Umjetnik na odmoru - Artist on Vacation

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Umjetnik na odmoru - Artist on Vacation

Projekt koji okuplja umjetnike neo-avangardnih praksi.
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A project gathering Neo-Avant-garde artists. d.

Projekt „Umjetnik na odmoru“, u svome već četvrtom izdanju, tijekom ljeta dovodi, ugošćuje i javnosti predstavlja prestižne međunarodne umjetnike pripadnike povijesne neo-avangarde i umjetnike koji u suvremenom kontekstu nastavljaju i razvijaju estetiku radikalne umjetničke prakse. Ovim projektom redefinira se pojam odmora, umjetničkog stvaralaštva i turizma. Znamo da avangardni umjetnici nepresta

no imaju potrebu za stvaranjem i zato smo im ponudili odmor u prestižnom hotelu na predivnoj lokaciji koju će oni ubrzo pretvoriti brzo pretvoriti u vlastiti neslužbeni atelje. Institut za istraživanje avangarde, u suradnji s Kolekcijom Marinko Sudac, Valamar Riviera d. i Muzejom suvremene umjetnosti u Zagrebu, u Poreč dovodi međunarodne avangardne umjetnike na odmor u Poreč.
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Since 2012, the Artist on Vacation project has gathered, hosted and presented to the public a number of internationally prestigious artists who belong to the period of historical Avant-gardes, as well as artists who continue the practice of radical art and further develop its aesthetics. This project redefines the concept of vacation, artistic creation and tourism. We are aware that Avant-Garde artist constantly have an urge to create, and this is why we offered them a vacation in a great hotel in a beautiful location, which they will quickly turn in their unofficial atelier. Institute for the Research of Avant-Garde, in collaboration with Marinko Sudac Collection, Valamar Riviera d. d and Museum of Contemporary Art in Zagreb, brings international Avant-Garde artists on a vacation in Poreč.

18/07/2022

"ARTIST ON VACATION 2022" by Valamar

JORRIT TORNQUIST
Austria/Italy

Jorrit Tornquist (1938, Graz) is an artist and colour theorist.
He initially studied biology but switched to architecture. Tornquist started sculpting and painting, and since 1959 he has focused on an in-depth study of colour principles and colour effects.
In 1967, with Richard Kriesche and Helga Philipp, Tornquist signed the founding manifesto of the “Gruppo Austria”.
Later, he was part of Team Color Group (1972), Color Center of Tokyo(1974), and the Surya group (1977).
Tornquist studies colour from a scientific and ecological approach, based on accurate experiments on colour, density and clarity and analysing of the complementary effects. He focuses not only on the perception of colour as light but also on its functions in nature and its psychological effect on people.

16/07/2022

"ARTIST ON VACATION 2022" by Valamar

FRIEDER NAKE (Germany)

Frieder Nake (1938, Stuttgart) is a mathematician, computer scientist, and pioneer of computer art.
He studied mathematics at the University of Stuttgart, where he earned his diploma and doctoral degrees (in probability theory).
He produced his first works in 1963 and participated in one of the first exhibitions of computer art at Galerie Wendelin Niedlich in Stuttgart in 1965. His early work was influenced by Max Bense's concept of Information Aesthetics.
Nake's main work phases are identified by collections of programs called compArt ER56 (1963-1965), Walk-through-raster (1966), Matrix multiplication (1967/1968), and Generative aesthetics I (1968/1969). He declared not to continue producing computer art in 1971 when he published a note under the title, There should be no computer art in the Bulletin of the Computer Arts Society. His reasons were mainly of political origin: He did not see how he could actively contribute to computer art and, at the same time, be a political activist against capitalism.
In 1999, he co-founded with Susanne Grabowski and Matthias Krauß the project compArt: a space for computer art (later compArt: Centre of Excellence Digital Art), a large online database dedicated to early digital art.
Nake has been a professor of interactive computer graphics at the Department of Computer Science at Bremen since 1972. He taught and was a visiting professor in Europe, North America, South America and Asia.

07/07/2022

"ARTIST ON VACATION 2022" by Valamar

TRISTAN PRANYKO (Germany)

Tristan Pranyko (b. 1957, P**a) is an artist who works in the media of installation, film, stage design and more.
At fifteen, he moved to Germany where he studied design. He won a number of awards for his works in conceptual art but became increasingly interested in combining different media such as art, fashion, music, and interior and product design.
Pranyko is a Professor of Experimental Design at the Weißensee Kunsthochschule Berlin.

