Get ready to step into a world where music meets anime! We’re beyond excited to unveil the premiere of Kishi Bashi's music video for ‘Lilliputian Chop,’ where every beat and frame bring a vibrant song to life, only on Crunchyroll.
Kaoru (aka Kishi Bashi) explains: "I’ve always been a fan of Japanese manga and anime. For this song in particular, I jumped on the opportunity to reach out to Tonari Animation, a full-time anime studio in Tokyo, and collaborated with them on creating an ‘80s flavored City Hunter and Neo Tokyo-inspired nighttime adventure: a gold android assassin and an unwitting love affair set to music.”
https://www.crunchyroll.com/news/interviews/2024/8/23/kishi-bashi-interview-and-exclusive-music-video-premiere
The countdown begins...🕰
We’re thrilled to drop the teaser for Kishi Bashi's upcoming music video for "Lilliputian Chop!" Prepare for a visual feast and get a taste of the magic that's coming your way 💜🎷
The full video premieres this Friday 11am ET on Crunchyroll - the same day as new album 'Kantos' - but for now, check out this sneak peek and let us know what you think! 👀
'Walk Thru Me,' The Folk Implosion's first full length album of new music in 25 years is out today! The recently reunited duo of John Davis and Lou Barlow are back and better than ever. We are so pumped for you to finally get to hold this in your hands!
On the title track of The Folk Implosion’s first full-length album in over 20 years, Lou Barlow sings about a difficult level to reach; gratitude for the opportunity to let someone else take the wheel in this troubled world, and not being bothered by the implication of that surrender. The group’s commitment to honing every element of their craft shines through on the title track, as it does on the entire record, a gift to everyone who has been so patient with these two innovators.
Album available NOW in standard white vinyl, CD, cassette and digital. See The Folk Implosion LIVE starting July 15. More info at https://thefolkimplosion.lnk.to/walkthrume
Today we release THE FREE TRIPLE LIVE ALBUM from Deerhoof, in which they play their songs at the legendary Berlin club “SO36,” to a full house that sings and dances along. It was February 7 2024 and the opener was none other than Rob Fisk, aka Curse All Kings, aka the very founder of Deerhoof in 1994!
The live audio multitracks were recorded by Tobias Lill and mixed by Greg. The audio-only version of THE FREE TRIPLE LIVE ALBUM is pay-what-you-want on Bandcamp and the Joyful Noise website.
Bandcamp- https://deerhoof.bandcamp.com/album/the-free-triple-live-album?goal=0_6c0fde82a6-09934ed7f3-&mc_cid=09934ed7f3&mc_eid=UNIQID
Joyful Noise- https://www.joyfulnoiserecordings.com/products/the-free-triple-live-album?_pos=1&_sid=8c9a94c20&_ss=r
Watch the performance in full here- https://www.youtube.com/watch?v=1iUuFXKIeNQ
Also don't miss Deerhoof on tour! Tickets can be purchased directly on the Deerhoof website: https://deerhoof.website/
June 12- Melbourne, VIC - Brunswick Ballroom
June 13- Sydney, NSW - Machine Hall Precinct
June 14- Brisbane, QLD - The Zoo
June 15- Adelaide, SA - Jive
June 16- Perth, WA - Milk Bar
July 26- Leysin, CH - Hautes Fréquences
July 27- Wiltshire, UK – WOMAD
July 28- Trefusis Estate, UK - Summercamp
July 30- Falmouth, UK – Cornish Bank
August 1- Glasgow, UK – Room 2
August 2- Belfast, IE - Blackbox
August 3- Dublin, IE - Whelans
Limited physical subscriptions remain for the new Danielson Artist Enabler Club! Don't miss out! The last day to subscribe is TOMORROW (5/31). As you can see, our lathe cave dweller Moose is already making the first batch!
Starting on June 3rd, and continuing for 15 months, Danielson will be creating new songs and sharing them exclusively with club members. These intimate home recordings will culminate in the next Danielson album. This will be the first to include the entire "Famile" since 2001's Steve Albini produced Fetch the Compass Kids.
All of these demos will be exclusive to the Artist Enabler Club and not released on other formats.
Subscribers receive*:
An inside glimpse at the process of writing and recording the new Danielson album
Monthly downloads of new Danielson demos (in MP3 and lossless formats, delivered on the 1st Monday of each month)
Monthly shipments of exclusive, ultra-limited hand-made lathe-cut 7" records w/ Danielson's original artwork screenprinted onto the B-Sides (for Physical subscribers)
Access to exclusive merch and wooden box set (signed by Danielson, laser etched with Daniel's hand-drawn artwork, limited to 333 hand-numbered copies)
Monthly video messages direct from Danielson
Good Karma. You’ll be helping to sustainably create the next Danielson album!
https://www.joyfulnoiserecordings.com/products/danielson-artist-enabler-club
Finom started a cult?! Where do we sign?
