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THE REASON WHY YORUBA PEOPLE DOMINATE NIGERIAN MUSIC INDUSTRY.Afrobeats is Yorùbá Music Genre. This is what most people ...
09/05/2024

THE REASON WHY YORUBA PEOPLE DOMINATE NIGERIAN MUSIC INDUSTRY.

Afrobeats is Yorùbá Music Genre. This is what most people don't know. Yorùbá is the base language of Afrobeats. the Tone, the Tempo, the Rhythm. This is why it is difficult for non Yoruba female artists in Nigeria to make it to limelight.

This is also the reason why most popularly accepted music have Yorùbá lines and lyrics even when the artists is not Yoruba. The tonal, tempo, beat must use Yorùbá vibes also.

When kizz Daniel blow in 2014 with LAYE – a typical Yoruba beats, tempo, flow and lyrics. Techno quickly made a copy of the beat and then he blew with it. His lyrics goes thus "shey na love I dey see for your eye o..."

Biafran music's sounds different from Afrobeats. Listen to their songs tempo, Rhythm and Tone. That's why most struggles in singing Afrobeats. Yoruba has a peaceful and cultural expression and languages tones that help them sell Afrobeats to the world. If they want to get known, they must do music that works with their accents and languages by being themselves — Yoruba Global
Top ten biggest afrobeat singers are from Yoruba tribe.

(FELA ANIKULAPO KUTI IS THE PIONEER OF AFROBEAT) and he was also a Yoruba man.
(1) Ayọ̀ Balógun, (Wizkid)
(2) David Adeleke ...(Davido)
(3) Ebunoluwa ogulu, (burna boy)
(4) Yẹmí Àlàdé (Yẹmí àlàdé)
5. Tiwátọ́pẹ́ Ọmọlará Savage (tiwa Savage)
6. Ayọ̀lèyí Hanniel. S (Rekaado bankz)
7. Oluwatobiloba Daniel Anidugbe, (Kizz Daniel)
8. Helen Fọláṣadé adu (Sadé Adú)
9. Deborah Olùwàsèyí (Sèyí shey)
10. Adekunle kọ̀sọ́kọ́. A (Adekunle gold)
11. Símisọ́lá Bọ́látitó kọ̀sọ́kọ́, (Simi)
12.Mayorkun Adéwálé
13. Alexander Àbọ̀lọrẹ Àkàndé, Adigun alapomeji, (9ice)
14. Michael Adebayo Olayinka, (R***r)
15. Olamide Adedeji, (olamide)
16. Ọmọniyi Tèmidayọ̀ Raphael (Zlatan)
17. Ololade Ahmed, (Àṣàkẹ́)
18. Azeez Fashola (Náírà Marley)
19. Fákọ̀yà Qudus Olúdamílare (Qdot)
20. Ilerioluwa imọlẹ (Mobahd).
21. Aderibigbe Sarah (Ayra starr)
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08/05/2024

MY DAD, DIED 3 YEARS AGO AND HAVE NOT BEEN ABLE TO COLLECT THE MONEY IN HIS ACC0UNT

VALENT REALITY PLS, HOW DO I GO ABOUT IT COS AM TIRED AND THE M0NEY IS HUGE.

To be able to claim the money in the Bank account of your parents or loved ones that are dead.
You must be any of the following to them;

• Surviving spouse(s),
• Child or children,
• Parents,
• Siblings

2. If you have any of the relationships mentioned above with the deceased, then you should head to the Probate Registry of a High Court to apply for an administration of a deceased estate. The Death Certificate of the deceased will be required to apply for this.

The application must contain the following details;
• The deceased full names,
• The deceased date of death,
• The deceased last residence before his or her death,
• The name of the proposed administrators

You can choose to do this through a Lawyer if you think it is complicated.

3. The High court would give you a confirmation letter which you will have to take to the banks, or financial houses of the deceased. With this letter, they will disclose the up-to-date amount they have in their account to you.

4. Take the confirmation back to the High Court; they will sum up the balances of the deceased and will apply the changes that are due to them.

5. You will be asked to make payments. After making the payments, all the paperwork to make you the administrator would be completed.

6. The letter of administration should be taken to the deceased person's banks for claims.

Note that most banks will ask you to open an account with them, where the funds will be moved to. There is nothing wrong with this; it is just a strategy to keep the funds within their bank.

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Thanks and GOD Bless you

07/05/2024

Congratulations Boss

THE LEGEND AND HIS STORY  ---  BARUSATISikiru Ololade Ayinde Balogun, MFR, (February 9, 1948 – December 16, 2010) better...
06/05/2024

THE LEGEND AND HIS STORY --- BARUSATI

Sikiru Ololade Ayinde Balogun, MFR,
(February 9, 1948 – December 16, 2010) better known by his stage name Sikiru Ayinde Barrister was a Nigerian born Yoruba singer songwriter and music performer. He is regarded as one of the pioneers and revolutioneers of Fuji and Were music. After his first break into music in 1965, Ayinde Barrister went on to release over 146 studio albums. Ayinde Barrister was born to the family of Salawu Balogun of Ibadan, his father was a butcher, and while his mother Alhaja Shifau Odee Oshodi was a trader. He had his early education at Muslim Mission School and the Model School, Mushin, Lagos. He later studied typing and other commercial related classes at Yaba Polytechnic.

Ayinde Barrister started playing music at a young age as an ajiwere singer during the period of Ramadan; he continued playing music in between various jobs. He worked as a typist for Nigerian Breweries and was later enlisted as a clerk in the Nigerian Army during the Nigeria Civil War. He served in the 10th Brigade of the 2nd Division of the Nigerian Army under.

Col. Adeniran and fought in Awka, Abagana and Onitsha. On his return from the war, he was posted to the Army Signals Headquarters, Apapa and later to the Army Resettlement Centre, Oshodi. He left the army to become a full time musician and proceeded to start a full fledged band of 34 percussionists and vocalists called the "Supreme Fuji Commanders". In 1966, Ayinde Barrister released his first LP record. During the time, he usually played with his band at events around Ebutte Meta and Lagos mostly to Muslim clients. He released further records under the label African Songs Ltd before starting his own label Siky-Oluyole Records. Among the LP's released under African songs is
Bisimilahi (1977)
Ile Aiye Dun Pupo
Love In Tokyo (India Sound) (1976).
By the early 1980s, Ayinde Barrister and Fuji music had become accepted by all religious in the country. He went on to reco

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