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10/10/2023

Howdy, folks! Dust off your boots ‘cos our own Saddle Stiff Curtis Hill is throwing a shindig.

You’re invited to the premiere of his short film ‘Cowboys Doing Laundry’. It will be a full-blown, rip-roarin’, cowboy-themed hoedown spectacular that’ll put the yee in yeehaw. It’ll be bigger than Texas.

Head over to follow and keep up to date. 📽️ 🤠 🌵

06/10/2023

GOOD STUFF •

Meet the people documenting and archiving Britain’s Black communities.

Black in the Day and Rudeboys and Rollups speak to our penchant for nostalgia by collating photographs and memories, and preserving them online. They curate visuals that encapsulate the nuances of Blackness in Britain, reflecting the rich, vibrant and colourful life of dynamic communities rarely portrayed in mainstream media.

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All archival images via Black in the Day and Rudeboys and rollups.

20/09/2023

GOOD STUFF •

Rising Native American actress Lily Gladstone speaks to Interview Magazine on the upcoming searing period drama ‘Flowers of the Killer Moon’.

She chats learning Native American tongue via apps, first meeting with Scorsese over Zoom, and the heavy trauma that came with acting in a film that mirrored her family’s history.

Click through our link in bio for the full article.

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Photo by Tina Tyrell

07/09/2023

GOOD STORIES •

Sasha Rainbow speaks with Variety on her horror feature film ‘Grafted’.

The smart, body-horror film follows a Chinese scholarship student who arrives in Auckland to study biology and hopes to continue the work of her late scientist father. Currently in post, Sasha spoke with Variety Magazine on who inspired her approach and her innate focus on the world’s obsession with beauty and changing our bodies.

‘Grafted’ has been touted as one of the Cannes Marche’s most anticipated genre titles.

Link in bio for the full read.

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18/08/2023

GOOD STUFF •

Taylor Ferguson wins Emerging Director of the Year at the 44th AWARD Awards! So fitting Taylor, we’ve stars in our eyes.

Congratulations to you and to our other work collaborations that took home a shiny new accolade.

‘Carer’s Gateway’ - Bronze for Casting / and
‘Sweet Caroline’ - Bronze for Casting / and
‘You Can’t Overcook Christmas’ - Bronze for Editing / Hamish Rothwell and
‘Through My Eyes’ - Silver for Editing /
‘Sweet Caroline’ - Bronze for Editing / and Dan Kircher
‘You Can’t Overcook Christmas’ - Bronze for Commercial over 30” /
‘Get Almost Almost Anything’ - Bronze for Copywriting / Matt Aselton and

'Emerging Director of the Year' / Taylor Ferguson

15/08/2023

GOOD WORK •

New work for for their track ‘Good Enough’. Big thank you to the dream team for pulling this one together!

Watch the full video at the link in the bio.

Director: Kyle Caulfield .e
Prod Co: x x
Producer: Matt Toon
Head of Emerging Talent: Nick Payne .dog.nick.woof.woof
GO Creative Director: Giules Amato
1st Assistant Director: Hannah De Jorge .dejorge

D.O.P: Tom Black
1st AC: Gary Morris garymorris__
Steadicam: Ginski Jermolajew
Gaffer: Nik Damianakis
Best Person: Blake Hull-Moody
Production Designer: Octavia Spartels
Art Dept Assist: Mia Rae Marr
Art Dept Assist: Meghana Rao .meghana
HMU: Alana Lucky
Styling / Wardrobe: Olivia Simpson
BTS: Minh Nguyen
FirstAid: Cass Rice
Unit: Mars Abangan

Picture Car - Holton Spares Pty Ltd
Picture Car - Koora Van Hire
Picture Car - Robert Mellor

Featuring: G FLIP
MGMT D2D: Megan Rasmussen
MGMT Creative Producer: Isabella Sanasi
Creative Director: Jay Ryves

Edited by: Kyle Caulfield .e
VFX - Walter Mather
Colourist: Marcus Friedlander .friedlander

Special Thanks To:
Southern Cross Cameras
K Ranch Arena -

08/08/2023

GOOD FOR GOOD •

Director duo Novemba spent their lockdown crafting a documentary amidst the snowy highlands of southern Australia. The film speaks of a solitary horseman who embarks on a journey of healing and redemption.

Above some beautiful frames from the film. Let them serve as a reminder to seek out conversation and support when you’re in need.

