Elektro Muzik Non Stop

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Elektro Muzik Non Stop Darkwave, Synthpop, Futurepop, EBM, Goth, 80's New Wave, selected Modern Rock "Elektro Muzik" is my name for a combination of Electronic & Rock music styles.

Elektro Muzik Non Stop was an online radio station on Live365 (home to over 6,000 online radio stations at the time) from 2009 to 2016, when the website was shut down by the music industry because they wanted more royalty money than they were already getting. I still regularly post information and music videos about/from Electronic music bands that I like here on this page.

With Daily Rock History – I just got recognized as one of their top fans! 🎉
09/06/2026

With Daily Rock History – I just got recognized as one of their top fans! 🎉

https://www.facebook.com/100065285328213/posts/1381392017380296/?mibextid=CDWPTG
07/06/2026

https://www.facebook.com/100065285328213/posts/1381392017380296/?mibextid=CDWPTG

One of the great debut LPs of all time, The Cars’ self-titled album was released on this day in 1978 (June 6)

One of the best debut albums of all time, in my opinion…

Formed in Boston in 1976, the Cars consisted of Ric Ocasek, Benjamin Orr, Elliot Easton, David Robinson, and Greg Hawkes, all of whom had been in and out of multiple bands with each other throughout the 1970s.

The Cars unique brand of synth-infused guitar-based power pop was a breath of fresh air on the charts around the world, and has proved to be timeless, cementing their place as one of the most unique and influential bands of the post punk era.

And this album is in the conversation as one of the best debut LPs of all time.

Guitarist Elliot Easton said:

“We used to joke that the first album should be called The Cars' Greatest Hits!
We knew that a lot of great bands fall through the cracks. But we were getting enough feedback from people we respected to know that we were on the right track."

Well it’s not far off a Greatest Hits album as it turns out, packed with songs like “Bye Bye Love”, “My Best Friend’s Girl”, “Just What I Needed”, “Good Times Roll”, and “Moving In Stereo”.

It went to #5 in New Zealand, #18 in the US, #29 in the UK, #35 in Australia, and #50 in Canada.

Rolling Stone ranked The Cars at #353 on its 2020 list of the "500 Greatest Albums of All Time".

Click on the link below to watch “Bye Bye Love”:

https://youtu.be/2rDB7qmBEOE

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06/06/2026

With noted rock photographer and There Is No Us frontman Jim Louvau

https://www.facebook.com/100044470478059/posts/1532259614933040/?mibextid=CDWPTG
05/06/2026

https://www.facebook.com/100044470478059/posts/1532259614933040/?mibextid=CDWPTG

Afternoons in Utopia! I must have picked up this title somewhere. There is a book of the same name by Stephen Butler Leacock. I've never read it. What attracted me to the term was its atmosphere. On the one hand, "afternoons in Utopia" seem relaxed and peaceful; on the other, they exude a feeling of the gradual extinction of something once radiant, a "golden", decadent melancholy that attracted me. Such afternoons seemed to me like windows into a world of pointless but entertaining shenanigans. For me, the best transmission of "Afternoons In Utopia" into German was always "Nachmittag der Phantasten/Afternoon of the Phantasts", whereby the omission of the plural of "Afternoons" creates a link to Debussy's "Afternoon of a Faun". And this has a special connection: when our music teacher played this piece of music, which was unknown to me at the age of 14, and asked us pupils to draw a picture to go with it, I actually drew a faun lying in a meadow and watching the sunset. When it all came to light, it was like a great confirmation for me, as if I was part of a magical plan, a chosen one. This megalomaniacal feeling hasn't left me since. It still generates a boundless stubbornness that drives me to try to exceed the limits of my possibilities. I am the fantasist and the faun is my brother in a realm beyond these limits. If you needed a symbol for "Afternoons In Utopia", it would clearly be the faun.

Deutsch:

Afternoons in Utopia! Irgendwo muss ich diesen Titel aufgeschnappt haben. Es existiert ein gleichnamiges Buch von Stephen Butler Leacock. Ich habs nie gelesen. Was mich an diesem Begriff reizte war seine Atmosphäre. Einmal wirken "Nachmittage in Utopia" entspannt und friedlich, andererseits verströmen sie ein Gefühl allmählichen Verlöschens von etwas ehedem Strahlendem, darin liegt eine "goldene", dekadente Melancholie, die mich anzog. Solche Nachmittage erschienen mir wie Fenster in eine Welt voller sinnloser, aber unterhaltsamer Spielereien. Für mich war die beste Übertragung von "Afternoons In Utopia" immer "Nachmittag der Phantasten", wobei die Unterschlagung des Plurals von "Afternoons" eine Verbindung zu Debussys "Nachmittag eines Fauns" herstellt. Und damit hat es eine besondere Bewandnis: Als unser Musiklehrer dieses mir 14-jährigem damals unbekannte Musikstück vorspielte und uns Schülern auftrug, ein Bild dazu zu malen, zeichnete ich tatsächlich einen Faun, der auf einer Wiese liegt und den Sonnenuntergang betrachtet. Als sich die Sache aufklärte, war das für mich wie eine große Bestätigung, als ob ich Teil eines magischen Plans sei, ein Auserwählter. Dieses größenwahnsinnige Gefühl hat mich seitdem nicht mehr verlassen. Es erzeugt immer noch eine maßlose Sturheit, die mich antreibt zu versuchen, die Grenzen meiner Möglichkeiten zu überschreiten. Ich bin der Phantast und der Faun ist mein Bruder in einem Reich jenseits dieser Grenzen. Bräuchte man ein Symbol für "Afternoons In Utopia", dann wär es ganz klar der Faun.

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