patteef

patteef Patteef mixes fine arts with pop culture. All collages are made under 5 minutes, on an iPhone.

A toast to our friendship and the new year.Thank you for being here. But this account is broken.Lately I can hardly reac...
31/12/2024

A toast to our friendship and the new year.

Thank you for being here. But this account is broken.
Lately I can hardly reach 5% of you with these posts.
So I’m probably gonna leave it be. Done looking for solutions.

If you still like to see an occasional collage from me in 2025, head over to the back up acc and follow.

The link is in the bio or search for Patteef2

Happy New Year, all. 🧨

Martyrdom of Saint SebastianSebastian (Latin: Sebastianus) was an early Christian saint and martyr. According to traditi...
26/12/2024

Martyrdom of Saint Sebastian

Sebastian (Latin: Sebastianus) was an early Christian saint and martyr. According to traditional belief, he was killed during the Diocletianic Persecution of Christians. He was initially tied to a post or tree and shot with arrows, though this did not kill him. He was, according to tradition, rescued and healed by Irene of Rome, which became a popular subject in 17th-century painting. In all versions of the story, shortly after his recovery he went to Diocletian to warn him about his sins, and as a result was clubbed to death. He is venerated in the Catholic Church and the Orthodox Church as the Patron Saint of Athletics, Archery, and Plagues.

Small 2024 recap.Wishing everyone a wonderful end of the year. 🧨
24/12/2024

Small 2024 recap.

Wishing everyone a wonderful end of the year. 🧨

Pia Diamandis is a young art writer, curator and she has a little article out.Check Linktree in the bio, and read : “Pat...
17/12/2024

Pia Diamandis is a young art writer, curator and she has a little article out.
Check Linktree in the bio, and read :
“Patteef’s Collages : Shifting the Perception of Tattoos as Art”

Alexander Louis LeloirModel .rocha
07/12/2024

Alexander Louis Leloir

Model .rocha

La Schiavona(Portrait of a Lady)TitianTitian painted this portrait when he was in his early twenties. The title La Schia...
05/12/2024

La Schiavona
(Portrait of a Lady)
Titian

Titian painted this portrait when he was in his early twenties. The title La Schiavona, meaning ‘the Dalmatian woman’, was given to the picture in the seventeenth century. Dalmatia, on the eastern shores of the Adriatic, was a colony of the Venetian Republic from 1420 to 1797.

We don‘t know the identity of the sitter, who appears remarkably self-possessed and has a commanding gaze unlike any woman in an earlier European portrait. The very strong sense of realism and physical presence was also new. The picture is original not only because the portrait is three-quarter length and apparently life-sized – it is unusually large for a portrait – but also because it was painted to make an impact from a distance.

Portraits of women were unusual in Venice and also uncommon in Titian’s work in the early years of the sixteenth century. Those he did paint, with the exception of anonymous beauties, were the wives of great princes. This has led some to believe that this portrait represents Catarina Cornaro (1454–1510), the exiled Queen of Cyprus. However, since she retained her rank in exile she would probably have been portrayed with some evidence that she was a queen, and she does not look much like confirmed portraits of Caterina.

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Madonna Con BambinoThe painting, definitely documented in the Borghese collection starting from 1833, stylistically repl...
04/12/2024

Madonna Con Bambino

The painting, definitely documented in the Borghese collection starting from 1833, stylistically replicates typical formulas and gestures from the repertoire of Francesco Raibolini, a Bolognese artist who ran a large workshop reportedly attended by 220 disciples.

The artwork depicts the Virgin Mary with the Child, who, seated on a cushion and in the act of blessing, looks curiously toward the outside. A little bird, probably a robin—a clear allusion to the Passion of Christ—is held in his hand.

The ConnoisseurAdolphe Alexandre LesrelThe painting depicts two gentlemen in 17th Century attire with the seated man exa...
03/12/2024

The Connoisseur
Adolphe Alexandre Lesrel

The painting depicts two gentlemen in 17th Century attire with the seated man examining a gilt silver pokal. A pokal is a covered presentation drinking vessel, typically of German origin and predominant in the 16th and 17th Centuries, but also popularized during the Historicism or Historismus period of the late 19th Century. The main figure also has a fine swept hilt rapier sword, which was often used for personal protection and commonly carried by wealthy merchants of the 17th Century. Each man is depicted in exquisite detail as is the manner of this artist.

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DanaëHorace De CalliasA modern twist on a classic masterpiece. Here’s a tribute to the fusion of ink and art: I’ve place...
03/12/2024

Danaë
Horace De Callias

A modern twist on a classic masterpiece. Here’s a tribute to the fusion of ink and art: I’ve placed a tattooed muse, capturing herself in a selfie, into Horace De Callias’ iconic Danaë painting. This combination explores the timelessness of human expression—whether through brushstrokes or tattoos. Tattoos aren’t just body art; they’re stories, memories, and reflections of identity. Just like classical art, they capture the essence of who we are, and in this piece, I wanted to highlight that connection. What happens when ancient myth meets modern self-expression? We see the evolution of art, one inked line at a time.

