Edition Fifty Fathoms

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Edition Fifty Fathoms The only »Art Magazine« of Underwater Photography The Edition Fifty Fathoms is a creation of Marc A.
(1)

Hayek, CEO of the watch manufacturer Blancpain and Dietmar W. Fuchs, Editor of various underwater publications like the swiss Aquanaut (1988-1993), the german unterwasser (1994-2011) and the international ScubaDiver-TTL (2011- ). The Editions celebrates the art of watchmaking and the art of underwater photography as both are dedicated to human creativity and finesse. Using the name of the very fir

st diving watch, the »Fifty Fathoms« each Edition features an unbelievable collection of the very best underwater pictures ever created by the very best underwater photographers. The Edition Fifty Fathoms will consist of 12 annual magazines, starting in 2008 until 2020
12 like ciphers on a watch's dial and letters in its name: Fifty Fathoms. And as 12 is a magical number in time, it is as well in photography: Leica'S famous format of 24x36 includes the 12 as well as Hasselblad`s 6 x 6; or televisions 3:4 or 16:9. And as the name of the watch, the Edition is dedicated to includes the number 50. This number as well plays an important role in the edition, that displays 50 portfolio pictures in each issue and all together introduces 50 photographers in its whole edition of 12 magazines. There are endless more hints to 12 and 50 hidden in the book. Collect them and find out!

»Edition Fifty Fathoms«
-as precious as time-

The world underwater delivers excellent visual better than any Hollywood movie, 🎥 only when you are ready to share the a...
23/10/2024

The world underwater delivers excellent visual better than any Hollywood movie, 🎥 only when you are ready to share the adventure underwater and far away from home...Austrlia deliver on the first day first dive in a cage lower, like an elevator to 26 meter below = 86 feet Great white shark 3.6 meter = 12. 4 feet long, showed swimming easily over the bottom, circling slowly around the deep cage, showing us its mother nature gifts. In over 45 years filming Great white 🦈 shark from California, South Africa, Mexico that is the first time to follow this apex predator so deep so much in peace. Thank you Rodney Fox Great White Shark Expeditions. Mark Tozer

Here are a few sights from the first day of diving - an enjoyable time diving and snorkeling with the playful and curiou...
23/10/2024

Here are a few sights from the first day of diving - an enjoyable time diving and snorkeling with the playful and curious Australian sea lion. (Neophobia cinerea). Water temperature 17C = 62 F. Visibility as you see superb, clear, and shallow water.

We are moving now to the Great White shark water. The camera is working, the strobes are firing, and the 7mm (I've never used one before) works very well. The hood and gloves 3mm.

BigAnimals Global Expeditions

Scientists estimate the Greenland shark lives at least 250 years. They may live over 500 years. Close-up image of a Gree...
20/10/2024

Scientists estimate the Greenland shark lives at least 250 years. They may live over 500 years. Close-up image of a Greenland shark taken at the floe edge of the Admiralty Inlet, Nunavut.

Experts from my Blog...I then repositioned myself, gliding beneath the shark, moving from its left side to its right. We were 45 feet under the ice, and the water shimmered with an otherworldly light, deep blue, glowing, and faintly illuminating what I had been looking to capture—dangling grotesquely from the shark’s cornea—a parasite, rising like a tiny flag in the current. I pressed the shutter again and again, capturing the shark and its companion.
https://mailchi.mp/biganimals.com/greenland-sharkr3-10202024-3059679?e=306d732743

We had a drink, Dinner, lots of Loughs, stories, and a big hug - that is, with the Australian and world leader in the Gr...
17/10/2024

We had a drink, Dinner, lots of Loughs, stories, and a big hug - that is, with the Australian and world leader in the Great White Shark exploration and education team. With the one and only Rodney Fox, Andrew, his son, and Mark Tozer…more to come, tomorrow my presentation at the Shark Museum in Adelaide and in the next ten days of my adventure in South Australia on land and underwater too🤗👍

Sunset on the peaceful and colorful Bondi beach…tomorrow on the way to Adelaide to meet with Rodney fox and his team Gre...
16/10/2024

