16/03/2024
Hi Books in Portland today 4-8! Come check out Homeland Insecurity by Frank Martinez
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1211 SW Broadway
Nighted
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NIGHTED (est. 2012) is a film photography platform and publishing house. We show you the things that happen when the world's not watching.
12/02/2024
Coming to Portland next month - join us at Hi Books for the release of Homeland Insecurity by Frank Martinez!
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Saturday March 16th 4-8pm
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Hi Books - 1211 SW Broadway, Portland
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01/09/2022
On February 24th, 2022, Russia began their full-scale invasion of Ukraine. Over the past six months of air raid sirens, missiles hitting civilian targets, and pure destruction from a familiar evil, a new voice of resilience and hope has emerged from the Ukrainian people. Through photography and text, our new project Сподіваюсь (To HOPE) contrasts the current reality of chaos, tragedy and war with the anticipation of a peaceful, beautiful post-war Ukraine. Moving towards a restored Ukraine requires action now.
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Pre-order will be available soon and the funds raised will go to Kyiv Angels and Livyi Bereh, two organizations providing support to Ukrainians affected by the war and those in desperate need on the eastern frontlines.
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Ft.
matiashova
illy
23/08/2022
Dade Mann
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07/08/2022
Sacramento: The 4th annual Zine Megamall is next Saturday, August 13th¡¡ We’ll be bringing out a bunch of rare titles made by us and our friends, come hang 11-3
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14/07/2022
Come check out some back issues and brand new stuff at this Thursday-Sunday! We’ll be at Table A22 with & .niiiiiiiiine
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These are some photos from Nighted Life 11 (2017), the last remaining copies will be available at the fair
05/07/2022
Two events coming up this month
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We’ll be at the tabling with and .niiiiiiiiine July 14th-17th
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Then we’ll be up in Seattle at July 24th, come see us!
23/06/2022
We're working on our next release with Keegan Grandbois, a book titled Maps My Mother Drew
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"The idea of “home” has plagued my mother her entire life. After more than a couple dozen different apartments and houses, I'm not entirely sure what she's looking for and I don't think she knows either.
Growing up, my mom, sister, and I constantly moved. Across states, north and south, west coast and east coast. Sometimes to try and be closer to family: moving in with my aunt in a trailer in Florida, or my grandmother outside of San Diego, and later, across the country to my grandfather, where we lived in the attic of a small religious historical museum. A few years ago, she found family wasn't what she was looking for at all: these days she moves in accordance with her astrological fault lines in hopes that a greater force will guide her.
I started this project in 2015, and it traces both my mother's path from that year, and my life on the road to and from her. Included with the images of the roads traveled are the storage units where her life is packed away, the cheap motels we stayed in, and the long lost ashes of a great great grandmother, are artifacts of past locales -- everything from souvenir pennies, an old worn down picture frame, to family photos of beaches collaged together.
Using the landscape we wander and the objects we collect as guides, I attempt to better understand the woman who, as the only constant presence in my life, raised me."
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06/05/2022
Kris Kirk
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02/05/2022
Side Hustles is 68 pages of unreleased photos, exclusive essays and embedded QR code video links showcasing INDECLINE’s activism and adventures in the Deep South.
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Very limited run, international shipping available ((link in bio))
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Design by
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“We were getting a little burnt out too on the aseptic political engineering, the homogenized metropolitan oases of progressive values. They sure talk a lot, as soon as there is a microphone handy. Or a Twitter handle. But just like the old days, the talking often amounts to a little bit of kumbaya, as the wealthier cities measure themselves by the exceptional quality of their exotic coffee beans and not the proliferation of homeless within their ever-burgeoning skid rows.
They are full of resources, full of folks looking for a cause to join, but, often as not, they are also full of s**t. We didn’t want to scream at a captive crowd like some wedding DJ, wondering if we were really killing the set or if the champagne was doing all the heavy lifting for us. We decided after twenty years, we were ready for a change of scenery. We wanted an environment that was a bit more challenging.
We figured the Dirty South was the kind of place we could really make a difference, or at least stir up some s**t. And also—in the tradition of previous outlaws—we thought a change of scenery might be good for chopping a couple pages off the rap sheet. Plus, Picasso followed his blue period with his rosy period. We thought maybe this could be our Southern period, the washtub moonshine of protest art.
We spent the last year traveling around and seeing what kind of bounty this fertile crescent of Americana had to offer. We found giant Jesus statues, racist antique store Civil War reenactors, all sorts of abandoned buildings and curiosities to explore and plenty of rail to ride. But more importantly, we saw that for every walking stereotype there was a counterculture warrior fighting for the space where progress can bloom in all that sweet, fetid sunshine.”
