17/03/2021
10.10.2019
“I make my way up the escalator because I need to get out and get some fresh air and I’m still shaking and I’m sweaty and I can see my reflection in the clear plastic screens of the adverts on the way up across the escalator and I’m white as a sheet, but not in a good way. I’m pale in a bad way, the way of someone that just nearly passed out in an underground tunnel somewhere in central London.
When I come out I text Kelly and tell him what happened and ask him to send an email around to tell the team that I’m running late, and I start walking to work, from a stop that’s not very near but not too far away.
I get to the office, where I attempt to do some work but mainly drink endless cups of tea and listen to songs from Vietnamese movies from the 90s, because for some reasons this is making me feel better.
I go to the gym where I make a half ass attempt to work out and look at no one and then I leave the gym and get on the tube, where I realise that I’ve left my watch in my locker. The watch I’ve been wearing since I graduated from university and my Dad bought for me to say ‘well done’. But I don’t go back.
Then I get off the train and I walk over to my connection only to find out that the line I need is closed, some signal failure or someone’s suicidal or something, so I have to take a different one and then change again. And a journey that should have lasted five stops is now going to take twelve.
By the time I get to South Kensington- which is not my destination, just a random stop I find myself at because of what happened- I am tired and fed up and my phone is run out of battery and I have no book because I finish it at lunchtime.
And then I get off, for no reason really apart from: why not? And I sit on a bench at the platform and stare. Now, if this were a bad movie, right at this point I would cry.
And in this movie, I would cry for the tube that’s not running, and I would cry for the watch that I lost and I would cry for the person I was when I was 16 and the things that I did and the bands that I liked and the places where I used to go out and the dreams that I had. And I would cry for my 20s that have been f**ked up even though I only have myself to blame for and cry for my parents, who never wanted this for their son, never wanted him to be so unhappy. I would cry for the tattoos that I’ve had and I’ve needed to hide and the songs that I’ll never hear and my flat where I’m usually alone and for those few friends who put up with me and for the email that Jon sent to me a few days ago. For the love Rosie is unable to give me, for the love she won’t let me give back and for my broken affections, for my inability to connect. For my days that are wasted, for the time that passes so quickly and for making no contribution, for not making anyone’s life even a little bit better. I would cry because physical appearance is the most important thing there is, or so everyone makes me think anyway, and I would cry because nothing else matters apart from money, looks, objects. Cry because I look down on people based on their postcode in London where they live and based on them having a wrong haircut, or wearing the wrong sunglasses, or reading the wrong music blogs, or even worse, not reading any music blogs at all. Because I panic if my instagram picture does not have more than 40 likes and because it would freak me out if I had any fewer than five unopened tubes of toothpaste in my cabinet in my bathroom in my flat in central London at any given time or if I had less than £500,000 in my trust fund. And because despite recognising how futile all this is and how shallow and worthless I am, I can’t escape my own mind and all I want is more of the same. But I don’t cry, I can’t and that’s okay, so I get on the next tube and go home.
From there, I type ‘I can’t do this any longer. I will get away’ into my phone and send a group message to Rosie, Kelly, Adam, Michelle and my Brother before shallowing 10mg of Va**um. 20 minutes later, having received no replies, I fal asleep.”