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A film by Novemba
 Featuring Lewis Benedetti & Outlaw

Made with Akkurat Studios
 Executive Producers: Andreas Roth & Rocco Kopecny
Cinematographer: Alex Serafini
Assistant Camera: Barun Chatterjee
Sound Recordist: Jordan Thomas Law
Producer: Julia Flaster Drone Operator: Christopher Lansell

Editor: Lucas Baynes
Edit House: Arc Edit
Colourist: Matic Prusnik
Music: 'Kinkachoo, I Love You’ written by Phillip Houghton, performed by William Barton & Steve Allen Sound design & mix: Aaron Taffel Sound studio: Rascal Post .post
Online: Harvey Eaton .eaton
Titles: Annalena Pfleiderer

26/07/2023

GOOD STUFF •

We may be a little Barbied-out right now, however The New Yorker takes an interesting lens at I.P. based filmmaking and its rise within theatres. Whether we’re on board or not.

Gerwig’s agent Jeremy Barber reflects on the partnership “Is it a great thing that our great creative actors and filmmakers live in a world where you can only take giant swings around consumer content and mass-produced products?” he said. “I don’t know. But it is the business. So, if that’s what people will consume, then let’s make it more interesting, more complicated.”

See link in bio to read more.

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12/07/2023

GOOD WORK •

Endlessly proud to announce that David Robinson Smith’s short film, ‘We Used To Own Houses’, will premiere as an official selection at the Melbourne International Film Festival, as part of the Accelerator Lab Shorts program.

Written and directed by David Robinson Smith, the film profiles the housing crisis - set against a poem by Alasdair Dunn, taken from Hostile Architecture by Ashenspire.

This incredible film was a labour of love and couldn’t have been made without the generosity from our cast, crew, and suppliers. Lots of love and see you in Melbourne!

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Starring: & Anthony Phelan
 Production Co.: Good Oil
Writer & Director: David Robinson Smith
Producer: Chloe Brennan
Head of Emerging Talent: Nick Payne .dog.nick.woof.woof
Executive Producers: Juliet Bishop and Sam Long
Creative Director: Giules Amato
 1st AD: Matt Busson
DOP: Jaclyn Paterson
1st AC: Sam Connelly
2nd AC: Glen Soicher
Production Designer: Calum Wilson Austin
Art Assist: Claire Gravas
Art Assist: Kiyanosh Sahebi
Gaffer: Pete Sutton
Best Boy: Tobiass Anderson
3rdELX: Noel Franco
Grip: Dave Griffiths
Grip Assist: Dan Boyd
Runner: Nick Allen / Indi Ree
Wardrobe: Laura Bracken
Make Up: Anastasia Pappas
Sound Rec: Wade Keighran
Flying Rig: Harry Dakanalis
Flying Rig Crew: ex Harry Dakanalis
FirstAid D1: Cybil Wilkins
Safety / First Aid D2: Peter Barr
Unit - Gear Only: Nils Pedotti

Editor: James Taylor
Colourist: Jaclyn Paterson
Online: Peter Humble
VFX: datahaunted Original score:
Foley & Sound: Wade Keighran /
Assistant Sound: Lucas Howard
Re-Record Mixer:

Casting: Stevie Ray, McGregor Casting

, , , , Bligh Hawk, , Mukissa Le Huray, , , , , , , Michella Warren, Eden Wendt,

Camera Gear: courtesy of Nic Godoy

30/06/2023

GOOD STUFF •

Good Oil’s Nick Payne: Cannes 2023, (belated) Lessons from a Newbie.

On Footwear •
You might have dreams of sneakers and suits, but by Welcome Drinks you’ll learn that everyone is going to see your toenails. Embrace it. All publicity is good publicity, and every foot is worth a thousand words.

On Seating •
Easy to feel nervous, hard to go wrong. Unless you’re in direct sunlight. Learned this pretty quickly at La Colombe D’or. But better to sweat in a borrowed suit than on a Picasso (sorry Sam Long).

On Pool Parties •
People actually swim! First at the wonderful MOFA / Rumble party, then at our Good Oil Villa party on Wednesday. Nothing like a midweek dip and drink to break up the bustle and beat the heat.

To read the full article, visit our link in bio. x

20/06/2023

VERY GOOD STUFF •

Delighted at the news that Matthew Thorne’s ‘Marungka Tjalatjunu’ has won the Documentary Australia Award at this year’s Sydney Film Festival. Congratulations to both Matthew and Derik on their well deserved acknowledgment.

