Here’s a little insight into some production I used on @therivers_uk recent single Mindfield which you can check out on Spotify.
.
.
#mixer #mixing #producer #musicproducer #musicproducers #mixtips #altrock #indiebands #rockbands #producerlife #indie #indiebands #indieband #southwalesmusic #production #productiontips #mixerlife
Here’s a short video showing how I’m using a fake drum room track in context with the rest of the drums on this song I’m mixing for Fighting Monsters 🤙
That’s a wrap for 2021! I’ve just finished up my last session of the year with the awesome Marisa And The Moths. Big shout out to all the awesome bands I’ve been privileged to work with this year, here’s to creating more incredible music together in 2022!
I’ve not done one of these in a while so thought I’d share some of the drum sounds and my drum buss on the latest Nights Like Thieves song I’m mixing. Clarity Recordings in San Diego did a great job of tracking these. First up I’m using Slate Digital Virtual Mix Buss which is emulating an SSL console and I’m hitting this pretty hard to round off the peaks of the snare. Then I’m bringing the gain down a little and using some light, Neve style EQ.
Next up is the trusty Kazrog True Iron for some saturation. I’ve just tweaked one of the presets on that before hitting the Slate FG-Stress as my drum comp. 2:1 ratio, medium attack, fast release with the filters engaged and I’m getting around 5db compression on the loudest snare hits which glues everything together while still sounding really natural. Then I’m doing a bit more EQ with the Plugin Alliance Maag EQ4 for some low end punch and a bit of brightness, before finally using Joey Sturgis Tones JST Clip to make sure nothing gets out of hand.
I’m running 2 parallel channels into this, my compressor is just the Waves Audio CLA-76 slamming the shells for some extra sustain and then a parallel distortion buss where other than some EQ I’m using Soundtoys Devil-Loc followed by a transient designer for some extra texture and distortion mainly on the snare drum.
It’s sounding pretty saucy, what do you think?
I’ve just wrapped up mixing a new single for the awesome Hollow and thought I’d share a bit of the drum processing going on. We wanted a Loathe / BMTH modern and aggressive drum sound and I’m using a combination of GetGood Drums P IV kit for overheads and a bit of snare with Modern and Massive for the kick, snare and toms. I’ve also blended a couple of Drumforge 1 shot kick and snare samples.
.
On the drum buss I’m using the Kazrog True Iron for some cool saturation them the Slate Digital FG stress for buss compression which I’ve got blended with the dry signal around 60%. Waves Audio C4 is controlling a bit of the spikey top end as well as the low mids and lows. The tape saturation is then rounding off some more of the transients and adding some fatness before I’m blending some Soundtoys Decapitator for some extra sauce!
I stole this from the guys in Alter Apex and wanted to share as they said some super kind words about me. I’m so grateful for them and everyone who works with me, for putting your trust me in to help deliver your art to everyone. Head over to YouTube and check out this full episode as I love hearing these guys talk music ❤️
https://youtu.be/CQoDb59P2hE