Film Matters

Film Matters The magazine for future film scholars. Film Matters is an exciting film magazine, celebrating the work of undergraduate film scholars.

It is published three times a year, by students and for students, and each issue contains feature articles, as well as a healthy reviews section. In addition, with an undergraduate audience in mind, Film Matters will include occasional service-oriented pieces, such as profiles of film studies departments, articles that engage the undergraduate film studies community and prepare students for gradua

te study in this field, and resources and opportunities that undergraduate scholars can pursue. In an effort to give undergraduate scholars real-world, applied-learning experiences, all Film Matters feature submissions will undergo a peer review process (typically managed by undergraduate film and media students). We strive for inclusivity in all areas of our operations. Broadly speaking, we seek to empower undergraduates from diverse backgrounds (race, ethnicity, gender/gender identity/gender expression, sexual orientation, national origin, disability, and economic status are our primary concerns), engaging our mentors/editors from varied experiences of academia (community colleges, private colleges, public universities, tenure track, non-tenure track, adjunct, graduate student, etc.). If you want to write or edit for us, we want to work with you. We feel, however, during these changemaking times, that it is particularly important to state that Black Lives Matter. The views and opinions of all posts, including reviews and interviews, are those of the authors and do not necessarily represent or reflect those of the editors, the editorial board, or the advisory board. Film Matters is published by Intellect with support from the University of North Carolina Wilmington.

Undergraduates, a quick reminder about Chapman University's CFP 16.2, the deadline for which is February 1, 2025.  The t...
10/01/2025

Undergraduates, a quick reminder about Chapman University's CFP 16.2, the deadline for which is February 1, 2025. The theme: "The Body." Submit those film- and media-related papers today!

More details if you follow the link!

Film Matters announces Chapman University’s CFP 16.2 for their fifth special issue on the theme of “The Body.” Submissions from undergraduates and recent graduates are encouraged for consideration in issue 16.2 (2025). The deadline for submissions is February 1, 2025. As a reminder, Film … C...

20/12/2024

Film Matters and Cary Grant wish you a very happy holiday season! We're on hiatus until January now -- we'll catch up with you in 2025! Cheers!

On Film Matters, a report about the 2024 Chelsea Film Festival by Ben Holland (University of North Carolina Wilmington):...
13/12/2024

On Film Matters, a report about the 2024 Chelsea Film Festival by Ben Holland (University of North Carolina Wilmington):

"I conducted a quick investigation and discovered that out of the thirty-two films I had managed to see over the course of the week, nineteen were directed by women. That’s nearly sixty percent! This is, of course, fantastic to see — and even more encouraging was the fact that many of these women were still in the embryonic stages of their careers."

My experience at the twelfth annual Chelsea Film Festival regrettably began, not on opening night, but on the following afternoon. My lack of proper black-tie attire prevented me from attending the opening festivities; and my frugality, coupled with my observation … Continue reading →

Apply today! Come work with us on Film Matters!
11/12/2024

Apply today! Come work with us on Film Matters!

We're pleased to announce that judging for the 2024 Masoud Yazdani Award for Excellence in Undergraduate Film Scholarshi...
10/12/2024

We're pleased to announce that judging for the 2024 Masoud Yazdani Award for Excellence in Undergraduate Film Scholarship has begun! Here is the list of schools in the pool, as well as an introduction to this year's judges. Keep your eyes out for an early 2025 announcement of honorees!

Judging is already underway for the 2024 Masoud Yazdani Award for Excellence in Undergraduate Film Scholarship. Articles under consideration are from these fine higher education institutions: And it is our pleasure to celebrate this year’s judging panel: Hannah Davenport is … Continue reading .....

On Film Matters, an interview with FM 15.1 author Sophia Rubino (Chapman University):"Let yourself sit with the discomfo...
06/12/2024

On Film Matters, an interview with FM 15.1 author Sophia Rubino (Chapman University):

"Let yourself sit with the discomfort of films not made for Hollywood. When you can get out of the framework Hollywood employs for maximum audience closure and comfort, your life gets a whole lot better. The world opens up a whole new exciting path for you, and that is not exclusive to film and media."

Film Matters: Please tell us about your article that is being published in Film Matters. Sophia Rubino: My article combines two different analytical frameworks, object-relations psychoanalysis and phenomenology, to bring together the unconscious happenings of the mind and how they … Continue readi...

