Protocols

Protocols A new provocative publication for jewish politics and art
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From Issue 10: “Mechitza 7.1.” Performance artist Tobaron Waxman collaborates with dancer Jesse Zaritt and composer Jame...
31/01/2022

From Issue 10: “Mechitza 7.1.”

Performance artist Tobaron Waxman collaborates with dancer Jesse Zaritt and composer James Hurley to create a motion-activated surround sound environment using field recordings that Waxman made in domestic spaces in the occupied territories of Palestine and in men’s prayer spaces from his Chassidic life in New York.

https://prtcls.com/article/waxman-zaritt-mechitza-7-1/

In Mechitza 7.1, an elision is made between sacred/taboo space and ‘ethnically cleansed’ space, using interactive audio, as a way to interrogate the notion of border and binaries. Mechitza 7.1 reflects on the segregatory architecture, imposed by the state, that controls public and private space....

"I kind of spent all my writing life writing about violence, and, when it hit home in this way, I was really unprepared ...
24/01/2022

"I kind of spent all my writing life writing about violence, and, when it hit home in this way, I was really unprepared for how much it would affect me, the pain and shock that I felt after that...I saw my identity as a Latin American and a Jew, and a Latin American Jew, targeted in two ways at that particular moment."

From Issue 10: Poet Daniel Borzutzky in conversation with Robert Yerachmiel Sniderman.

https://prtcls.com/article/borzutzky-in-conversation/

"I kind of spent all my writing life writing about violence, and, when it hit home in this way, I was really unprepared for how much it would affect me."

“After Halle was created in collaboration with 10 survivors, including the artist, of the mass shooting in Halle, German...
18/01/2022

“After Halle was created in collaboration with 10 survivors, including the artist, of the mass shooting in Halle, Germany, on Yom Kippur in 2019. The sound installation offers a site for listening, grieving, and healing. Visitors are enveloped in the sounds of survivors humming niggunim that were sung in the Halle synagogue on the day of the attack. Humming is a tool used by trauma survivors for self-soothing, both for the hummer and the listener.”

From Issue 10: “After Halle,” a sound installation by Talya Feldman

https://prtcls.com/article/feldman-after-halle/

After Halle was created in collaboration with 10 survivors, including the artist, of the mass shooting in Halle, Germany, on Yom Kippur in 2019. The sound installation offers a site for listening, grieving, and healing. Visitors are enveloped in the sounds of survivors humming niggunim that were sun...

"Hagiz’s narrative thus imagines the discovery of the Western Wall and the establishment of the Haram al-Sharif as simul...
11/01/2022

"Hagiz’s narrative thus imagines the discovery of the Western Wall and the establishment of the Haram al-Sharif as simultaneous...The remnant of the Temple and the Haram al-Sharif are pictured as two parts of the same contemporary sacred space."

From Issue 10: אבי-רם צורף's "A Wondrous Thing to See"

https://prtcls.com/article/tzoreff-a-wondrous-thing-to-see/

"R' Moshe Hagiz imagines the discovery of the Western Wall and the establishment of the Haram al-Sharif as simultaneous."

From Issue 10: “Mishkan Motherboard,” an art book by EMILY DREW MILLER & Joelle Milmanhttps://prtcls.com/artwork/miller-...
09/01/2022

From Issue 10: “Mishkan Motherboard,” an art book by EMILY DREW MILLER & Joelle Milman

https://prtcls.com/artwork/miller-milman-mishkan-motherboard/

"We stared into the grooves of the limestone and wondered how space was organized within the stone and how it seemed like a motherboard, arranged just so, each a small description of the information (buildings) that held the city together. Through painting the stone and translating the paintings int...

"When a temple of spiritual or secular power is hidden or demolished, the future becomes unpredictable, enabling a utopi...
27/12/2021

"When a temple of spiritual or secular power is hidden or demolished, the future becomes unpredictable, enabling a utopian potential. To unveil temples again, to reproduce them, is to shove a cork back into the bottle of time, sealing the fate of humanity."

From Issue 10: "Making and Unmaking City Centers" by Zach Whitworth

https://prtcls.com/article/whitworth-making-and-unmaking-city-centers/

“The ‘secular temple’ is a misnomer, for temples have always been ‘secular’ in that they literally exist in and order this world.”

From Issue 10: “When is Zion,” a series of three digital collages by Miryam Bat Muhammadhttps://prtcls.com/article/muham...
27/12/2021

From Issue 10: “When is Zion,” a series of three digital collages by Miryam Bat Muhammad

https://prtcls.com/article/muhammad-digital-collage/

Born to Jewish and Muslim parents, Miryam Bat Muhammad is a multimedia artist and digital curator. Her work focuses on Jewish, Muslim, Sefarad-Mizrahi, Balkan, and LGBTQ+ identities.

“Doing the work of public history in neighborhoods with diverse, complex, and contested histories might implicate all of...
20/12/2021

“Doing the work of public history in neighborhoods with diverse, complex, and contested histories might implicate all of us in processes of real estate development, displacement, and erasure — regardless of our intentions.”

