Cinematic Sound Radio Podcast

  • Home
  • Cinematic Sound Radio Podcast

Cinematic Sound Radio Podcast The Cinematic Sound Radio Podcast is a collection of shows dedicated to the music of film, televisio

CINEMATIC SOUND RADIO WINS 2024 DISCOVER PODS BEST MUSIC PODCAST AWARDI’m proud to announce that the CINEMATIC SOUND RAD...
05/03/2025

CINEMATIC SOUND RADIO WINS 2024 DISCOVER PODS BEST MUSIC PODCAST AWARD

I’m proud to announce that the CINEMATIC SOUND RADIO PODCAST is the recipient of the BEST MUSIC PODCAST at the 2024 DISCOVER PODS AWARDS. The announcement was made on February 15th, 2025.

Read more here > https://www.cinematicsound.net/cinematic-sound-radio-wins-2024-discover-pods-best-music-podcast-award/

This wouldn't be possible without the incredible dedication of my amazing team: Jason Drury, Eric Silver, David Coscina, Robert Daniels, J. Blake Fichera, Randy Andrews, Tim Burden and Ley Bricknell.

And thanks to all of the people who voted for us and to those who continue to support the show by tuning in to each and every episode!

I’m proud to announce that the CINEMATIC SOUND RADIO PODCAST is the recipient of the BEST MUSIC PODCAST at the 2024 DISCOVER PODS AWARDS. The announcement was made on February 15th, 2024. Winning Best Music Podcast at the 2024 Discover Pods Awards is truly humbling, especially as this is only our ...

NEW EPISODEScored to Death Radio is back with another brand-new episode celebrating the music of werewolves and werewolf...
03/03/2025

NEW EPISODE

Scored to Death Radio is back with another brand-new episode celebrating the music of werewolves and werewolf movies! Host J. Blake Fichera guides listeners through a curated playlist highlighting scores from 1941-2025 and featuring music from composers Hans Salter, Danny Elfman, Benjamin Wallfisch, Jay Chattaway, Pino Donaggio, Ennio Morricone, Elmer Bernstein, and much more.

Enjoy!

Discover music celebrating werewolves in this exciting new episode of SCORED TO DEATH RADIO.

The 2024 International Film Music Critics Association (IFMCA) Awards Winners
27/02/2025

The 2024 International Film Music Critics Association (IFMCA) Awards Winners

Here are your winners of the 2024 IFMCA Awards, hosted by Erik Woods.Visit the IFMCA by going to http://filmmusiccritics.org/​Follow on Facebook at https://w...

The 2024 International Film Music Critics Association (IFMCA) Awards Winners!
27/02/2025

The 2024 International Film Music Critics Association (IFMCA) Awards Winners!

Here are your winners of the 2024 IFMCA Awards, hosted by Erik Woods.Visit the IFMCA by going to http://filmmusiccritics.org/​Follow on Facebook at https://w...

NEW EPISODE | CINEMATIC SOUND RADIO | THE ARCHIVE: EPISODE 45In a show jam-packed with superb music, Jason Drury opens w...
18/02/2025

NEW EPISODE | CINEMATIC SOUND RADIO | THE ARCHIVE: EPISODE 45

In a show jam-packed with superb music, Jason Drury opens with a 10-minute suite of Christopher Young’s new soundtrack for the 1922 silent horror classic, NOSFERATU A SYMPONY OF HORROR (Warner Classics).

Jason then moves on to selections from John Williams’ 2000 score THE PATRIOT, which Intrada Records recently released to commemorate its 25th anniversary, Trevor Jones’ score for the 1982 Jim Henson-directed dark fantasy THE DARK CRYSTAL (La La Land Records), and, as a tribute to the late John Morgan, music from the 1982 sci-fi horror THE AFTERMATH (Dragon Domain Records).

