Jan 8th to Jan 15th!!!
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Get deep discounts on select titles from the label, including End Of The Line, Get Hustle, Netherlands, and Under Attack.
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Haunted Horses "Fevered Water" from the Dweller LP available here: https://threeoneg.com/archive/vinyl/dweller
Haunted Horses is an industrial-punk trio hailing from Seattle, WA. The band has a reputation for a relentless and chaotic sound that pushes the boundaries of post-punk and noise rock. Formed by Colin Dawson and Myke Pelly, the band’s sonic intensity was further amplified with the addition of bassist Brian McClelland in 2022. Their music is characterized by its dissonant, heavy textures and ominous vocals, drawing comparisons to influential acts like Swans, Bauhaus, and Killing Joke. Their debut album, Watcher, showcased their ability to craft a visceral, noise-driven experience, earning them accolades from critics such as Anthony Fantano of The Needle Drop. Building on this momentum, their follow-up, Dead Meat, and their 2022 release, The Worst Has Finally Happened, continued to explore dark and experimental themes, solidifying their reputation in the industrial rock scene. These albums were noted for their complex soundscapes and thematic depth.
With DWELLER, set to expand their exploration of existential dread and transformation, Haunted Horses is poised to further evolve their sound. The album is a spiritual successor to their previous work, delving into intense, unsettling themes with renewed vigor: the fear and anxiety tied to the obliteration of one's self or identity, and the unknown outcome of this dissolution. The concepts came through a series of meditations, some of which didn’t make sense until the process was complete. Known for their captivating live performances and extensive touring history, Haunted Horses continues to captivate audiences and challenge the conventions of their genre with this release.
Haunted Horses "Temple of Bone" from the album Dweller available from Three One G here: https://threeoneg.com/archive/vinyl/dweller
Haunted Horses is an industrial-punk trio hailing from Seattle, WA. The band has a reputation for a relentless and chaotic sound that pushes the boundaries of post-punk and noise rock. Formed by Colin Dawson and Myke Pelly, the band’s sonic intensity was further amplified with the addition of bassist Brian McClelland in 2022. Their music is characterized by its dissonant, heavy textures and ominous vocals, drawing comparisons to influential acts like Swans, Bauhaus, and Killing Joke. Their debut album, Watcher, showcased their ability to craft a visceral, noise-driven experience, earning them accolades from critics such as Anthony Fantano of The Needle Drop. Building on this momentum, their follow-up, Dead Meat, and their 2022 release, The Worst Has Finally Happened, continued to explore dark and experimental themes, solidifying their reputation in the industrial rock scene. These albums were noted for their complex soundscapes and thematic depth.
With DWELLER, set to expand their exploration of existential dread and transformation, Haunted Horses is poised to further evolve their sound. The album is a spiritual successor to their previous work, delving into intense, unsettling themes with renewed vigor: the fear and anxiety tied to the obliteration of one's self or identity, and the unknown outcome of this dissolution. The concepts came through a series of meditations, some of which didn’t make sense until the process was complete. Known for their captivating live performances and extensive touring history, Haunted Horses continues to captivate audiences and challenge the conventions of their genre with this release.
Edited by Myke Pelly, Vocalist Footage by Emily Denton
Originally Three One G’s 22nd release, “Human Jerky” is the 1999 debut album by San Diego’s most beloved and brutal death metal band, Cattle Decapitation. This iteration of the band is vocalist Travis Ryan, The Locust’s Gabe Serbian as guitarist, and Dave Astor on drums. Summoning the evil spirit of bands like Carcass and Gatekeepers like Zuul, this nonstop blastbeat onslaught encapsulates arguably the most brutal and certainly the most grindy elements of all of Cattle’s now extensive and impressive discography. This is a revelatory release for Cattle fans who might not be familiar with the band’s goregrind origins. For this repressing, remastered by Dave Otero, there will be limited edition color vinyl variants. The ones featured here are the "Cult or Torture" murky red vinyl, and the "Parasitic Infestation, Extracted Pus Mistaken for Yogurt" glow in the dark green vinyl. Each limited to 250! This reissue also sees the album on cassette, this time in a clear with red glitter shell!
https://deathwishinc.com/collections/three-one-g/products/cattle-decapitation-human-jerky?variant=39723336695979
Cult & Culture Podcast Episode 48 feat. Aaron Montaigne of Heroin, Antioch Arrow, etc. Now streaming wherever you get your podcasts, or on the Three One G YouTube channel, Three One G Soundcloud, or Apple Podcast, as well as Spotify.
