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Collectible DRY Magazine Collectible Dry wants to be a platform of unendorsed points of view; a place where meaning prevails over an overload of the repeatable.
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30/08/2024
“Milano ti porto con me, sottoterra o sulla luna” on MY FAVORITE THINGS - EXCELLENCE & PERFORMANCE Issue No.4image conce...
30/08/2024

“Milano ti porto con me, sottoterra o sulla luna” on MY FAVORITE THINGS - EXCELLENCE & PERFORMANCE

Issue No.4

image
concept
style
starring , and at . at
make up and hair
photo assistant .icr
style assistant

1:Anaru wears printed viscose shirt x GOOGLE PIXEL, viscose-blend bermuda shorts R&D and leather sneakers .

2: Anaru wears wool suit , metal choker and leather bag .
Kamil wears Aldo jacket in merino shearling , wool hoodie , wide-cut wool felt bermuda shorts , leather double monk strap loafers and bicolor leather belt bag .
Roven wears belted single-breasted coat with front patch pockets paired with tailored worsted wool trousers and leather loafers .

3: Frankie wears hooded mask jacket in English-sourced wool, coated with durable nylon by .

4: Kamil wears zipped sweater with ‘90s vintage logo in grey wool, black jersey shorts with contrast details and sunglasses .

4: Frankie wears pinstriped suit with blazer and trousers and cotton shirt with a rolled collar .

Discover more on the print issue available worldwide or via the link in bio.

MY FAVORITE THINGSEXCELLENCE & PERFORMANCEIssue No.4 on cover: Gio Pastori, DEUS EX…IMAGO, 2024, paper-cut and digital c...
29/08/2024

MY FAVORITE THINGS
EXCELLENCE & PERFORMANCE

Issue No.4

on cover:
Gio Pastori, DEUS EX…IMAGO, 2024, paper-cut and digital collage.

“In a world where words often intertwine in a sea of noise, Gio Pastori brings silence to life, transforming emotions into colors and shapes. This month’s cover of My Favorite Things is not just an image, but an invitation to explore a mythology that blends harmoniously with creativity and grandeur. For Gio Pastori, Achilles becomes an icon immortalized with visual energy, a tribute to sporting tradition, but also a reflection of the pursuit of excellence and performance that defines the world of sports. A dynamic and painterly perspective that underscores the deep connection between art and movement, suggesting that, just as in ancient times, today the quest for perfection remains a universal ideal.”

editor-in-chief .m.motta
deputy editor-in-chief
deputy editor watches and jewels
art director
editorial coordinator
publisher

“My brother is an only child” on THE ROOTS, Collectible DRY Issue 26 - Summer 2024, out now.image concept & style starri...
20/08/2024

“My brother is an only child” on THE ROOTS, Collectible DRY Issue 26 - Summer 2024, out now.

image
concept & style
starring .altucci, , ,
hair and make up
style assistant , pesentiginevra
special thanks .iglieria

1: Arket wears white cotton poplin shirt . Superfine cotton socks . Axhem wears classic-cut oblique suit in light grey wool .

3: Gaia and Alice wear Vigneto classic pleated trousers and Terra double breasted vest and shirt .

4: Arket wears tailored trousers in cotton . Axhem wears double-breasted and jacket trousers in black wool .

6: Arket wears light mohair suit . Axhem wears tailored suit in black wool embellished with all-over jacquard details .

7: Axhem wears double layer blazer and trousers, Arket wears kimono jacket and trousers .

“My brother is an only child” on THE ROOTS, Collectible DRY Issue 26 - Summer 2024, out now.image concept & style starri...
20/08/2024

“My brother is an only child” on THE ROOTS, Collectible DRY Issue 26 - Summer 2024, out now.

image
concept & style
starring .altucci, , ,
hair and make up
style assistant ,
special thanks .iglieria

1: Arket wears white cotton poplin shirt . Superfine cotton socks . Axhem wears classic-cut oblique suit in light grey wool .