05/12/2024

Intellect is pleased to announce that Film Matters 15.2 is out now! 🎞️

Including ‘Parasite: The Microcosm of Power Chasm Under the Hypercapitalism Paradigm’
by Yixuan Ma and ‘Feedback, Fugitivity, and Overexposure: Monique Walton’s Dark Matters and the Criterion Channel’s Afrofuturism Collection’ by Francesca C. DiBona.


For more information about the journal and issue click here 👉
https://www.intellectbooks.com/film-matters

Access the issue via Discover 👉
https://intellectdiscover.com/content/journals/fm/15/2

Follow the journal on Facebook here 👉
https://www.facebook.com/filmmattersmagazine/

03/12/2024

Cinematic art without limits - Join UNCW's MFA in Filmmaking Program!

Our immersive three-year terminal degree program embraces a multi-modal approach, including narrative, documentary, experimental forms, animation, installations, VR, 360 video and more.

With hands-on workshops in cinematography, editing, screenwriting, sound, producing, and directing, alongside courses in film history, analysis, and aesthetics, you’ll gain the skills and vision to push boundaries as you explore the art of cinema.

Apply by March 1, 2025, for priority consideration! Departmental support, including assistantships, scholarships, and tuition remittance, is typically awarded to early applicants.

Take the first step toward creating without limits. Visit the link in our comments for more details or email our MFA Coordinator André Silva at [email protected] with any questions.

We're excited to review your application!

Looking for an MA program in film studies?  Then look no further!  Come to UNCW and work with us on Film Matters!
02/12/2024

Looking for an MA program in film studies? Then look no further! Come to UNCW and work with us on Film Matters!

Ready to dive deep into the world of film? Apply to the UNCW Master of Arts in Film Studies and take your passion to the next level!

Priority Deadline: March 1, 2025

Our two-year MA program explores the history, theory, and aesthetics of cinema through a dynamic curriculum. From advanced classes in film style and global cinema to personalized research and Master's theses, we offer the tools to expand your expertise and achieve your career goals.

✨ Why Choose UNCW?

*Close mentorship from dedicated faculty.
*Hands-on experiences in teaching, festival programming, film production, and more.
*A program designed to blend theory with real-world application.

Questions? Reach out to our MA Coordinator, Dr. Carlos Kase at [email protected]. Or, learn more via the link in our comments.

We can’t wait to see your application!

Film Matters is thankful for our editors, guest editors, advisory board, undergraduate editorial board, interns, graduat...
27/11/2024

Film Matters is thankful for our editors, guest editors, advisory board, undergraduate editorial board, interns, graduate students, and many contributors throughout the world. Many thanks for all you do!

And happy Thanksgiving to all who celebrate, like Joan Crawford here! 😀

On Film Matters, an interview with FM 15.1 author Qingheng Yu:"I hope my article encourages other undergraduates and you...
22/11/2024

On Film Matters, an interview with FM 15.1 author Qingheng Yu:

"I hope my article encourages other undergraduates and young film scholars to reexamine the position of national films, besides the dominance of classical Hollywood cinema, on an international scale."

Film Matters: Please tell us about your article that is being published in Film Matters. Qingheng Yu: This article discusses the interesting relationship between two Chinese films, The Goddess (1934) and The Flowers of War (2011), produced at different times … Continue reading →

YAYYYYYYYYYYYY!Film Matters is pleased to report that FM 15.3 is now off for copyediting and typesetting.  First proof s...
15/11/2024

YAYYYYYYYYYYYY!

Film Matters is pleased to report that FM 15.3 is now off for copyediting and typesetting. First proof should be available mid-December -- contributors, please keep your eyes out for an email from FM around that time!

