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4373 Fashion Lane News & Media Blog of 4373fashionlane, LLC See videos on our youtube page:
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27/06/2024

Our 2024 MAAFA exhibition, Radiant Rhythms, is a celebration of the divine power of African drums. For centuries, the stories of Africa have been forged in rhythm by musical griots who pay tribute to the unwavering resolve, strength, and history of our culture by touching hand, stick, or bone to an African drum. From Djembe to Bara, Tama to Krin, Sabar to Bougarabou, the sounds of these sacred instruments take us on a journey of remembrance through time, tradition, struggle and triumph.

Each beat of an African drum tells a story, echoing the voices of ancestors who taught us how to use them to communicate, celebrate, mourn, and inspire. Drums announce births, deaths, marriages, religious rites and rituals, and social and political events. They herald our coming to and our going from the land of the living, and every significant moment in between. Throughout history, as Africa experienced tragedy after tragedy at the hands of colonizers, the drums remained a steadfast connection to our sacred source.

Join us TOMORROW Friday, June 28 at Ashé Cultural Arts Center and explore the power, rhythm, and story of the drum.

Curated by Frederick “Wood” Delahoussaye.
Drums provided by Southern University at New Orleans Museum of Art, Bill Summers, Luther Gray, and Frederick “Wood” Delahoussaye.

27/06/2024

Prince Harry will be honored with an ESPY for his work with the Invictus Games.

17/06/2024

Kim Kardashian just booked Bridgerton’s Nicola Coughlan as a Skims model.
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Stress is crazy🕊️
16/06/2024

Stress is crazy🕊️

James Kent, the famed New York City chef, died on Saturday, his hospitality group announced.

 album   celebrates        #😍
14/06/2024

album celebrates #😍

01/06/2024

576. This week we welcome Givonna Joseph to the podcast to discuss 19 th -Century classical music among New Orleans' gens de couleur libre...

06/05/2024

THE STAR CARS. The NEW ORLEANS TRIBUNE. May 4, 1867. 88 years before Rosa Parks and 25 years before Homer Plessy, Black New Orleanians fought for the right to ride. In the spring of 1867, the NEW ORLEANS TRIBUNE issued a series of stinging editorials declaring war on the city’s segregated streetcar system. Anger had grown over forcing Blacks to use a small fleet of cars marked with stars. Finally, on May 5, Blacks began boarding white only cars throughout the city. A day of sometimes violent fighting on the streetcars culminated with a massive demonstration on Rampart Street near Congo Square. Over 500 protestors gathered there, and many occupied white streetcars. Officials, taken aback by the militancy of the demonstrators and fearing a repeat of the Mechanics’ Institute Massacre, reluctantly decided to integrate the system. It was a huge victory for the TRIBUNE and the Black community.

THE STAR CARS. The NEW ORLEANS TRIBUNE. May 4, 1867.
"The star cars are still in existence. We purposely inquired yesterday of the President pro tem. of the City Railroad Company, how the matter stands. We were authoritatively informed that the star cars remain distinct from others, and expressly affected to colored persons, while the no-star care are set apart exclusively for white passengers. It is true that drivers have been instructed not to assault colored men, if found in white cars. But, at the same time, it is recommended not to start any such car in case colored persons should have entered them. This was practically enforced yesterday. Our friend P. Ducloslange, having entered car No. 55, of the St. Charles and Baronne street line, and having refused to leave it, was not assaulted, but the car was stopped and the driver refused on proceed on his way.

A similar experience was made by a number of colored persons on other lines, to a great cost of inconvenience and loss of time. We, therefore, friendly advise our contemporary of the Republican, who says that he “has corrected one abuse, and he will now turn his attention to others” that he will have to fight yet, if he wish to correct the evil at all. The desire of our contemporary had the better of his judgment. The Times was well informed, yesterday morning, when saying: “The statement that drivers are permitted to allow persons of color to ride in cars not marked with a star, seems to be erroneous. No such order has been given. The cars marked with a star are expressly set apart for colored people, and all others, by a rule of the corporation, are exclusively for white persons.”

This is the correct statement. The star car system is in force today as much as it was last week, last month, and last year. The victory is not yet won; the evil IS NOT corrected. It will only disappear when the stars shall be erased from the colored cars, and when the public shall be officially informed by the company that all distinction is abolished. Then, and not until then, colored men will ride in all cars safely and unmolested. Have we reached that point? Manifestly not. And should the Republican “correct” other evils in the same evil in the same manner that he has “corrected” this one, the colored people of New Orleans will not be under very great obligations to him.

