31/07/2024
Ariadne Mikou dives into the second edition of Lugano Dance Project that brought location, site and architecture into focus
Advancing European dance: covering new & independent contemporary dance, and nurturing dance writers.
(1)
Ariadne Mikou dives into the second edition of Lugano Dance Project that brought location, site and architecture into focus
Ariadne Mikou dives into the second edition of Lugano Dance Project that brought location, site and architecture into focus
LAC Lugano Arte e Cultura
https://springbackmagazine.com/read/dance-architecture-lugano-dance-project-2024/
Follow Lydia Wharf’s journey across different places for in times of unrest.
Robin Lamothe on In and Off
"Welcome to the Festival d’Avignon: 38 degrees in the shade (if you can find any), crowded restaurants, millions of flyers on the ground, and posters of varying degrees of interest. You meet people you haven’t seen for ages, and others you hoped you’d never see again. And then there are those titles of works that are so revolting because they perpetuate clichés. A nod to the company that named its play ‘Darling, I’ve cheated on you (and that’s not the worst of it)’ with an editorial that reads: ‘He’s a racist and his wife is cheating on him with an illegal immigrant.’ Get the picture? Ah, Avignon, where theatrical fantasy sometimes meets the comedy of the absurd, and where we wonder if our presence there isn’t a performance in itself."
Read on: link in bio
Robin Lamothe on In and Off d'Avignon Festival Off d'Avignon
"Welcome to the Festival d’Avignon: 38 degrees in the shade (if you can find any), crowded restaurants, millions of flyers on the ground, and posters of varying degrees of interest. You meet people you haven’t seen for ages, and others you hoped you’d never see again. And then there are those titles of works that are so revolting because they perpetuate clichés. A nod to the company that named its play ‘Darling, I’ve cheated on you (and that’s not the worst of it)’ with an editorial that reads: ‘He’s a racist and his wife is cheating on him with an illegal immigrant.’ Get the picture? Ah, Avignon, where theatrical fantasy sometimes meets the comedy of the absurd, and where we wonder if our presence there isn’t a performance in itself."
Read on: https://springbackmagazine.com/read/avignon-festival-2024-dance-in-and-off/
Brazilian performance coursed through the Holland Festival this year, a river of many currents…
An article by .douglass
Dance artists from all over Europe and beyond settle in the Agora – International City of Dance for a historic summer
An article by Callysta Croizer
"2024 is a year of many changes for Montpellier Danse, a dance festival initiated by Dominique Bagouet in 1981 in the wake of the Nouvelle danse current. This 44th edition was the last directed by Jean-Paul Montanari, after over four decades at the head of the event."
Link in bio!
Dance artists from all over Europe and beyond settle in the Agora – International City of Dance for a historic summer
An article by Callysta Croizer
"2024 is a year of many changes for Montpellier Danse, a dance festival initiated by Dominique Bagouet in 1981 in the wake of the Nouvelle danse current. This 44th edition was the last directed by Jean-Paul Montanari, after over four decades at the head of the event."
Montpellier Danse
Dance artists from all over Europe and beyond settle in the Agora – International City of Dance for a historic summer festival
The losses of community and continuity faced by Athens’ Duncan Dance Research Center are all too familiar stories for dance artists – but the struggle continues, for the sake of both past and future
an article by Anastasio Koukoutas
https://springbackmagazine.com/read/continuity-duncan-dance-research-center-athens/
Georgia Howlett tells us about a window onto an ongoing exchange project between dance artists in Africa and in Europe
A window onto an ongoing exchange project between dance artists in Africa and in Europe
Robin Lamothe digests Danse Élargie 20 shows in a day at the biennale competition for new choreography – so that you don’t have to
Théâtre de la Ville - Paris
Robin Lamothe digests 20 shows in a day at the biennale competition for new choreography – so that you don’t have to
encounter at
From left to right :
Lorenzo Conti, co-curator of Lugano Dance Project
Callysta Croizer, writing for Mouvement (France)
Emily May, writing for Tanz (Germany)
Ariadne Mikou, writing for Springback Magazine
‘Sweet roaring’ promised this year’s Dansa València festival of national and international dance
Riikka Laakso attended the 37th edition of the annual Dansa València Festival of national and international dance that took place from 13–21 April 2024. Its subtitle, ‘Dulce rugir’ (‘sweet roaring’) suggests a feline murmur – whether purr or growl – as well as the low rumbling of thunder; either way, promising multiple experiences for the audience. I attended the last three days of the festival, which offered a full choreographic menu around the city’s singular venues.
