GHB Jazz Foundation

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GHB Jazz Foundation Founded by George H. Buck Jr. to celebrate and preserve this truly American music.

Whether you are interested in swinging Chicago style jazz, olde time blues, smoothe vocal jazz, rollicking New Orleans jazz, or any number of other styles, you are sure to find the largest selection of authentic music available. Jazzology Records: (Traditional Chicago Style Jazz)

American Music Records: (Authentic New Orleans Jazz)

G.H.B. Records: (New Orleans Style Jazz)

Black Swan Records: (R

e-issue: Paramount Blues and Jazz)

Solo Art Records: (Piano Jazz)

Audiophile Records: (Classic American Popular Songs)

Circle Records: (Big Bands)

Southland Records: (Authentic Blues)

Progressive Records: (Modern Music)

18/10/2023

Love For Sale is the 2nd Stereo DSD album by the Derek Smith Trio and the 3rd album featuring Jazz pianist Derek Smith at Native DSD Music. Smith’s earlier albums at NativeDSD were Derek Smith Trio Plays Jerome Kern and Funky Butt. This album has been transferred from the Original Analog Master Tape from Jazzology Records - GHB Jazz Foundation by 2xhd Mastering.

Love For Sale features several classics from the American Songbook including Summertime, Too Close for Comfort, Autumn Leaves and Sweet Lorraine. On the album, Derek Smith is joined by George Duvivier on Bass and Bobby Rosengarden, best known for his work as a studio musician and his appearances as Drummer and Bandleader on TV Shows including The steve allen show, The Ernie Kovacs Show, Sing Along with Mitch, Tonight Show starring Johnny Carson and The Dick Cavett Show.

Derek Smith says “When a musician records, he or she is saying in effect to the listener, “Here I am, this is what I am capable of, this is the best I can do.” The completed album may not always work out this way, but the audience is entitled to this interpretation.

Love For Sale is available in Stereo DSD 512, DSD 256, DSD 128 and DSD 64 only at NativeDSD thanks to our signature Higher Rates Program.

https://www.nativedsd.com/product/2xhdja1237-love-for-sale/

11/10/2023

Clive Wilson and the New Orleans Serenaders

07/10/2023

Butch Thompson Trio plays "Working Man Blues" on November 22, 2008 at the 22nd Annual West Coast Ragtime Festival in Sacramento CA.Musicians are Butch Thomps...

Happy 74th anniversary to Jazzology Records!!!August 16th, 1949.
15/08/2023

Happy 74th anniversary to Jazzology Records!!!
August 16th, 1949.

George Buck circa 2008

https://www.youtube.com/watch?v=V_7jyAR6Giw
20/07/2023

https://www.youtube.com/watch?v=V_7jyAR6Giw

Provided to YouTube by The Orchard EnterprisesSteppin' on the Gas · Cuff Billett · Frank Brooker · Richard Simmons · Brian Turnock · "Capt." John Handy · Pet...

https://www.youtube.com/watch?v=0JI0Kl2YpCE
20/07/2023

https://www.youtube.com/watch?v=0JI0Kl2YpCE

Barry Martyn has been a jazz drummer, bandleader, producer, and historian for over 65 years. Born on February 23, 1941, in London, England, New Orleans Jazz ...

Rest in Peace, Barry Martyn.Barry Martyn was an integral and important part of the GHB Jazz Foundation for many decades....
20/07/2023

Rest in Peace, Barry Martyn.

Barry Martyn was an integral and important part of the GHB Jazz Foundation for many decades. His work as producer, drummer, and researcher cannot be overestimated.
Born on February 23, 1941, in London, England, he lived and breathed New Orleans jazz for 70 years. In the early 1980s he permanently moved back to New Orleans and helped George H. Buck Jr. on reissuing Bill Russell's American Music label. He dedicated his life to this musick and the musick is his legacy.

In the comments we will post a link to his webpage with a more detailed biography of his life and legacy. His passing is a loss to the entire New Orleans musick community. Barry Martyn will be missed and well remembered.

Pete Fountain can be found on over 11 albums on our labels, under his own name and others, as well as on 2 of our GHB Sa...
05/07/2023

Pete Fountain can be found on over 11 albums on our labels, under his own name and others, as well as on 2 of our GHB Samplers.

A clarinetist whose TV appearances on Lawrence Welk and Johnny Carson programs made him one of the most identifiable New Orleans musicians ever, Pierre Dewey LaFontaine Jr. (July 3, 1930 – August 6, 2016), known professionally as Pete Fountain, was one of the most famous of all New Orleans jazz clarinetists.

