Industrial Complexx

24/07/2024

Premiere / Interview:
Velvet May - Slithering Serenade [Veyl]
https://industrialcomplexx.com/velvet-may-slithering-serenade-veyl/

Velvet May is a project that was officially launched in 2018 and whose aesthetic focuses on post-punk, EBM, techno and industrial music. This Italian producer, currently based in Berlin, debuts on Veyl Records with Enchanted By The Muse, his first album.

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Velvet May es un proyecto que se inició oficialmente en 2018 y cuya estética se centra en la música post-punk, EBM, techno e industrial. Este productor italiano, afincado actualmente en Berlín, debuta en Veyl Records con Enchanted By The Muse, su primer álbum.

22/07/2024

Review:
GO5 - IZAKI [Fill-Lex Records]
https://industrialcomplexx.com/go5-izaki-fill-lex-records/

With a rather discreet discography, and after releasing his first tracks with Lex-Or on labels such as Fill-Lex or Syntax Electronix, or a solo track in 2020 on an Industrial Complexx compilation, GO5 returns in a big way with his first solo release. IZAKI is an album created over several years that combines a multitude of broken beats, abrasive atmospheres and disturbing vocals with sounds that are difficult to categorise but with the purpose of creating multiple sensations upon listening.

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Con una discografía bastante discreta, y tras lanzar sus primeros temas junto a Lex-Or en sellos como Fill-Lex o Syntax Electronix, o un tema en solitario en 2020 en un recopilatorio de Industrial Complexx, GO5 regresa a lo grande con su primer lanzamiento en solitario. IZAKI es un álbum creado a lo largo de varios años que combina multitud de ritmos rotos, atmósferas abrasivas y voces perturbadoras con sonidos difíciles de catalogar pero con el propósito de crear múltiples sensaciones tras su escucha.

18/07/2024

Release:
Jac Berrocal - David Fenech - Vincent Epplay feat Cosey F***y Tutti and Jah Wobble - Broken Allures [Cold Spring]
https://industrialcomplexx.com/jac-berrocal-david-fenech-vincent-epplay-feat-cosey-fanny-tutti-and-jah-wobble-broken-allures-cold-spring/

Broken Allures, the fifth LP by the trio Jac Berrocal, David Fenech and Vincent Epplay (following their releases on Blackest Ever Black, Akuphone, KlangGalerie), deepens their unique recording style with a musique concrete-oriented approach. Broken Allures is undoubtedly their most coherent and complete album to date.

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Broken Allures, el quinto LP del trío Jac Berrocal, David Fenech y Vincent Epplay (tras sus lanzamientos en Blackest Ever Black, Akuphone, KlangGalerie), profundiza en su estilo de grabación único con un enfoque orientado a la música concreta. Broken Allures es sin duda su álbum más coherente y completo hasta la fecha.

17/07/2024

Premiere:
A Thousand Reasons – Dark.Fate.Prediction feat. Defektoscope for the Cult [Machine Tribe Recordings]
https://industrialcomplexx.com/a-thousand-reasons-dark-fate-prediction-feat-defektoscope-for-the-cult-machine-tribe-recordings/

Industrial Complexx exclusively releases the new video for the track Dark Fate Prediction’feat. Defektoscope For The Cult. The track is from their new album Fragments, which will be released via Machine Tribe Recordings. The album includes 6 other previously released tracks, including Evolutionary [embryonic], made in collaboration with guitarist Robert Ritchiesse and vocalist Thesz Andersson, and Like Leaves From The Sky, written for GOOT and released on the 2022 album God’s Doubt.

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Industrial Complexx publica en exclusiva el nuevo vídeo del tema Dark Fate Prediction feat. Defektoscope For The Cult. El tema pertenece a su nuevo álbum Fragments, lanzamiento que saldrá a la venta a través de Machine Tribe Recordings. El álbum incluye otras 6 pistas publicadas anteriormente, entre ellas Evolutionary [embryonic], realizada en colaboración con el guitarrista Robert Ritchiesse y el vocalista Thesz Andersson, y Like Leaves From The Sky, escrita para GOOT y publicada en 2022 en el álbum God’s Doubt.