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🕦Model .moth
26/11/2024

🕦

Model .moth

❌ ❌ ❌
25/11/2024

❌ ❌ ❌

Apollo BelvedereThe work has been dated to mid-way through the 2nd century A.D. and is considered to be a Roman copy of ...
21/11/2024

Apollo Belvedere

The work has been dated to mid-way through the 2nd century A.D. and is considered to be a Roman copy of an original bronze statue created between 330 and 320 B.C. by the Greek sculptor Leochares.

The Greek god Apollo is depicted as a standing archer having just shot an arrow. Although there is no agreement as to the precise narrative detail being depicted, the conventional view has been that he has just slain the serpent Python, the chthonic serpent guarding Delphi—making the sculpture a Pythian Apollo. Alternatively, it may be the slaying of the giant Tityos, who threatened his mother Leto, or the episode of the Niobids.

The large white marble sculpture is 2.24 m (7.3 feet) high. Its complex contrapposto has been much admired, appearing to position the figure both frontally and in profile. The arrow has just left Apollo’s bow and the effort impressed on his musculature still lingers. His hair, lightly curled, flows in ringlets down his neck and rises gracefully to the summit of his head, which is encircled with the strophium, a band symbolic of gods and kings. His quiver is suspended across his right shoulder. He is entirely n**e except for his sandals and a robe (chlamys) clasped at his right shoulder, turned up on his left arm, and thrown back.
The lower part of the right arm and the left hand were missing when discovered and were restored by Giovanni Angelo Montorsoli (1507–1563), a sculptor and pupil of Michelangelo.

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Christ Pon Da CrossModel
19/11/2024

Christ Pon Da Cross

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Fernando Botero inspiredModel
19/11/2024

Fernando Botero inspired

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True LoveThe Desperate Man, 1843Gustave CourbetCourbet became tired of the pretentiousness of the official art and was d...
15/11/2024

True Love

The Desperate Man, 1843
Gustave Courbet

Courbet became tired of the pretentiousness of the official art and was determined to render the world as he saw it. Courbet strived to be independent from the public’s taste and constantly challenged convention by his emphatically realistic renderings of scenes from the daily life. No graceful poses or impressive colors - Courbet was not depicting beauty, he was depicting truth. This uncompromising artistic sincerity made him stand out from all other artists working at that time in Paris and often forced him to exhibit his work independently from the Salon.
Before he developed his unique realistic painting style and before he produced his groundbreaking masterpieces, including The Origin of the World and The Stone Breakers, Courbet made a number of Romantic self-portraits including this one. Deeply emotional, The Desperate Man is among the earliest works by the artist that he completed in 1845. With his eyes wide-open, Courbet is staring straight at you and tearing his hair. Popular at the time, the Romantic approach to portraiture was concerned with expressing emotional and psychological states of the individual. And although Courbet never considered himself a Romantic painter, he coped with the task extremely well. When viewers look at this self-portrait you do not only experience his desperation (as the title suggests) but you also get the idea of what kind of personality Gustave Courbet was himself. Bold, wily, radical, ambitious and determined. Determined to challenge established painting genres, protest against traditional cliches, and change the course of art history.

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Death And the MaidenHans Baldung GrienIn this painting a voluptuous young maiden turns to receive the kiss of her lover,...
14/11/2024

Death And the Maiden
Hans Baldung Grien

In this painting a voluptuous young maiden turns to receive the kiss of her lover, only to discover, to her horror, Death. The skeletal figure gently holds her head, a gesture that belies the finality of his impending bite. His patches of wispy hair and rotting skin mock her flowing tresses and supple flesh. The dark setting, unnoticed at first, is a cemetery as she stands on a gravestone, perhaps her own. This Vanitas picture (an image that alludes to the transience of life) typifies Baldung’s predilection for erotically charged twists to more conventional themes, such as the Dance of Death.

Marthe MellotFélix VallottonThe actress Marthe Mellot married the writer Alfred Natanson in 1901, whom she got to know t...
13/11/2024

Marthe Mellot
Félix Vallotton

The actress Marthe Mellot married the writer Alfred Natanson in 1901, whom she got to know through Edourd Vuillard. Together with his older brothers Alexandre and Thadée, he had founded the R***e Blanche while she appeared in the Théatre de l’Oeuvre - two central institutions of the Parisian avant-garde around 1900.

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Like A PrayerCrying MadonnaModel
08/11/2024

Like A Prayer
Crying Madonna

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Adres

Antwerp
2050

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