Sunset on the peaceful and colorful Bondi beach…tomorrow on the way to Adelaide to meet with Rodney fox and his team Great white shark

Presenting a new Gallery of images by Dr. Mark Erdmann.  We have lots of Galleries by accomplished photographers.  And m...
14/10/2024

Presenting a new Gallery of images by Dr. Mark Erdmann. We have lots of Galleries by accomplished photographers. And many are famous! You too can have a Gallery...just get in touch.
https://bit.ly/3XTQNfu
If you enjoy this post please "like" & "share" it. "Like" the Bird's Head Seascape page too, doing so helps keep the site active and supports its conservation, thanks.
‪ #‎birdsheadseascape‬ ‪ #‎conservation‬ ‪ #‎coraltriangle‬ ‪ #‎diving‬ ‪ #‎environment‬ ‪ #‎Indonesia‬ ‬ ‪ #‎photography‬ ‪ #‎protectedareas‬ ‪ #‎rajaampat‬ ‪ #‎tourism‬ ‪ #‎westpapua‬ ‪ #‎travel‬ ‪ #‎BHS‬ ‪ #‎ecotourism‬ ‪ ‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬ ‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬ ‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬,

A Bird’s Head Seascape image Gallery is a thing of beauty. It’s essentially a portfolio compiled of 12 images, GREAT images, all taken exclusively within the Bird’s Head Seascape. Some of the world’s leading underwater image makers have contributed. Check out Galleries by Alex Mustard, Tobia...

I will be in Sydney, Australia, on my way to see Rodney FGox and diving with the Great white - on October 15, I will be ...
12/10/2024

I will be in Sydney, Australia, on my way to see Rodney FGox and diving with the Great white - on October 15, I will be sharing my ocean exploration and photography experience - In the company and harmony with the OceanGiants...if you are in Sydney, I would love to see you👍

I am traveling to Australia today and am thrilled to meet two legends in ocean exploration.I will meet with Rodney Fox a...
12/10/2024

I am traveling to Australia today and am thrilled to meet two legends in ocean exploration.

I will meet with Rodney Fox and his son Andrew led the Great White Shark diving experience.

On this trip, I led a team of eight guests on a photography experience diving with the Australian great white sharks in a bottom cage.

The first time in my life and last time I dived with Great white in Australia was in 1982, with Rodney, and I consider him my mentor for shark diving.

I look forward to seeing Rodney and conversing with him one-on-one in his Shark Museum in Adelaide on October 18

To learn more about Rodney and his contribution to the world of diving with Sharks - https://indopacificimages.com/rodney-fox-aussie-icon/

While in Australia, I will have two public presentations in Sydney 10/15 and in Adelaide 10/18

Wish us fair weather and many encounters with the magnificent and misunderstood🦈

Rodney Fox - the survivor of a horrendous shark attack, conservationist, the creator of great white shark tourism and a true Aussie icon!

Alan Powderham's new book is gorgeous. And just in time for Christmas gifting.  Check it out!https://bit.ly/3Nn7nQmIf yo...
11/10/2024

Alan Powderham's new book is gorgeous. And just in time for Christmas gifting. Check it out!
https://bit.ly/3Nn7nQm
If you enjoy this post please "like" & "share" it. "Like" the Bird's Head Seascape page too, doing so helps keep the site active and supports its conservation, thanks.
Dived Up Publications
‪ #‎birdsheadseascape‬ ‪ #‎conservation‬ ‪ #‎coraltriangle‬ ‪ #‎diving‬ ‪ #‎environment‬ ‪ #‎Indonesia‬ ‬ ‪ #‎photography‬ ‪ #‎protectedareas‬ ‪ #‎rajaampat‬ ‪ #‎tourism‬ ‪ #‎westpapua‬ ‪ #‎travel‬ ‪ #‎BHS‬ ‪ #‎ecotourism‬ ‪ ‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬ ‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬ ‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬‬

We have some exciting news: In 2020 we reviewed Alan Powderham’s book, At the Heart of the Coral Triangle: Celebrating Biodiversity. Now, and just in time for Christmas gifting, he has released its companion, Coral Triangle Cameos: Biodiversity and the Small Majority. While many marine life books ...