15/07/2024

Interview / Premiere:
Fire at work (Stirpe999)
https://industrialcomplexx.com/fire-at-work/

A few years ago we interviewed Fabio Recchia and Fabrizio Rossi, members of Fire At Work and owners of the Stirpe999 label, to tell us about both projects, and again, commemorating the 20th anniversary of the label, we interviewed them to go deeper into the duo's career, the label and another musical proposal they are part of.

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Hace unos años entrevistamos a Fabio Recchia y Fabrizio Rossi, miembros de Fire At Work y dueños del sello Stirpe999, para que nos hablaran de ambos proyectos, y de nuevo, conmemorando el 20 aniversario del sello, les entrevistamos para profundizar sobre la trayectoria del dúo, sobre la discográfica y sobre otra propuesta musical de la que forman parte.

11/07/2024

💣BRAND NEW TRACKS 💣

🔥 On July 9th in 1873 the Oil Revolution began in Alcoi, our home town in País Valencià. A struggle that Friedrich Engels himself gave as an example of how not to make revolution.

🏭 This mini-album is based on the track "121 Xemeneies" by We Are Not Brothers and Hugo Mas, which tells in a poetic-electronic key the historical events of the Oil Revolution, an anarcho-syndicalist revolutionary uprising that happened in the city of Alcoi in July 1873 in the framework of the cantonal movements during the Spanish I Republic. The name comes from the fact that the enraged masses carried large oil-smeared torches as banners, and for a few days the whole city smelled of oil.

📀 Side A is divided into 4 tracks that narrate from the arrival of the industry to an artisanal and rural Alcoi until the subsequent brutal and bloody repression by the Spanish State, which left deep consequences in the city and serious setbacks in the labor struggle.

⚠️ The tracks are not mastered (therefore they cannot be downloaded). In the coming months we'll upload the definitive ones together with a B-side with remixes, which will also be available on vinyl thanks to the support of the Valencian label Industrial Complexx. The physical edition will also have a booklet written by Jordi Tormo i Santonja where you can learn more about this history that we intend to claim.

✊ Hope you like it and, more important, hope you know this struggle deeper in order to think about on the future.

ℹ️ CREDITS
Voices: Hugo Mas.
Music: We Are Not Brothers, Abraxas, P a n D e m i a n.
Guitars: Rafa Arques.
Recorded and mixed by Abraxas (Damià Llorens Picó) at his home studio in Alcoi, País Valencià. Final mix at Estudio Antimateria/Moog24 (Elx) with José Rodríguez.
Artwork (temporary): glitched detail of Juan Alaminos painting.

4 track album

28/06/2024

Review:
Linear System, Ma Haiping, Jamie Bissmire [Molecular Recordings]
https://industrialcomplexx.com/linear-system-ma-haiping-jamie-bissmire-molecular-recordings/

Marco Lenzi's work at the helm of Molecular Recordings is impeccable, as after years he has managed to recover a label with so much history and maintain its initial essence. The volume of releases, with new EPs every month, is, together with the large repertoire of artists he works with, the best asset of this historic project.

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La labor de Marco Lenzi al frente de Molecular Recordings es intachable, ya que después de años ha conseguido recuperar un sello con tanta historia y mantener su esencia inicial. El volumen de lanzamientos, cada mes publica nuevo EP, es junto al gran repertorio de artistas con los que trabaja, la mejor baza de este histórico proyecto.

