13/07/2024
The evolution of a literary journal...
Until 2011, Beatdom looked very different from its present form. It was an image-heavy journal, printed in colour and with a glossy cover. It was 8x11.5 and its content also included much that could be terms "Beat-inspired." The content tended to be quirky and inconsistent as we had not yet formed a coherent identity as a journal. We also had no publishing schedule and merely printed whenever we had enough to justify a new issue--that meant nine issues of Beatdom in the first four years alone!
In 2011, we moved to a new format and the journal rapidly improved in quality. With Beatdom #9, we became a black-and-white, 6x9-inch journal that centred entirely on the Beats. We began to adopt a "semi-academic" approach that we continue today, which is to say that we cover areas typically of academic inquiry but we do so in a deliberately accessible way (which we believe is truer to the Beat legacy). We now publish annually in May.
Those early editions are no longer on sale but occasionally they pop up on eBay. They are kind of fun but goofy efforts that show our roots and early interests, but they are of less interest from a scholarly perspective, given their content (satire, cartoons, politics, etc). Most of the better pieces from those issues can be found on our website, where they are free to view.
The issues below include Beatdom #5, whose cover (designed by Isaac Bonan) became our company logo until earlier this year, when we changed to a new version, designed by Waylon Bacon. The cover below looks strange because the interior was signed (and heavily annotated in a violent, Gonzo style) by one of our regular contributors, Edaurdo jones, who passed away a few years ago.
A few months ago, we published our 24th issue and next month marks our 17th anniversary. Around the time we switched to our current format, we also expanded into book publishing, and since 2010 we have put out about two dozen texts on the Beats. With a book coming in December and several more issues already in the pipeline, we have no plans to slow down...