Droste Effect

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Droste Effect Droste Effect is a publisher of artists editions and an online magazine dedicated to contemporary art. Get one of our limited editions on our website

Format-specific artist projects. Art has as many facets and implications as reality itself. Those who think the world of contemporary art is closed and self-referential are wrong; and so are those who think that artistic productions are for the few and nearly incomprehensible. The practice of contemporary art helps its comprehension, and this is the norm (proposal?) we want to start from with Dros

te Effect. A biannual magazine in English and Italian language for format-specific artworks, and physical location for in-depth analysis and specification of concepts related to the contemporary world. A workshop about present-day living in which artists from all over the world have the possibility to talk about the world through their own practice. Droste Effect will have its base in Italy, but it will be structured upon an ongoing network of international contributions, which in this number zero come from Mexico, Germany, and the United States of America. Droste Effect is a magazine, but not only; it aims to become a space for artists original productions, a place for theoretical research and for the light circulation
of artist multiples.
-– Droste Effect

L’arte ha sfaccettature e risvolti tanto numerosi quanto la realtà stessa. Sbaglia chi crede che il sistema dell’arte contemporanea sia chiuso e autoreferenziale, sbaglia chi pensa che le produzioni artistiche siano per pochi e pressoché incomprensibili. L’esercizio dell’arte contemporanea ne aiuta la comprensione e da questa norma (proposta?) vogliamo partire con Droste Effect. Un magazine semestrale in lingua inglese e italiana per produzioni d’artista format-specific e luogo fisico per l’approfondimento e la specificazione di concetti correlati alla contemporaneità. Un laboratorio sullo stato attuale del vivere in cui artisti provenienti da tutto il mondo hanno la possibilità di parlare del mondo attraverso la pratica personale. Droste Effect avrà la sua base in Italia, ma sarà strutturato su una rete stabile di contributi internazionali, in questo numero zero provenienti da Messico, Germania e Stati Uniti d’America. Droste Effect è una rivista, ma non solo; mira a diventare uno spazio per produzioni originali d’artista, un luogo per approfondimenti teorici e diffusione leggera di multipli d’artista.
-– Droste Effect

www.drosteeffectmag.com

Twitter/DrosteEffectMag
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A look back at last week’s Artissima in Turin Dapper Bruce Lafitte Zoe Williams Anna Perach .adaproject Carol Rama ...
09/11/2022

A look back at last week’s Artissima in Turin

Dapper Bruce Lafitte
Zoe Williams
Anna Perach .adaproject Carol Rama Award winner
Ariel Cabrera Montejo
Apparatus 22
Peng Zuqiang Illy Present Future Prize winner
Marie Cool Fabio Balducci
Kiki Smith
Damien Meade

A look back at last week’s Artissima in Turin Giulia Dall’Olio Mirella Bentivoglio Kate Newby Loris Cecchini Fed...
09/11/2022

A look back at last week’s Artissima in Turin

Giulia Dall’Olio
Mirella Bentivoglio
Kate Newby
Loris Cecchini
Federico Tosi
Justine Neuberger
Pietro Moretti

The 59th International Art Exhibition of the Venice Biennale is headed towards the end of its first week: this edition w...
30/04/2022

The 59th International Art Exhibition of the Venice Biennale is headed towards the end of its first week: this edition was delayed by one year due to the world health emergency. The last time the Biennale was postponed due to exceptional circumstances was in 1944, during the second world war, which makes this Biennale particularly momentous:
Read more at http://www.drosteeffectmag.com/venice-biennale-2022-highlights/
Here Simone Leigh, 2022 Golden Lion winner, at the US Pavilion
#

The 59th International Art Exhibition of the Venice Biennale is finally open: this edition was delayed by one year due t...
25/04/2022

The 59th International Art Exhibition of the Venice Biennale is finally open: this edition was delayed by one year due to the world health emergency. The last time the Biennale was postponed due to exceptional circumstances was in 1944, during the second world war, which makes this Biennale particularly momentous:
http://www.drosteeffectmag.com/venice-biennale-2022-highlights/

The Venice Biennale 2022 – titled The Milk of Dreams after Leonora Carrington’s book and curated by Cecilia Alemani – will be open until November 27.

Coming soon | Highlights from the 2022 Venice Art Biennale—The Milk of Dreams opening to the public tomorrow, April 23🍸🦪...
22/04/2022

Coming soon | Highlights from the 2022 Venice Art Biennale—The Milk of Dreams opening to the public tomorrow, April 23🍸🦪

A Meditation on History: Art Exhibitions in Shanghai in 2000Were the Chinese art events of 2000 merely a practice to con...
03/03/2022

A Meditation on History: Art Exhibitions in Shanghai in 2000
Were the Chinese art events of 2000 merely a practice to conform to the globalization of art? Is there a post-colonial vocabulary and connotation? Are artists embracing globalization with open arms, or are they trying to figure out their own strategies and practices?
[Read more at link in bio]
#2000

Art history is constantly passivating: a kind of depicted framework painted into the cultural and social environment fol...
01/03/2022

Art history is constantly passivating: a kind of depicted framework painted into the cultural and social environment following our expectations. For artists and art practitioners, such a “natural” theoretical framework and narrative logic of art history are obviously not good enough as expressions of our society today.
As Hans Belting put it, the “picture” (art) was taken out of the “frame” (art history) as the latter no longer fitted the former.