27/06/2024

Industrial Complexx / Subsist records / Faith Disciplines / Fill-Lex Records
https://industrialcomplexx.com/shop/

26/06/2024

Gianluca Becuzzi - Hekate
https://industrialcomplexx.com/gianluca-becuzzi-hekate/

“Hekate” is a 6-track contemplative work enriched by suggestive dark atmospheres, suspended sonic evocations and slow rhythmic mantras. No better introduction could have been conceived than the first track “Three Faces Goddess”, a funeral procession accompanied by crows chants and sudden bells tolling among sharp industrial effects; when we reach the second half, a new section is introduced by increasing tension and using human chants evoking the goddess.

Text by: Davide Pappalardo

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"Hekate" es un trabajo contemplativo de 6 pistas enriquecido por sugerentes atmósferas oscuras, evocaciones sonoras suspendidas y mantras rítmicos lentos. No se podría haber concebido mejor introducción que el primer tema "Three Faces Goddess", un cortejo fúnebre acompañado de cantos de cuervos y repique repentino de campanas entre agudos efectos industriales; al llegar a la segunda mitad, se introduce una nueva sección aumentando la tensión y utilizando cantos humanos que evocan a la diosa.

Texto: Davide Pappalardo.

24/06/2024

Thanks to Side-Line Magazine.
https://www.side-line.com/obsexed-announces-debut-album-the-wedding-in-two-different-versions/

Obsexed - The Wedding [Θʀ⊿cu⌊⊕ ʀ⋵cøʀɖs / Industrial Complexx]

21/06/2024

Label:
Obsexed - The Wedding (IC031)
https://industrialcomplexx.com/obsexed-the-wedding-ic031/

Θʀ⊿cu⌊⊕ ʀ⋵cøʀɖs and Industrial Complexx team up to release the new work of Obsexed, with two custom releases by both labels. Industrial Complexx releases The Wedding in its entirety, and on CD format, the first album by this Italian band. Oráculo Records is opted to release on vinyl a series of tracks taken from The Wedding, such as The Wedding, The Unreaded Books and Trouble June On The Unfit Church, and add the two tracks Too Much Spring Into This Damn Winter and Five Days, originally released digitally on the single of the same name in 2022, Obsexed's only work to date.

Artcover: Mimusa (Berta Gomez) / Malasombra

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Oráculo Records e Industrial Complexx se alían para lanzar el nuevo trabajo de Obsexed, con dos lanzamientos personalizados por ambos sellos. Industrial Complexx publica íntegramente The Wedding, y en formato CD, primer álbum de esta banda italiana. Oráculo Records apuesta por lanzar en vinilo una serie de pistas extraidas de The Wedding, como The Unreaded Books y Trouble June On The Unfit Church, y añaden los dos cortes Too Much Spring Into This Damn Winter y Five Days, publicados originalmente en digital en el single homónimo de 2022, único trabajo de Obsexed hasta la fecha.

Portada: Mimusa (Berta Gómez) / Malasombra

19/06/2024

Releases:
Front 242 – Two In One (Remastered) [Alfa Matrix]
https://industrialcomplexx.com/front-242-two-in-one-remastered-alfa-matrix/

Astari Nite – Resolution of Happiness [Negative Gain]
https://industrialcomplexx.com/astari-nite-resolution-of-happiness-negative-gain-productions/

Febrvvm – Oedipus​/​Antigone Soundtrack
https://industrialcomplexx.com/febrvvm-oedipus-antigone-soundtrack/

Hydropsyche – Exhumed & Forgiven [Unguarded]
https://industrialcomplexx.com/hydropsyche-exhumed-forgiven-unguarded/

omega attraktor – Beings of the Dawn
https://industrialcomplexx.com/omega-attractor-beings-of-the-dawn/

17/06/2024

Review:
Van Boom - Nuborne [Cease 2 Exist]
https://industrialcomplexx.com/van-boom-nuborne-cease-2-exist/

Van Boom released Prosthetics in 2023, a debut album that firmly established the Kuwaiti artist in the underground of critical producers who denounce with their music the inhuman and visceral issues that occur especially in the Gulf region. This album was released on the Swedish label Cease 2 Exist, with which he returns again to release Nuborne, an EP that is a further exploration of the eviscerating sonic terrain he began to describe with his first full-lengt.