06/07/2022

"ARTIST ON VACATION 2022" by Valamar

NAŠKO KRIŽNAR (Slovenia)

Naško Križnar is a filmmaker and one of the members of the OHO group.
Naško Križnar graduated in Ethnology from the University of Ljubljana. He engaged in film-making, and he authored the majority of OHO films, as well as films documenting the exhibitions of the group or its members, and their projects. As part of the activity within the OHO group, he also created photo projects, concrete poetry, created an OHO edition etc.
In later years, he created many ethnographic films. He worked at the Institute for Ethnology under the Academy of Sciences and Arts in Ljubljana.

02/07/2022

"ARTIST ON VACATION 2022" by Valamar

GIOVANNI PIZZO (Italy)

Giovanni Pizzo (b. 1934, Veroli) attended the Academy of Fine Arts and the French Academy in Rome. He had his first solo exhibition at the La Fontanina Gallery in Syracuse in 1958.
Di Luciano and Pizzo met in 1956 at the Academy of Fine Arts in Rome and were married in 1959. Together they were a part of Gruppo 63 in Rome (1963). which included another artistic couple - Lia Drei and Francesco Guerrieri. The group was characterized by artistic research based on logical and mathematical principles that ultimately aimed to unite art, architecture and industrial design. The group exhibited together in Rome, Florence and Livorno, and ceased operations in September 1963. Immediately afterwards, di Luciano and Pizzo founded the group Operativo R (1963-1968), which included Franco di Vito and Carlo Carchietti. The group creates a pronounced rigidity by following the precise theoretical principles of the scientific-logical field. Lucia di Luciano and Giovanni Pizzo were part of the programmed art movement (Arte programmata). Some of the most prominent art critics of the time, such as Giulio Carlo, wrote Argan, Umbro Appolonio, Lea Vergine, Palma Bucarelli, Giancarlo Politi and others about their work. Giovanni Pizzo is a co-founder of the Spazio Documento cultural association, which has been active since 1981.
Lucia di Luciano and Giovanni Pizzo participated in the New Tendency 3 exhibition in Zagreb in 1965.

02/07/2022

"ARTIST ON VACATION 2022" by VALAMAR

LUCIA DI LUCIANO (Italy)

Lucia di Luciano (b. 1933, Syracuse) attended the Academy of Fine Arts and was a member of the L'Associazione Artistica Internazionale in Rome. She had her first solo exhibition in 1965 at the Numero Gallery in Rome.

Di Luciano and Pizzo met in 1956 at the Academy of Fine Arts in Rome and were married in 1959. Together they were a part of Gruppo 63 in Rome (1963). which included another artistic couple - Lia Drei and Francesco Guerrieri. The group was characterized by artistic research based on logical and mathematical principles that ultimately aimed to unite art, architecture and industrial design. The group exhibited together in Rome, Florence and Livorno, and ceased operations in September 1963. Immediately afterwards, di Luciano and Pizzo founded the group Operativo R (1963-1968), which included Franco di Vito and Carlo Carchietti. The group creates a pronounced rigidity by following the precise theoretical principles of the scientific-logical field. Lucia di Luciano and Giovanni Pizzo were part of the programmed art movement (Arte programmata). Some of the most prominent art critics of the time, such as Giulio Carlo, wrote Argan, Umbro Appolonio, Lea Vergine, Palma Bucarelli, Giancarlo Politi and others about their work.
Lucia di Luciano and Giovanni Pizzo participated in the New Tendency 3 exhibition in Zagreb in 1965.

25/06/2022

"ARTIST ON VACATION 2022" by Valamar

AUTOPSIA

Autopsia (Greek: to see with your own eyes) in its very name contains a new protocol of work in art. It is based on two axioms: that every previous culture is a co**se; and that it is permissible to take any part from a co**se and place it in context with all other elements, regardless of the laws of production in art and culture.

It is a depersonalized art project and is remarkably active today. It began in the late 1970s, first in London, then in the centres of the former Yugoslavia, and since 1990 in Prague. It is an artistic, not just a music project. However, it has a rich discography and is esteemed among connoisseurs of industrial
music.

Autopsia was the first in the CEE region to single out a sample, the basic unit of post-production material, which in combination with other samples produces music only from samples, without any
original material.

Autopsia says that its theme is death, the method of repetition, and its speech impersonal. For Autopsia, art is no longer a process that produces objects but emits information through particular serial,
programmed rhythms.

Autopsia uses iconographic visual representations, takes them from the mass media, enlarges, multiplies, brings them into a relationship with the symbols that man encounters every day.

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