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Universe Inside You Enlighten yourself with documentaries on lost ancient civilizations, unexplained mysteries and more. https://universe-inside-you.com

eBook Link in comments  In the spring of 1988, Gregor Spörri, a 33-year-old Swiss businessman, traveled to Egypt driven ...
27/07/2025

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In the spring of 1988, Gregor Spörri, a 33-year-old Swiss businessman, traveled to Egypt driven by a thirst for adventure and mystery. He explored the Red Sea in search of shipwrecks and ventured into the Great Pyramid of Giza, crawling through its passageways and bribing guards to spend a night next to the sarcophagus of Khufu. But his search for the extraordinary only brought him disappointment.

Until, on his penultimate day, a hotel waiter led him to Bir Ho**er, a remote village 120 kilometers from Cairo. There he met Nagib, descendant of a family of tomb raiders, who showed him an object hidden for generations: a 58-centimeter mummified finger. Human in appearance but impossible in size, it seemed straight out of the most ancient myths.

The relic, later known as Bir Ho**er's Finger, was photographed by Spörri in exchange for $300. Nagib claimed it had been in his family for over 150 years and that only a few had ever seen it. Years later, in 2012, Bild magazine published an article suggesting that the remains of a giant had been found in Egypt.

Although science denies this, ancient chroniclers such as Flavius ​​Josephus spoke of a race of giants with colossal bodies and terrifying voices. For Spörri, that encounter was more than just an anecdote: it was the beginning of a mystery that remains unsolved to this day.

eBook Link in comments Nestled in the highlands of Peru, the stonework of the Inca—like this wall in Cusco or Ollantayta...
27/07/2025

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Nestled in the highlands of Peru, the stonework of the Inca—like this wall in Cusco or Ollantaytambo—reveals a mastery of masonry that defies time. Each block, sculpted from andesite or basalt, is carved to interlock perfectly with its neighbors, without mortar, gaps, or slippage.

Even the tiniest filler stones are precision-fit, holding firm through centuries of earthquakes and weather. The texture, geometry, and silent genius behind these joints whisper of a civilization that built with both science and spirit. How did they shape such seamless harmony from living rock—and what wisdom still lives in the spaces between the stones?

EBook link in commentsIn the heart of Egypt’s windswept desert, archaeologists have unearthed a discovery of staggering ...
21/07/2025

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In the heart of Egypt’s windswept desert, archaeologists have unearthed a discovery of staggering significance—a 60-ton granite sarcophagus, sealed and hidden for thousands of years. Unlike typical burial chambers, this massive structure is not merely a tomb, but a veritable time capsule, astonishingly preserved and brimming with intricately crafted golden artifacts.

The sarcophagus challenges long-held assumptions about ancient Egyptian capabilities. Its sheer weight and precision craftsmanship hint at advanced techniques lost to time. Within, the gleaming treasures reveal a forgotten narrative of opulence, innovation, and ritual reverence—suggesting that Egypt’s ancient artisans were not only masters of symbolism and spirituality but also of engineering brilliance.

eBook Link in comments For over 150 years scientists have tried to solve the mystery of a controversial cuneiform clay t...
21/07/2025

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For over 150 years scientists have tried to solve the mystery of a controversial cuneiform clay tablet that indicates the so-called Köfel’s impact event was observed in ancient times. The circular stone-cast tablet was recovered from the 650 BC underground library of King Ashurbanipal in Nineveh, Iraq in the late 19th century. Long thought to be an Assyrian tablet, it is in fact, one of Sumerian origins, showcasing the sophistication of early Sumerian astronomers.

eBook Link in comments Akhenaton was an ancient Egyptian king reigning c. 1353–1336 or 1351–1334 BC the tenth ruler of t...
18/07/2025

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Akhenaton was an ancient Egyptian king reigning c. 1353–1336 or 1351–1334 BC the tenth ruler of the Eighteenth Dynasty. Before the fifth year of his reign, he was known as Amenhotep IV .

eBook Link in comments • Ancient Peru •A masterpiece of engineering and architecture Ollantaytambo - Cusco. This masterp...
17/07/2025