From Issue 10: Caroline Luce considers Jewish tourism from Boyle Heights to Babruysk in “Searching for Temples.”

https://t.co/xivVElCdpA

"Doing the work of public history in neighborhoods with diverse, complex, and contested histories might implicate all of us in processes of real estate development, displacement, and erasure — regardless of our intentions."

Introducing... Issue  #10: TEMPLE 🔥Featuring Caroline Luce, Miryam Bat Muhammad, Zach Whitworth, Emily Drew Miller, Joel...
16/12/2021

Introducing... Issue #10: TEMPLE 🔥

Featuring Caroline Luce, Miryam Bat Muhammad, Zach Whitworth, Emily Drew Miller, Joelle Maxx Milman, Avi-ram Tzoreff (אבי-רם צורף), Tobaron Waxman, Jesse Zaritt, Rudy Gerson, David Hartt, Camille Eskell, Daniel Borzutzky, Robert Yerachmiel Sniderman, and Talya Feldman!

www.prtcls.com

Featuring Caroline Luce, Miryam bat Muhammad, Zach Whitworth, Emily Drew Miller, Joelle Maxx Milman, Avi-ram Tzoreff, Tobaron Waxman, Jesse Zaritt, Rudy Gerson, David Hartt, Camille Eskell, Daniel Borzutzky, Robert Yerachmiel Sniderman, and Talya Feldman!

🍎🍯💚 The month of Elul, in preparation for Rosh Hashana and Yom Kippur, is a traditional time for reflection, return, and...
23/08/2021

🍎🍯💚 The month of Elul, in preparation for Rosh Hashana and Yom Kippur, is a traditional time for reflection, return, and tzedakah (charitable giving). As we approach the end of the Jewish year and you consider to whom and how much you will give tzedakah, we ask you to consider making a donation to help fund PROTOCOLS through 5782 💚🍯🍎

DONATE HERE: https://fundraising.fracturedatlas.org/protocols/campaigns/4393

🚨 CALL FOR SUBMISSIONS 🚨PROTOCOLS invites writerly, artistic, and archival submissions for Issue  #10: TEMPLE The ancien...
19/08/2021

🚨 CALL FOR SUBMISSIONS 🚨

PROTOCOLS invites writerly, artistic, and archival submissions for Issue #10: TEMPLE

The ancient Temples in Jerusalem continue to shape and influence Jewish culture, life, and politics in decisive ways. The imitation and adaptation of their rituals define enduring forms of Jewish practice today. Their destruction outlines rich patterns of national calamity, loss, mourning, and hope. The historic sites of the Temples themselves have also become sites of state violence, collective resistance, and settler mythology. And since the early Reform movement established a “Temple” in Hamburg, Jewish places named temples have proliferated and become part of modern dynamics of Jewish assimilation, rupture, replacement, and renewal.

How do design, architecture, planning, and archaeology shape the roles of temples in our lives and the way we imagine them? What do we make into temples, both literally and figuratively? How do they function in political movements and how do they interface with state and supra-state structures of governance? How might temples help us think through the politics of geography and space over time, as well as the links between mythology and identity? In what ways does the concept of a temple allow us to reconsider the interaction of the physical and the spiritual?

Please send pitches for essays, criticism, and reviews that outline the context, argument, and relevance to the issue. Fiction and creative nonfiction up to 6000 words; short-shorts and linked shorts 500-1000 words. No line limits for poetry. Translations, hybrid or intergenre work, and simultaneous and multiple submissions accepted, as well as reprints of work that has only appeared in print.

We accept a range of art submissions including but not limited to textile, performance, painting, photography, sculpture, installation, video, digital, and other multi-media work.

Deadline:
September 13, 2021

Send all text submissions and questions to
[email protected]

Send all art submissions to
[email protected]

*See “Submission Guidelines” at prtcls.com/about

https://drive.google.com/file/d/14AqZQ4RwH-XD7Du_ZqaXTs54pK815BKr/view?usp=sharing

“No matter how you perceive the events of January 6th, it was, undeniably, a gathering ritual.”From Issue 9: “Renew Our ...
02/08/2021

“No matter how you perceive the events of January 6th, it was, undeniably, a gathering ritual.”

From Issue 9: “Renew Our Days,” an original embroidered textile by Danielle Durchslag

https://prtcls.com/article/durchslag-renew-our-days/

Aimee Rubensteen (AR): “Renew Our Days” references part of a phrase from אֵיכָה‎, Lamentations, 5:21, a book that mourns the destruction of the First Temple: הֲשִׁיבֵ֨נוּ יְהוָ֤ה ׀ אֵלֶ֙יךָ֙ ונשוב [וְֽנָשׁ֔וּבָה] חַדֵּ֥שׁ יָמֵ֖....

“Sweat gathers along my neck, and the flies are drawn to it. Their legs tickle my neck as they land. It feels nice to be...
06/07/2021

“Sweat gathers along my neck, and the flies are drawn to it. Their legs tickle my neck as they land. It feels nice to be touched.”

From Issue 9: "Over or Under," fiction by JEREMY MANN

https://prtcls.com/article/mann-over-or-under/

Sweat gathers along my neck, and the flies are drawn to it. Their legs tickle my neck as they land. It feels nice to be touched.

