Pedalpocalypse: Fabrizio Grossi
Italian-American bass player and producer Fabrizio Grossi talks us through the pedals he couldn't live without.
Heroes all. (All pics copyright Getty or Future plc)
New Order’s Blue Monday is 40 years old today. Peter Hook’s bassline had an unusual source for a dance music classic…
Live At Leeds, considered by many to be the greatest live album of all time, was recorded on 14 February 1970, at the Refectory of the University of Leeds, where The Who performed to an audience of 2000.
John Entwistle played his Fender “Frankenstein” Precision Bass through two Hiwatt CP103 amps and four Hiwatt SE4122 or SE4123 4×12 speaker cabinets, with an additional 4×12 stage left for foldback.
The 8-Bit Guitar: would you want one or is it only suitable for Steve from Minecraft? Watch the full build video on Bass Player.
When we put our heads together a while back and decided which bassists should receive BP’s coveted Lifetime Achievement Award this year, we came up with a long, long list of names. Even though we’ve been giving these awards out since 2000, the occasional year out for publishing or pandemic reasons aside, there is still a huge number of bass players who deserve this recognition.
In the end, though, we narrowed it down to three bona fide legends of our instrument, and added a new award category while we were at it — the ‘Rising Star’ award, given to a bass player who may not have many decades as a professional behind them just yet, but who is pushing our community forward anyway. We want to commend and celebrate bassists with vision, young or old, and to acknowledge the fact that great bass didn’t only take place in the distant past.
Please join us in congratulating all four of our cover stars Marcus Miller, Gail Ann Dorsey, John Taylor and Charles Berthoud for their incredible talent, hard work and creativity. In this issue we also hang out with Tal Wilkenfeld and Freekbass, we look at Queen’s bass history before John Deacon (yes, you read that right) and we road-test a range of stunning bass gear. Get your issue at https://bit.ly/3oE12US.
Full details to follow, but here's a sneak preview of our new issue, out shortly... 😎
KillJoy Stephens plays 'Stress'
Check out 'Stress' by KillJoy Stephens, a wild combination of time signatures and close chordal harmony movement. Composed for a university portfolio, the song is inspired by the likes of Thundercat and Jacob Collier. The bass used is an SBC signature SH1B Falcon.
Music arranged and performed by KillJoy Stephen, mixed and mastered by Will Troman, filmed by Josh Craddock and Zobia Ahmed.