The show continues with a 2024 re-recording of Dimitri Tiomkin’s score for the 1958 adventure drama THE OLD MAN AND THE SEA (Intrada Records), followed by music from the 1972 science fiction horror film HORROR EXPRESS by John Cavacas (Quartet Records/Citadel Records), and selections from Nile Rodgers’ score for the 1994 comedy sequel BEVERLEY HILLS COP III (La La Land Records).

Jason concludes the episode by playing music from John Williams’ STAR WARS: EPISODE III – REVENGE OF THE SITH (Sony Classical), which is celebrating its twentieth anniversary this year.

Enjoy!

In a show jam-packed with superb music, Jason Drury opens with a 10-minute suite of Christopher Young’s new soundtrack for the 1922 silent horror classic, NOSFERATU A SYMPONY OF HORROR (Warner Classics). Jason then moves on to selections from John Williams’ 2000 score THE PATRIOT, which Intrada ...

Happy Valentine’s Day!
14/02/2025

Happy Valentine’s Day!

It’s alive! The Cinematic Sound Radio Podcast Top 10 has been brought back from the dead! The last time I did a show like this was back in 2018 when I presented my Favourite Western Tracks Of All Time. I wanted to make the Top 10 and ongoing series but only a short month later, […]

🏆 Here are the nominees for the 2024 IFMCA Awards.🎉 Congratulations to all of the nominees.🙌 Winners will be announced L...
13/02/2025

🏆 Here are the nominees for the 2024 IFMCA Awards.

🎉 Congratulations to all of the nominees.

🙌 Winners will be announced LIVE on the IFMCA YouTube channel on February 27, 2025.

INTERNATIONAL FILM MUSIC CRITICS ASSOCIATION AWARDS NOMINATIONS ANNOUNCED BEAR MCCREARY LEADS LIST OF NOMINATED COMPOSERS WITH SIX NOMINATIONS ANIMATED FILMS, TELEVISION SHOWS, DOMINATE ‘SCORE OF T…

This week's Patreon Exclusive Friday Playlist is available for FREE MEMBERS as well. Head over to our Patreon, sign up a...
08/02/2025

This week's Patreon Exclusive Friday Playlist is available for FREE MEMBERS as well. Head over to our Patreon, sign up as a free member and you get to hear us celebrate Jerry Goldsmith and John Williams' rarely heard gems!

LISTEN 👉 https://www.patreon.com/posts/freebie-friday-121767587

Here's a friendly reminder NOT to use Spotify for your podcast listening. Over the weekend, Spotify removed 20 episodes ...
03/02/2025

Here's a friendly reminder NOT to use Spotify for your podcast listening. Over the weekend, Spotify removed 20 episodes of the CINEMATIC SOUND RADIO PODCAST for "violation of our content policies. Spotify for Creators supports the distribution of audio and video podcasts. Content that appears to be exclusively or primarily music is automatically taken down."

They fail to recognize that my show is a music commentary program in which I use music to support my arguments, reviews, and criticisms. I responded to each and every removal, but I got an automatic response back saying "We want to ensure that creators are using the appropriate channels to share their content with our users. Spotify for Podcasters should not be used to distribute music tracks, DJ mixes, or similar musical content. Spotify reserves the right to remove podcasts that violate this policy, regardless of the licensing status of your music." And yes, I pay for a podcast license through SOCAN. I know that doesn't cover the entire world but at least I'm trying to give back.

Having said that, I do want to thank the labels for having my back over the decades and allowing me to present their music on the program.

Anyway, if you are a fan of the show, please find one of the hundreds of other podcatchers to listen to the show.

Now, I thought about removing the podcast from Spotify myself, but I'll let them use their time and resources until all 400 episodes are pulled.

Here is the brand-spankin' new version of the CINEMATIC SOUND RADIO PODCAST audio trailer!
25/01/2025

Here is the brand-spankin' new version of the CINEMATIC SOUND RADIO PODCAST audio trailer!

This is an updated version of the Cinematic Sound Radio audio trailer I produced in 2021.