Chicago duo Finom drops new video for their title-track off new album 'Not God,' which releases TOMORROW 📺👄👅 // Watch the video here: https://youtu.be/wfRA7t0vIJM?feature=shared
Throughout 'Not God,' Finom wields an innate sense of humor with ease, filling you with gratitude that powerful art can move your molecules while not taking itself too seriously. It's another secret to growth, a final number in the combination lock of how to make maturity not an absolute drag. The ride we're on is all just a little bit funny, even when it's completely devastating. And the globe spins and advancements advance, it can feel essential to return to relationships that make us feel whole, that generate energy of strength and relief.
Finom's 'Not God' is available on 🔴red🔴 vinyl, CD and Limited Edition VIP Transparent Red & Black vinyl, limited to 400 hand-numbered copies w/ bonus flexi disc. Order at http://finom.lnk.to/notgod . Everything is shipping NOW! Stay tuned for more Finom news tomorrow for album release day!
A sublime convergence of orchestral pop and anthemic dance-rock, “Colorful State” fully encapsulates Kantos’ eclectic sound. Although Kishi Bashi first sketched out the track by experimenting with samples of arpeggiated strings, the song soon evolved into a full-tilt epic fueled by majestic guitar riffs, frenetic rhythms, and the soaring harmony vocals of bassist Quinn Humphreys, guitarist Fraser Blanchflower, and drummer James Clark (a trio of British musicians who served as Kishi Bashi’s backing band for most of Kantos).
Centered on Kishi Bashi’s poignant vocal work, “Colorful State” ultimately embodies an unbridled romanticism (from the opening lines: “If you want take your hands and cover me/And if you can let your breath discover me/And if the bright of the sun is smothering/Come here and close your eyes with me”).
Album ‘Kantos’ out August 23 via Joyful Noise. Available for preorder on purple vinyl, CD and digital at kishibashi.lnk.to/colorfulstate
THIRD SINGLE 'CYCLOPS' BY CHICAGO'S Finom IS OUT 🥊🥊NOW
Alongside a video directed by Mannequin Pussy’s Marisa “Missy” Dabice
“Cyclops” pulses with a fuzzy bass line and Finom’s signature harmonies. There’s a boisterous tension in its instrumentation, which is captured in the accompanying video. It features members Sima Cunningham and Macie Stewart as eccentrically-dressed boxers, joining together to take on an evil force in the ring.
“Your band is your own personal Odyssey,” explains Finom. “You have to want to go on it, you have to fight for it, you have to live for it. I think this song is reacting to some of the subtle undercurrents and mental demons we’ve had to fight off when it comes to persisting as a band. But also, really thinking about battling a cyclops and all of the injury you endure to make it through to the other side.”
Also announcing: 'Not God' record release show at The Metro in Chicago IL, November 2 🖤❤️
The album releases May 24 via Joyful Noise and was produced by Jeff Tweedy. We still have limited VIP edition vinyl in red & black vinyl, and it also comes in standard red vinyl and CD. Stream "Cyclops" and pre-order your copy of 'Not God' at https://finom.lnk.to/cyclops
In case you’re unfamiliar, Danielson is one of the most unique groups in music history - known for their bizarre, outsider-art-folk, and outlandish theatrical spiritualism that is at once tender-hearted and cult-like. Formed in 1994, Danielson has released several successful (and surprisingly-critically-acclaimed) albums throughout their career - produced by folks like Steve Albini and Kramer. They even helped launch the careers of some notable artists. Ever since 1997's Tell Another Joke At The Ol’ Choppin Block, we have been endlessly enamored with the band.
And we are honored to support their next chapter via the Artist Enabler Club.
Starting on June 3rd, and continuing for 15 months, Danielson will be creating new songs and sharing them exclusively with club members at the beginning of each month. These intimate home recordings will culminate in the next Danielson album. This will be the first "Danielson Famile"* album since 2001's Steve Albini produced Fetch the Compass Kids. (Only recordings including the entire congregation of all living Danielson Famile members may properly be considered a 'Famile' record.)
By signing up you get to be a part of the creation process. Digital subscriptions are $5, and Physical + Digital subscriptions are $15 (which includes a hand-made lathe-cut 7" record each month). All of these demos will be exclusive to the Artist Enabler Club and not released on other formats.
