08/05/2025
Dying of Thirst
Review by arts editor Sarah McNeill
Thirst
Yirra Yaakin Theatre Company
Studio at Subiaco Arts Centre
Closes May 10
The setting for Thirst is The Glass Slipper tavern in the country town of Yellow Springs. Like so many country pubs, it is struggling, and its new owners Lola (Della Rae Morrison) and Chico (Bruce Denny), who inherited it, are hoping that a sold-out night by the CWA (country women or “chin waggers” as Lola disparagingly calls them) might raise some much-needed money.
For audiences, the lure of pub karaoke is tempting, as is the publicity promise of a “savvy barmaid with secret talents”. Has Leah Pigram inherited the Pigram family talent for music?
We’ll never know. Her talents are kept to a minimum, as is the karaoke.
Writer Barbara Hostalek has had some success with previous plays, but in Thirst the ideas of the rhythms of country life, of following dreams and of struggling for success, are under-realised to the point of being embarrassingly simplistic.
The one-act play has the potential to be a light, fast-paced comedy, mining some important issues with some great music, but its central concern of engaging Lola to perform in a much-needed fundraiser couldn’t have been handled with less ease.
Della Rae’s Lola, a retired singer, does not want to sing, but she apparently doesn’t want to talk much either. She is quietly dismissive of the plot’s narrative.
Leah gives a natural, easy performance as barmaid Roxy who needs to find the courage to follow her dreams, while Bruce’s manager Chico and Jarrad Inman as local lad Bruce clearly feel the need to inject some energy into the show with some serious over-acting.
Thirst is dehydrated, and director Maitland Schnaars has dried it out with uncomfortable performances, awkward moves, clumsy lighting stakes and a poor sound design.
Photo: The Glass Slipper country tavern potentially holds the dreams of Bruce (Jarrad Inman) Roxy (Leah Pigram), Chico (Bruce Denny) and Lola (Della Rae Morrison).