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Van Boom publicó en 2023 Prosthetics, álbum debut con el que instauró firmemente al artista kuwaití en el underground de los productores críticos que denuncian con su música temas inhumanos y viscerales que ocurren especialmente por la región del Golfo. Este álbum fue publicado por el sello sueco Cease 2 Exist, con el que vuelve de nuevo para lanzar Nuborne, EP que supone una exploración más amplia de los eviscerantes terrenos sonoros que empezó a describir con su primer trabajo de larga duración.

12/06/2024

Review:
Marie Delprat - Ethereal Realms - all fiction is metaphor [Dee Dee's Picks]
https://industrialcomplexx.com/marie-delprat-ethereal-realms-all-fiction-is-metaphor-dee-dees-picks/

Marie Delprat is releasing new work on the Dutch label Dee Dee's Picks. First conceived as an ongoing multidisciplinary live performance, and now presented as an album Ethereal Realms – all fiction is metaphor is inspired by the imaginative worlds in Ursula K. Le Guin's renowned feminist science fiction novel, 'The Left Hand of Darkness'. The album aims to transport the audience into Le Guin's literary universe through three acts of immersive electronic music.

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Marie Delprat lanza nuevo trabajo en el sello nederlandés Dee Dee's Picks. Concebido inicialmente como un espectáculo multidisciplinar en directo, y presentado ahora en forma de álbum, «Ethereal Realms - all fiction is metaphor» se inspira en los mundos imaginativos de la célebre novela de ciencia ficción feminista de Ursula K. Le Guin, «La mano izquierda de la oscuridad». El álbum pretende transportar al público al universo literario de Le Guin a través de tres actos de música electrónica envolvente.

10/06/2024

Review:
Thomas Boettner - Gaspée [Lighten Up Sounds]
https://industrialcomplexx.com/thomas-boettner-gaspee-lighten-up-sounds/

With Gaspée, Thomas Boettner explores elemental forces in new ways, creating a soundscape that reflects our own gruesome reality. Using cello, synthesizers, wave organ and modulated feedback, Boettner creates two full-length tracks that take listeners on a journey through tension and intensity, landing in a final state of pure, blissful nothingness.

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Con Gaspée, Thomas Boettner explora fuerzas elementales de nuevas formas, creando un paisaje sonoro que refleja nuestra propia realidad truculenta. Utilizando violonchelo, sintetizadores, órgano de ondas y retroalimentación modulada, Boettner crea dos temas de larga duración que llevan a los oyentes en un viaje a través de la tensión y la intensidad, aterrizando en un estado final de pura y feliz nada. Una visión sombría de un mundo sombrío.

06/06/2024

Review:
Whitehouse - Psychopathia Sexualis [Come Organisation]
https://industrialcomplexx.com/whitehouse-psychopathia-sexualis-come-organisation/

Psychopathia Sexualis, originally released in 1982, was Whitehouse's seventh studio album and the first on which Bennet referred to the band's sound as power electronics. It was also the album on which Jordi Valls collaborated by narrating with his voice in Spanish and Catalan the history of several serial killers.

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Psychopathia Sexualis, publicado originalmente en 1982, fue el séptimo álbum de estudio de Whitehouse y el primero en el que Bennet se refirió al sonido de la banda como power electronics. Fue también el álbum en el que Jordi Valls colaboró narrando con su voz en español y catalán el historial de varios asesinos en serie.

05/06/2024

Review:
Yulio - Symphonies from the Retrofuture [Kraftoptical Recordings]
https://industrialcomplexx.com/yulio-symphonies-from-the-retrofuture-kraftoptical/

Symphonies from the Retrofuture is an album that sonically describes the artist's evolution. Yulio's style in this kind of work is usually based on a concept, in this case on an artistic and social movement that represents nostalgia in our everyday life and the ways of facing the challenge of the passing of time.