3: Gaia and Alice wear Vigneto classic pleated trousers and Terra double breasted vest and shirt .

4: Arket wears tailored trousers in cotton . Axhem wears double-breasted and jacket trousers in black wool .

6: Arket wears light mohair suit . Axhem wears tailored suit in black wool embellished with all-over jacquard details .

7: Axhem wears double layer blazer and trousers, Arket wears kimono jacket and trousers .

“Pascali’s art was indeed arte povera, but it was full of desire, energy, and a desire to express oneself, to show onese...
17/08/2024

“Pascali’s art was indeed arte povera, but it was full of desire, energy, and a desire to express oneself, to show oneself. A desire to laugh out loud, at everything. That lust for life that exploded like a long wave in post-war ItalyHe was bored at school. Today we might say ADHD, neuroatypical; once it was called being an artist, if one could. Poor academic results led him down the path of set design, and thus of a manual, artisanal, physical knowledge. During classes, he would draw submarines, and then when he got home, he would build them, thus abandoning scientific studies. In 1955, at the age of twenty, he moved from Puglia to Rome to study at the Academy of Fine Arts, particularly following the lessons of Toti Scialoja and beginning to experiment with materials, then as a student moving from set design to the world of advertising in all its forms, from copywriting to set design, from graphic design to photography and acting. His creativity found the most fertile ground to flourish in the years of economic boom. […]”

Find out more about Pino Pascali’s world in our latest print issue and at the link in bio.

words

1: PINO PASCALI, Pino Pascali with Bachi da setola, 1968. Photo Andrea Taverna.

2: PINO PASCALI, 1968. Photo Ugo Mulas.

3: PINO PASCALI, Vedova Blu, 1968. VI Biennale Romana. Rassegna di arti figurative di Roma e del Lazio, Palazzo delle Esposizioni, Rome, 1968. Photo Claudio Abate.

4: PINO PASCALI, Senza Titolo, 1965. Photo Claudio Abate.

“At the time, I wanted to be a director. I even bought a very large book with summaries of all the librettos structured ...
05/08/2024

“At the time, I wanted to be a director. I even bought a very large book with summaries of all the librettos structured into small chapters, which I still have. It showed how to tell stories in a concentrated yet precise manner. I often tend to group my sculptures in the same space, to make them interact. In the exhibition How to explain the Sculptures to an Influencer? at Perrotin, I placed my works on a stage. Some interpreted it as a Commedia dell’Arte L platform, others as an Internet platform. It’s quite amusing to see how the same word takes on a dissimilar meaning from one world to another.”

the whole image gallery and a full-lengh version of the interview to Joahan Creten by Herman David are available via our latest print issue, THE ROOTS.

image
style
starring represented by
hair
make up
style coordinator .gill
style assistant Amélie Marion
interview

1: wool-blend twill blouson jacket . sand wool pants . derby shoes .
JOHAN CRETEN, Le Grand Hypoqrite, 2022-2023. Painted resin.

2: cream linen trench coat and sand wool pants . leather boots .

3: double breasted wool summer jacket and flared tailored pants . cashmere crewneck . leather boots .
JOHAN CRETEN, Pedestal. Glazed stoneware.

4: wool-blend twill blouson jacket . sand wool pants . derby shoes .
JOHAN CRETEN, Éloge de l’ombre - Nr 21, 2022 - 2023. Glazed stoneware, gold luster.

“At the time, I wanted to be a director. I even bought a very large book with summaries of all the librettos structured ...
05/08/2024

“At the time, I wanted to be a director. I even bought a very large book with summaries of all the librettos structured into small chapters, which I still have. It showed how to tell stories in a concentrated yet precise manner. I often tend to group my sculptures in the same space, to make them interact. In the exhibition How to explain the Sculptures to an Influencer? at Perrotin, I placed my works on a stage. Some interpreted it as a Commedia dell’Arte L platform, others as an Internet platform. It’s quite amusing to see how the same word takes on a dissimilar meaning from one world to another.”

the whole image gallery and a full-lengh version of the interview to Joahan Creten by Herman David are available via our latest print issue, THE ROOTS.

image
style
starring represented by
hair
make up
style coordinator .gill
style assistant Amélie Marion
interview

1: wool-blend twill blouson jacket . sand wool pants . derby shoes
JOHAN CRETEN, Le Grand Hypoqrite, 2022-2023. Painted resin.