Marungka Tjalatjunu (Dipped in Black) is an incredibly evocative, precise, and raw film. Exploratory and playful in its form, the film tests the line of fact and fiction, and in turn unearths something that sits at the root of the human experience. The film has a highly accomplished and distinct aesthetic that allows for a powerful contemplation of culture, Country, identity and belonging.
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11/05/2023

GOOD STUFF •

Matthew Thorne’s Marungka Tjalatjunu (Dipped in Black) is having its Australian premiere at this year’s Syd Film Fest.

It is deservedly screening In Competition for the Documentary Australia Award. It’s two screenings are:

- 12 June, 4:15pm, Event Cinemas George St in Cinema 5
- 13 June, 6:00pm, Dendy Newtown in Cinema 3

Purchase your tickets via our link in bio and we will see you there!

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01/05/2023

GOOD JOB •

Good Oil is looking for a talented and motivated individual to join our Sydney office as a full time Production Coordinator.

The successful applicant will be required to work on all aspects of production and office support with our experienced Producers and Production team.

Requirements:

* Solid experience as a Production Coordinator
* Strong organisational and time-management skills
* Excellent communication and interpersonal skills
* Innate attention to detail
* Proficient in Microsoft Office and Google Suite
* Ability to work well in a fast-paced, deadline-driven environment
* Knowledge of industry-standard software Final Cut Pro and InDesign preferred but not essential

Good Oil is a dynamic and collaborative work environment and we are open to discussing a flexible working arrangement for the right candidate.

If you are passionate about production please email your resume and salary expectations to [email protected]

28/04/2023

GOOD FILM •

"To shoot film was a choice myself and Matthew the director made early on prior to scouting as we have always found we do our most meaningful work on film, it’s a great challenge together and requires great trust. Being partially documentary and having minimal lighting, we decided on all 500t high speed stock which gave us the ability to shoot in a range of lighting conditions. It also meant there was a greater level of grain in the image and this helped us illustrate a greater sense of realism. The film also deals with Deriks memories growing up in community. We felt here that the texture of the image and the dreamy tones of the way film captured the landscape helped us draw back into his memories as a child."

Cinematographer Andrew Gough on shooting MARUNGKA TJALATJUNU (DIPPED IN BLACK) on 500T 16mm with directors Matthew Thorne and Derik Lynch.

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Producer, Director, Writer: Matthew Thorne
Director, Writer, Actor: Derik Lynch
Producer: Patrick Graham
Cinematographer: Andrew Gough:
Steadicam Operator: Brett Harrison

Editor: Nikki Powell
Sound Designer: Marlon Beatt
Composer: Baron Wasteland@baron_dada
Colourist: Daniel Stonehouse
Processing: Neglab, Australia
Scanning: The Grainary, Canberra Australia

[Reposted from ]

20/04/2023

GOOD WORK •

Renée Mao. On set with Suncorp and netball's young talent.

Photos courtesy of

13/04/2023

GOOD DRAMA •

Is the Murdoch family intentionally imitating art that imitates their lives?

Allegations that one of the siblings is feeding HBO lines and collaborating with the shows producers suggest an even headier web of drama than the show's plot lines. This revealing Vanity Fair article highlights the blurred lines between where the drama of the TV show ends, and the real lives of the Murdoch dynasty begins.

The full read is linked in our bio.

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04/04/2023

GOOD STUFF •

ICYMI, Matthew Thorne and Derik Lynch spoke to our favourite weekend periodical, The Saturday Paper.

The cross-cultural friendship between award-winning filmmakers Matthew Thorne and Derik Lynch has deep echoes of Rolf de Heer and David Gulpilil in the making of Charlie’s Country. By Neha Kale.

Follow our link in bio to read the full article.

(Last slide are those Silver Bears returning from Berlin to Adelaide).

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28/02/2023

GOOD STUFF •

Good Oil director Matthew Thorne and Derik Lynch receive the Jury’s Silver Bear for the short film “Dipped in Black (Marungka tjalatjunu)” at the Berlinale Film Festival in Berlin.

On how the film came to be, Matthew said. “Our starting point for the film came from a chance meeting during the Adelaide Fringe Festival. Derik and I were at an artists bar at the festival, dancing away. This is how we met – on the dance floor of that outdoor venue in the hot 40 degree Australian summer heat. From there Derik began to call me often, and I asked him if i could write down some of the story he was telling me about his life. That grew into the film today.”

Derik said: “The short form makes people want more. The question we’ve always been asked when we show it, is ‘We want more! When can we see more?’. Leaving people with that feeling is important to me. This is just a glimpse for a white audience to see our beautiful country, and hear na small part of one of our many stories.”