https://springbackmagazine.com/read/dansa-valencia-2024/
Can beauty be a form of resistance? Can dance transform people, systems?
Maria Palma Teixeira speaks with Catarina Câmara about an ongoing prison project using dance to explore both chains and changes
"I’m parked outside the Linhó Prison in Cascais, Portugal, waiting for the torrential rain to stop. The building was inaugurated in 1955, during the dictatorial regime, and now houses around 500 inmates, most between the ages of 20 and 30, according to a prison guard. I’m here to watch a contemporary dance class of CORPOEMCADEIA (‘body in chain’, literally translated, which in Portuguese plays with the double meaning of ‘cadeia’ as chain/prison), a dance project for inmates initiated in 2019 by Catarina Câmara with the support of Companhia Olga Roriz and the Portuguese Directorate General for Reintegration and Prison Services."
Read: https://springbackmagazine.com/read/dance-prison-corpoemcadeia/
Liza Weber reviews Simone Mousset's 'The Passion of Andrea 2': part Passion Play, part Monty Python, a performance for a three-in-one trio of characters called Andrea
The Place
Part Passion Play, part Monty Python, a performance for a three-in-one trio of characters called Andrea
Two (relative) youngsters share their experiences of a festival for (relative) oldsters.
"We meet in the foyer of Sadler’s Wells, where three screens are showing dance films on loop, headphones dangling. ‘I don’t like to talk about age,’ shrugs veteran Bausch performer Malou Airaudo in Sarah Vaughan-Jones’ film ‘No Space for Age’ (2022), ‘There is no space for that on stage.’ Afterwards in a pub, Liza wonders how exactly we’re going to talk about age in our article. Dom doesn’t know. Can we say elderly people? Not old, surely. We agree on older dancers."
An article about Sadler's Wells Elixir Festival by Liza Weber and Dom Czapski
Two (relative) youngsters share their experiences of a festival for (relative) oldsters
Francesc Nel·lo Deakin wonders: could the phenomenal rise of AI-generated media make us value live performance all the more? Take a read! [link in bio]
Read take on London's Taiwan Festival
"The first major festival of Taiwanese culture to grace London makes its home at The Coronet Theatre. This ‘Victorian jewel’ is a darkly lit, antiquated secret of a theatre, to which the festival brings a landscape of creations both ultra-modern and traditional. It’s a feast for the eyes and a pleasant contradiction. Dance and theatre makers present their work surrounded by free events featuring VR, thematic beverages, and serene installations of Taiwanese craftsmanship, extra elements that evoke the wider artistic context of Taiwan’s contemporary arts scene."
Read on!
Link in bio!
Read Georgia Howlett take on London's Taiwan Festival
"The first major festival of Taiwanese culture to grace London makes its home at The Coronet Theatre. This ‘Victorian jewel’ is a darkly lit, antiquated secret of a theatre, to which the festival brings a landscape of creations both ultra-modern and traditional. It’s a feast for the eyes and a pleasant contradiction. Dance and theatre makers present their work surrounded by free events featuring VR, thematic beverages, and serene installations of Taiwanese craftsmanship, extra elements that evoke the wider artistic context of Taiwan’s contemporary arts scene."
Read on!
Tech, tailfeathers and tomatoes feature in the dance outings of London’s Taiwan Festival of contemporary arts
Anastasio Koukoutas' review of Euripides Laskaridis's Lapis Lazuli
In the latest of his surreal, anthropomorphic and monstrous masquerades, Laskaridis puts fear into the frame
In the latest of his surreal, anthropomorphic and monstrous masquerades, Laskaridis puts fear into the frame
Oonagh Duckworth dives into Les Brigittines - Playhouse for Movement three-day season on the sea exploring the poetics of submerged perspectives.
