx on one song. Red Industrie remains a fascinating project that, in my opinion, deserves more recognition. (Rating:8).

Listen to “Going Round 2024”:
https://redindustrie.bandcamp.com/track/going-round-2024

C-lekktor – 2.0 Bonus Version (Digital/CD Album – Alfa Matrix)C-Lekktor is undoubtedly part of the crème de la crème of ...
25/10/2024

C-lekktor – 2.0 Bonus Version (Digital/CD Album – Alfa Matrix)

C-Lekktor is undoubtedly part of the crème de la crème of the Mexican Dark-Electro scene, and holds a prominent status within the international scene as well. It's been 20 years since Markko B released his first self-produced album -a milestone worth celebrating with a collection of reworked 'master tracks' that C-Lekktor has released over the years. Older songs have been polished and revitalized alongside more recent tracks that evoke the sound of Noisuf-X. Additionally, the album features an unreleased song and a Depeche Mode cover. C-Lekktor consistently delivers solid, hard-hitting Dark-Electro, characterized by powerful bass lines, cold leads, heavy, danceable rhythms, Spanish samples, and Markko B's intense, commanding vocals. This album offers a fantastic opportunity to reflect on the artist's rich and successful career. (Rate:8½).

Listen to “Are You Ready For The Bass?”:
https://alfamatrix.bandcamp.com/track/are-you-ready-for-the-bass-3

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