14/02/2023

GOOD STUFF •

Vulture’s Andrea Long Chu on HBO’s The Last of Us. Read at the link in our bio.

“The question was never whether The Last of Us would make for compelling television, since anyone who had played it could tell you it basically already was that. The real question, buried in the praise, was why a story with such cinematic ambitions had bothered being a video game to begin with.”

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Image Credit: Vulture, 2023

17/01/2023

GOOD STUFF •

Josiah Watson captures the intersection of chaos and beauty through the balletic choreography of cars in motion. Link in bio.

Shot with a raw, naturalistic quality, Fun City (NOWNESS) shows that New Zealand’s speedway tracks are unlikely sites of visual poetry.

Josiah: “The beautifully frenetic track influenced the way we shot the film — we listened to it as we shot, and let the music guide us. Our main goal was for any frame to have a naturalism and documentary-style quality. Mixing in the sound of the speedway brings that tangibility and feeling that you were actually there.”

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Director: Josiah Watson
DOP: Jake Munro

09/01/2023

GOOD STUFF •

Richard Brody of the New Yorker on the state of the Hollywood economy. Link in bio.   He writes of a deepening economic dilemma — the widening gap between “spectacular successes and quiet failures.” As streaming and prestige TV erode the stability of a theatrical release, what happens to the Indie film?

Brody finds hope in the world of books, where “a single blockbuster can help to subside a publishing house all on its own, the giant box-office take of a franchise film can be all to the good: its success gives the participants cash and power to spread around to more ambitious and personal projects.”

While “the future of the art will be increasingly found at lower economic altitudes,” Brody thinks there might also be salvation in the Academy Awards: “Good movies will not stop being produced as long as Oscars are worth more to filmmakers, actors, producers, and even streaming services than the money that it takes to chase them.”

Here’s hoping.

__  Image credit: EMJAG Productions, Tar, 2022

29/11/2022

GOOD STUFF •

In honour of White Lotus season 2 we’re revisiting this incredible interview with series creator and director, Mike White.

This wide ranging conversation covers season one’s controversial end, the meaning of virtue, and the complexities of art and identity. It’s worth the read.

Link in bio, courtesy of Vulture.

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Image Credit: Vulture, 2021

14/11/2022

GOOD STUFF •

Spice up your Tuesday with John Lahr’s profile of Emma Thompson for the New Yorker.

With a career spanning decades, and as the only person ever to win an Academy Award in both the acting and screenwriting categories, Thompson’s contributions to the world of film are truly singular.

“No matter how parlous or hilarious the circumstances of her characters, Thompson radiates a subliminal solidity, a sort of ‘f**k it’ that is the opposite of neurosis.”

Link in bio.

09/11/2022

GOOD STUFF •

Good Oil has partnered with Panavision and ACE for a new initiative, Screen Trades, aimed at First Nations and culturally and linguistically diverse communities.

The pilot program aims to address shortages in key roles in the screen industry and provide opportunities for historically unrepresented peoples. Screen Trades will provide training and development in an introductory Camera Assistants workshop on November 14.

The program also includes on-the-job placements for participants to shadow industry professionals on set.

Interested? Applications close today! Link in bio.

02/11/2022

GOOD WORK •

Tom Campbell’s AACTA nominated film ‘The Bends’ has been named Short of the Week.

‘The Bends’ is an impressionistic portrait of a Mixed Martial Arts fighter who must wrestle with the news she is pregnant in the lead-up to the import important fight of her career.

Campbell described the filmmaking approach as a kind of “slow cinema”. Dubbed a docu-drama hybrid, he used the script as a blueprint but worked more nimbly and focused on “finding the moment within a moment and grounding it in truth.”

Watch ‘The Bends’ at the link in our bio.

27/10/2022

Good Oil New Zealand is on the hunt for an Office Production Assistant to join our dynamic team in the Auckland office.

The role requires you to work with producers and directors, and includes training from the ground up.

We are looking for someone to start as soon as possible. If you’re looking for a foot in the door, this is the perfect place to start. Please reach out if this sounds like you:

Organised
Multi-tasker
Good communicator
Hard worker
Attention to detail
Tech savvy
Holds a current driver’s license
Some production experience preferable but not essential.

Please send your CV to [email protected]

24/10/2022

GOOD STUFF •

TraumaZone: stills from Adam Curtis’s new seven party docu-series, chronicling the collapse of the Soviet Union.  
Each hour long episode is an extraordinary mood piece, painstakingly constructed from footage sourced by the BBC Moscow’s staff. There is no voice-over or music, only basic text information — delivered sparingly.