"In March 2024, le Brigittines theatre in Brussels hosted a three-day event of conferences, workshops, performances and lectures under the title Ici Commence La Mer (‘here begins the sea’). (...) The Brigittines’ idea was to immerse participants in the serious issues surrounding our impact on the sea and the life within it. The event was not about sounding an alarm bell but preferred to make poetics the ally of action. Described as a campaign of ‘sensibilisation’, the combination of each strand – political, educational, performative and practical – contributed to a dramaturgy intending to heighten our awareness of both the art and the problems being addressed."
A three-day season on the sea explores the poetics of submerged perspectives
Sanjoy Roy reviews Moritz Ostruschnjak’s Trailer Park, for tanzmainz, Staatstheater Mainz Ensemble.
"A finger-in-the-socket mainline to the queasy pleasures of our dystopian times"
Moritz Ostruschnjak
An energetic and unnervingly zeitgeisty work that both comes from and speaks to our age
Evgeny Borisenko wonders:
What can – and do – the performances of Tanztage Berlin offer, against our backdrop of escalating social and political tensions?
"While showcasing experimental formats and fostering unconventional artistic visions, Tanztage Berlin remains true to its ideals and also tunes into the present. And what is indeed the present we are living in?"
What can – and do – the performances of Tanztage Berlin offer, against our backdrop of escalating social and political tensions?
It's been a pleasure to meet the Springbacak Academy Class 2024 in person at Aerowaves in Darmstadt, Wiesbaden and Mainz!
As the director of the Academy, Oonagh Duckworth, puts it they are 13 inquisitive, imaginative, inspired and inspiring writers from Europe and beyond.
They have been mentored by: Sanjoy Roy, Laura Cappelle, Donald Hutera, Kelly Apter and Emily May
You can read their reviews of the performances: https://springbackmagazine.com/springback-academy/
Georgia Howlett and Lena Megyeri on
Two takes on a cinematic dance scene that is simultaneously strange and mighty
Two takes on a cinematic dance scene that is simultaneously strange and mighty
Evgeny Borisenko wonders: What can – and do – the performances of Tanztage Berlin offer, against our backdrop of escalating social and political tensions?
Tanztage Berlin
What can – and do – the performances of Tanztage Berlin offer, against our backdrop of escalating social and political tensions?
Read Elsa Vinet second article on Festival d'Automne à Paris last edition, in which she focuses on group shows, and very contrasting energies and inspirations.
https://springbackmagazine.com/read/paris-festival-d-automne-2023-part-2/
Callysta Croizer plunges into a jam-packed day of dance in Avignon.
7 performances of On (y) danse aussi l’été ! programme presented by Les Hivernales - CDCN .
Read: https://springbackmagazine.com/read/hivernales-on-y-danse-aussi-l-ete-2023/
Be the first to know and let us send you an email when Springback Magazine posts news and promotions. Your email address will not be used for any other purpose, and you can unsubscribe at any time.