"Mirror, mirror, on the wall, who is the fairest (scarry) of them all?"In Antarctica, surprises often come from beneath ...
07/10/2024

"Mirror, mirror, on the wall, who is the fairest (scarry) of them all?"

In Antarctica, surprises often come from beneath the surface. It was 2001, and my team was filming an iceberg from our skiff when a sudden blow by the side of the boat caught us off guard. I turned toward the sound and saw a massive gray head break the surface—pulsing nostrils, bulging eyes—staring right at me.

Leopard seals are among the most unpredictable and intimidating creatures I’ve encountered in 45 years of diving. They are massive creatures, weighing up to 600 kilograms and measuring over 11 feet long. They are powerful, curious, and incredibly agile. Their powerful jaws, capable of crushing prey, are lined with sharp teeth, but they also have the ability to filter-feed on krill. Their dual nature—predator and filter-feeder—reflects their adaptability and dominance in the icy waters they call home. They exhibit a playful yet challenging nature, much like a young boy testing his strength and control over his surroundings. Over the course of numerous expeditions to Antarctica, I’ve observed this duality in their behavior—territorial and aggressive, but also curious about intruders in their domain.

We entered the freezing waters expecting to encounter seals, but nothing could have prepared us for the intensity of this close encounter.. As we descended, the seal we’d seen from the surface vanished. Moments later, it reappeared, moving at lightning speed between us, jaws wide open, showing off its sharp teeth before disappearing again. Each time it darted through the water, it turned with incredible precision, like a torpedo that could stop on a dime and change direction. The combination of its raw power and agility was awe-inspiring, but its proximity and razor-sharp teeth were enough to make our hearts race.

After several intense encounters, I decided on a tactical approach. I paired up with Jiri, a Slovak photographer, and we resolved to stay still, side by side, to present a united front while we photographed the seals moving around us. The idea was to appear larger and less vulnerable. When the seal approached again, we stood our ground. It swam toward us at full speed, stopping just inches away, its jaws wide open as if trying to intimidate us. In the picture I took, the seal’s mouth—filled with sharp canines—hovered menacingly just inches above Jiri camera’s dome, which measured a daunting 25 cm (10 inches) across. We were frozen in place, both by the icy water and the raw intensity of the moment, unsure of what would happen next. Then, as suddenly as the seal had been aggressive, its demeanor changed. It began to circle us slowly, gliding with an almost peaceful elegance. What had been a display of power and intimidation now transformed into a graceful underwater ballet? The seal moved fluidly around us, inspecting us from every angle, its large eyes glinting in the cold Antarctic light.

After we surfaced and reviewed the footage, we speculated that the seal might have reacted to its reflection in the camera dome. Perhaps it mistook its own image for a rival seal. The experience was a stark reminder of how little we truly understand about the behavior of these majestic creatures. Scientists describe leopard seals as solitary and territorial, but in that moment, the seal’s curiosity and acceptance of our presence felt profound.

This encounter wasn’t just about documenting an apex predator. It was about connecting with a creature on its terms, in its environment. The tension between fear and fascination drove me to dive deeper into the wild, to understand these animals not just through my camera lens but as fellow beings navigating a shared world.

As I left Antarctica that season, the memory of the leopard seal stayed with me—a reminder of nature’s unpredictability, power, and the delicate balance between awe and respect. Encounters like this keep me returning to these remote corners of the world, where the line between observer and participant in the natural world becomes beautifully blurred.

Canon EOS-1Ds Mark III. 16 - 35mm lens, 1/250 sec, f-8, 400 ISO

Eye to Eye with a Leopard Seal:"Mirror, mirror, on the wall, who is the fairest (scarry) of them all?"In Antarctica, sur...
07/10/2024

Eye to Eye with a Leopard Seal:
"Mirror, mirror, on the wall, who is the fairest (scarry) of them all?"

