Corner Store Jazz

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Corner Store Jazz Vital, Living American Music -- Jazz, Blues, Jazz-Grass, Experimental, Romantic, Avant Garde -- Contemporary New York Based Artists -- Intimate Beauty

Q: Why start your own label, CornerStoreJazz, after all these years & relative success? A: Control over publishing, availability, production values, artistic vision, etc. Let's face it, internet publishing has changed the entire game and if you can own intellectual property you deem significant / important, why sell it to an intermediary? In the long run of this download generation, one might as

well minimize the strata between artist/creator/owner and one’s customer base -- IF -- you can achieve acceptable, critical mass in the marketplace without major label distribution and advertising muscle. Q: Why didn’t you sell most your self-produced masters to your record labels when you originally signed? A: I literally couldn’t afford it. I always felt like the majority of my self-produced music had a lasting value, and between the understandably low advances offered - which did not even cover my costs - and watching as other serious contemporary artists work was being swiftly removed from print, I generally chose to retain ownership. I can’t count how many times over the years a more experienced artist or music business professional would tell me (in good faith) that I’d never be able to lease my recordings --- and even if I could, it would be a mistake. Well, now, with the digital download reality and the shift to internet marketing, such “naive short sightedness” continues to seem like a sound approach and investment. Shortly, by 2015, nearly all of my back catalog will be once again available via CornerStoreJazz at philhaynes.com, Amazon, I-tunes, CD Baby, etc. After all, it wasn’t as if we -- my efforts + my various record companies -- ever approached market saturation with any of these titles. Time always tells. The perpetual problem is getting your product widely reviewed, advertised, heard, selected and of course then purchased. Certainly, with the right offer from a blue chip label, I would once again long-term lease or perhaps even sell off my self-produced masters. Mostly, that’s a non-issue, as both as artists and leading business owners nearly always choose to collaborate on fresh projects of common vision - and that's entirely a different question. When it comes to recording standards, arranging other composers works, performing with all-star ensembles, etc, it makes sense for both established labels and artists to work together from the outset to create new offerings jointly.

slow down even for just this moment and loose yourself
28/10/2024

slow down
even for just this moment
and loose yourself

from the album Late One Afternoon

in honor of INDIGENOUS PEOPLE'S DAY
14/10/2024

in honor of
INDIGENOUS PEOPLE'S DAY

from the album 'Way The West Was Won

"The legendary American drummer Phil Haynes has prepared a standard, mainstream trio . . . [with] the excellent pianist ...
25/09/2024

"The legendary American drummer Phil Haynes has prepared a standard, mainstream trio . . . [with] the excellent pianist Steve Rudolph and double bassist Drew Gress . . . The Day Dream Trio moves in the subtle style of ballad mainstream jazz, not avoiding creating their own compositions and reaching for the great standards of the jazz canon. Such is certainly the double, live album "Duke & Strays Live" dedicated to outstanding jazz composers: Duke Ellington and Billy Strayhorn . . . shimmers . . . with a rich set of great, jazz standards played by the perfect Day Dream Trio . . .
The heroes of the evening were not only Duke Ellington and Billy Strayhorn, but three outstanding musicians [Haynes, Gress & Rudolph]."

~ Dionizy Piątkowski, Jazz Era

from the album Duke & Strays Live

whether or not it is actually aBANDCAMP FRIDAYsupport your favorite artists, explore new ones, and buy direct!THANKS TO ...
20/09/2024

whether or not it is actually a
BANDCAMP FRIDAY
support your favorite artists, explore new ones, and buy direct!
THANKS TO YA'ALL

25 year NYC veteran drummer, composer and bandleader of singular voice and stirring stylistic range, from the innovative avant-garde to romantic ballads, Americana, & adventurous modern jazz classics. philhaynes.com

"... Which led, by and by, to Corner Store Syndicate festivals at the old Knitting Factory on Houston Street. Haynes’s 4...
09/09/2024