Pete Fountain had the ability to play songs that he performed countless times (such as "Basin Street Blues") with so much enthusiasm that one would swear he had just discovered them. His style and most of his repertoire remained unchanged from the late '50s into the new millennium, yet he never sounded bored.

LaFontaine was born to Pierre, Sr. and Madeline, in a small Creole cottage-style frame house on White Street (between Dumaine Street and St. Ann Street) in New Orleans. Pete was the great-grandson of a French immigrant, François Fontaine, who was born in Toulon, circa 1796, and came to the U.S. in the early 19th century, and died on the Mississippi Gulf Coast circa 1885. Pete's father, a truck driver and part-time musician, changed the family name to Fountain.

He started playing clarinet as a child at the McDonogh 28 school located on Esplanade Avenue. As a child, young Pete was very sickly, frequently battling respiratory infections due to weakened lungs. He was given expensive medication but it proved to be not very effective. During a pharmacy visit, Pete's father began a discussion with a neighborhood doctor who was also there shopping and talked with him about his son's condition. The doctor agreed to see the boy the following day. After a short exam, the doctor confirmed the weak lung condition and advised the father to try an unorthodox treatment: purchase the child a musical instrument, anything he has to blow into. The same day, they went to a local music store and, given his choice of instruments, Pete chose the clarinet (after first wanting the drums, which his father declined per the doctor's orders). At first, Pete was unable to produce a sound from the instrument, but he continued to practice and eventually not only made sounds and eventually music, but greatly improved the health of his lungs.

He took private lessons but also learned to play jazz by playing along with phonograph records of first Benny Goodman and then Irving Fazola. By the time he reached his teens, he was playing regular gigs in the nightclubs on Bourbon Street. According to Fountain:

"When I was a high school senior, my history teacher asked me why I didn’t study more... I answered that I was too busy playing clarinet every night, and when I told him I was making scale — about $125 a week — he said that was more than he made and I should play full time. I guess I was a professional from that point on."

One of Fountain's early engagements were with the bands of Monk Hazel. Fountain founded the Basin Street Six in 1950 with his longtime friend, trumpeter George Girard. In 1954, after the Basin Street Six folded, Fountain briefly went to Chicago to play with the Dukes of Dixieland, then returned to New Orleans and teamed up with Al Hirt to lead a band, playing an extended residence at Dan Levy’s Pier 600

A talent scout for Lawrence Welk, who saw Fountain performing at the Pier 600, brought him to the attention of Larry Welk, son of television bandleader Lawrence Welk. Persistent persuasion from the son led the senior Welk to invite Fountain to join the Lawrence Welk orchestra in Los Angeles, where he relocated and lived for two years. Fountain became well known for his many solos on Welk's ABC television show, The Lawrence Welk Show. He was rumored to have quit when Welk refused to let him "jazz up" a Christmas carol on the 1958 Christmas show. Other accounts, including one in Fountain's autobiography A Closer Walk With Pete Fountain, indicate he in fact played a jazzy rendition of "Silver Bells" on the show which upset Welk, leading to Fountain's departure in early 1959. In an interview, Fountain said he left The Lawrence Welk Show because "champagne and bourbon don't mix." Fountain was hired by Decca Records A&R head Charles "Bud" Dant and went on to produce 42 hit albums with Dant. After Welk's death, Fountain would occasionally join with the Welk musical family for reunion shows.

Fountain returned to New Orleans, played with the Dukes of Dixieland, then began leading bands under his own name. He owned his own club in the French Quarter in the 1960s and 1970s. He later acquired "Pete Fountain's Jazz Club" at the Riverside Hilton in downtown New Orleans.

The New Orleans Jazz Club presented "Pete Fountain Day" on October 19, 1959, with celebrations honoring the pride of their city, concluding with a packed concert that evening. His Quintett was made up of his studio recording musicians, Stan Kenton's bassist Don Bagley, vibist Godfrey Hirsch, pianist Merle Koch, and the double bass drummer Jack Sperling. Fountain brought these same players together in 1963 when they played the Hollywood Bowl. Pete would make the trek to Hollywood many times, appearing on The Tonight Show Starring Johnny Carson 56 times.

Fountain opened his club, the French Quarter Inn, located in the heart of the famed French Quarter district, at 800 Bourbon Street, in the spring of 1960. His group members were Oliver "Stick" Felix on bass, John Probst on piano, Paul Guma on guitar, Godfrey Hirsch on vibes, and Jack Sperling on drums. In no time at all, major entertainers found their way there. Cliff Arquette, popularly known as Charley Weaver, and Jonathan Winters were there on opening night and performed their comedy routines. Over the next few years Frank Sinatra, Phil Harris, Carol Lawrence and Robert Goulet, Keely Smith, Robert Mitchum, and Brenda Lee, among many others, came to the club. Many would perform with the band, and Brenda Lee's sit-in resulted in a duet record album recorded by her and Pete. Benny Goodman came to the club twice, but without bringing his clarinet.

