We're thrilled to share judge Zeina Hashem Beck's choices this year for our contest winners!
Of the poems, she writes:
Winner: “Yemen Is”
Threa Almontaser’s poem for Yemen is not just beautiful and heartbreaking in its strong voice and imagery—it is also necessary. Almontaser describes the warn-torn Yemen of today and vividly summons the Yemen of her childhood, the country of “heavy mocha,” family, fresh bread, and “something growing.” Her line “I sit on our front porch, safe from seeing” reads like an invitation for us to ask ourselves, “What have we been safe from seeing?”
Runner-up: “At Home, in the Empire”
The voice, language, setting, and pace of Raena Shirali's “At Home, in the Empire” take you in immediately. The poem flows from detail to detail, country to country, question to question. I felt I was sitting with the two immigrant women at the bar, smoking, laughing, fearing, wondering, defying. I was in the presence of their beauty, their strength, and the threats against their bodies. The persona asks “Who sees us,” and the poet makes sure the reader does.
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Threa Almontaser is an Arab-American writer from New York City. She is a MFA candidate in creative writing at North Carolina State University and the recipient of scholarships from Tin House, Winter Tangerine, the Fine Arts Work Center in Provincetown, and others. Nominated for the Pushcart Prize, Best of the Net, and Best New Poets, she is winner of the 2017 Unsilenced Grant for Muslim American Women Writers as well as the 9th annual Nazim Hikmet poetry competition. Her work is published in Baltimore Review, Track//Four, Kakalak, Gravel, Day One, and elsewhere. She currently teaches English to immigrants and refugees in Raleigh.
Raena Shirali is a poet, teaching artist, and editor from Charleston, South Carolina. Raena is the author of GILT (YesYes Books, 2017), winner of the 2018 Milt Kessler Poetry Book Award. A first-generation Indian American, Raena is the recipient of prizes and honors fro
Terra Vita
"Terra Vita"
by
Lisa Hiton
St. Louis Acrostic
"St. Louis Acrostic"
by
Jessica Freeman
Serrate
"Serrate"
by
Peter LaBerge
Rhetorical Modes
"Rhetorical Modes"
by
Annie Woodford
Red
"Red"
by
Jessica Reed
Mad Money
"Mad Money"
by
Amy MIller
Light Betrayal In August
"Light Betrayal In August"
by
Diana Whitney
Infidelity
"Infidelity"
by
Infidelity
Ice House
"Ice House"
by
Diana Whitney
After a Mighty Fine
"After a Mighty Fine"
by
Erick Kelemen