Subscribers receive:
An inside glimpse at the process of writing and recording the new Danielson album
Monthly downloads of new Danielson demos (in MP3 and lossless formats, delivered on the 1st Monday of each month)
Monthly shipments of exclusive, ultra-limited hand-made lathe-cut 7" records w/ Danielson's original artwork screenprinted onto the B-Sides (for Physical subscribers)
Access to exclusive merch and wooden box set (signed by Danielson, laser etched with Daniel's hand-drawn artwork, limited to 333 hand-numbered copies)
Monthly video messages direc
Latest video from Tall Tall Trees: "Feel Good!" from newest album 'Stick to the Mystical I' released last September. Available on standard blue vinyl, CD and digital at lnk.to/TTT_STTMI
"Feel Good! is a song that came together in about 45 minutes in the midst of a psilocybic haze," says Mike Savino, the multi-instrumentalist and songwriter behind Tall Tall Trees. "Pretty clear what the oracle was trying to tell me, I just got out of the way."
Video made lovingly by @tandemmedia_ig; Julia & Mike McCoy, a four-time collaborator with Tall Tall Trees (seagullxEagle, Free Days, and Wave of Golden Things)
Catch the Tall Tall Trees May tour, which kicks off in a few weeks, with Mike's pal and drummer, Josiah Wolf from WHY?
5.14 Conway, AR - Bear's Den @bearsdenpizza
5.15 & 16 Bentonville, AR - City Sessions @citysessionsnwa
5.17 Kansas City, MO - Encore at @uptowntheaterkc
5.18 Clive, IA - Greenbelt Music Fest @greenbeltmusicfest
5.19 Cambridge, IL - Ca d'Zan House Concerts
5.21 Chicago, IL - Tack Room @tackroomchicago
5.22 Indianapolis, IN - Healer @healerdiy
5.24 Covington, KY - Madison Live Rooftop @_madisonlive
5.25 Thomas, WV - Purple Fiddle @thepurplefiddle
+ more dates for July and August!
Available NOW: New 7" lathe cut of "Your Silent Face (Live in Studio)" from El Ten Eleven, limited to 150 hand-made copies, manufactured in Indianapolis at JNR HQ. Order your copy (they will go quickly!) and stream on DSPs at JNR.lnk.to/yoursilentface
“Your Silent Face (Live in Studio)” sees El Ten Eleven cover New Order in a track that further sculpts a post-rock atmosphere that the group has carefully cultivated over their career.
"Your Silent Face", off the influential, monumental record 'Power, Corruption & Lies' from New Order, holds an emotional connection for El Ten Eleven. For El Ten Eleven's Kristian Dunn, it's one of his favorite songs and being a bass player, he was drawn to Peter Hook's absolutely essential lead playing.
El Ten Eleven has toured with Hook several times and have watched him play "Your Silent Face" again and again, building an even stronger connection. Dunn said this about their cover, "hopefully we did it justice."
Recorded live in the El Ten Eleven rehearsal studio on August 8, 2023.
“How the f**k are we going to turn this into a song?” That’s the question Lou Barlow and John Davis have asked themselves since co-founding The Folk Implosion in the early 1990s. Beginning with improvised jams featuring Barlow on bass and Davis on drums, the duo develop their beat-driven pop collages from the ground up. It’s the process they used on their debut cassette, ‘Walk Through This World with the Folk Implosion,’ and one they’ve returned to 30 years later on their spellbinding, self-referencing reunion, ‘Walk Thru Me.’
Separated from their homes in Massachusetts and North Carolina, Barlow and Davis collaborated remotely, flashing back to their early friendship as penpals. A sweaty bass and drums session went down in Barlow’s attic, before they booked studio time with producer Scott Solter (St. Vincent, Spoon, The Mountain Goats).
“Because we’re so separate, part of this album is me desperately trying to telepathically communicate to John and Scott, who are 700 miles away from me,” Barlow concludes. “A big part of what I consider to be the Folk Implosion is taking disparate things and turning them into pop.”
“Moonlit Kind”, the album’s first single, is The Folk Implosion’s bobbing, shimmering ode to night owls. Offering a glimpse into the mind of Barlow, who depicts himself as a bear “coming out of the cave,” the song describes his emotional waxes and wanes. Whether touching the sky or going low, he never unwinds… but always believes. Davis, who played guitars, keys and drums along with producer Solter, send the song soaring, transforming Barlow’s words into nocturnal musical bliss.
Stream new single “Moonlit Kind” on DSPs and pre-order new album ‘Walk Thru Me’ at thefolkimplosion.lnk.to/moonlitkind and don’t forget to check them out on tour up and down the East Coast! Album out June 28th.
SUUNS. Europe. September.
