Film Matters

Film Matters The magazine for future film scholars. Film Matters is an exciting film magazine, celebrating the work of undergraduate film scholars.

It is published three times a year, by students and for students, and each issue contains feature articles, as well as a healthy reviews section. In addition, with an undergraduate audience in mind, Film Matters will include occasional service-oriented pieces, such as profiles of film studies departments, articles that engage the undergraduate film studies community and prepare students for gradua

te study in this field, and resources and opportunities that undergraduate scholars can pursue. In an effort to give undergraduate scholars real-world, applied-learning experiences, all Film Matters feature submissions will undergo a peer review process (typically managed by undergraduate film and media students). We strive for inclusivity in all areas of our operations. Broadly speaking, we seek to empower undergraduates from diverse backgrounds (race, ethnicity, gender/gender identity/gender expression, sexual orientation, national origin, disability, and economic status are our primary concerns), engaging our mentors/editors from varied experiences of academia (community colleges, private colleges, public universities, tenure track, non-tenure track, adjunct, graduate student, etc.). If you want to write or edit for us, we want to work with you. We feel, however, during these changemaking times, that it is particularly important to state that Black Lives Matter. The views and opinions of all posts, including reviews and interviews, are those of the authors and do not necessarily represent or reflect those of the editors, the editorial board, or the advisory board. Film Matters is published by Intellect with support from the University of North Carolina Wilmington.

On Film Matters, an interview with FM 15.1 author Qingheng Yu:"I hope my article encourages other undergraduates and you...
22/11/2024

On Film Matters, an interview with FM 15.1 author Qingheng Yu:

"I hope my article encourages other undergraduates and young film scholars to reexamine the position of national films, besides the dominance of classical Hollywood cinema, on an international scale."

Film Matters: Please tell us about your article that is being published in Film Matters. Qingheng Yu: This article discusses the interesting relationship between two Chinese films, The Goddess (1934) and The Flowers of War (2011), produced at different times … Continue reading →

YAYYYYYYYYYYYY!Film Matters is pleased to report that FM 15.3 is now off for copyediting and typesetting.  First proof s...
15/11/2024

YAYYYYYYYYYYYY!

Film Matters is pleased to report that FM 15.3 is now off for copyediting and typesetting. First proof should be available mid-December -- contributors, please keep your eyes out for an email from FM around that time!

In this final issue of 2024, you will find:

FEATURES

* "Contradictions in Metal: A Comparative Analysis of Sound of Metal (2019)" by Alice Alonso Limongi

* "Humanoids in Transition: Corrupted Binaries, Fluidity, and Embodied In-between" by Sarah Dean

* "Sentries of the Earth: Thinking Space and Revolution with Gillo Pontecorvo" by Eli Pallrand

* "The Trans-Terminator: Glitch Feminism in We’re All Going to the World’s Fair" by Andrew Roberts

As well as BOOK REVIEWS by Jay Burgart, Maria Caravousanos, Sylvia Felice Docker, Joseph Jasnoch, Anna Karnedy, Oisín McGilloway, Maggie Norwine, Marietta Smith, and Stella Sosa Wallace

A FILM REVIEW by Ana Paula Rodriguez Ruiz

And DVD/BLU-RAY REVIEWS by Brittany Utley, John Droder, Skye Foley, Jack Lohman, Miles Weiskopf, Ruby Schweitzer, Sam Bannasch, Savannah Moriarty, Austin Rambo, and Hannah Robinson

On Film Matters, an interview with filmmaker Ryan Cudahy by Sophia Fuller (University of North Carolina Charlotte):"I ha...
08/11/2024

On Film Matters, an interview with filmmaker Ryan Cudahy by Sophia Fuller (University of North Carolina Charlotte):

"I had one very specific reason to write this movie; my therapist told me to. In 2019, I was dealing with a lot in my life and I really didn’t know how to cope with it and get past it. The stuff I was trying wasn’t working and I mentioned that to my therapist. He said, 'Well, you’re a screenwriter, write a script about it.' So I did."