"... Which led, by and by, to Corner Store Syndicate festivals at the old Knitting Factory on Houston Street. Haynes’s 4 Horns & What? was the syndicate’s flagship band. They were outsiders, but Haynes’s music placed them right in the thick of it. Ideas were in the air and their antennae were up ... When the pandemic came, Haynes relistened to this music for the first time in ages, and thought, this stands up OK. He’s not wrong."
–Kevin Whitehead

New York’s “downtown scene” was so-called because folks mostly played (way) south of midtown, not because folks lived there. Many did live below 14th Street, but home might be anywhere from western New Jersey to the Bronx to affordable Brooklyn neighborhoods that seemed quaintly remote, at eig...

A sunny Sunday a year agowith Steve Rudolph & Drew Gressstill puts a skip in my step
08/09/2024

A sunny Sunday a year ago
with Steve Rudolph & Drew Gress
still puts a skip in my step

from the album Duke & Strays Live

Jim Yanda'sEMPATHY GENE Live  Bop Shop Thx for so much Dan Gross"the truth is out there"
20/08/2024

Jim Yanda's
EMPATHY GENE
Live Bop Shop
Thx for so much Dan Gross
"the truth is out there"

From the brilliant corners of the collective artistic psyche, Empathy Gene takes us on a sonic journey of discovery that surprises, haunts, and transforms. I...

Pre-order forfive stirring live tracks nowfeaturing Drew Gress & Steve Rudolph"And we love you madly"
14/08/2024

Pre-order for
five stirring live tracks now
featuring Drew Gress & Steve Rudolph
"And we love you madly"

10 track album

HONORED"Phil Haynes has revisited the thrilling yet underappreciated music of his quintet 4 Horns & What? with a must-he...
11/08/2024

HONORED
"Phil Haynes has revisited the thrilling yet underappreciated music of his quintet 4 Horns & What? with a must-hear collection ... a defining force in the New York jazz scene since he arrived from Oregon in 1983. ... This collection is truly revelatory, with each session offering an unbridled and joyous exploration of jazz's history ... spirited and full of humor ... moving from sparse atmospherics to an exuberant free-jazz frenzy ... coalesces from an uncharacteristic stillness, summoning a deeply rooted blues feeling inspired by field hollers and capturing something both mournful and determined ... thrilling and adventurous ... a hard act to follow ... scorching ... inspired and electrifying performances that deserve far more attention ... a pivotal moment in jazz history ... "

~ Alberto Gutiérrez Jazzóologo (Tiempo de Jazz)

A Grand Review:"... his most innovative and frequently overlooked ensemble. Conceived in the late 80s to play virtually ...
05/08/2024

A Grand Review:

"... his most innovative and frequently overlooked ensemble. Conceived in the late 80s to play virtually anywhere without amplification, the unconventional 4 Horns & What? fused classic New Orleans polyphony with blistering free jazz and modern composition.

Haynes is the “what” ... the hairs rose on the back of my neck as as I listened to the haunting melodies of Blues For Israel, Alone, and Ballad For Heike for the first time in over a decade. The ebullient wit of A’lil Iowa Get-Down and Corner Store Strut has lost none of its zing, and the ambitious long-form Atmospheres hugely benefits from Jon Rosenberg’s crisp remastering. The 1992 follow-up [album, 4 Horn Lore] ... I could kick myself for not buying it at the time ...

The thrilling exchanges between Haynes and Tchicai on the 15-minute Eclipse spark ... the rediscovery of these tapes ... a significant find."

