Featherfoot Productions

Featherfoot Productions Music Production Featherfoot Productions is an Australian Music Production Company. FFP is Owned and Operated by Wanya7 - Japaljarri.

We offer services for recordings / performance such as: Record Producing, Engineering, Mixing, Programming, Beatz!, Songwriting, Arranging, Session Musicians, Vocal & Performance Coaching. We have worked on all genres of music but specialise in: Pop, R&B, Acoustic, Hip Hop, Rock, Aboriginal. We have worked professionally in major & minor studios for the last 15 years. A list of credits of commerci

al released and unsigned artists we have worked with can be obtained upon request. For enquiries / bookings, please email:
[email protected]

Thank you for your interest - We hope to make a sonic masterpiece for you in the near future! - FFP.

2024
04/12/2024

2024

โšก๏ธ Featherfoot Productions in 2024 is Top 90% of STUDIOS!!!๐Ÿ’ฅโšœ๏ธ Myself Wanya Japaljarri is Top 50% of Engineers/Songwrite...
10/11/2024

โšก๏ธ Featherfoot Productions in 2024 is Top 90% of STUDIOS!!!๐Ÿ’ฅ
โšœ๏ธ Myself Wanya Japaljarri is Top 50% of Engineers/Songwriters! Not too Bad to see... ๐Ÿ‘€ ๐Ÿ˜Ž ๐ŸŽ™ ๐ŸŽง ๐ŸŽผ ๐ŸŽน Thank you to all the wonderful clients, celebrities & uprising whom I have worked on in the last 25+ years & I appreciate your Credits ๐ŸŽš๐ŸŽ› ๐Ÿ’— ๐ŸŒŒ

https://credits.muso.ai/profile/c6cc9755-f5ce-4912-94a9-2e6035ccf02b

https://credits.muso.ai/profile/0236f3d9-276f-4d4b-9a62-a970cb5fe67e

๐Ÿง I'm a believer in Dynamic Range & a Punchy Mix - Not FLATLINEBruce Swedien would be embarrassed by this trend in the i...
29/10/2024

๐Ÿง I'm a believer in Dynamic Range & a Punchy Mix - Not FLATLINE

Bruce Swedien would be embarrassed by this trend in the industry

THE LOUDNESS WAR

The "Loudness War" refers to the increasing trend in music production to prioritize loudness over dynamic range, often at the expense of sound quality. Dynamic range is the difference between the quietest and loudest parts of a track. Compressing this range allows producers to make music sound louder, but it often results in a loss of depth, clarity, and emotional impact.

The "war" began in the late 20th century when producers realized that louder tracks stood out more on the radio and in music charts. This led to the use of dynamic compression to increase the overall volume of recordings. While some genres, like pop and hip-hop, have embraced this louder, punchier sound, othersโ€”particularly rock and classical musicโ€”have suffered from a loss of dynamic range. The result is often a flattened, lifeless sound that lacks nuance and excitement.

Interestingly, modern streaming platforms like Spotify and Apple Music now try to normalize the loudness of tracks to provide a consistent listening experience. This means that excessively loud tracks arenโ€™t automatically favored, potentially signaling the end of the Loudness War. Some mastering engineers and artists are pushing for a return to greater dynamic range, advocating for sound quality over sheer volume.

In conclusion, while the Loudness War has pushed the boundaries of how loud music can get, itโ€™s come at the cost of musical dynamics and listener enjoyment. Audiophiles and producers alike are now rethinking this approach, focusing on delivering a more balanced, high-quality sound experience that respects the dynamics of the original recording.

The King of Sound ๐Ÿ‘‘
19/04/2024

The King of Sound ๐Ÿ‘‘

19/04/2024

Source unknown but ๐Ÿ™Œ๐Ÿพ๐Ÿ™Œ๐Ÿพ๐Ÿ™Œ๐Ÿพ

Address

Perth, WA

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