“At first Shuki thought the voices he heard, those harsh curses, were all in his head.”From Issue 9: DAVID DUVSHANI and ...
04/07/2021

“At first Shuki thought the voices he heard, those harsh curses, were all in his head.”

From Issue 9: DAVID DUVSHANI and JULIA FERMENTTO-TZAISLER’s comic “Bad Butcher,” 25 frames, 10 x 10cm each, Ink on paper, 2021.

https://prtcls.com/artwork/duvshani-tzaisler/

This is the terrible tale of Shuki the butcher.

"Mingling propaganda with self-portraiture, the question Rosabel’s work seems to ask is one of reclamation: what happens...
01/07/2021

"Mingling propaganda with self-portraiture, the question Rosabel’s work seems to ask is one of reclamation: what happens if you see yourself reflected in what’s meant to be used against you?"

From Issue 9: Zoe Kurland on Rosabel Rosalind

https://prtcls.com/artwork/kurland-on-rosalind-deli-on-the-move/

Rosabel swaps out the usual deli fare for an imposing feast of antisemitic iconography and allusion.

"If she ought to write poetry, she ought to ignore Auschwitz, and that is what she does."From Issue 9: Tomer Dotan-Dreyf...
29/06/2021

"If she ought to write poetry, she ought to ignore Auschwitz, and that is what she does."

From Issue 9: Tomer Dotan-Dreyfus introduces and translates the German-language poetry of Mascha Kaléko, composed from within the Third Reich.

https://prtcls.com/poetry/dreyfus-kaleko/

If she ought to write poetry, she ought to ignore Auschwitz, and that is what she does.

"Scraps of burned books, antisemitic toys, and lost family heirlooms up for auction to the masses form the kelipot here....
24/06/2021

"Scraps of burned books, antisemitic toys, and lost family heirlooms up for auction to the masses form the kelipot here."

From Issue 9: Liev Sibilla's digital collage "Bruise Garden"

https://prtcls.com/article/sibilla-bruise-garden/

Every scrap contained herein was placed in heartache, in obsession. This foray into l***y color and detail stands as a feeble representation — part grossly-obvious symbolism, part fragmented memory — of historical traumas and their nature as formative and irreplaceable facets of culture. Scraps ...

"Those sensitive to the withdrawal of tradition past a surpassing disaster will study this passage on a desert war in a ...
23/06/2021

"Those sensitive to the withdrawal of tradition past a surpassing disaster will study this passage on a desert war in a particular way. What is there to learn? Is it how to lead a brutal war in the desert? No. We have enough of that and there is nothing to learn there. Unlearning would be the more adequate response in that respect. So what is there to learn from the errant and unpredictable movement of an ancient war machine?"

From Issue 9: Almút Sh. Bruckstein / Taswir Projects's "Talmudic War Machine & A Shadow's Dream"

https://prtcls.com/article/bruckstein-talmudic-war-machine/

What is there to learn? Is it how to lead a brutal war in the desert? No. We have enough of that and there is nothing to learn there.

🔥 Issue  #9: SITRA ACHRA 🔥Featuring writing and art from…SHIRLY BAHARShulamit Çoruh   FORTUNE CHALMETomer Dotan-Dreyfus ...
21/06/2021

🔥 Issue #9: SITRA ACHRA 🔥

Featuring writing and art from…

SHIRLY BAHAR
Shulamit Çoruh
FORTUNE CHALME
Tomer Dotan-Dreyfus
DANIELLE DURCHSLAG
DAVID DUVSHANI & JULIA FERMENTTO-TZAISLER
ZOE KURLAND
JEREMY MANN
Assi Meshullam
NAN PINCUS
LIEV SIBILLA
JOSHUA SIMON & Liat Berdugo
Naomi Treistman

“This issue does not offer a critical exploration of the sitra achra exclusively in its home discourse of rabbinic theology and mysticism but rather asks how the sitra achra might provide a generative terrain for (re)thinking contemporary Jewish politics, culture, and affect beyond reductive moral binaries and defensive postures of ressentiment. It is an opportunity to eschew innocence and purity and ask instead about our multifaceted implication in forms of usurpation, concealment, darkness, and violence.”

https://prtcls.com/issue-9-sitra-achra/

Tomer Dreyfus translates the poetry of Mascha Kaléko; Joshua Simon interviews Liat Berdugo; Zoe Kurland interrogates the antisemitic iconography in Rosabel Rosalind’s paintings; Almút Sh. Bruckstein reworks a hijacked Talmudic tradition; Danielle Durchslag questions the convergence of Jewish and...

16/06/2021

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About PROTOCOLS

PROTOCOLS is a cultural journal with an ambitious mission: to curate and publish provocative writing and art from across the global Jewish diaspora with attention to progressive and leftist politics. PROTOCOLS seeks to amplify the voices of Jewish writers and artists marginalized and excluded from mainstream platforms, to provide a vibrant and enriching gateway into Jewish life, and to serve as a home for collective engagement, dialogue, and cultural organizing toward a democratic and liberated future.