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• Ancient Peru •
A masterpiece of engineering and architecture Ollantaytambo - Cusco. This masterpiece is from a quarry 6 kilometers away, near the Urubamba River. One of the most surprising details of Ollantaytambo is that the rocks found in the complex are perfectly polished, have impeccable cuts. This is quite a feat, since this architecture is built on a very steep slope. Ollantaytambo to this day generates doubts and questions, many of them still unanswered.

eBook Link in commentsIn 2024, AI technology aided archaeologists from Yamagata University and IBM Research in uncoverin...
16/07/2025

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In 2024, AI technology aided archaeologists from Yamagata University and IBM Research in uncovering 303 previously unknown Nazca geoglyphs in Peru’s Nazca Desert, dating from 200 BC to 650 AD. Using drones and AI, they identified intricate figures like parrots, monkeys, and orcas, nearly doubling the known geoglyphs.

These smaller, relief-type geoglyphs, often depicting humans and animals, were found along ancient trails, suggesting ritual or communicative purposes. The AI model, trained on satellite imagery, accelerated discoveries, revealing cultural insights into the Nazca and Paracas civilizations’ practices.

OLDER THAN GÖBEKLI TEPE… eBook Link in comments In the heart of southeastern Anatolia, Turkey, lies an archaeological si...
15/07/2025

OLDER THAN GÖBEKLI TEPE
… eBook Link in comments
In the heart of southeastern Anatolia, Turkey, lies an archaeological site still little known to the general public, but destined to profoundly rewrite our understanding of ancient civilizations: Karahantepe (sometimes also written “Kaharanten Tepe”). Located in the province of Şanlıurfa, not far from the famous Göbekli Tepe, Karahantepe is part of a complex of sites called “Taş Tepeler,” which includes at least a dozen similar sites dating back to the most remote prehistory...
Göbekli Tepe is now famous for its enigmatic T-shaped pillars, engraved with animals and symbols, dating back to around 9,600 BC, i.e. over 11,600 years ago. But Karahantepe is even older. Some of the structures found suggest that it may have been inhabited over 14,500 years ago. This confirms what is emerging around the world, that in the middle of the Ice Age there was a civilization advanced enough to leave behind buildings and artifacts (a construction similar to Gunung Padang dates back 28,000 years).

What makes Karahantepe even more fascinating is its construction method, which is radically different from that of any other known civilization. Here, the ancient inhabitants:
1. Dug large pits in the ground
2. Erected T-shaped columns inside these cavities
3. Covered everything with a rounded structure, similar to a yurt (the traditional mobile tent of the nomadic peoples of Central Asia)..
The result was a closed underground hall, accessible only through a narrow passage. Some rooms have perfectly smooth columns, while others feature bas-reliefs carved into the living rock. The whole thing resembles a sort of underground amphitheater or Paleolithic crypt, built entirely by digging into the stone and constructing downwards rather than upwards. To modern eyes, it almost looks like the construction of a defense bunker...
This technique has puzzled many archaeologists. It is a truly ingenious, simple yet advanced way of building. It contradicts what we believed until now, namely that ancient peoples used caves or caverns for shelter. We now understand that the opposite was true. Ancient peoples built dwellings that met their needs perfectly, in highly efficient and functional ways...
As at Göbekli Tepe, animal representations also appear at Karahantepe, often carved on columns or walls. These symbols include snakes, lions, wild boars, foxes... but also species not common in the region, such as big cats and tropical birds, which has led to speculation that these symbols were not local, but transmitted from distant cultures...
In the case of Göbekli Tepe, for example, animals appear that are not found in the Euphrates basin, but are more typical of African or Indo-Pacific areas. This has led some researchers to put forward bold theories: perhaps these sites were not unique, but part of a wider network of advanced cultures, now largely disappeared. A network that stretched as far as Australia, or Sundaland. They were many small ‘spots’ of a global equatorial civilization...
Karahantepe confronts us with a big question: who were these builders? How could seemingly Neolithic groups, without wheels, metal, or writing, conceive such complex structures, astronomically oriented and enriched with recurring symbols? If Göbekli Tepe broke through the conventional narrative of history, Karahantepe opens a deeper breach. And as excavations continue, there is a growing awareness that humanity, before ‘historical time’, was much more complex, spiritual, and interconnected than we have previously imagined.