Full episode here: https://www.youtube.com/watch?v=SkY0fHxUQlQ
In the latest episode of cult and culture, Luke and Justin speak with Justin's longtime friend Aaron Montaigne, who is known for his bands such as Antioch Arrow, Heroin, and more recently VR Sex. The conversation focuses on Aaron's lengthy musical resume, and the historical relevance and lineage of what he has been part of over the last few decades as an artist. They also dive into the subjects of recent allegations surrounding Aaron's personal life as a service person in the military and his spirituality, as they debunk some of social media's quick to cancel tactics that fell on Aaron in more recent times. The conversation serves as a means to understand the seemingly different sides of a complex person opposed to shunning them for the sake of political correctness. Nonetheless, Aaron's bands such as Antioch Arrow and Heroin paved the way for a lot of modern acts that fit into the cringeworthy label known as "Screamo".
Don't Fall in Love With Yourself is now streaming for FREE on Tubi!
https://tubitv.com/movies/100029276/don-t-fall-in-love-with-yourself
Don't Fall in Love With Yourself is a documentary that explores the life of enigmatic musician and artist, Justin Pearson. From childhood tragedy and his roots in the San Diego punk scene, to his appearance on Jerry Springer and rise to cult celebrity status. An in-depth look at a career made out of blood, sweat and spit.
Much of the B-roll has been sourced from dozens of VHS & Mini-DV tapes recorded over the past three decades. Controversial and never-before-seen footage of one of the most interesting and unique musical movements is recent memory.
The film's interviews include Justin Pearson, Dave Lombardo, Eric Paul, Gabe Serbian, Bobby Bray, Travis Ryan, Jeremy Bolm, Jon Syverson, Molly Neuman & Becky DiGiglio and more.
Advert by Displaced/Replaced
The Locust - The Peel Sessions LP available from Three One G at https://threeoneg.com/archive/vinyl/the-peel-sessions-lp
John Peel recorded and captured some of the best moments in music, and being a part of The Peel Sessions is one of the highest honors that can happen to a band or artist. Recording sixteen tracks, The Locust took the iconic studio by swarm in August of 2001, and the session was first broadcast the following month in September. The controlled chaos is beautiful here, allowing the listener to hear the many intricacies of this beloved outlier of a band. First pressed in 2010 by The Locust’s imprint label, Radio Surgery, it is now being shared via Three One G in a new remastered edition by Nathan Joyner (All Leather, Psychic Graveyard).
1. How To Become A Virgin
2. The Half-Eaten Sausage Would Like To See You In His Office
3. Kill Roger Hedgecock
4. Straight From The Horse’s Mouth
5. Moth-Eaten Deer Head
6. Priest With The Sexually-Transmitted Diseases, Get Out Of My Bed
7. Cattle Mutilation
8. Perils Of Believing In Round Squares
9. Twenty-Three Lubed-Up Schizophrenics With Delusions Of Grandeur
10. Stucco Obelisks Labeled As Trees
11. Skin Graft At Seventy-Five Miles An Hour
12. Get Off The Cross, The Wood Is Needed
13. Who Wants A Dose Of The Clap?
14. Wet Nurse Syndrome (Hand Me Down Display Case)
15. Gluing Carpet To Your Genitals Does Not Make You A Cantaloupe
16. Twenty-Three Full-Time Cowboys
Promo clip by Displaced/Replaced
Deaf Club "El Camino Car Crash" available from Three One G at https://threeoneg.com/archive/digital-only/el-camino-car-crash-single
Swing Kids was one of Justin Pearson’s first bands, formed in the mid 90’s out of a mix of obscure punk, hardcore, and geography-specific social politics. The young band drew inspiration from jazz and swing era ethics, creating a strand of music with DNA unlike those surrounding it at that time. Swing Kids was short lived, documenting their entire existence in just a handful of songs over a couple years. After a few short tours, the band called it quits due to drummer Jose Palafox relocating, but they did manage to track one last song before that: “El Camino Car Crash.” Decades later, this band has remained influential to many.
Impressively, Swing Kids’s music maintains something special and unique. Perhaps depressingly, many of the ethics and frustrations of the time it was created seem to be just as relevant and frustrating today.
Which is where Deaf Club comes in. All these years, Pearson has continued the pursuit of genre-defying music with something to say. It makes sense, then, that Deaf Club, which is rooted in the same sort of attitude, now records their own version of “El Camino Car Crash.”
Recorded by Alex Estrada, mixed by Daniel Schlett, mastered by Nathan Joyner and set to be released digitally as a single via Three One G, this cover serves as an homage to the past as well as a herald to the f**ked up future.