25/04/2022
Big thanks to everyone who’s picked up a copy of Side Hustles - there are only a few copies left ((link in bio))
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Side Hustles is 68 pages of unreleased photos, exclusive essays and embedded QR code video links showcasing INDECLINE’s recent activism and adventures in the Deep South.
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Very limited run, international shipping available
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An excerpt from the book:
“We were getting a little burnt out too on the aseptic political engineering, the homogenized metropolitan oases of progressive values. They sure talk a lot, as soon as there is a microphone handy. Or a Twitter handle. But just like the old days, the talking often amounts to a little bit of kumbaya, as the wealthier cities measure themselves by the exceptional quality of their exotic coffee beans and not the proliferation of homeless within their ever-burgeoning skid rows.
They are full of resources, full of folks looking for a cause to join, but, often as not, they are also full of s**t. We didn’t want to scream at a captive crowd like some wedding DJ, wondering if we were really killing the set or if the champagne was doing all the heavy lifting for us. We decided after twenty years, we were ready for a change of scenery. We wanted an environment that was a bit more challenging.
We figured the Dirty South was the kind of place we could really make a difference, or at least stir up some s**t. And also—in the tradition of previous outlaws—we thought a change of scenery might be good for chopping a couple pages off the rap sheet. Plus, Picasso followed his blue period with his rosy period. We thought maybe this could be our Southern period, the washtub moonshine of protest art.
We spent the last year traveling around and seeing what kind of bounty this fertile crescent of Americana had to offer. We found giant Jesus statues, racist antique store Civil War reenactors, all sorts of abandoned buildings and curiosities to explore and plenty of rail to ride. But more importantly, we saw that for every walking stereotype there was a counterculture warrior fighting for the space where progress can bloom in all that sweet, fetid sunshine.”
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23/04/2022
Our new book with INDECLINE is out now! Side Hustles is 68 pages of unreleased photos, exclusive essays and embedded QR code video links showcasing their activism and adventures in the Deep South.
📕
Very limited run, international shipping available ((link in bio))
🔗
Design by
🖊
“We were getting a little burnt out too on the aseptic political engineering, the homogenized metropolitan oases of progressive values. They sure talk a lot, as soon as there is a microphone handy. Or a Twitter handle. But just like the old days, the talking often amounts to a little bit of kumbaya, as the wealthier cities measure themselves by the exceptional quality of their exotic coffee beans and not the proliferation of homeless within their ever-burgeoning skid rows.
They are full of resources, full of folks looking for a cause to join, but, often as not, they are also full of s**t. We didn’t want to scream at a captive crowd like some wedding DJ, wondering if we were really killing the set or if the champagne was doing all the heavy lifting for us. We decided after twenty years, we were ready for a change of scenery. We wanted an environment that was a bit more challenging.
We figured the Dirty South was the kind of place we could really make a difference, or at least stir up some s**t. And also—in the tradition of previous outlaws—we thought a change of scenery might be good for chopping a couple pages off the rap sheet. Plus, Picasso followed his blue period with his rosy period. We thought maybe this could be our Southern period, the washtub moonshine of protest art.
We spent the last year traveling around and seeing what kind of bounty this fertile crescent of Americana had to offer. We found giant Jesus statues, racist antique store Civil War reenactors, all sorts of abandoned buildings and curiosities to explore and plenty of rail to ride. But more importantly, we saw that for every walking stereotype there was a counterculture warrior fighting for the space where progress can bloom in all that sweet, fetid sunshine.”
31/03/2022
tbt shots by Rian Dundon from Protest City 3, released a year ago
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22/03/2022
New book w coming soon 🎨
17/03/2022
tbt shot by Eleanor Bleier from Down Home (2014)
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New project with Eleanor on the way for the 10 year Nighted anniversary next month!
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14/03/2022
Daniel Jay Bertner from Nighted Life 18
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01/03/2022
Big thanks to everyone who picked up the new issue of 2DOGS, the remaining copies are available at the link in .losangeles bio
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Orders ship this Friday
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01/03/2022
Down to the last copies of 2DOGS Document No. 2 by Kris Kirk
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6.69x9.61 inches, 204 pages xerox printed and perfect bound.
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Limited to 75 copies, link in bio
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01/03/2022
Down to the last copies of 2DOGS Document No. 2 by Kris Kirk
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6.69x9.61 inches, 204 pages xerox printed and perfect bound.
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Limited to 75 copies, link in bio
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28/02/2022
2DOGS Document No. 2 by Kris Kirk out now
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6.69x9.61 inches, 204 pages xerox printed and perfect bound.