2: cream linen trench coat and sand wool pants . leather boots .

3: double breasted wool summer jacket and flared tailored pants gabriel nouchi. cashmere crewneck . leather boots .
JOHAN CRETEN, Pedestal. Glazed stoneware.

4: wool-blend twill blouson jacket . sand wool pants . derby shoes .
JOHAN CRETEN, Éloge de l’ombre - Nr 21, 2022 - 2023. Glazed stoneware, gold luster.

“In 1968, Stevenson spent another period in Venice collaborating with Gino Cenedese in Murano to create glass sculptures...
02/08/2024

“In 1968, Stevenson spent another period in Venice collaborating with Gino Cenedese in Murano to create glass sculptures: ‘One morning Signor Cenedese sense a strange boat to take me to Murano. It is called the MIO BEN. En route, i feel like the Ancient Mariner looking for exotic prizes of the sea. On a newspaper i make a drawing - the Sea Unicorn, symbolising the canna (famous pipe used to blow glass).”

After all this time, in 2024, the exhibition ‘Harold Stevenson’, the first monographic exhibition in Italy, opens thanks to Tommaso Calabro, concurrently with the preview of the 60th International Art Exhibition, Venice Art Biennale.

Discover Tommaso Calabro’s full interview about Harold Stevenson on our latest print issue, his relationship with the city of Venice and the inauguration of brand new headquarters of Tommaso Calabro Gallery in the Venetian lagoon, by Domenico Costantini.

in conversation with

1: HAROLD STEVENSON, Lunar Memories, 22 cm. Murano glass sculpture.
Exhibited in Venice - Grand Canal - S.Gregorio 1969, in collaboration with Gino Cenedese.

2: HAROLD STEVENSON, Unicorn of the Sea, 206 x 85 cm. Murano glass sculpture.
Exhibited in Venice - Grand Canal - S.Gregorio 1969, in collaboration with Gino Cenedese.

“The majestic mansion that stands on Via Pontaccio, housing the offices of Kiton in Milan, is much more than an architec...
31/07/2024

“The majestic mansion that stands on Via Pontaccio, housing the offices of Kiton in Milan, is much more than an architectural structure. It is a symbol of continuity and rebirth, a tribute to history intertwined with art. In the past, this building, constructed in 1908 to house the headquarters of the Gondrand Transport Company, was the home of Maison Ferré. Today, after careful restoration and adaptation, fully respecting its original style, it retains its charm and grandeur thainks to a moral commitment made with the owning family. Yet, what truly makes it extraordinary are the works of art that adorn its spaces: creations by contemporary master including Mimmo Paladino and Francesco Clemente, leading
figures of the Italian Transavantgarde movement. These works not only enhance the environments but transform the palace into a place where tradition and modernity merge in a harmonious visual dialogue.
Each visit becomes a sensory and intellectual experience, a dive into authentic beauty that conveys a sense of gratitude towards those who
have preserved this treasure trove of beauty and culture. […]”

Read the full exclusive interview with CEO Antonio De Matteis by Silvia Motta on our latest print issue, THE ROOTS.

in conversation with .m.motta
image courtesy of Kiton Archive

La Jeta is an interdisciplinary artistic group founded in Valencia in 2020. The project originated from Quaranta Marzo 2...
26/07/2024

La Jeta is an interdisciplinary artistic group founded in Valencia in 2020. The project originated from Quaranta Marzo 2020, inspired by the Kolektiff group of the University of the Basque Country. It imitates their organizational form and aims to give space within the academic-university environment to the most underground scene. In 2021, after La Jeta, they published their first manifesto based on an exquisite co**se with phrases like “La Jeta is a kiss on the forehead after taking a s**t,” “I don’t want the Playstation 5,” or “we will s**t all over UPV.”