The Springback Academy 2024 selection is out and we are delighted to welcome 12 new writers on board. ✔️ Fatemeh Esmaeilghorbninejad (FR/IR) ✔️ Zuzanna Berendt (PL) ✔️ Francesc Nello Deakin (DE/ES/AU) ✔️ Simina Popescu (RO) ✔️ Ingeborg Zackariassen (SE) ✔️Marina Srnka (CZ/BE) ✔️ Robin Lamothe (FR) ✔️ Daria Ancuța (RO) ✔️Luke Macaronas (GR/RS/AU) ✔️ Hannah Finnimore (UK) and guests Hong Kong: Joanna Lee and William Chan Under Oonagh Duckworth's direction, our new writers will be mentored by the dream team of dance critics Donald Hutera (The Times), Sanjoy Roy (The Guardian), Kelly Apter (The Scotsman), Emily May (TLS, Frieze et al.) and Laura Capelle @bellafigural (New York Times) at Spring Forward in Darmstadt, Wiesbaden and Mainz. @aerowaves_europe #CreativeEurope #dancewriters #dancejournalism #dancecriticism #dancereviews #contemporarydance #SpringForward #dancefestival #creativewriting
Thanks so much to all the #dancewriters who applied to #SpringbackAcademy! We received 119 applications from 27 different countries:)) The mentors will now consider each application, and announce the selection of the final 10 on 15 January! Stay tuned and keep on reading springbackmagazine.com! @aerowaves_europe Hessisches Staatsballett Staatstheater Mainz #CreativeEurope #dancewriters #dancejournalisme #dancecriticism #dancereviews #contemporarydance #SpringForward #dancefestival #Dublin #Dublindance #creativewriting
#DeadlineAlert for #DanceWriters across #Europe! The deadline for #SpringbackAcademy is fast approaching: Saturday 2 December 2023, at midnight! https://springbackmagazine.com/2023/11/springback-academy-2024-open-call/
Emerging dance writers wanted!! Springback Academy is looking for up to 10 people to be mentored in quality dance criticism in the action-packed environment of Spring Forward 2024. Aerowaves annual festival will take place this year in Darmstadt, Mainz and Wiesbaden (Germany). Apply before 24:00 (GMT) Saturday 2 December 2023 Find full application details and application link 👉https://springbackmagazine.com/wp-content/uploads/2023/11/Open-Call-for-Springback-Academy-Participants-2024.pdf Tanzbüro Berlin Sanjoy Roy: writing on dance Kelly Apter Oonagh Duckworth @Donald Hutera Aerowaves Laura Cappelle
🎉The Springback Academy 2023 selection is out and we are delighted to welcome 10 new writers on board. ✔️Maria Palma Teixeira Les Corps Dansants ✔️Rebecca Douglass ✔️Callysta Croizer ✔️Zsófia Bálint ✔️Declan Whitaker ✔️Marie Niček ✔️Dom Czapski ✔️Elsa Vinet ✔️Liza Weber ✔️Djalil Sultani Our new writers will be mentored by the dream team of dance critics Donald Hutera (The Times), Sanjoy Roy (The Guardian), Kelly Apter (The Scotsman) and Laura Capelle (New York Times) at Spring Forward in Dublin. Under the coordination of Oonagh Duckworth and the guidance of these four experienced dance writers, they will have the chance to write reviews about the festival performances and to develop their critical writing skills for a number of different formats. Aerowaves #CreativeEurope #dancewriters #dancejournalisme #dancecriticism #dancereviews #contemporarydance #SpringForward #dancefestival #Dublin #Dublindance #creativewriting
Thanks so much to all the #dancewriters who applied to #SpringbackAcademy! We received 116 applications from 30 different countries:)) The mentors will now consider each application, and announce the selection of the final 10 on 9 February! Stay tuned and keep on reading springbackmagazine.com! Aerowaves Creative Europe Desk Ireland - Culture Office Creative Europe
#OppOclock for #dancewriters: #lastcall!! Chill out, you can make it! Few hours left to apply for #SpringbackAcademy 2023 in #Dublin! ⏳Applications close today Monday 9th January at 24:00 GM ⏳ 👉More information and how to apply: https://aerowaves.org/news/apply-springback-2023/
#SpringbackAcademy 2023 Applications close this Monday 9 January! Springback Academy is a project designed to stimulate dialogue about dance and performance, and to encourage, improve and promote dance writing and criticism. Springback Academy will take place at Aerowaves ’ Spring Forward festival, 26–29 April (inclusive), Dublin, Ireland Apply here: https://springbackmagazine.com/2022/12/springback-academy-2023-open-call/
#OpenCallAlert! Emerging dance writers, hurry up! ⌛️ The deadline is approaching fast: 9 January 2023! #SpringabckAcademy will take place next year in Dublin on 26-29 April (inclusive) at Aerowaves #SpringForward Festival. After the Academy, writers can be published in Springback Magazine as well as take part in other Springback activities, such as the Springback Assembly. 👉For more information and how to apply: https://springbackmagazine.com/.../springback-academy.../ Aerowaves
Happy 2023!! Dance writers living in Europe don't miss the chance to become part of #SpringbackAcademy 2023. The Academy will take place in Dublin on 26-29 April (inclusive) at Aerowaves #SpringForward Festival. After the Academy, writers can be published in Springback Magazine as well as take part in other Springback activities, such as the Springback Assembly. For more information and how to apply: https://springbackmagazine.com/.../springback-academy.../
#SpringbackAcademy Applications for Springback Academy 2023 are now open! Springback Academy offers aspiring dance writers the chance to be mentored in the fundamentals of quality dance criticism in the action-packed environment of Aerowaves #SpringForward festival. 📍Spring Forward festival 2023 will take place in Dublin (Ireland). 📆 Springback Academy will take place during the festival between on 26 - 29 April inclusive 2023. ⏳ Deadline for Applications: 24:00 GMT Monday 9 January 2023 Further information and details on how to apply: https://aerowaves.org/news/apply-springback-2023 We look forward to reading your submissions!