Curtis explained to The Guardian, “I didn’t want to intrude pointlessly, but let viewers simply experience what was happening, because it was out of this — the anger, violence, desperation, and overwhelming corruption — that Vladimir Putin emerged.”

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Image Credits: BBC, 2022

19/10/2022

GOOD STUFF •

Emma D’Arcy, star of House of Dragon, chats to Interview Magazine about their meteoric rise and the inner fire it takes to play a Targaryan.

Link in bio.

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Image Credit: Interview Magazine, 2022

28/09/2022

GOOD STUFF •

‘We should hate it, but it works’ — casting Cher, convincing Meryl to play a ghost, and beating the curse of the sequel. Let this joyous oral history of ‘Mamma Mia: Here We Go Again’ carry you through your Wednesday.

Link in bio, courtesy of Vulture.

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Image Credits: Universal Pictures, 2018

15/09/2022

BEST OF THE BEST •

“To be or not to be. That’s not really a question.” — Jean-Luc Godard

One of the founding fathers of French new wave cinema passed away earlier this week at 91. Richard Brody of the New Yorker charts his influence on the world of film. Link in bio.

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 1. Image credit: Getty Images
2. Image Credit: Breathless (1960): Les Films Imperia
3. Image Credit: Le petit soldat (1963): Les Production Georges de Beauregard
4. Image Credit: Vivre sa vi (1962): Les Films de la Pleiade

05/09/2022

GOOD STUFF •

Lights, camera, fashion. Join us in celebrating some of the greatest costumes in film history.

1. Romeo & Juliet (1996). Image credit: 20th Century Fox
2. The Fifth Element (1995). Image credit: Colombia Pictures / Gaumont
3. Annie Hall (1977). Image Credit: A Jack Rollins and Charles H. Joffe Production
4. Queen and Slim (2019). Image Credit: Entertainment One
5. Mahogany (1975). Image Credit: Paramount
6. Legally Blonde (2001). Image Credit: Type A Films

Any others?

31/08/2022

GOOD STUFF •

Michelle Savill has been announced as one of the directors on Netflix’s popular series ‘Sex Education’.

Class is back in session as season 4 enters production and welcomes Emmy Award winner Dan Levy of ‘Schitt’s Creek’ to the fold.

Follow the link in bio to read more via Variety.

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26/08/2022

GOOD STUFF •

Picturesque behind the scene moments on Joel Kefali’s latest and final instalment for Lorde. As photographed by masterful costume designer Karen Inderbitzen-Waller.

Follow our link to watch the full video.

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24/08/2022

GOOD STUFF •

Mythos and Monumentality. An astonishing megascultpture is completed in the middle of the Nevada desert.

Michael Heizer took a flight in 1970 to find a property in the depths of the desert. Instead he came across a basin, backdropped by mountains, isolated however not barren, and luckily cheap to procure. Work on the sculpture ‘City’ started there in 1972 and has been ongoing ever since.

50 years and $40m later, the 2.5 km long ‘City’ is finally open to visitors. A modern day art version of Atlantis. The ‘City’ consists of 5 phases referred to as “complexes”, a term borrowed from archaeology that refers to ancient buildings. The megalithic artwork borrowing from civilisations of the past; Angkor Wat, Machu Picchu, Easter Island, Giza.

The pioneering life’s work of Heizer consists of exquisitely groomed dirt, swells, mounds and depressions. As noted by The New Yorker ‘You’re meant to suffer it’s distances - to give yourself over to the peace and quiet. You’re meant to adapt to the subtle shifts in a desaturated palette of beiges, greys, and dusky reds, and to notice the virtuosity of slender concrete curbs drawing lines in space that snake the length of several football fields.’

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Image 1: Jamie Hawkesworth for The New Yorker
Image 2: Todd Heisler for the NYT
Image 3: Jamie Hawkesworth for The New Yorker
Image 4 - 7: Todd Heisler for the NYT

11/08/2022

GOOD STUFF •

Daniel Kleinman’s enviable body of work is seamlessly limitless. But if you’d like to know what tickles his fancy in terms of all time greatest ads - click through our link in bio to discover a selection of his most loved commercials.

In discussion with LBB Online, he names the ones that have piqued his sense of humour and remained treasured forever.

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08/08/2022

GOOD STUFF •

Dennis Hopper is perhaps little known for his pursuit of painting, sculpture and photography. With a vast and enviable collection of art crammed into his Hollywood Hills home, the Easy Rider actor collated some of the best works from the 60’s and 70’s acquired on a shoestring budget.

