01/07/2024
TOWER OF FIRE FESTIVAL
It may have been just another rainy Saturday in Manchester, but the smiling faces inside The Rebellion Bar were enough to brighten any dull day. Here for the Tower Of Fire festival, a precursor to Firefest in October, this was a gathering of like minded people some of whom hadn’t seen each other in years. And that was what this festival was all about, a chance to catch up with people and enjoy the cream of the current melodic rock crop.
With Gabrielle de Val opening the proceedings in a gentle, hauntingly beautiful manner with an acoustic set that featured the likes of ‘Candle In The Window’, ‘Moonlight Shadow’ and ‘Kiss In A Dragon Night’. It was an effortless and smooth set that bodes well for her full, electric set at Firefest in October.
Featuring members of Ya Ya, Angels Or Kings, Samson, First Strike and Omkara, a band that had the patronage of Myke Gray at one point, White Skies are more seasoned than a Jamie Oliver roast dinner. Their debut showed plenty of promise, as did their first few live shows I caught over a year ago. But let’s be honest, there was room for improvement and that development was realised tonight. The addition of several new songs, plus more gigs under their collective belts revealed a band that were comfortable in each other’s presence. In singer Mick White they have an affable and instantly likeable frontman and with songs like ‘What Do You Know About Love’, ‘Black Tide’ and new song ‘If This Is It’ they delivered on all fronts.
Up next were Saracen, a band that I’ve never seen in their forty plus years of existence, who very nearly stole the show. With singer Steve Bettney as their only original member these days, Saracen proved to be a much heavier proposition live than their earlier recordings would have you believe. Whilst Bettney is sixty-seven, he looked and sang like a man half his age and made songs like ‘Crusader’ and ‘Swords Of Damascus’ seem effortless. However, stunning versions of both ‘Heroes, Saints & Fools’ and ‘Ready To Fly’ were quite possibly the songs of the day. This was the biggest surprise and quite possibly, the set of the day from a bunch of old-school musicians that delivered on every front.
And then the moment that every AOR fan in this room had been waiting for, the arrival of Remedy. Their brace of albums has placed them at the top of the current melodic rock crop, with their new album ‘Pleasure Beats The Pain’ one of this years finest. What I like about this band is that they are not afraid to move forward, to progress and take chances. There’s a gulf between their debut and ‘Pleasure…’, one that sees them pushing towards a harder edged direction, but all that can change as nothing is set in stone with this band. Their performance tonight was superb, a Scandinavian masterclass of slick, punchy and well executed hard rock, the kind that this region built its foundations on. From ‘Living On The Edge’, through to the likes of ‘Angelina’, ‘Moon Has The Night’ and ‘Sin For Me’, Remedy made an awful lot of people happy tonight.
Whilst Atack had the likes of Lee Small and Chris Childs on their debut album, neither were present tonight. But that didn’t dampen a set of old-fashioned hard rock, the kind hewn from and fashioned on Deep Purple’s back catalogue. Coming complete with a Hammond organ, their authenticity was unwavering as Keith Atack lead from the front throughout. This was the kind of set that can only come from musicians that have been around the block, knocked on every door and knocked again. If you were a musical purist, this was your set of the day.
Playing your debut show and headlining a festival is an audacious start to any bands gigging career. Armed with scant rehearsal time, Nitrate proved that pure adrenaline will get you far as they ran their luck tonight and got away with it. Their brand of AOR is slick, akin to cruising down the motorway on autopilot with no sharp curves or dangerous bends in sight. The scenery is good and the soundtrack perfect for a rainy day in Manchester. Bringing Alexander Strandell over from Sweden, the former Diamond Dawn and current Art Nation singer showed that even with limited rehearsal he was still capable of giving a great performance. Playing songs from both ‘Renegade’ and ‘Feel The Heat’, Nitrate were given a heroes welcome as the likes ‘Dangerzone’, ‘All The Right Moves’ and Big City Lights’ were afforded a rapturous response. I’d imagine that main man, Nick Hogg, was a relieved and happy man at the end and rightly so.
Asides from the music, it was fabulous to see so many people that I haven’t seen in years, and, for this writer, that was this festivals unique selling point and another reason to buy your Firefest tickets if you already haven’t. Thanks to Bruce Mee and Greg Dean for the hospitality and passes and to all the bands for being exceptionally good. This festival was sunshine on a rainy day.
Rob Evans