Video by Stephen Inman.
Haunted Horses "Dweller on the Threshold" from the Dweller LP available from Three One G:
https://threeoneg.com/archive/vinyl/dweller
Video edited by Myke Pelly.
Featuring Colin Dawson.
Haunted Horses is an industrial-punk trio hailing from Seattle, WA. The band has a reputation for a relentless and chaotic sound that pushes the boundaries of post-punk and noise rock. Formed by Colin Dawson and Myke Pelly, the band’s sonic intensity was further amplified with the addition of bassist Brian McClelland in 2022. Their music is characterized by its dissonant, heavy textures and ominous vocals, drawing comparisons to influential acts like Swans, Bauhaus, and Killing Joke. Their debut album, Watcher, showcased their ability to craft a visceral, noise-driven experience, earning them accolades from critics such as Anthony Fantano of The Needle Drop. Building on this momentum, their follow-up, Dead Meat, and their 2022 release, The Worst Has Finally Happened, continued to explore dark and experimental themes, solidifying their reputation in the industrial rock scene. These albums were noted for their complex soundscapes and thematic depth.
With DWELLER, set to expand their exploration of existential dread and transformation, Haunted Horses is poised to further evolve their sound. The album is a spiritual successor to their previous work, delving into intense, unsettling themes with renewed vigor: the fear and anxiety tied to the obliteration of one's self or identity, and the unknown outcome of this dissolution. The concepts came through a series of meditations, some of which didn’t make sense until the process was complete. Known for their captivating live performances and extensive touring history, Haunted Horses continues to captivate audiences and challenge the conventions of their genre with this release.
Paper Mice are back with the three-song covers EP, Neurotic City!
https://threeoneg.com/archive/digital-only/neurotic-city
These aren’t so much covers as they are complete page-one rewrites. The band has reimagined three well-known anthems, dismantling and reassembling them into their signature brand of puzzling post-punk peculiarity. And to make this special release extra special, they’ve enlisted the vocal talents of three of Chicago’s most talented vocal talents – Nnamdi Ogbonnaya (NNAMDÏ, Monobody, Sooper Records), Miranda Winters (Melkbelly, Mandy), and Calvin Fredrickson (Gerund, Sewing Needle).
The three songs also neatly trace the nearly 20-year history of the band. Tina Turner’s “Private Dancer” recalls the more punk-forward aggressiveness of their debut Paint It Pink, while “Love Will Keep Us Together” hints at the melodicism that emerged on their sophomore album, The Funny Papers. Their most recent reworking of ABBA’s “S.O.S.” embodies some of the eccentricity and heaviness from their latest record, 1-800-MONDAYS. Fans of Paper Mice will be delighted to hear the band’s oddball takes on these classic songs, while uninitiated listeners who unintentionally click on these unconventional versions while searching for the original recordings will be… um… surprised?
Paper Mice is a three-piece whirligig from Chicago that blends a freakish range of influences into miniature, prog-punk puzzles. Started in 2008 by Dave Reminick, Adam McCormack, and John Carroll, Taylor Hales took over for Adam on bass duties in 2013, and the band has been writing and performing together since that time. The band is a fixture in Chicago’s tight-knit DIY community, performing their high-wire “stop-start mess of rhythmic tics and awkward face plants” for dance-soaked warehouse hounds throughout the Midwest and East Coast. Over the years, they’ve toured and/or performed with musical peers Pinback, NNAMDI, Meat Wave, Melkbelly, Oozing Wound, and T
The Needle Drop weighs in on the new Venus Twins EP!
"We have this track that I would like to point out from this new Venus Twins EP. The track is "I Just Can't Get Enough". If you're looking for something that is bringing those 2000s era noise core vibes with a touch of sass core and some industrial elements, too. It's really jarring, it's heavy, it's frantic, it's pummeling, you're going to want to give this a listen. This is crazy. This is some crazy stuff. This is some crazy, intense, explosive stuff. It's going to rip your head off. Venus Twins, new EP out now. Give it a spin."
As much as we at Three One G would love to avoid terms such as sass core, or really any core, we are psyched when someone with a reputable opinion has something constructive to say. And the twins in Venus Twins are the raddesst people and deserve any and all attention that comes their way. Thanks to The Needle Drop for being awesome.
https://threeoneg.com/archive/digital-only/pronounced-stitching-ep
ORDER FROM OUR WEB STORE: www.threeoneg.com In this way, the label serves as documentation of an auditory evolution for many musicians over the years.