#SpringbackSocialElefsina #SpringForwardElefsina kept us fit! There's no doubt that the Aerowaves festival is a walking one! But how do guests and staff feel about it? Are you a fast or slow walker? Do you get to meet people going from one venue to another? Do you discuss what you have just seen? We asked these questions to GGiuliana Majo, Rui Torrinha, Laura Kumin, Lydia Wharf, Pétur Armannsson and Vicky Barboka. Aerowaves 2023 Eleusis European Capital of Culture
#SpringForwardElefsina Róisín O'Brien talks with Korean Kuyeon JEONG and WANG Yeu-kwn, who presented their pieces at #SpringForward22. TDC 流雲道動能美苑 Taipei Dance Center SIDance 서울세계무용축제
#SpringbackSocialElefsina Here you have an interview with Hiroaki Umeda, the curator of Movers Platform. #SpringForward22 2023 Eleusis European Capital of Culture Aerowaves EU・ジャパンフェスト日本委員会
#SpringbackSocialElefsina After the Partners Talk, Róisín O'Brien spoke with board member and #StartupForum coordinator, Betsy Gregory, and participants Eva Posedel and Tendai Malvine. The Startup Forum is a workshop for emerging curators. 2023 Eleusis European Capital of Culture ARC FOR DANCE FESTIVAL #curatingdance #springforward22
#SpringbackSocialElefsina Róisín speaks with Springback Academy director Oonagh Duckworth and emerging dance writers Sedera Ranaivoarinosy and Ariadne Mikou. How was it for them? What have they learned so far? #SpringForward22 2023 Eleusis European Capital of Culture
#SpringbackSocialElefsina Róisín O'Brien speaks to Ayano Yokoyama about her solo Suiyoubaion. #SpringForward22 #contemporarydance #Japanesetalent 2023 Eleusis European Capital of Culture ARC FOR DANCE FESTIVALRóisín O'Brien Ayano Yokoyama EU・ジャパンフェスト日本委員会
#SpringbackSocialElefsina It's a wrap! Just after the performance of 'Gran Bolero' at the Amphitheatre Róisín O'Brien and Alexander Stavropoulos spoke to Frosso Marina Trousa and John Ashford. 2023 Eleusis European Capital of Culture ARC FOR DANCE FESTIVAL
Want your business to be the top-listed Media Company?
Founded in 2018, Springback Magazine grew from Aerowaves’ annual Springback Academy. Our mission is to advance European dance by covering its rich network of new and independent contemporary dance and nurturing dance writers from all over the continent.
For an even fuller picture of contemporary dance in Europe, individuals and institutions can also become Springback Members, allowing access to exclusive content including numerous performance videos of new European choreography (many full-length, all updated annually), and video-based reports from dance platforms and screendance festivals. Members also receive a special printed gift edition of the Springback Annual. Details: springbackmagazine.com/membership