In Antarctica, surprises often come from beneath the surface. It was 2001, and my team was filming an iceberg from our skiff when a sudden blow by the side of the boat caught us off guard. I turned toward the sound and saw a massive gray head break the surface—pulsing nostrils, bulging eyes—staring right at me.

Leopard seals are among the most unpredictable and intimidating creatures I’ve encountered in 45 years of diving. They are massive creatures, weighing up to 600 kilograms and measuring over 11 feet long. They are powerful, curious, and incredibly agile. Their powerful jaws, capable of crushing prey, are lined with sharp teeth, but they also have the ability to filter-feed on krill. Their dual nature—predator and filter-feeder—reflects their adaptability and dominance in the icy waters they call home. They exhibit a playful yet challenging nature, much like a young boy testing his strength and control over his surroundings. Over the course of numerous expeditions to Antarctica, I’ve observed this duality in their behavior—territorial and aggressive, but also curious about intruders in their domain.

We entered the freezing waters expecting to encounter seals, but nothing could have prepared us for the intensity of this close encounter.. As we descended, the seal we’d seen from the surface vanished. Moments later, it reappeared, moving at lightning speed between us, jaws wide open, showing off its sharp teeth before disappearing again. Each time it darted through the water, it turned with incredible precision, like a torpedo that could stop on a dime and change direction. The combination of its raw power and agility was awe-inspiring, but its proximity and razor-sharp teeth were enough to make our hearts race.

After several intense encounters, I decided on a tactical approach. I paired up with Jiri, a Slovak photographer, and we resolved to stay still, side by side, to present a united front while we photographed the seals moving around us. The idea was to appear larger and less vulnerable. When the seal approached again, we stood our ground. It swam toward us at full speed, stopping just inches away, its jaws wide open, as if trying to intimidate us. In the picture I took, the seal’s mouth—filled with sharp canines—hovered menacingly just inches above Jiri camera’s dome, which measured a daunting 25 cm (10 inch) across. We were frozen in place, both by the icy water and the raw intensity of the moment, unsure what would happen next. Then, just as suddenly as the seal had been aggressive, its demeanor changed. It began to circle us slowly, gliding with an elegance that felt almost peaceful. What had been a display of power and intimidation now transformed into a graceful underwater ballet. The seal moved fluidly around us, inspecting us from every angle, its large eyes glinting in the cold Antarctic light.

After we surfaced and reviewed the footage, we speculated that the seal might have been reacting to its reflection in the camera dome. Perhaps it mistook its own image for a rival seal. The experience was a stark reminder of how little we truly understand about the behavior of these majestic creatures. Scientists describe leopard seals as solitary and territorial, but in that moment, the seal’s curiosity and acceptance of our presence felt profound.

This encounter wasn’t just about documenting an apex predator. It was about connecting with a creature on its terms, in its environment. The tension between fear and fascination drove me to dive deeper into the wild, to understand these animals not just through the lens of my camera, but as fellow beings navigating a shared world.

As I left Antarctica that season, the memory of the leopard seal stayed with me—a reminder of nature’s unpredictability, power, and the delicate balance between awe and respect. Encounters like this are what keep me coming back to these remote corners of the world, where the line between observer and participant in the natural world becomes beautifully blurred.

Canon EOS-1Ds Mark III. 16 - 35mm lens, 1/250 sec, f-8, 400 ISO

Eye to Eye with a Leopard Seal:Mirror mirror, on the wall, who is the fairest (scarry) of them all?" "In Antarctica, sur...
07/10/2024

Eye to Eye with a Leopard Seal:
Mirror mirror, on the wall, who is the fairest (scarry) of them all?"

"In Antarctica, surprises often come from beneath the surface. It was 2001, and my team was filming an iceberg from our skiff when a sudden blow by the side of the boat caught us off guard. I turned toward the sound and saw a massive gray head break the surface—pulsing nostrils, bulging eyes—staring right at me.