Sophia Fuller: Tell us a little bit about yourself; how did you get started in filmmaking? Ryan Cudahy: This is actually a story I have told quite a bit. I have been passionate about film my entire life. It really … Continue reading →

If you love film archives (or film or archives or libraries or some such combination), please consider signing this peti...
07/11/2024

If you love film archives (or film or archives or libraries or some such combination), please consider signing this petition! Action we can take to effect change.

Can you spare a minute to help this campaign?

On Film Matters, an interview with FM 14.3 author Paige Hartenburg:"I think of myself more of a reviser than a writer. U...
01/11/2024

On Film Matters, an interview with FM 14.3 author Paige Hartenburg:

"I think of myself more of a reviser than a writer. Usually, I think about my projects for a couple of weeks beforehand, reading any related material I can find and making notes in my writing journal. Once I am ready to start writing, I spend the first week getting all my thoughts out on paper. I spend the rest of my writing process revising, revising, revising."

Film Matters: Please tell us about your article that is being published in Film Matters. Paige Hartenburg: My article, “See No Evil: Audio Identification with the Monstrous in Under the Skin,” focuses on the relationship between identity and body as … Continue reading →

Film Matters is happy to announce open CFP 17.1 for consideration in our first issue of 2026!  This call will be managed...
29/10/2024

Film Matters is happy to announce open CFP 17.1 for consideration in our first issue of 2026! This call will be managed by UNCW. For more details, please follow the link.

The deadline for submissions (essay + mandatory contributor intake form) is March 1, 2025.

We look forward to hearing from you soon!

Film Matters announces an open call for papers from current undergraduates, authors who have been invited to revise and resubmit previous submissions (including authors who did not make it past our prescreening for a previous call), and recently graduated undergraduates for consideration … Continu...

On Film Matters, an interview with FM 14.3 author Mary Beth Bauermann:"Analytical writing, whether it be music, film, or...
25/10/2024

On Film Matters, an interview with FM 14.3 author Mary Beth Bauermann:

"Analytical writing, whether it be music, film, or literary analysis, is my favorite type of writing, as I can dig into the smallest details, which often illuminates new ideas while I am writing. I have been working as a peer writing consultant in William & Mary’s Writing Resources Center since my first year, which has influenced me to spend more time revising and editing my writing. I find reading aloud to friends, family members, and sometimes even empty rooms to be incredibly helpful during my writing process."

Film Matters: Please tell us about your article that is being published in Film Matters. Mary Beth Bauermann: This article takes a deep dive into three of Spike Lee’s films that feature significant compilation soundtracks of American popular music: Malcolm … Continue reading →

23/10/2024

Register Now! Curious about UNCW's MFA in Filmmaking program? Join us for an Info Session with MFA Coordinator, Professor André Silva, to learn how our program can help shape your creative journey.

🗓️ November 19, 2024 | 6-7:30pm ET
🗓️ January 31, 2025 | 2:30-4pm ET
🎟️ Free | RSVP Required (Link in bio)

Get all your questions answered and find out what sets our program apart. Don’t miss out—register now and share with friends who might be interested!

Questions? Reach out to Professor Silva at [email protected]

19/10/2024

🎬 PROGRAMMER’S PICKS for SUNDAY, 10/20!

👉 FORGETTING THE MANY by Rosemarie Reed
👉 LAST PARTY by Nicolas Dozol
👉 PARISAN by Kambiz Babaei
👉 SONO LINO by Jacob Patrick
👉 BREAKTHROUGH by Patryk Wezowski
👉 THE Q***R EXPLORER by Maxime Donzel

✨🎟️ Purchase tickets HERE: bit.ly/cff2024passes, and view the full schedule on our website.

On Film Matters, an interview with FM 14.3 author Leandra Djomo:"As a Black woman, I am always looking out for marginali...
18/10/2024

On Film Matters, an interview with FM 14.3 author Leandra Djomo:

"As a Black woman, I am always looking out for marginalized voices in my research because I know they are not as celebrated nor promoted like other scholars despite potentially giving important insight that could prove useful for my writing. I too understand what it means to be a marginalized voice in academia. I strive to include those voices in my work."