NEW EPISODE | THE ARCHIVE WITH JASON DRURY: EPISODE 44Your host Jason Drury begins the show with the superb 22-minute “G...
22/01/2025

NEW EPISODE | THE ARCHIVE WITH JASON DRURY: EPISODE 44

Your host Jason Drury begins the show with the superb 22-minute “Grand Gothic Suite” by Elliot Goldenthal from the album ELLIOT GOLDENTHAL: MUSIC FOR FILM (Silva Screen Records), containing music from BATMAN FOREVER and BATMAN & ROBIN.

Jason then continues with selections from Nino Rota’s Oscar-winning score from 1974‘s THE GODFATHER PART 2 (La La Land Records) and Jerry Goldsmith’s classic 1976 score for ISLANDS IN THE STREAM, which Intrada Records recently reissued.

The wonderful theme from John Barry’s Oscar-winning score from the 1985 film OUT OF AFRICA (Intrada Records) continues the show. This is followed by music from David Fanshawe’s score for the 1991 Michael Winner revenge thriller DIRTY WEEKEND (Silva Screen Records) and then music from Don Davis’s score from the 2001 film JURASSIC PARK III (La La Land Records)

Jason then rounds off the show by playing more music from the album ELLIOT GOLDENTHAL: MUSIC FOR FILM with another suite, this time from his classic score from 1992‘s ALIEN3.

Enjoy.

*****LINK IN COMMENTS*****

The website migration is now complete and seems to have gone smoothly. If you find any issues with the site, please let ...
15/01/2025

The website migration is now complete and seems to have gone smoothly. If you find any issues with the site, please let me know.

And with that... we can now present our first show of the new year!

🔴 TALKING SOUNDTRACKS: THE MUSIC OF JOHNNY DOUGLAS

On September 10th, 2024, the music from the Marvel Animated series DUNGEONS AND DRAGONS was released by Dulcima Records on 10th September, exactly 40 years after the show premiered in the UK.

The show’s music was written by British composer Johnny Douglas, who, in addition to having a diverse career in film and television, was the composer of music for Marvel’s animated series in the 1980s, which included SPIDER-MAN, SPIDER-MAN AND HIS AMAZING FRIENDS, THE INCREDIBLE HULK, G.I. JOE, and TRANSFORMERS. His filmography includes the classic 1965 sci-fi adventure CRACK IN THE WORLD and the British children’s classic THE RAILWAY CHILDREN.

Louise Camby, Johnny Douglas’ granddaughter, is currently researching a book on his life and career called TRACKS TO MY GRANDFATHER’S SUCCESS, and in October 2024 she spoke with Jason Drury about her grandfather’s life and work, how the book was coming along, and how, by chance, she discovered music from DUNGEONS AND DRAGONS in Johnny Douglas’ archives.

During the show, we’ll hear music from DUNGEONS AND DRAGONS, as well as other music from Johnny Douglas’ career.

🎧 LISTEN ➡️ https://bit.ly/3WfW9SA

Enjoy.

12/01/2025

🚨UPDATE!

For those wondering why we haven’t uploaded a new episode yet this year, we’re currently in the process of moving our website and podcast to a new server. My friend Sean, who co-owns the server, is handling the migration. Without his technical expertise, we wouldn’t have a website or a podcast. Thanks for everything you do, Sean!

We sincerely apologize for the inconvenience and appreciate your patience. New episodes will be uploaded soon.

Thank you for your understanding!

Hi folks. Could you do me a favour? CINEMATIC SOUND RADIO, has been nominated for TWO 2024 Discover Pods Awards for PODC...
10/01/2025

Hi folks. Could you do me a favour?

CINEMATIC SOUND RADIO, has been nominated for TWO 2024 Discover Pods Awards for PODCAST OF THE YEAR and BEST MUSIC PODCAST. I would greatly appreciate it if you could take a few minutes today to vote for my show in those categories. Voting ends in less than 9 hours!

