鏡象電影 Mirror Stage Films

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鏡象電影 Mirror Stage Films

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29/10/2021

《 #日常》 ╳ 金馬影展 TGHFF
▱▱ 10.30 (六) 13:00 金馬官網手刀搶票 ▱▱
　
榮耀入選2021鹿特丹影展，鏡象電影與香港導演許雅舒合作作品《日常》，即將於金馬影展進行亞洲首映。「我們可以回到從前？還可以過正常的生活嗎？」那些曾經瘋狂的一切，竟變成如今荒謬的日常⋯⋯。
　
　📣 金馬影展《日常》場次一覽
　11.13〈六〉11:00 信義威秀9廳
　11.18〈四〉16:40 信義威秀9廳
　11.22〈一〉19:10 信義威秀15廳
　準時搶票去 ▸ bit.ly/3nFcUED
　
　⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯
進入瘋狂的2020年，尚未走出抗爭陰霾，疫情又籠罩香港，創傷的年輕人依舊走上街頭，但街景不復當初；在餐廳偶遇低調吃飯的殺人犯陳同佳，咄咄逼問下，其實異地殺人之罪，也不全然是反送中的肇因；失業情侶為了防疫四處張羅口罩，最後找出上街頭的防毒面具……。當生活變成生存，日常竟如此荒謬，整個社會的死亡陰影是來自政權，還是疫症？
　
香港錄像藝術家許雅舒繼描繪佔中運動的《風景》後，延續社運主題並積極試探敘事的可能性，《日常》融合了劇情、紀錄與歷史切片，刻劃香港人於社會動盪下的命運，跟著真實人物、虛構角色、新聞、舊聞剪報，重現已逝去的記憶和歷史，記錄下歷經狂風暴雨，依然等待陽光普照的日常。
　⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯
　
2021 Taipei Golden Horse Film Festival
　　　台　北　金　馬　影　展
　　　　11 . 11　—　11 . 28
　　 #2021金馬影展

28/10/2021

17/05/2021

Decameron 日常

鹿特丹影展 Harbour單元。

片名取自Giobanni Boccaccio的現實主義小說，1348年繁華的佛羅倫斯發生一場殘酷的瘟疫（黑死病），喪鐘亂鳴，死了十多萬人，在整個歐洲，因此病而死的人多達一千萬人。隔年薄伽丘以這次瘟疫為背景，執筆寫下了《十日談》。

2021年，我們也正遭受著世紀瘟疫的侵襲～

“History is not just a matter of date”, said Chris Patten in his last speech as British Governor of Hong Kong, shortly before the United Kingdom handed administration of the province back to China in 1997. In Decameron, Rita Hui Nga Shu combines this speech and other historical sources with fiction and contemporary images. Her gripping documentary takes a critical look, for example, at the question of what Hong Kong actually is at this particular moment in time.

The title of this ambitious video essay refers to Giovanni Boccaccio’s Medieval literary masterpiece, which was likewise created in the wake of an epoch-making worldwide plague. As in Boccaccio’s literary text, different stories, timelines and perspectives merge. The kaleidoscopic film Decameron presents a coronavirus-ravaged Hong Kong that is also still struggling with traumas from the recent past. The result is a valuable political document which, by placing the recent protests within a broader context, enters into a complex dialogue with the city’s present, past and future.
https://www.youtube.com/watch?v=AdlQL2y8kXM

The 2019 Hong Kong protests resonate throughout this critical visual essay on that metropolis, combining fiction, historical sources with contemporary confli...

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