Read more:
www.drosteeffectmag.com/art-exhibitions-in-shanghai-in-2000

#2000

The book "Uncooperative Contemporaries: Art Exhibitions in Shanghai in 2000" explores exhibitionary activity in Shanghai in 2000.

07/11/2021

&
07/11/2021

&

winner of the with her work at Present Future: & Repetto Gallery
07/11/2021

winner of the with her work at Present Future: & Repetto Gallery

A Century of Drawing in Italy is open to the public. The show is curated by Claudio Musso, author of our Bulletin #23...
05/05/2021

A Century of Drawing in Italy is open to the public. The show is curated by Claudio Musso, author of our Bulletin #23 on artist Ivana Spinelli, also included in the exhibition at Fondazione del Monte di Bologna e Ravenna.
Read Claudio Musso's essay at http://www.drosteeffectmag.com/bulletin-23-grain-claudio-musso/
Second image: Margherita Morgantin (2020) and Ivana Spinelli (2016) at Fondazione del Monte through June 24

35 years after Gordon Matta-Clark created his piece, the Whitney Museum of American Art, in collaboration with the Hudso...
02/05/2021

35 years after Gordon Matta-Clark created his piece, the Whitney Museum of American Art, in collaboration with the Hudson River Park Trust, is developing its own Day’s End. This 2021 rendition, made of stainless steel bars, will be installed in a neighborhood that has changed dramatically since the 1970s.

Read more at http://www.drosteeffectmag.com/history-wild-west-side-whitney-new-public-sculpture/

1. Gordon Matta-Clark, Day's End, Pier 52.3 (1975, gelatin silver print from 1977). Documentation of the action “Day’s End” made in 1975 in New York.

2. Rendering of Day’s End (2020), by David Hammons, looking west from Gansevoort Peninsula.

Days in the Wild West Side— The Whitney Museum of American Art, in collaboration with the Hudson River Park Trust, is de...
25/04/2021

Days in the Wild West Side— The Whitney Museum of American Art, in collaboration with the Hudson River Park Trust, is developing a remaking of "Day’s End" by Gordon Matta-Clark.

Unlike the artwork that inspired it, this new public sculpture is institutionally approved and will be permanent:

http://www.drosteeffectmag.com/history-wild-west-side-whitney-new-public-sculpture/

David Hammons' remaking of Gordon Matta-Clark's Day’s End for the Whitney shows how the Meatpacking District has changed from gritty to trendy & upper class

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Matteo Guidi, Remover con una vara de madera, Galeria la capella de l'antic hospital de la santa creu i sant pau #Barcelona #BCN #Producció a program that helps La Capella to meet artists' financial and production needs. #catalunya #catalonia #MatteoGuidi #GaleriaLaCapella #lacapella

Ian Cheng: Emissaries was installed at #momaps1 until recently, but you can still stream his simulation works at MoMA PS1's website. #arrtour #iancheng #simulation #ps1 #virtual #videogameart

Chewing Gum (1983) by Ulises Carrión at Documenta Halle @documenta14 #ulisescarrion #documenta14 #kassel #documenta #documentakassel

'Take Over', Anri Sala’s first solo exhibition with Esther Schipper gallery in Berlin. The exhibition inaugurated the gallery’s new space at Potsdamer Strasse 81E. Until 17th June. @estherschipperberlin #anrisala #takeover #estherschipper #berlin

John Akomfrah (2012), three channel video at @themuseumofmodernart's "Unfinished Conversation: New Work from the Collection" #arttour #NewYork #MoMA #momanyc #videoart #activism #JohnAkomfrah

#openingnow Matteo Nasini's night-long performance Sleep Concert at Marsèlleria New York just started >> find out more at http://www.drosteeffectmag.com/matteo-nasini-opens-marsellerias-new-york-space/ #MatteoNasini #Marsèlleria #performance #sculpture #NewYork #dreams #3dprinted

#openingnow The Armory Show opens at Piers 92/94 #NewYork #vippreview Here at Lisson Gallery's booth #armoryshow #ArmoryShow2017 #lissongallery #artfair @lisson_gallery @thearmoryshow

#openingnow Jos de Gruyter & Harald Thys at Gavin Brown's Enterprise #NewYork #arttour #gavinbrownsenterprise #JosdeGruyter #HaraldThys #armoryweek

@themuseumofmodernart Kim Gordon in Tony Oursler's Imponderable, a "5-D" cinematic environment utilizing a contemporary form of Pepper’s ghost—a 19th-century phantasmagoric device #opticalillusion #phantasmagoria #arttour #tonyoursler #momanyc #videoinstallation #light #5d #5dcinema #kimgordon #moma

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