Leopard seals are among the most unpredictable and intimidating creatures I’ve encountered in 45 years of diving. They are massive creatures, weighing up to 600 kilograms and measuring over 11 feet long. They are powerful, curious, and incredibly agile. Their powerful jaws, capable of crushing prey, are lined with sharp teeth, but they also can filter-feed on krill. Their dual nature—predator and filter-feeder—reflects their adaptability and dominance in the icy waters they call home. They exhibit a playful yet challenging nature, like a young boy testing his strength and control over his surroundings. Throughout numerous expeditions to Antarctica, I’ve observed this duality in their behavior—territorial and aggressive, but also curious about intruders in their domain.

We entered the freezing waters expecting to encounter seals, but nothing could have prepared us for the intensity of this close encounter.. As we descended, the seal we’d seen from the surface vanished. Moments later, it reappeared, moving at lightning speed between us, jaws wide open, showing off its sharp teeth before disappearing again. Each time it darted through the water, it turned with incredible precision, like a torpedo that could stop on a dime and change direction. The combination of its raw power and agility was awe-inspiring, but its proximity and razor-sharp teeth were enough to make our hearts race.

After several intense encounters, I decided on a tactical approach. I paired up with Jiri, a Slovak photographer, and we resolved to stay still, side by side, to present a united front while we photographed the seals moving around us. The idea was to appear larger and less vulnerable. When the seal approached again, we stood our ground. It swam toward us at full speed, stopping just inches away, its jaws wide open, as if trying to intimidate us. In the picture I took, the seal’s mouth—filled with sharp canines—hovered menacingly just inches above Jiri camera’s dome, which measured a daunting 25 cm (10 inch) across. We were frozen in place, both by the icy water and the raw intensity of the moment, unsure what would happen next. Then, just as suddenly as the seal had been aggressive, its demeanor changed. It began to circle us slowly, gliding with an elegance that felt almost peaceful. What had been a display of power and intimidation now transformed into a graceful underwater ballet. The seal moved fluidly around us, inspecting us from every angle, its large eyes glinting in the cold Antarctic light.

After we surfaced and reviewed the footage, we speculated that the seal might have been reacting to its reflection in the camera dome. Perhaps it mistook its own image for a rival seal. The experience was a stark reminder of how little we truly understand about the behavior of these majestic creatures. Scientists describe leopard seals as solitary and territorial, but in that moment, the seal’s curiosity and acceptance of our presence felt profound.

This encounter wasn’t just about documenting an apex predator. It was about connecting with a creature on its terms, in its environment. The tension between fear and fascination drove me to dive deeper into the wild, to understand these animals not just through the lens of my camera, but as fellow beings navigating a shared world.

As I left Antarctica that season, the memory of the leopard seal stayed with me—a reminder of nature’s unpredictability, power, and the delicate balance between awe and respect. Encounters like this are what keep me coming back to these remote corners of the world, where the line between observer and participant in the natural world becomes beautifully blurred.

Canon EOS-1Ds Mark III. 16 - 35mm lens, 1/250 sec, f-8, 400 ISO

Eye to Eye with a Leopard Seal: "Mirror mirror on the wall, who is the fairest (scarry) of them all?"In Antarctica, surp...
07/10/2024

Eye to Eye with a Leopard Seal:
"Mirror mirror on the wall, who is the fairest (scarry) of them all?"

In Antarctica, surprises often come from beneath the surface. It was 2001, and my team was filming an iceberg from our skiff when a sudden blow by the side of the boat caught us off guard. I turned toward the sound and saw a massive gray head break the surface—pulsing nostrils, bulging eyes—staring right at me.

Leopard seals are among the most unpredictable and intimidating creatures I’ve encountered in 45 years of diving. They are massive creatures, weighing up to 600 kilograms and measuring over 11 feet long. They are powerful, curious, and incredibly agile. Their powerful jaws, capable of crushing prey, are lined with sharp teeth, but they also have the ability to filter-feed on krill. Their dual nature—predator and filter-feeder—reflects their adaptability and dominance in the icy waters they call home. They exhibit a playful yet challenging nature, much like a young boy testing his strength and control over his surroundings. Over the course of numerous expeditions to Antarctica, I’ve observed this duality in their behavior—territorial and aggressive, but also curious about intruders in their domain.