Here's the link to vote:
https://discoverpods.com/2024-discover-pods-awards-voting/

Also, please vote for my friend, Robert Daniels and his show VISIONS IN SOUND in the TV & FILMS category.

Thanks in advance and have a great weekend!

-Erik-

Facebook X-twitter Pinterest 2024 DISCOVER PODS AWARDS VOTING Welcome to the voting finals for the 2024 Discover Pods Awards!We have been excited about the involvement throughout the nominating process. Especially from nominations referencing independent podcasts and podcasters.The industry is shift...

On behalf of everyone at CINEMATIC SOUND RADIO, we wish you and your family a joyous and prosperous New Year!
01/01/2025

On behalf of everyone at CINEMATIC SOUND RADIO, we wish you and your family a joyous and prosperous New Year!

We’re switching out our mics for the first time since 2004!
25/12/2024

We’re switching out our mics for the first time since 2004!

Address


Alerts

Be the first to know and let us send you an email when Cinematic Sound Radio Podcast posts news and promotions. Your email address will not be used for any other purpose, and you can unsubscribe at any time.

Contact The Business

Send a message to Cinematic Sound Radio Podcast:

Videos

Shortcuts

  • Address
  • Alerts
  • Contact The Business
  • Videos
  • Claim ownership or report listing
  • Want your business to be the top-listed Media Company?

Share

The History of Cinematic Sound Radio

CINEMATIC SOUND RADIO began in September of 1996. At the time I had about 50 – 60 soundtracks in my collection and I felt that I had enough material to produce an entertaining and varied two-hour radio program, just as long as I purchased a new release every week to keep the show fresh. At the time the radio station was only broadcasting on cable FM, which meant you had to attach a coaxial cable to your FM receiver in order to hear the station. In those early days, my audience was limited to about 5 or 6 loyal listeners. The only real exposure the show got was when the broadcast was pumped into in the local pub, The Arnie. There, the four large speakers would blast the wonderful sounds of John Williams’ STAR WARS, James Horner’s WILLOW, and Jerry Goldsmith’s FIRST KNIGHT to the lucky listeners as they enjoyed an afternoon brew. Once, I stirred up a huge Star Wars debate while playing my first of many Star Wars tribute shows. The entire bar was buzzing about their favorite characters, their favorite movie, and favorite lines.

Soon enough the station received approval from the CRTC to broadcast on the FM dial in May of 1998. At the same time, my slot was changed from Friday’s to Saturday’s. For the next eight years, CINEMATIC SOUND RADIO would be on the air between 12 pm and 3 pm every Saturday afternoon.

THE FM YEARS The FM years were highlighted by one particular broadcast on May 1st, 1999. It all began in late April when I received not only the “Duel of the Fates” radio single from THE PHANTOM MENACE by John Williams but also the finished album! I had only planned on playing the radio single but when I phoned up the people at Sony Classical on April 29th – two days before by broadcast – and asked them about the playing the album in its entirety. They kindly said that they sent it to me so I could have the world broadcast premiere of the album. Nothing much else was said. I said thank you, they said goodbye and I had less than two days to promote arguably the highest profiled program I would ever produce. If I can remember correctly I posted a few comments on the Film Score Monthly and Filmtracks message boards but I had no idea that theforce.net picked up the story from FSM and published it on their site. That’s when the trouble started. Soon, I started to receive a barrage of emails from fans asking if the program would be available live on the internet. Live streaming was something relatively new at C101.5 and we only had enough bandwidth to host 60 concurrent listeners. Unfortunately, that was a fact I didn’t know about until after the program was aired.

When I arrived at the station on Saturday morning to put the final touches on my show prep the DJ on before I informed me that the phone had been ringing off the hook with people from around the world calling in to make sure they could hear the program. As I got closer to show time I personally received 3 calls; one from the Philippines, one from Germany and one from Massachusetts. The people on the other end were having issues connecting to the C101.5 server. I had no idea that the server was hemorrhaging at this time but I calmly told the callers to refresh the C101.5 web page and to keep trying to connect.