Discover more about .jeta on our latest print issue.

artwork and words and .alastuey (.jeta)

1. ALICIA ESPELETA, JAVIER TERRAZAS, SARA ALASTUEY, Pròtesis, 2024. Aluminium, PLA, methacrylate, wire, water, monitor and mp4 video.

2. ALICIA ESPELETA, Selfportrait, 2024. PLA, spray paint. Photo Nerea Hijosa Moratilla.

THE ROOTSCollectible DRYIssue 26 - Summer 2024 in  by  & artwork mask by .explorerimage  & concept & style hair make up ...
20/07/2024

THE ROOTS
Collectible DRY
Issue 26 - Summer 2024

in by &
artwork mask by .explorer

image &
concept & style
hair
make up
producer
style assistant

founder / editor-in-chief .m.motta
deputy editor-in-chief
creative director
art director

THE ROOTS Collectible DRYIssue 26 Summer 2024 in  by  image  style  concept  make up  hair  founder / editor-in-chief .m...
16/07/2024

THE ROOTS
Collectible DRY
Issue 26 Summer 2024

in by

image
style
concept
make up
hair

founder / editor-in-chief .m.motta
deputy editor-in-chief
creative director
art director

special thanks

PARTS OF LIFEDismemberment of a person’s soul“She had the hardest invisible armor ever seen, but he could go through it ...
13/06/2024

PARTS OF LIFE
Dismemberment of a person’s soul

“She had the hardest invisible armor ever seen, but he could go through it and see what was inside - not a dark, black shell but a colorful soul, fragile and with eyes made of glass that could give answers to any doubt.”

image
style
model at
hair and make up
photo assistant
style assistant

Discover the full story via the the link in bio.

BEARING WITNESS TO VIOLENCE featuring Susana Pilar on Collectible DRY Issue 25THE SHAPE OF LUXURYThe human body is able ...
07/06/2024

BEARING WITNESS TO VIOLENCE featuring Susana Pilar on
Collectible DRY Issue 25
THE SHAPE OF LUXURY

The human body is able to store its experiences. The body physical memory is more durable than the person’s physiological one. I dare to suggest that bodily memory is the most genuine form of memory because it remains uninfluenced by social regulations, behaviors, or structures governing normal social conduct. The body lacks the consciousness to navigate such regulatory mechanisms. It has been proved scientifically that human body ? speaks ? by itself, even when life on this body ends, that is after death; to accomplish this it necessary to know how to decode the evident signs, scars, codes as well as to read them.

artworks and words Susana Pilar

Susana Pilar, Sin Titulo, 2023. Digital prints based on analogue negatives, 48 x 32 x 2,5 cm. Courtesy the Artist and Galleria Continua.

From ‘LUX MENTIS’ on COLLECTIBLE DRY ISSUE 25 W 2023/2024THE SHAPE OF LUXURYIMAGE STYLE MANICURIST SET DESIGNER .neronMO...
05/04/2024

From ‘LUX MENTIS’ on COLLECTIBLE DRY ISSUE 25 W 2023/2024
THE SHAPE OF LUXURY
IMAGE
STYLE
MANICURIST
SET DESIGNER .neron
MODEL Thea AT
PHOTO AND DIGITAL ASSISTANT
STYLE ASSISTANT Isabella Papadimitriou
FOUNDER/EDITOR IN CHIEF .m.motta
ART DIRECTOR
PUBLISHER

THE SHAPE OF LUXURYCOLLECTIBLE DRYISSUE 25 W 2023/2024 IS WEARING A BLACK, GOLD AND SILVER SWIMSUIT IN JERSEY EMBROIDERE...
27/03/2024