We entered the freezing waters expecting to encounter seals, but nothing could have prepared us for the intensity of this close encounter.. As we descended, the seal we’d seen from the surface vanished. Moments later, it reappeared, moving at lightning speed between us, jaws wide open, showing off its sharp teeth before disappearing again. Each time it darted through the water, it turned with incredible precision, like a torpedo that could stop on a dime and change direction. The combination of its raw power and agility was awe-inspiring, but its proximity and razor-sharp teeth were enough to make our hearts race.

After several intense encounters, I decided on a tactical approach. I paired up with Jiri, a Slovak photographer, and we resolved to stay still, side by side, to present a united front while we photographed the seals moving around us. The idea was to appear larger and less vulnerable. When the seal approached again, we stood our ground. It swam toward us at full speed, stopping just inches away, its jaws wide open, as if trying to intimidate us. In the picture I took, the seal’s mouth—filled with sharp canines—hovered menacingly just inches above Jiri camera’s dome, which measured a daunting 25 cm (10 inch) across. We were frozen in place, both by the icy water and the raw intensity of the moment, unsure what would happen next. Then, just as suddenly as the seal had been aggressive, its demeanor changed. It began to circle us slowly, gliding with an elegance that felt almost peaceful. What had been a display of power and intimidation now transformed into a graceful underwater ballet. The seal moved fluidly around us, inspecting us from every angle, its large eyes glinting in the cold Antarctic light.

After we surfaced and reviewed the footage, we speculated that the seal might have been reacting to its reflection in the camera dome. Perhaps it mistook its own image for a rival seal. The experience was a stark reminder of how little we truly understand about the behavior of these majestic creatures. Scientists describe leopard seals as solitary and territorial, but in that moment, the seal’s curiosity and acceptance of our presence felt profound.

This encounter wasn’t just about documenting an apex predator. It was about connecting with a creature on its terms, in its environment. The tension between fear and fascination drove me to dive deeper into the wild, to understand these animals not just through the lens of my camera, but as fellow beings navigating a shared world.

As I left Antarctica that season, the memory of the leopard seal stayed with me—a reminder of nature’s unpredictability, power, and the delicate balance between awe and respect. Encounters like this are what keep me coming back to these remote corners of the world, where the line between observer and participant in the natural world becomes beautifully blurred.

Canon EOS-1Ds Mark III. 16 - 35mm lens, 1/250 sec, f-8, 400 ISO

Tusks and Time: The Majesty of an Aging Walrus In 1992, while on assignment to photograph narwhals, belugas, and bowhead...
30/09/2024

Tusks and Time:
The Majesty of an Aging Walrus

In 1992, while on assignment to photograph narwhals, belugas, and bowhead whales off Baffin Island, something unexpected captured my imagination—something that I hadn’t come to the Arctic to seek, yet couldn’t ignore: the walrus.

For days, I observed a massive colony of these extraordinary creatures from afar, studying their behavior and trying to assess whether it was safe to dive with them. The males with their enormous tusks seemed to govern a strict hierarchy, while the females tended to the young, all of them moving in a slow but deliberate dance on the ice. Through the binoculars, I took in the intricacies of their world, but something caught my eye that broke my focus—a lone walrus resting at the edge of the ice shelf, about 500 meters away.

Curiosity took over. I zipped up my drysuit, grabbed my camera and fins, and began pulling myself along the edge of the ice, one hand gripping the cold surface, the other holding my Nikon RS, fitted with a custom 18mm lens. Every few meters, I would stop and check through my lens to make sure the walrus was still there. For over an hour, I crept forward, the vast Arctic landscape swallowing all sounds except the crunch of ice beneath me.

As I finally closed the distance to about three meters, I paused. Before me was the great male walrus, his giant tusks glinting under the low Arctic sun. My heart raced as I raised the camera, framing the creature within the wide 105-degree field of view. Despite his imposing size, the walrus looked small through the lens, swallowed by the vastness of the scene. I clicked a few frames, ensuring I captured something in case the animal became aware of me and I had to retreat.