A keen photographer himself, the photograph titled ‘Double Standard’ is probably the best known of the 18,000 images that Hopper created between 1961 and 1968. As described by The New Yorker, the image is pure cacophony, a distillation of Los Angeles as riotous streetscape, the motorised city as information overload.

Click through our link in bio to learn more of Hopper’s artistic endeavours and the history of this celebrated image.

Image credit: Dennis Hopper, 1961.

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28/07/2022

GOOD FOR GOOD •

Photographer Daniel Jack Lyons has forged a body of work that is committed to visualising marginalised communities. His most recent exploration of Amazonian youth delves into how deep indigenous traditions and modern identity politics meet in a celebratory safe space, deep in the lush canopies of the rainforest.

Lyons’ debut monograph LIKE A RIVER donates a percentage of proceeds to support Casa do Rio and their important work with indigenous youth and artists.

Image credits: Daniel Jack Lyons.

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26/07/2022

GOOD WORK •

We love learning the origin of a good porky pie. Here Vedran offers his rendition of why we began stowing money inside pigs, featuring a very endearing animatronic pet piggy.

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Director: Vedran Rupic
Producer: Christian Kuosmanen
Prod. Co.: Riff Raff
DOP: Nico Poulsson

Edit House: Final Cut
Editor: Joe Guest
Post House: The Mill
Sound: Sam Ashwell
Sound House: 750 MPH

Creative Agency: Accenture Song
CCO: Nik Studzinski
ECD: Pablo Gonzalez
ECD: Vix Jagger
CD: Luke Ramm
CD: Joe Holt
Creatives: Luke Ramm, Joe Holt, Louis Friedlander, David Simoes
Head of Broadcast: Victoria Whitlow
TV Producer: Georgia Middleton
Creative Producer: Carrie Hards

Client: confused.com

22/07/2022

GOOD INTENTIONS •

Love and positive energy. From Hamish. x

Address

120 Hargrave Street
Woollahra, NSW
2021

Telephone

+61293023999

Website

http://www.goodoilfilms.com/

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Videos

GOOD WORK • We love learning the origin of a good porky pie. Here Vedran offers his rendition of why we began stowing money inside pigs, featuring a very endearing animatronic pet piggy. _______ Director: Vedran Rupic @vedranrupic Producer: Christian Kuosmanen Prod. Co.: Riff Raff @riffrafffilms DOP: Nico Poulsson Edit House: Final Cut @finalcutedit Editor: Joe Guest Post House: The Mill @millchannel Sound: Sam Ashwell Sound House: 750 MPH @750_mph Creative Agency: Accenture Song @accenturesong CCO: Nik Studzinski ECD: Pablo Gonzalez ECD: Vix Jagger CD: Luke Ramm CD: Joe Holt Creatives: Luke Ramm, Joe Holt, Louis Friedlander, David Simoes Head of Broadcast: Victoria Whitlow TV Producer: Georgia Middleton Creative Producer: Carrie Hards Client: confused.com

GOOD STUFF • Anita Fontaine is interviewed by Exceptional Alien for her futuristic insights on visiting Amsterdam. Here she details where to read the paper in the nude, drink tea from a veritable ‘UFO’, and why it's always better to get to dinner by boat in her Amsterdam Travel Playbook. 🛸 ___________ @anitafontaine @exceptionalalien interview by @rosiefea

GOOD WORK • Discover the many mystifying worlds of Playstation in Henry Hobson’s latest work via adam&eve DDB. The film follows Mr. Malcolm, unassuming at first glance, and the intriguing myriad of lives he has lead. _______ Director: Henry Hobson @hthobson Producer: James Waters EP: Lindsay Turnham Prod. Co.: MJZ @mjzworldwide Facilitation Prod. Co.: Icon Films @iconfilmssofia DOP: Rob Hardy @rdhardy Production Design: Pirra @pirra Edit House: Work Editorial @workeditorial Editors: Neil Smith & Rain Keene Post House: Selected Works @selectedworks.tv VFX Leads: Francois Roisin & Paul Donnellan Colourist: Tom Poole Creative Agency: adam&eve DDB @aandeddb ECD: Ant Nelson ECD: Mike Sutherland CD: Richard Gayton CD: Darren Beresford Agency Producer: Hannah Needham Agency Producer: Stephen Mead Client: Sony Interactive Entertainment, Playstation @playstation