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Symphonies from the Retrofuture es un álbum que describe sonoramente la evolución del artista. El estilo Yulio en este tipo de trabajos suele basarse en un concepto, en este caso en un movimiento artístico y social que representa la nostalgia en nuestro día a día y en las maneras de afrontar el reto que supone el paso del tiempo.

04/06/2024

Premiere:
Aaron Dilloway – Rozart Mix (composed by John Cage)
https://industrialcomplexx.com/aaron-dilloway-rozart-mix-composed-by-john-cage/

Experimental musician Aaron Dilloway, originally from Brighton (USA), bases his work on composition and improvisation, and is an ideal candidate to perform John Cage’s work. In 2020, Aaron was approached by the international organisation Wave Farm and the John Cage Trust to perform Rozart Mix, a piece Cage wrote for Alvin Lucier. The work consists of 88 tape loops, one for each key of a piano, spliced with multiple non-musical sounds played on 12 reel-to-reel tape recorders.

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El músico experimental Aaron Dilloway, originario de Brighton (Estados Unidos), basa su trabajo en la composición y la improvisación, y es un candidato idóneo para interpretar la obra de John Cage. En 2020, la organización internacional Wave Farm y la institución John Cage Trust, contactaron con Aaron para que interpretara Rozart Mix, pieza que Cage escribió para Alvin Lucier. La obra se compone de 88 loops de cinta, uno por cada tecla de un piano, empalmados con múltiples sonidos no musicales reproducidos en 12 magnetófonos de bobina.

30/05/2024

Releases:
Scam. - Shaping Black Forms [Monolith Records]
https://industrialcomplexx.com/scam-shaping-black-forms-monolith-records/

Clan of Xymox - X-Odus [Metropolis Records]
https://industrialcomplexx.com/clan-of-xymox-x-odus-metropolis-records/

Ulvtharm - 7 Uthras [Cyclic Law]
https://industrialcomplexx.com/ulvtharm-7-uthras-cyclic-law/

30/05/2024

Review:
Neon Lies - Demons [Wave Tension Records / Cosmic Brood Records / Periphylla]
https://industrialcomplexx.com/neon-lies-demons-wave-tension-records-cosmic-brood-records-periphylla/

Neon Lies, alias of Croatian Goran Lautar, returns with Demons, the Zagreb-based artist's fourth full-length album, released on 12" vinyl by Wave Tension Records & Cosmic Brood Records and on CD by Diffuse Reality's Periphylla sub-label.

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Neon Lies, alias del croata Goran Lautar, regresa con Demons, cuarto álbum de larga duración de este artista ubicado en Zagreb, publicado en vinilo de 12" por Wave Tension Records & Cosmic Brood Records y en versión CD por el subsello Periphylla de Diffuse Reality.

28/05/2024

Review:
Neon Lies - Demons [Wave Tension Records / Cosmic Brood Records / Periphylla]
https://industrialcomplexx.com/neon-lies-demons-wave-tension-records-cosmic-brood-records-periphylla/

Neon Lies, alias of Croatian Goran Lautar, returns with Demons, the Zagreb-based artist's fourth full-length album, released on 12" vinyl by Wave Tension Records & Cosmic Brood Records and on CD by Diffuse Reality's Periphylla sub-label.

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Neon Lies, alias del croata Goran Lautar, regresa con Demons, cuarto álbum de larga duración de este artista ubicado en Zagreb, publicado en vinilo de 12" por Wave Tension Records & Cosmic Brood Records y en versión CD por el subsello Periphylla de Diffuse Reality.