12-SEPT - NO90 HACKNEY WICK, LONDON (UK)14-SEPT - INDIESTAD FESTIVAL at PARADISO, AMSTERDAM (NL)15-SEPT - EPICERIE MODERNE, LYON (FR)16-SEPT - ESPACE JULIEN, MARSEILLE (FR)17-SEPT - TRABENDO, PARIS (FR)19-SEPT - REFLEKTOR, LIEGE (B)20-SEPT - LANTAREN VENSTER, ROTTERDAM (NL)21-SEPT - REEPERBAHN FESTIVAL, HAMBURG (GER)22-SEPT - LIDO,BERLIN (GER)
Get your tickets at https://www.suuns.net/
Chicago’s Finom - the band co-fronted by Sima Cunningham and Macie Stewart, formerly known as Ohmme - announce their new album, Not God, out May 24th via Joyful Noise Recordings. In conjunction, they present its alluring lead single/video, “Haircut,” and announce record release shows in Chicago, Los Angeles, and New York City. Produced by Jeff Tweedy in the The Loft, Not God is a marvel of growth, a progression from the roots of this collaborative band whose history can be traced back to its improvised conception.
Pressing play on Not God, you'll hear two voices. Cunningham and Stewart both sing, yet there is no question as to who is who. These are two artists with pronounced identities, and as they weave themselves into the songs they write those identities grapple in real time. They’re brilliant harmonizers. But harmony doesn't equate to a utopia; Harmony can also be a fight, holding the line until the volcano erupts. This realistic depiction of a creative relationship jolts throughout the songs of Not God, and brings the whole damn thing to life. They grow together, harnessed by their shared loves of pop songwriting, honesty, and being generally freaky-deaky. Freaky in that way that is only really fun when you're doing it with a friend.
Preorder your copy on limited edition VIP transparent red and black vinyl, standard red vinyl, CD or digital : https://finom.lnk.to/Haircut
P.S. Follow along on the Joyful Noise Instagram for their Tokyo Tour Book Instagram Takeover! https://www.instagram.com/joyfulnoiserecs/
A few months ago, I received an email from our artist and good friend Thor Harris (Thor & Friends) with the subject line: “Fallen Mormons from Provo, Utah.” His succinct message about this group was, “These guys would be a great addition to the JNR roster. Yours in Satan’s Anus, Thor.” I clicked on the video link to Little Moon’s Tiny Desk Concert…and the rest is history.
Today we are ecstatic to announce that Little Moon have signed with Joyful Noise! Keep your eyes and ears peeled for their new album due out later this year.
xo, karl
https://littlemoon.lnk.to/bio
2023 was one amazing year at JNR, as this video can attest. We are endlessly grateful to all the artists who entrusted us with their music in 2023, including Marnie Stern, Deerhoof, Magic Sword, TFS Band, El Ten Eleven, Springtime, SUUNS, Kishi Bashi, Folk Implosion, Mike Adams At His Honest Weight, ATIVIN, Jess Joy, Tall Tall Trees, Son Lux, Oneida, and OHMME (Finom). And to YOU for supporting us and our artists!
If you want to get in early on everything we’re cooking up in 2024, consider signing up for Early Bird VIP: http://joyfulnoi.se/EB2024
See you in 2024.
We hear our Early Bird VIP membership makes a great stocking stuffer! Limited spots remain! In exchange for buying early, you get a huge discount–while sustaining the label and supporting our community of artists. Only $225 this special package deal for an entire year of VIP membership with automatic shipments of VIP Edition vinyl and exclusive perks!
- 10 VIP Limited Edition LPs
- Annual VIP Membership
- 3 Exclusive Lathe-cuts
- 10 Surprise Back Catalog LPs
- Member Perks
Today Marnie Stern shares the propulsive “Til It’s Over” which is about “Trying to move forward after feeling betrayed and keeping your eye on the prize and not wallowing in self-pity.” “Til It’s
Over” appears on The Comeback Kid, the long-awaited new album out this Friday, November 3rd, 2023 via Joyful Noise Recordings. lnk.to/TheComebackKid
“Til It’s Over” comes with a video directed by Ryan Hover and Allison Durst who share the following: “We wanted to continue the Marnie tradition of whimsical hand-drawn artwork by Bella Foster, but with an added drive synced to the song's unrelenting 8th notes and punctuated by those prolonged blasts of intense snare rolls. Ryan has been experimenting with an animation style where shapes emerge from an ebb and flow between the negative and positive space, and this seemed to work great for the letters and words of the lyrics. Allison provided illustrations for the storm imagery - clouds, rain, lightning - and her hand-drawn frames evoke the song's theme of looking back into memory and forward into the future as if trying to catch a permanent glimpse of an elusive, shape-shifting specter.