THE SHAPE OF LUXURY
COLLECTIBLE DRY
ISSUE 25 W 2023/2024
IS WEARING A BLACK, GOLD AND SILVER SWIMSUIT IN JERSEY EMBROIDERED WITH PEARLS AND STRASS, METAL AND STRASS EARRINGS, COTTON CUFFS, SILVER BAG IN METALLIC LEATHER, BLACK COTTON GAITERS WITH STRASS ON WHITE LEATHER WEDGE BOOTS
IMAGE
STYLE
HAIR AND MAKE UP .ruben
FOUNDER/EDITOR IN CHIEF .m.motta
ART DIRECTOR
PUBLISHER

THE SHAPE OF LUXURYCOLLECTIBLE DRY ISSUE 25 W 2023/2024 IS WEARING JUMPER AND TROUSERS BOTTEGA VENETANECKLACE CLASH DE C...
27/03/2024

THE SHAPE OF LUXURY
COLLECTIBLE DRY
ISSUE 25 W 2023/2024

IS WEARING JUMPER AND TROUSERS BOTTEGA VENETA
NECKLACE CLASH DE CARTIER

IMAGE
STYLE
INTERVIEW Emma Franchi

FOUNDER/EDITOR IN CHIEF .m.motta
ART DIRECTOR
PUBLISHER

THE SHAPE OF LUXURYCOLLECTIBLE DRY ISSUE 25 W 2023/2024Coussin ring in white and gold diamonds  Image  Style  Founder/Ed...
22/03/2024

THE SHAPE OF LUXURY
COLLECTIBLE DRY
ISSUE 25 W 2023/2024

Coussin ring in white and gold diamonds

Image
Style

Founder/Editor in Chief .m.motta
Creative Director

THE SHAPE OF LUXURYCOLLECTIBLE DRYISSUE 25 W 2023/2024 is wearing an asymmetrical dress and leather sandals  Baku acacia...
20/03/2024

THE SHAPE OF LUXURY
COLLECTIBLE DRY
ISSUE 25 W 2023/2024
is wearing an asymmetrical dress and leather sandals
Baku acacia and silver-plated brass earrings and ebony ring
Image
Style
Hair
Make Up
Founder/Editor in Chief .m.motta
Creative Director

THE SHAPE OF LUXURYCOLLECTIBLE DRY ISSUE 25 W 2023/2024KINGA K is wearing a satin long dress with jelly print  White bea...
19/03/2024

THE SHAPE OF LUXURY
COLLECTIBLE DRY
ISSUE 25 W 2023/2024
KINGA K is wearing a satin long dress with jelly print
White bear artwork mask LUCIA PESCADOR
Image NICOLÒ GIOVANNONI
Creative Direction LESSICO FAMILIARE & DOMENICO COSTANTINI
Hair and Make Up AMERICO TURTORO
Founder/Editor In Chief SILVIA MOTTA
Creative Director ALEX GAUTIER

BLUE MONDAY, featured on COLLECTIBLE DRY ISSUE 24 FW 2023Image FERRY VAN DER NATStyle JOS VAN HEELMake Up DANINE ZWETSCa...
17/03/2024

BLUE MONDAY, featured on COLLECTIBLE DRY ISSUE 24 FW 2023
Image FERRY VAN DER NAT
Style JOS VAN HEEL
Make Up DANINE ZWETS
Casting Director WILLIAM LHOEST
Hair VINCENT ZIMBERLIN
Founder/Editor In Chief Silvia Motta
Creative Director Alex Gautier

Paul Caranicas, ANONYMOUS, 2012, pencil and watercolor on paper, 11 x 14 in.
15/03/2024

Paul Caranicas, ANONYMOUS, 2012, pencil and watercolor on paper, 11 x 14 in.

Antonio, Anonymous, Puerto Rico, 1976. 8 Kodak Instamatic photographs, 3.5 x 4.5 in each.
15/03/2024

Antonio, Anonymous, Puerto Rico, 1976. 8 Kodak Instamatic photographs, 3.5 x 4.5 in each.

very very very soon !  +   photo
29/02/2024

very very very soon !
+

photo

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