In this final issue of 2024, you will find:

FEATURES

* "Contradictions in Metal: A Comparative Analysis of Sound of Metal (2019)" by Alice Alonso Limongi

* "Humanoids in Transition: Corrupted Binaries, Fluidity, and Embodied In-between" by Sarah Dean

* "Sentries of the Earth: Thinking Space and Revolution with Gillo Pontecorvo" by Eli Pallrand

* "The Trans-Terminator: Glitch Feminism in We’re All Going to the World’s Fair" by Andrew Roberts

As well as BOOK REVIEWS by Jay Burgart, Maria Caravousanos, Sylvia Felice Docker, Joseph Jasnoch, Anna Karnedy, Oisín McGilloway, Maggie Norwine, Marietta Smith, and Stella Sosa Wallace

A FILM REVIEW by Ana Paula Rodriguez Ruiz

And DVD/BLU-RAY REVIEWS by Brittany Utley, John Droder, Skye Foley, Jack Lohman, Miles Weiskopf, Ruby Schweitzer, Sam Bannasch, Savannah Moriarty, Austin Rambo, and Hannah Robinson

On Film Matters, an interview with filmmaker Ryan Cudahy by Sophia Fuller (University of North Carolina Charlotte):"I ha...
08/11/2024

On Film Matters, an interview with filmmaker Ryan Cudahy by Sophia Fuller (University of North Carolina Charlotte):

"I had one very specific reason to write this movie; my therapist told me to. In 2019, I was dealing with a lot in my life and I really didn’t know how to cope with it and get past it. The stuff I was trying wasn’t working and I mentioned that to my therapist. He said, 'Well, you’re a screenwriter, write a script about it.' So I did."

Sophia Fuller: Tell us a little bit about yourself; how did you get started in filmmaking? Ryan Cudahy: This is actually a story I have told quite a bit. I have been passionate about film my entire life. It really … Continue reading →

If you love film archives (or film or archives or libraries or some such combination), please consider signing this peti...
07/11/2024

If you love film archives (or film or archives or libraries or some such combination), please consider signing this petition! Action we can take to effect change.

Can you spare a minute to help this campaign?

On Film Matters, an interview with FM 14.3 author Paige Hartenburg:"I think of myself more of a reviser than a writer. U...
01/11/2024

On Film Matters, an interview with FM 14.3 author Paige Hartenburg:

"I think of myself more of a reviser than a writer. Usually, I think about my projects for a couple of weeks beforehand, reading any related material I can find and making notes in my writing journal. Once I am ready to start writing, I spend the first week getting all my thoughts out on paper. I spend the rest of my writing process revising, revising, revising."

Film Matters: Please tell us about your article that is being published in Film Matters. Paige Hartenburg: My article, “See No Evil: Audio Identification with the Monstrous in Under the Skin,” focuses on the relationship between identity and body as … Continue reading →

Film Matters is happy to announce open CFP 17.1 for consideration in our first issue of 2026!  This call will be managed...
29/10/2024

Film Matters is happy to announce open CFP 17.1 for consideration in our first issue of 2026! This call will be managed by UNCW. For more details, please follow the link.

The deadline for submissions (essay + mandatory contributor intake form) is March 1, 2025.

We look forward to hearing from you soon!

Film Matters announces an open call for papers from current undergraduates, authors who have been invited to revise and resubmit previous submissions (including authors who did not make it past our prescreening for a previous call), and recently graduated undergraduates for consideration … Continu...

Address


Alerts

Be the first to know and let us send you an email when Film Matters posts news and promotions. Your email address will not be used for any other purpose, and you can unsubscribe at any time.

Contact The Business

Send a message to Film Matters:

Videos

Shortcuts

  • Address
  • Alerts
  • Contact The Business
  • Videos
  • Claim ownership or report listing
  • Want your business to be the top-listed Media Company?

Share

Our Story

Film Matters is an exciting film magazine, celebrating the work of undergraduate film scholars. It is published three times a year, by students and for students, and each issue contains feature articles, as well as a healthy reviews section. In addition, with an undergraduate audience in mind, Film Matters will include occasional service-oriented pieces, such as profiles of film studies departments, articles that engage the undergraduate film studies community and prepare students for graduate study in this field, and resources and opportunities that undergraduate scholars can pursue. In an effort to give undergraduate scholars real-world, applied learning experiences, all Film Matters feature submissions will undergo a peer review process (typically managed by undergraduate film and media students).

We strive for inclusivity in all areas of our operations. Broadly speaking, we seek to empower undergraduates from diverse backgrounds (race, ethnicity, gender/gender identity/gender expression, sexual orientation, national origin, disability, and economic status are our primary concerns), engaging our mentors/editors from varied experiences of academia (community colleges, private colleges, public universities, tenure track, non-tenure track, adjunct, graduate student, etc.). If you want to write or edit for us, we want to work with you. We feel, however, during these changemaking times, that it is particularly important to state that Black Lives Matter.