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15/07/2025

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eBook Link in comments In the heart of the Giza plateau, the Great Sphinx continues to raise questions that challenge tr...
13/07/2025

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In the heart of the Giza plateau, the Great Sphinx continues to raise questions that challenge traditional explanations of Egyptology. Among the mysteries that remain unsolved, one of the most fascinating concerns the moat surrounding the Sphinx: a depression carved into the limestone rock, up to 18 meters deep in some places. Why build such an imposing monument inside a hollow that, if left to itself, would have filled with sand in a matter of years? Is it possible that the Sphinx is much older than we think?..
To better understand the issue, we need to take a step back in time to the so-called African Humid Period, a phase that lasted roughly between 10,000 BC and 4,000 BC. During those millennia, the Sahara was not a desert, but a verdant landscape rich in savannahs, lakes, and waterways. In this radically different scenario, the Nile had a much wider and more ramified course than it does today...
A study by geographer Eman Ghoneim, published in 2012 (Ancient drainage systems and paleohydrology in the Eastern Sahara), identified the existence of a paleo-tributary of the Nile, now buried under sand and rock, which in ancient times flowed right next to the Sphinx. This natural channel, probably navigable, connected the main monumental sites along the Nile, serving as a river highway for the transport of building materials and foodstuffs...
If the Nile really flowed just a few meters from the Sphinx at the time of its construction, then the moat in which it was carved could have contained water, keeping the statue protected from the sand. This hypothesis, now reevaluated by researchers such as Robert Schoch (Voices of the Rocks, 1999), confirms that the Sphinx could not have been erected in the desert, otherwise it would have been submerged by sand within a few years...
It is no coincidence that when it was rediscovered in the 19th century, the Sphinx was completely covered with sand up to its neck. This fact suggests that its construction dates back to a time when the region was still green, perhaps at the beginning of the African Humid Period, if not earlier...
Schoch also argued, with geological data, that the erosion present on the walls of the moat is compatible with prolonged action by water, and not by wind and sand, as was previously believed. His hypothesis is that the Sphinx dates back to at least 7000–9000 BC, but could even be older...
Another obvious anomaly is the structure of the Sphinx itself. The head is too small in relation to the body, disproportionate according to all Egyptian aesthetic standards. Furthermore, the paws and tail, which are visible today, are made of bricks and not of the same limestone as the body. This indicates that they were added later, at a time when the original meaning of the Sphinx had already been lost...
It is possible that, in Pharaonic times, priests and architects found a much older statue, perhaps a sacred symbol belonging to an earlier civilization, and decided to “restore” it by adapting it to Egyptian iconography. However, the results were questionable: the body is too elongated, the head too small, and the overall appearance is more reminiscent of a slender feline than a majestic lion, the symbol of Egyptian royalty...
Why, then, did the Egyptians, notoriously perfectionists and masters of symmetry, agree to leave their most famous national statue ‘imperfect’? One possible answer is that they had no choice: the original head was perhaps damaged or symbolically outdated, and modifying it too much could have desecrated a sacred and ancient object...
Geological, hydrological, and archaeological evidence suggests that the Sphinx is not a ‘typically Egyptian’ monument, but a legacy of a much earlier era. An era when the climate was radically different, the Nile was a branched river, and the Sahara was populated and fertile.
This new narrative ties in with the theory, increasingly supported by interdisciplinary data, of the existence of a pre-Neolithic global civilization, active in the millennia following the end of the last ice age, especially in equatorial and subtropical areas...

EBook link in comments Hidden across two distant lands, these intricately carved stones stand as silent witnesses to anc...
13/07/2025

EBook link in comments
Hidden across two distant lands, these intricately carved stones stand as silent witnesses to ancient ingenuity. The upper structure lies in Cusco, Peru—heart of the Inca Empire, dating back to the 15th century. Below, a similar stone rests in Bozukkale, Turkey, within the remnants of a Hittite stronghold from the second millennium BCE.

Both stones, fitted with masterful precision, defy time and tectonics. With interlocking edges, polygonal faces, and mysterious notches, they reveal a forgotten science of seismic resistance. Carved without mortar, shaped by hand, their surfaces whisper of lost tools and vanished techniques, yet endure unmarred.

And so they rest—thousands of miles apart, yet spiritually akin. Their mirrored forms echo across continents like a poetic riddle. Did nature inspire them alike? Or did ancient minds meet in an unseen harmony? In their silence, they speak of unity across time, carved in stone and wrapped in wonder.

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