18/10/2025
FADING STAR:
LADY ZAMAR’S SILENCE & STRUGGLES,
THE PRICE OF SPEAKING OUT?
Mabopane Daily News | Entertainment Desk
Once one of South Africa’s most celebrated voices, Lady Zamar — real name Yamikani Janet Banda — now finds herself in a strange space: misunderstood, criticised, and nearly invisible in the music scene she once dominated.
Her hit singles like “Collide,” “Charlotte,” and “Love Is Blind” defined a golden era of Afro-house and dance-infused pop. At her peak, Lady Zamar was a household name — the “Queen of Mamelodi” whose polished vocals and poetic writing earned her SAMA Awards, platinum plaques, and a devoted fanbase.
Today, though, the spotlight has dimmed. The new generation barely knows her catalogue, and the once-revered star has become a recurring target of social-media mockery and scrutiny.
Industry insiders say her decline began after she publicly accused ex-boyfriend and fellow artist Sjava of r**e in 2019 — a case later dropped by the National Prosecuting Authority due to insufficient evidence. While she stood by her story, the backlash was brutal.
Online commentators — from gossip bloggers to “stan” accounts — have labelled her “bitter,” “attention-seeking,” and even “obsessed with the past.” Influencer Musa Khawula and others on X (formerly Twitter) reignited the conversation this year, questioning whether Lady Zamar had become “stuck” in her trauma instead of reinventing her artistry.
One user sneered, “Sex sells when music fails.” Another claimed, “Lady Zamar and Sho Madjozi were planted in the industry — now it’s spitting them out.”
The cruelty of such comments reflects the darker side of South Africa’s digital culture, where careers rise and fall in 280 characters.
For Lady Zamar, the storm hasn’t only been digital. Concert bookings slowed. Brand deals disappeared. Radio airplay waned. And even as she released new music in recent years — including tracks like “All (You)” and “Rainbow” — they failed to chart or capture the mainstream buzz she once commanded.
Despite the silence, she remains outspoken about mental health, womanhood, and resilience. In a video series addressing her ordeal, she shared how she battled shame, self-blame, and online hatred, saying:
But in the unforgiving world of social media, empathy is short-lived. Many fans have moved on, while others remain divided about her story and relevance.
The Lady Zamar story is more than a celebrity fall. It’s a reflection of a changing music landscape, where trends move faster than trauma can heal. New artists — from Tyla to Makhadzi — have captured younger audiences, while Lady Zamar’s once-unique blend of poetic house music now competes with amapiano’s unstoppable wave.
Her critics say she failed to adapt. Her supporters argue the industry failed her.
Either way, the silence is deafening.
Whether she stages a comeback or fades completely into memory, Lady Zamar’s name will remain tied to a national conversation on gender, justice, and judgment — one that exposed how unforgiving both fame and the internet can be.
For now, the “Mamelodi Song” that once lifted her to stardom plays faintly in the distance — a reminder that in South African pop culture, the climb to fame is hard, but the fall from grace is even harder.