28/05/2024

Review:
The Nausea - Requiem
https://industrialcomplexx.com/the-nausea-requiem/

A violin engulfed in fames -it's hard to imagine a visual that's more evocative of the Nausea's tense, excoriating, yet often melodic and bowed string-driven soundworld than the one emblazoned on the cover of Requiem, their frst full-length. Vancouver-based multi-instrumentalist and composer (among many other things) Anju Singh has been cultivating this largely solo endeavour since consecrating it in 2010, but had been working with related sounds and ideas as early as 2005. Requiem represents a culmination of these many years of exploration and creation.

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Un violín envuelto en llamas: es difícil imaginar una imagen más evocadora del mundo sonoro tenso, exasperante y a menudo melódico de las cuerdas de Nausea que la que aparece en la portada de Requiem, su primer larga duración. Anju Singh, multiinstrumentista y compositora (entre otras muchas cosas) afincada en Vancouver, ha estado cultivando este proyecto en solitario desde su consagración en 2010, pero ya en 2005 había estado trabajando con sonidos e ideas afines. Réquiem representa la culminación de estos muchos años de exploración y creación.

24/05/2024

Review:
The Nausea - Requiem
https://industrialcomplexx.com/the-nausea-requiem/

A violin engulfed in fames -it's hard to imagine a visual that's more evocative of the Nausea's tense, excoriating, yet often melodic and bowed string-driven soundworld than the one emblazoned on the cover of Requiem, their frst full-length. Vancouver-based multi-instrumentalist and composer (among many other things) Anju Singh has been cultivating this largely solo endeavour since consecrating it in 2010, but had been working with related sounds and ideas as early as 2005. Requiem represents a culmination of these many years of exploration and creation.

════════════════

Un violín envuelto en llamas: es difícil imaginar una imagen más evocadora del mundo sonoro tenso, exasperante y a menudo melódico de las cuerdas de Nausea que la que aparece en la portada de Requiem, su primer larga duración. Anju Singh, multiinstrumentista y compositora (entre otras muchas cosas) afincada en Vancouver, ha estado cultivando este proyecto en solitario desde su consagración en 2010, pero ya en 2005 había estado trabajando con sonidos e ideas afines. Réquiem representa la culminación de estos muchos años de exploración y creación.

24/05/2024

Premiere:
Antikue - -40 == -40 [Absent Music]
https://industrialcomplexx.com/antikue-40-40-absent-music/

With a little over 20 years of history, and with some pauses in some periods of its trajectory, the London label Absent Music returns with a new release and with a modus operandi with a certain analogy to what its catalogue represents, as Eugene Rasini, head of the label, releases a new EP under his pseudonym Antikue. This name is the one that has the most presence in the label's catalogue, although we must also include other works by Eugene published under other names and on a one-off basis, such as Vex & Silence or Nutaike.

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Con algo más de 20 años de historia, y con algunas pausas en algunos periodos de su trayectoria, el sello londinense Absent Music regresa con un nuevo lanzamiento y con un modus operandi con cierta analogía a lo que representa su catálogo, ya que Eugene Rasini, responsable del sello, lanza nuevo EP bajo su pseudónimo Antikue. Este nombre es el que más presencia tiene en el catálogo del sello, aunque también debemos incluir otros trabajaos de Eugene publicados con otros nombres y de forma puntual como Vex & Silence o Nutaike.

24/05/2024

Va que ja ho tenim ahi i encara arribeu a hora a esta edició de Unitat - Freqüències Electròniques Organitzades.
Amb un directe d'infarto a càrrec del productor alemany L.F.T i DJ sets a càrrec de DJ Saizer, Industrial Complexx, Iupacc, Pilan i Slokto.
Si vols vindre escriu un correu a: [email protected]
Entrevista a L.F.T.: https://industrialcomplexx.com/l-f-t/

21/05/2024

Este divendres, en Unitat - Freqüències Electròniques Organitzades, directe del productor alemany L.F.T i DJ sets a càrrec de DJ Saizer, Industrial Complexx, Iupacc, Pilan i Slokto.
Si vols vindre escriu un correu a: [email protected]
Entrevista a L.F.T.: https://industrialcomplexx.com/l-f-t/

