17/10/2021
Dominique Hecq talks about silence and sunshine, prose vs poetry, the materiality of language, writing through the night, sequences and triptychs, getting stuck, rhythm vs images, sounds and movement, hearing what the poem wants, first drafts and mess, crossing borders of art and language, loss and grief, languages and translation, appropriation, imagination and creativity as well as tips for revising poetry and generating ideas. Dominique's recent collection, Tracks, can be purchased from Recent Work Press www.recentworkpress.com/product/tracks/.
Content Warning: grief, death, SIDs
A Belgian-born poet, fiction writer and scholar, Dominique Hecq lives in Melbourne. She writes across genres and sometimes across tongues. Her works include a novel, three collections of short stories and eleven books of poetry. Kaosmos (2020), Tracks (2020) and Songlines (2021) are her latest poetry offerings. With Eugen Bacon, she also co-authored Speculate (2021), a collection of microlit. Smacked and other Stories of Addiction, a runner-up in the 2021 Carmel Bird Digital Award, is fresh off the press. Among other honours, Dominique is the recipient of The Melbourne Fringe Festival Award for Outstanding Writing and Performance (1998), The New England Review Prize for Poetry (2004), The Martha Richardson Medal for Poetry (2006), the inaugural AALITRA Prize for Literary Translation from Spanish into English (2014). She is also a Pushcart nominee and a recipient of the 2018 International Best Poets Prize administered by the International Poetry Translation and Research Centre in conjunction with the International Academy of Arts and Letters.
Listen here https://www.pocketry.com.au/podcast.html.