But I wanted more. Slowly, with calculated patience, I inched closer—one foot at a time, my movements synchronized with the rhythm of my breath. All the while, the walrus remained still, the only motion in the glimmer of its large, knowing eye. The cold began to seep into my bones; my hands were numb from holding the camera, and the icy wind cut through my suit. But the moment was too captivating to abandon. By now, I had closed the gap to just two feet.

I shifted the camera into a vertical position to better frame the tusks, their sheer length etched with black markings that spoke of the walrus's age. The scene was almost perfect, but the sun, which had been my ally, was now working against me. Its light cast long shadows across the walrus's face, muting the vibrancy of its whiskers and dulling the colors of its body.

I knew I needed to change my position. With deliberate care, I retreated back into the icy water, circling around until I was 50 meters away on the other side. The sun now illuminated the walrus perfectly, highlighting the creature’s tusks and whiskers in a radiant glow, each detail standing out like a brushstroke in a masterful painting. The Arctic sky above was a rich blue, the kind you only see in the farthest reaches of the earth, and I held my breath, waiting for the walrus to acknowledge me.

Then it happened—the walrus turned its gaze, locking eyes with me. In that moment, there was a shared understanding, a silent exchange between two beings from different worlds. I captured frame after frame, the sunlight dancing across the walrus’s weathered face, its long tusks glistening like ancient relics from a forgotten era.

When I returned to camp, I spoke with the Inuit guides about the encounter. They had been watching me from afar and confirmed what I had suspected. The walrus was an old male, nearing the end of his life. His immense tusks and heavy body were signs of age, and, according to my guide, he had likely left the colony for his final "walkabout"—a solitary journey to die in peace.

The Inuit, who have lived alongside these animals for generations, spoke of this behavior with reverence. It was a ritual as old as the ice itself, a quiet farewell to the life the walrus had known. Hearing this filled me with a deep respect for the creature I had just encountered—an animal nearing the end of its journey, yet still radiating strength and dignity.

The walrus’s tusks—elongated canines, present in both males and females—can grow to an astonishing three feet and weigh up to 12 pounds. For this old bull, they were his legacy, used not only for fighting and dominance but also for climbing out of the icy waters and forming holes in the ice. These tusks, marked with the wear and tear of a lifetime, were a testament to his resilience.

As I look back on that day, I am reminded not just of the stunning images I captured but of the profound connection that exists between humans and the wild. There’s something deeply humbling about being in the presence of such creatures, observing them in their world on their terms. It’s moments like these that remind me why I continue to venture into the most remote corners of the planet—to bear witness, to learn, and to share these fleeting encounters with others.

Baffin Island, 1992. Nikon RS, Nikon 18mm lens, 1/250 sec, f-11, Kodachrome film 64 ASA.

A large aggregation of Gray reef sharks, Carcharhinus amblyrhynchos, gathered in anticipation of the annual grouper spaw...
28/09/2024

A large aggregation of Gray reef sharks, Carcharhinus amblyrhynchos, gathered in anticipation of the annual grouper spawning at Tetamanu, Fakarava, Tuamotu Archipelago, French Polynesia, Pacific Ocean. Huge thanks to Blancpain for making this image possible!

Although I am here in the Azores to swim and capture the wonders of the underwater, bait ball, and the ocean giants' pre...
27/09/2024

Although I am here in the Azores to swim and capture the wonders of the underwater, bait ball, and the ocean giants' predation - however the scenery overlooking the Zodiac I am working from was so overwhelming.

I was compelled to stop the search get out my iPhone and share it with you what I have experienced.

Mount Pico is decorated by Mother Nature with rings of cold clouds...

Have a good weekend🤗

Eye to Eye with the King of the Ice In today's world, where wildlife is more often seen on screens than in its natural h...
24/09/2024

Eye to Eye with the King of the Ice


In today's world, where wildlife is more often seen on screens than in its natural habitat, misconceptions about these creatures abound. For many, the wilderness is a far-off notion-a place to visit. But for the animals that live there, it is home. To capture their true essence as a wildlife photographer, I've learned that it requires more than technical skill. It demands immersion-learning to live, survive, and feel at home in their world.