Film Matters: Please tell us about your article that is being published in Film Matters. Leandra Djomo: My article “Daydreaming” focuses on the distortion of identity caused by VR technology in Satoshi Kon’s 2006 film Paprika and how that distortion … Continue reading →

18/10/2024

🎬PROGRAMMER’S PICKS for SATURDAY, 10/19!

👉 WHITE WITH FEAR by Andrew Goldberg
👉 DOG WAR by Andrew Abrahams
👉 LARA by Mags Eva Gavan
👉 MOUNTAIN BOY by Zainab Shaheen
👉 LOVE, BEES, AND F*CKERY by Marem Hassler
👉 THE MISS by Mertt Erez

✨🎟️ Purchase tickets HERE: bit.ly/cff2024passes, and view the full schedule on our website.

17/10/2024

🎬 PROGRAMMER’S PICKS for FRIDAY, 10/18!

👉 CALABASAS CRIMINALS by Brennan Karem
👉 A GOOD DAY WILL COME by Amir Zargara
👉 KEEP by Lewis Rose
👉 SUSPICIOUS MINDS by Imelda O'Reilly

✨🎟️ Purchase tickets HERE: bit.ly/cff2024passes, and view the full schedule on our website.

Production people, UNCW is hiring!
17/10/2024

Production people, UNCW is hiring!

FM Online Editor Kristi McKim is interviewed!  Congrats!
16/10/2024

FM Online Editor Kristi McKim is interviewed! Congrats!

In a world of hotter summers, stronger storms, and melting glaciers, Kristi McKim says ecocriticism can generate a joy that is otherwise hard-fought or missing from the serious facts of our warming climate. b.gatech.edu/3ZXyecX

On Film Matters, an interview with filmmaker Kim Carr by Sophia Fuller (University of North Carolina Charlotte):"Feeling...
11/10/2024

On Film Matters, an interview with filmmaker Kim Carr by Sophia Fuller (University of North Carolina Charlotte):

"Feeling like a 'late bloomer' in the film industry instilled a sense of urgency in me. Since I was essentially making up for lost time, I was determined to be as informed and knowledgeable as I possibly could. I listened to film-related podcasts, watched YouTube tutorials, read scripts, and viewed critically and commercially successful films and television shows. I also wrote and made films outside of class, beyond what was required. My quest to build my experience and resumé is still ongoing, but I now feel confident in my abilities as a filmmaker because I can confidently speak to more experienced film professionals about lighting, cinematography, or other film-related topics."

Station MVP explores the behind-the-scenes world of a public radio station and the characters who work there. The protagonist Jamie is in over her head—she must navigate a demanding new job, her zany colleagues, and ongoing threats from her estranged … Continue reading →

Sounds fascinating!
10/10/2024

Sounds fascinating!

An innovative, immersive take on Shakespeare’s Hamlet, shot entirely inside the world of Grand Theft Auto, Pinny Grylls and Sam Crane’s festival hit GRAND THEFT HAMLET is coming soon to US theaters + streaming globally.

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Our Story

Film Matters is an exciting film magazine, celebrating the work of undergraduate film scholars. It is published three times a year, by students and for students, and each issue contains feature articles, as well as a healthy reviews section. In addition, with an undergraduate audience in mind, Film Matters will include occasional service-oriented pieces, such as profiles of film studies departments, articles that engage the undergraduate film studies community and prepare students for graduate study in this field, and resources and opportunities that undergraduate scholars can pursue. In an effort to give undergraduate scholars real-world, applied learning experiences, all Film Matters feature submissions will undergo a peer review process (typically managed by undergraduate film and media students).

We strive for inclusivity in all areas of our operations. Broadly speaking, we seek to empower undergraduates from diverse backgrounds (race, ethnicity, gender/gender identity/gender expression, sexual orientation, national origin, disability, and economic status are our primary concerns), engaging our mentors/editors from varied experiences of academia (community colleges, private colleges, public universities, tenure track, non-tenure track, adjunct, graduate student, etc.). If you want to write or edit for us, we want to work with you. We feel, however, during these changemaking times, that it is particularly important to state that Black Lives Matter.