20/05/2024

Review:
Madame Dolores - naeama CHAOS
https://industrialcomplexx.com/madame-dolores-naeama-chaos/

Culled from the last five years, as Madame Dolores swiveled from her usual collaborative way of making music, to composing, and then realizing her compositions at her dining room table, NAEAMA (short for navigating earth manual) is an interdisciplinary, multimedia sound/vision ecosystem, 4 themes, 40 songs, 4 comic books, 4 orbs and 4 videos. Madame Dolores’s life lessons as told through music and visuals, her songs are parables and fables for the now and the future, on how to navigate the dichotomy of a world that is at once unjustly hostile and lush with beauty.

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Extraído de los últimos cinco años, cuando Madame Dolores pasó de su habitual forma colaborativa de hacer música a componer y luego realizar sus composiciones en la mesa de su comedor, NAEAMA (abreviatura de manual de navegación por la Tierra) es un ecosistema multimedia interdisciplinar de sonido/visión, 4 temas, 40 canciones, 4 cómics, 4 orbes y 4 vídeos. Las lecciones de vida de Madame Dolores contadas a través de la música y los visuales, sus canciones son parábolas y fábulas para el ahora y el futuro, sobre cómo navegar por la dicotomía de un mundo que es a la vez injustamente hostil y exuberante de belleza.

16/05/2024

Review:
Madame Dolores - naeama CHAOS
https://industrialcomplexx.com/madame-dolores-naeama-chaos/

Culled from the last five years, as Madame Dolores swiveled from her usual collaborative way of making music, to composing, and then realizing her compositions at her dining room table, NAEAMA (short for navigating earth manual) is an interdisciplinary, multimedia sound/vision ecosystem, 4 themes, 40 songs, 4 comic books, 4 orbs and 4 videos. Madame Dolores’s life lessons as told through music and visuals, her songs are parables and fables for the now and the future, on how to navigate the dichotomy of a world that is at once unjustly hostile and lush with beauty.

════════════════

Extraído de los últimos cinco años, cuando Madame Dolores pasó de su habitual forma colaborativa de hacer música a componer y luego realizar sus composiciones en la mesa de su comedor, NAEAMA (abreviatura de manual de navegación por la Tierra) es un ecosistema multimedia interdisciplinar de sonido/visión, 4 temas, 40 canciones, 4 cómics, 4 orbes y 4 vídeos. Las lecciones de vida de Madame Dolores contadas a través de la música y los visuales, sus canciones son parábolas y fábulas para el ahora y el futuro, sobre cómo navegar por la dicotomía de un mundo que es a la vez injustamente hostil y exuberante de belleza.

16/05/2024

Review:
Reichmelt - Ángeles radares [「lotura」 ]
https://industrialcomplexx.com/reichmelt-angeles-radares-%e3%80%8clotura%e3%80%8d/

After the debut EP Erre arte (2022), Ángeles radares is the first album by the experimental electronic artist Reichmelt, from Bilbao. On this ocasion, he starts from two ideas for the composition of the album: the processes of destruction and regeneration of war conflicts, and memory as anti-war resistance. The images of scorched earth and burnt skin, of na**lm, of bombers and razed cities, of civilian resistance and recovery movements have been continuosly present in the recording process.

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Tras el EP de debut Erre arte (2022), Ángeles radares es el primer álbum del artista electrónico experimental bilbaíno Reichmelt. En esta ocasión, parte de dos ideas para la composición del álbum: los procesos de destrucción y regeneración de los conflictos bélicos, y la memoria como resistencia antibélica. Las imágenes de tierra quemada y piel quemada, de na**lm, de bombarderos y ciudades arrasadas, de resistencia civil y movimientos de recuperación han estado continuamente presentes en el proceso de grabación.


electronica