With one of the best grading software out in the market "DaVinci Resolve" grading is done in a fast and reliable suite with real time Nvidia graphic cards, so all can be done and played back in real time with no rendering, using proper grading control panels and colour correct monitors, for a precise and fast workflow, all in the comfort of our grading room. Editing
Under Night is rightly experie
nced in Feature Films, Short Films, Corporate, Commercial and Music Videos. We aim to provide Low Budget Films with the same services and facilities that the big boys can afford, but without overcharging insane amounts of money for it. Our editors, have many years of experience in diverse sectors, working for Local and International film market. Editing is done in house, on our Premiere Pro CS6, Avid MC 6.5 and Final Cut Pro suites, for a fast and precise environment, and can be exported for any format of media or editing suite. With the use of fast editing suites and real-time Nvidia Graphic cards, the editing and viewing can be achieved with not time wasting rendering, so you see the project getting form as it is done in real time. Real time Assembling, linking and sinking multiple cameras and audio streams, for a fast output environment, where time is money. DIT
On location DIT with all you need for a fast paced environment, supplying you with computers, card readers and backup drives for a safe and fast data transfer. DIT can be done on a fast laptop with external drives for fast and safe data transfer or with the most reliable and fast computers, external drives and colour correct monitor, all inside of proper OB Van, perfect for external shoots, where a dark room and proper viewing environment it’s impossible. Real time viewing for any format of media and cameras thru BCN connection from the cameras to a colour correct broadcast monitor on the OB Van, where the director and producers can watch all in real time on the comfort of a mobile studio. Real-time recording can be done directly from the OB Van thru BCN connection for a fast paced environment, with not time wasting transferring media from cameras to drives, while watching all in real time from a 24" colour correct monitor or a 47" monitor directly from the comfort of an OB Van. Data encoding from any format to any format on location. If you shoot on Red R3D format, the transcoding can be done in a fast outputting low resolution .mov format for a fast offline editing and full data 444 uncompressed RGB for the final output. All in a fast paced environment for the comfort and speed of a real studio workflow with the convenience of a mobile OB Van, with no time wasting transferring and transporting media around to be encoded, transcoded and delivered. On location assembling, linking and sinking audio and video, for the fastest feature film, corporate and commercial environment workflow. Exporting EDL, AAF, MXL format for Premiere pro, Avid or Final Cut Pro workflows. Real time grading for features, commercial and corporate, where the director and producers can check and set up LOOKS for the scene, even before the film is finished, so if the director is not happy with the lighting for the LOOK he is looking for, the scene can be shoot again with no pick up days after the project is finished. Title and Credits
Under Night title designers (TDs) design the opening titles for films, as well as the captions that appear in the film giving details of time, place etc., and the end cards and moving roller listing all members of cast and crew. Depending on each film's budget, the opening titles may be simple or complex, but must always set the tone and atmosphere of the following feature length film. Under Night TDs spend a great deal of time researching or creating specific fonts which accurately reflect the film's genre or period. They also contribute to decisions about the choice of font colour, and whether to include animation or to shoot an entirely new section of film. Under Night Titles Designers usually start work near the end of the editing process, when they meet with the Director and Editor to discuss the themes and ideas in the film that will influence the creation of the opening titles, graphic captions within the film, the end cards and end roller. TDs must formulate a range of ideas which may include specially designed fonts, animated segments, or live-action sequences that TDs direct involving the cast and crew of the film.
Colour Grading