His greatest friendly rivalry was with trumpeter Al Hirt, whose club was down the street from Fountain's. They stole musicians from each other, and sometimes came into each other's clubs and played together. They were good friends who came up together and later recorded several albums together.

In 2003, Fountain closed his club at the Hilton with a performance before a packed house filled with musical friends and fans. He began performing two nights a week at Casino Magic in Bay St. Louis, Mississippi, where he also had a home (later destroyed by Hurricane Katrina).

After heart surgery in 2006, he performed at the New Orleans Jazz and Heritage Festival and helped reopen the Bay St. Louis casino. It has since been renamed the Hollywood Casino. He performed his last show at Hollywood Casino on December 8, 2010,[9] before returning to help reopen the resort in 2014, by which point he was mostly retired.

Fountain was a founder and the most prominent member of the Half-Fast Walking Club, one of the best known freelance marching units that parade in New Orleans on Mardi Gras Day. The original name was "The Half-Assed Walking Club," and it was an excuse to take a "lubricated" musical stroll down the parade route. Pete changed the name under pressure exerted by the parade organizers. On Mardi Gras Day 2007, Pete again joined his Half-Fast Walking Club, having missed the event in 2006 due to illness.

Fountain died of heart failure in his home town on August 6, 2016, at the age of eighty-six.

Source: Wikipedia/Scott Yanow

07/06/2023

Today, we are delighted to announce that the beloved trumpeter, vocalist and bandleader Mr. Wendell Brunious has been named Musical Director of Preservation Hall!

As Musical Director, Mr. Brunious will work to curate the Hall's extensive performance repertoire, continue to mentor younger musicians of the Preservation Hall community, maintain his fruitful relationships with the Hall's 60+ member musical collective, and serve as a musical ambassador for the Preservation Hall Foundation, assisting in educational programming and community engagement efforts.

As he continues to captivate audiences on the bandstand, in his new role, Mr. Brunious will act as the venue and foundation’s ambassador to the music world.

Please join us in celebrating and thanking Mr. Brunious for all he has done – and continues to do – for New Orleans music and culture.

Photo by Camille Lenain

09/05/2023

Happy 305th Birthday, New Orleans!
Founded in the Spring of 1718 by Jean-Baptiste Le Moyne de Bienville ⚜️

24/04/2023

Only Branford Marsalis and Trombone Shorty!
Sitting in with Saturday Night Band with Herlin Riley on drums.

It doesn't get more New Orleans than that!

21/04/2023

This footage of George Lewis, Jim Robinson and Slow Drag Pavageau was filmed at Preservation Hall in the 1960s.

20/04/2023

Provided to YouTube by The Orchard EnterprisesBunk's Blues in F · Bunk JohnsonRare and Unissued Masters: Vol 1 / 1943-1945℗ 2014 American Music RecordsReleas...

15/04/2023

Ray Sherman April 15, 1923 - September 16, 2022 Ray Sherman passed away after a full life of 99 years. Ray was a professional pianist, composer and arranger, in addition to being a beloved father, grandfather, and great-grandfather. Ray was born in Chicago on April 15, 1923, to a pair

05/04/2023

Provided to YouTube by The Orchard EnterprisesWhat Ya Want Me to Do? · Kid Thomas and The New Black Eagle Jazz BandKid Thomas and the New Black Eagle Jazz Ba...

27/03/2023

Lineup for the 2023 The New Orleans Ragtime Festival.

Friday March 31st The New Leviathan Oriental Foxtrot Orchestra at Marigny Opera House.

Saturday April 1st New Orleans Jazz National Historical Park -DUTCH ALLEY-916 N. PETERS

11am - Kris Tokarski
12pm - Lars Edegran's Ragtime Orchestra
1pm - Seva Venet & The Storyville Stringband
2pm - Matt Lemmler & Steve Masakowski
3pm - Steve Pistorius & The Porch Pals

For more info and tickets visit: www.theneworleansragtimefestival.com

Punch Miller, Louis Nelson, George Lewis, Joe Robichaux, Emanuel Sayles, Pap John Joseph, Joe Watkins
02/03/2023

Punch Miller, Louis Nelson, George Lewis, Joe Robichaux, Emanuel Sayles, Pap John Joseph, Joe Watkins

02/03/2023
28/02/2023

Look down, look down that lonesome road, before you travel on.

📸 Billie and De De's Preservation Hall Jazz Band by Dan Leyrer, 1966

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