Over the years, I have ventured deep into the high Arctic-Canada, Russia, Svalbard-studying polar bears and their patterns of existence. Each trip revealed something new, but nothing could have prepared me for the moment I found myself crawling across the ice toward a sleeping polar bear. I had envisioned this moment for years-the great King of the Arctic not as the apex predator we always imagine, but in a vulnerable, peaceful state, resting in the midday sun.

In 1992, I was on expedition in Arctic Canada, searching the pack ice to photograph sleeping polar bears, and the the Inuit guides I worked with were instrumental in making this moment possible. Their knowledge of the land, the animals, and the shifting winds was critical to finding the bears. When one of the guides spotted the sleeping bear, we dropped to our knees and crawled together, approaching the bear with the wind blowing toward us, keeping our scent from reaching its hyper-sensitive nose. Eventually, I took the lead and the guide stopped. I moved forward slowly, stopping every few meter to glance back at my guide for reassurance, and then inch forward again. The bear lay roughly 25 meters ahead, completely unaware of my presence. My goal was to get within 5 to 7 meters—a daunting task in the freezing cold with my equipment.

I carried a Nikon N90, equipped with an 80-200mm lens. This meant I had to get dangerously close to capture the shot I had in mind. For 40 minutes, I crawled on my belly, my chest and arms pressed against the ice, each movement deliberate and slow. My hands were nearly frozen to the camera, my breath sharp with each inhalation of the Arctic air. But despite the discomfort, adrenaline kept me focused. I wasn't just there to capture a photograph of a bear-I wanted to humanize this king of the ice, to show a side of it rarely seen: the quiet need for rest, the desire for warmth and shelter, the vulnerability of a creature that dominates its environment.

When I finally got close enough, I paused, marveling at the bear's massive form as it lay peacefully, eyes closed, completely unaware of the intrusion.
I took a few initial shots, ensuring I had something in case I needed to retreat quickly. These were safety shots, but I longed for more-an image that captured the essence of this moment. I glanced back at my guide, who signaled that the wind was still in my favor. Encouraged, I exhaled deeply and braced myself for the next step. My hands were trembling with cold, so I clenched and unclenched them, forcing the blood back into my fingers. Shifting the camera into a vertical position, I captured a few more frames, trying to block out the discomfort and focus on the scene before me.

Then, everything changed in an instant. Just as I began to prepare for my retreat, the bear opened its eye. It was a deep, glowing orb, reflecting the golden light of the Arctic sunset. Our gazes locked, and for what felt like an eternity, time stood still. The bear's eye shimmered with awareness, not of me as a threat, but as a fellow being, both of us existing in that frozen world together. I continued to shoot, mesmerized by the raw beauty of the encounter. This wasn't the fierce predator that the world imagined-it was a creature filled with wisdom, strength, and vulnerability, all at once.

Suddenly, my guide began to wave, reminding me of his earlier instructions.
I knew I had to move slowly and carefully. Any sudden movement could startle the bear, and I didn't want to test its reaction. I kept my head low, avoiding eye contact, and began my retreat. Each movement was painstakingly slow, my heart pounding as I distanced myself from the massive animal. I felt the weight of the experience settling over me, a profound sense of connection to the wild and to this extraordinary creature.

As I crawled back, my body numb from the cold, I couldn't help but reflect on the magnitude of the moment. I had come face to face with one of nature's most majestic animals, and for a few fleeting seconds, we had shared the same space. It wasn't just about capturing a photograph- it was about understanding, about respect, and about the delicate balance of survival in the Arctic wilderness. Those moments, captured in my camera, became more than just an image. They were a testament to the quiet patience required to work with nature, the humility needed to enter an animal's realm, and the profound beauty of simply being a part of that world, if only for a moment.

1992, Borden Peninsula on Baffin Island, Canada. Nikon N90, 80 - 200mm lens. 1/250sec. f-8. Kodachrome 64 ASA pushed one stop 120 ASA.

; it was about understanding, respect, and

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