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Limited to 75 copies, link in bio
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26/02/2022
Opening reception for the second issue of 2DOGS by Kris Kirk at MOTOR Los Angeles tonight 6pm - 9pm
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For those outside of LA, 2DOGS Document No. 2 will be available online this Monday, Feb. 28th
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losangeles
23/02/2022
Opening reception for 2DOGS by Kris Kirk at MOTOR Los Angeles this Saturday, February 26th from 6pm - 9pm
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A new interview with Kris also just went ups, link in .losangeles bio
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For those outside of LA, 2DOGS Document No. 2 will be available online next Monday, Feb. 28th
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losangeles
10/02/2022
Shannon Cornett from Nighted Life 17
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07/02/2022
The second issue of 2DOGS by Kris Kirk is coming later this month
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We’ll be holding a book / not-book release at MOTOR Los Angeles on Saturday, February 26th from 6pm - 9pm (opening reception). Over the next few weeks, shots from the 2DOGS installation will also be wheatpasted throughout LA. Each location will also include a limited number of collectible postcards
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2DOGS Document No. 2 will also be available online on Monday, Feb. 28th
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losangeles
04/02/2022
Nick Garcia from Comfy Life 10
02/02/2022
David Nelson-Hospers from Nighted Life 18
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27/01/2022
Tuyara Mordosova from Nighted Life 18
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13/01/2022
tbt shot by from our first book - we’re working on a new project for our 10th anniversary in March
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07/01/2022
All January 6th orders are going out today, thank you all
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06/01/2022
Thanks to everyone who’s picked up a copy of January 6th, we’re down to the last copies (link in bio)
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Photos by J.M. Giordano and Joseph Rushmore, writing by Malik Savage, edited and designed by Liz Blood.
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“At the U.S. Capitol on January 6th, 2021, white supremacists, nationalists, and American n***s attacked the Capitol during the electoral vote count. Our goal is to participate in collective memory and be a wedge against cultural amnesia.”
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8.5x11 inches, 40 pages, risograph printed. International shipping available. Limited to 200 copies.
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Tarnish by Max Mateikis out now 📓 68 pages on cardstock, wire bound with kraft paper/ photo corner cover 🌟 Limited to 100 copies, International shipping available (link in bio) 💌
Only sale of the year starts now - 30% off w the code THIRTY 📚 Included some final copies from the archives as well (link in bio) - Sale ends sunday Nov 26th 💌
13-23 📺
Comfy Life 11 by Nick Garcia out now 📗 Photos and writing about a near-death experience. 6” x 8.25” recycled paper, 28 pages. Limited to 142 copies, comes with a print 📸 Link in bio
Opening next Friday, Sept 3rd 6-10pm at @tubeartspace Indianapolis: 🗓 “Tube Factory proudly presents "Pathology," an exhibition of crime scene photographs from northern Indiana during the 1980s taken by Taylor and Grant Lewandowski's grandfather. These two brothers spent a year digging through their grandfather's attic and uncovering dusty slides in unmarked boxes to understand a hidden piece of their family history and highlight the more deleterious aspect of rural life. What they found were striking photographs of suicides, car wrecks, botched train track crossings, knife wounds, and other scenes in the haunting landscape of cash crops and highways. Like other photographers concerned with perverse material, like Arthur Felig, aka Weegee, with his devotion to capturing the seedy underbelly of New York City night life, or Micahel Lesy's project, Wisconsin Death Trip, cataloguing the work of Charles Van Schaick to depict a smalltown's dissolution, Taylor and Grant Lewandowski, by choosing to reveal their grandfather's photography when he was a Coroner, add a greater depth to the Midwest and challenge stereotypes of a bucolic landscape and, certainly at that time, idealistic, Reaganite rhetoric. "Pathology" forces us to face a certain degree of truth, especially against the historically prudish social mores of Indiana and the Midwest, and turn our attention to more ethical discussions of who we are and what we become. Taylor Lewandowski mentions in the Introduction of Pathology of his own personal reevaluation by questioning his origins and facing the morbid reality of life by unearthing these photographs and discussing them with his grandfather. This exhibition is concerned with asking questions about our own lives and how they are affected by transience, tragedy, and turning our vision back upon the present. Taylor Lewandowski concludes, "The end always turns back to the beginning. These are not complete portraits, only a fragmented collection. The
Night of Destruction by Michael Raines coming to Printed Matter’s Virtual Art Book Fair this Wed-Sun, Feb 24th-28th 📗 @m_h_raines @printedmatter_artbookfairs
Dean Gifford spent 48 years performing autopsies and documenting crime scenes in northern Indiana. “Pathology” is a collection of photos he took during the 80s and early 90s, compiled by his grandchildren, Taylor and Grant Lewandowski. 📕 Available online this Monday, May 11th • @taylorlewandowski @grant_lewandowski
Noon-6 today¡¡ 📍 1230 Sutter St. SF 📚 @photogods.sf @glasskeyphoto
Last Night photo show + zine fest today noon-6 at 1AM SF 📚 Six tables of zines in the main gallery from SFC-PC, Illetante + a bunch more¡¡ • @1amsf @sfcpc @illetante #lastnightzine
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