~ Fred Grand, Jazz Journal

Reissue for drummer Haynes' 1989-95 free-meets-New-Orleans music featuring Paul Smoker, Ellery Eskelin, John Tchicai and others

w/Gress & Rudolphdrops 11/8/24so proud
05/08/2024

w/Gress & Rudolph
drops 11/8/24
so proud

!!!JON ROSENBERG!!!!!HERB ROBERTSON!!!! WOW WOW WOW !!
27/07/2024

!!!JON ROSENBERG!!!
!!HERB ROBERTSON!!
!! WOW WOW WOW !!

from the album Twisted

as Herb has said"DON'T WORRY, WE'RE NOT LIKE THE OTHERS"+ this Jon Rosenberg collaboration isBEYOND DELIGHTFUL & IMPORTA...
25/07/2024

as Herb has said
"DON'T WORRY, WE'RE NOT LIKE THE OTHERS"
+ this Jon Rosenberg collaboration is
BEYOND DELIGHTFUL & IMPORTANT, YO
spread the word and enjoy

5 track album

4 Horns & What(?): The Complete American Recordings * * * * 1/2 Album of the Year - All Star Break Edition - All About J...
18/07/2024

4 Horns & What(?): The Complete American Recordings
* * * * 1/2
Album of the Year - All Star Break Edition - All About Jazz

". . . always direct, engaging, at times chamber-like . . . vivid, palpable, compelling, touching the free and full of almost orchestral opulence, the soliloquies and an in*******se that is always masterful, very attentive, [and] creatively lively."

Best Jazz Albums of 2024: All-Star Break Edition article by AAJ Staff, published on July 15, 2024 at All About Jazz. Find more Year in Review articles

"Left of center drummer Phil Haynes puts together an opus . . . from gorgeous yet forward looking solos and harmonies to...
18/07/2024

"Left of center drummer Phil Haynes puts together an opus . . . from gorgeous yet forward looking solos and harmonies to cataclysmic traffic jams . . . ambitious and adventurous . . .
sometimes deep in the pocket and other times falling down the elevator shaft. It must have been something to see!"
~ George W. Harris, Jazz Weekly

from the album 4 Horns & What? -- The Complete American Recordings

"In the late 1980s, drummer Phil Haynes put together a two-brass, two-reed quintet that he called 4 Horns & What(?) . . ...
12/07/2024

"In the late 1980s, drummer Phil Haynes put together a two-brass, two-reed quintet that he called 4 Horns & What(?) . . . There is no guitar, piano or bass — nor are they needed. Haynes contributed all the compositions . . . from somber to rambunctious, from desolate passages to ecstatic group interplay, with [trumpeter Paul] Smoker (and [saxophonist John] Tchicai on the live date) particularly excelling. From sound explorations to joyful chaos, Phil Haynes and his sidemen never play it safe."
~ Scott Yanow, Downbeat * * * *

27 track album

"No obviousness, no banality, nothing that could make one think even in the slightest of something studied at a table (i...
08/07/2024

"No obviousness, no banality, nothing that could make one think even in the slightest of something studied at a table (in the sense of mannered, academic) and instead music that is always direct, engaging, at times chamber-like . . . full of almost orchestral opulence, the soliloquies and an in*******se that is always masterful, very attentive, creatively lively . . . in short, makes this integral [and] absolutely unmissable . . . continuous discovery that this authentic sonic monument can offer us. Happy listening . . . Album of the week."
~ Alberto Bazzurro, All About Jazz (Italy)

Phil Haynes: 4 Horns & What? – The Complete American Recordings album review by Alberto Bazzurro, published on July 8, 2024. Find thousands jazz reviews at All About Jazz!

"A career in music and the arts is not a sprint, it's a marathon. For every prodigy such as Tony Williams, who innovated...
28/06/2024

"A career in music and the arts is not a sprint, it's a marathon. For every prodigy such as Tony Williams, who innovated at age 16 with Miles Davis, it happens much later for many, including John Coltrane, who was in his mid to late 30's before the world came to him on his terms -- but only after he left Miles."

World Poetry Cafe has been heard for 25 years every Thursday on CFRO FM, 100.5, Vancouver. Ariadne Sawyer is the host/producer. Today's Cafe features an extended interview with great musician Phil Haynes. We include two complete cuts! Enjoy!

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