We do not allow ourselves to be deceived with allegations and words. We want facts. The TRIBUNE was fighting for this car question years before the Republican was in existence. In April and December, 1865, in May and June, 1866, we brought this question before the public and the authorities. In may last year, a committee was appointed and a subscription taken up to test the question. This movement had been started by the TRIBUNE. From Gen. Hurlbut’s administration down to Gen. Sheridan’s, we have applied to the military to abolish that absurd distinction. The conclusion we had come to was that the distinction will disappear only when the colored man will be in power, or when a civil action will be brought before a court of competent jurisdiction to enforce the Civil Rights Bill."

06/05/2024

“Unknown Sitters” Guided Tour: Bring Your Imagination

Wednesdays and Thursdays at 11:30 a.m. and Sundays at 12:30 p.m. through October 6, 2024

520 Royal Street

Admission is $5 for the general public and free for HNOC members. Walk-ins are welcome but reservations are encouraged.

Drawn from the holdings of the Historic New Orleans Collection, the subjects of the 26 portraits in the exhibition “Unknown Sitters” are unidentified in the historical record. On this 30-minute tour, visitors will learn about the process of analyzing historical portraits and then connect the imagined stories of the “Unknown Sitters” to their own.

Tap our bio link to reserve.

06/05/2024

New Beyoncé 💜

23/04/2024
30/03/2024

Louisiana Anthology Podcast.
Episode 567. This week we talk to novelist Diane McPhail, author of The Seamstress of New Orleans: A Fascinating Novel of Southern Historical Fiction. Set against the backdrop of the first all-female Mardi Gras krewe at the turn-of-the-century, the acclaimed author’s mesmerizing historical novel tells of two strangers separated by background but bound by an unexpected secret — and of the strength and courage women draw from and inspire in each other.

https://louisianaanthology.blogspot.com/2024/03/567-diane-mcphail.html?m=1

15/03/2024

New Orleans History explored ⚜️

08/02/2024

Celebrate Ella Fitzgerald!

In 1958, Ella Fitzgerald became the first Black woman to win a Grammy award.

Following a troubled childhood, Ella Fitzgerald turned to singing and debuted at the Apollo Theater in 1934. Discovered in an amateur contest, she became the top female jazz singer for more than 50 years. In 1958, Fitzgerald made history as the first African-American woman to win a Grammy Award. Due in no small part to her vocal quality, with lucid intonation and a broad range, the singer would go on to win 13 Grammys and sell more 40 million albums throughout her career. Her multi-volume "songbooks" on Verve Records are among the treasures of American song. Fitzgerald died in California in 1996.



Bio Source: Biography.com

28/01/2024
13/01/2024
26/09/2023
26/09/2023

Though forgotten by most Americans today, Matilda Sissieretta Jones, or “Black Patti,” was the highest-paid African-American entertainer of the nineteenth century and one of the world’s most celebrated singers.

Jones was born to formerly-enslaved parents and raised in Providence, Rhode Island, where she began her vocal training. She continued studying opera at the New England Conservatorium of Boston, where she trained under prominent Italian musicians. Her training and talent led to well-attended concerts across America and abroad.

On February 24, 1892, Sissieretta Jones solidified her celebrity status by singing for President Benjamin Harrison at the White House. Newspapers reported that Jones was “gifted with a most marvelous voice, rivaling in strength and sweetness the tones of the world’s most famous prima donnas.” She also toured Europe, where she performed for kings and emperors.

As an African-American performer in the nineteenth century, Jones faced widespread racial animosity; even her nickname, “Black Patti,” meant to differentiate Jones from the then-famous white opera singer, Adelina Patti. In 1896, Jones created a singing group called “Black Patti’s Troubadours,” but the troupe faced outright prejudice at entertainment venues and among white spectators. In the end, the troupe was relegated to the performance of vaudeville comedy that relied upon racist tropes favored by white audiences.

Still, Jones and her fellow performers were well-paid and well-known, proving the musical talent and entrepreneurship of African Americans in a time where very few earned the American spotlight. Jones’ income, international tours, and invitation to the White House are a testament to her trailblazing success in the face of racism.

Image: Library of Congress

Via Derby G on
07/08/2023

Via Derby G on

Loving this look on  with her
15/07/2023

Loving this look on with her

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