Raven Travel Guides Europe

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Raven Travel Guides Europe Hello independent travellers – find inspiring European locations and get affordability tips, along with travel guides to Europe on your device.

A rich travel experience in budget comfort - Raven Travel Guides Europe walks the streets and scours the internet for detailed information about quality destinations. Free travel information is now online at Raven Travel Guides Germany, www.ravenguides.com, plus a choice of downloadable destination guides. Follow Raven Guides on Twitter, .

20/11/2025
16/11/2025

Audley End House is possibly England's finest Jacobean prodigy house, built between 1605 and 1614, primarily to entertain the King.

The Grade 1 listed masterpiece of British architecture was purchased by King Charles II in 1668 for use as a royal palace.

16/11/2025

✨🌈 A breathtaking glimpse inside the Munich Residenz — a golden masterpiece filled with over 100 portraits, stunning gilt carvings, and exquisite rocaille details. A timeless tribute to the Wittelsbach legacy and one of Bavaria’s true artistic treasures! 👑🎨💛
Have you visited this iconic gallery? ✨🏛️

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16/11/2025

“Whosoever is delighted in solitude is either a wild beast or a god.” Aristotle

The quiet solitude of the Lion of England greets visitors at the west entrance of St. George's Chapel at Windsor Castle, Windsor, England, UK.

St George's Chapel, formally titled The King's Free Chapel of the College of St George, Windsor Castle, at Windsor Castle in England is a castle chapel built in the late-medieval Perpendicular Gothic style. It is a Royal Peculiar (a church under the direct jurisdiction of the monarch), and the Chapel of the Order of the Garter. St George's Chapel was founded in the 14th century by King Edward III and extensively enlarged in the late 15th century. It is located in the Lower Ward of the castle.

The castle has belonged to the monarchy for almost 1,000 years. The chapel has been the scene of many royal services, weddings and burials – in the 19th century, St George's Chapel and the nearby Frogmore Gardens superseded Westminster Abbey as the chosen burial place for the British royal family. The running of the chapel is the responsibility of the dean and Canons of Windsor who make up the College of Saint George. They are assisted by a clerk, verger and other staff. The Society of the Friends of St George's and Descendants of the Knights of the Garter, a registered charity, was established in 1931 to assist the college in maintaining the chapel.

The reign of Queen Victoria saw further changes made to the structure of the chapel. The east end of the choir was reworked in memory of Prince Albert. The Lady Chapel, which had been abandoned by Henry VII, was completed and renamed the Albert Memorial Chapel.

By the early twentieth century, the bowing walls, cracked vaulting, decayed stone and stripped lead required urgent attention. In 1920 a much needed ten-year restoration project began at George's Chapel, overseen by the consulting architect Sir Harold Brakspear. As part of this programme, Mahomet Thomas Phillips – an Anglo-Congolese sculptor – produced a falcon and a unicorn in 1923.

The King George VI Memorial Chapel was constructed in 1969 between the Rutland Chapel and the north choir of St George's Chapel to a design by George Pace.

On the roof of the chapel, standing on the pinnacles, and also on pinnacles at the sides, are seventy-six heraldic statues representing the Royal Beasts. They represent fourteen of the heraldic animals: the lion of England, the red dragon of Wales, the panther of Jane Seymour, the falcon of York, the black bull of Clarence, the yale of Beaufort, the white lion of Mortimer, the greyhound of Richmond, the white hart of Richard II, the collared silver antelope of Bohun, the black dragon of Ulster, the white swan of Hereford, the unicorn of Edward III and the golden hind of Kent.

The original beasts dated from the sixteenth century, but were removed in 1682 on the advice of Sir Christopher Wren. Wren had criticised the Reigate Stone, the calcareous sandstone from which they were constructed. The present statues date from 1925 when the chapel was restored.

Photography: unknown copyright but posted on Ancient Cathedrals, Churches, Abbeys, and Priories by Tim Meredith.

15/11/2025

One of the most exquisite Italian armors ever made, forged by Milanese master Lucio Piccinino for Alessandro Farnese between 1575 and 1580 ✨🛡️

Farnese later gifted it to his uncle, Ferdinand II of Tyrol

It is now housed in the Kunsthistorisches Museum, Vienna, Austria

15/11/2025

The Palazzina di caccia of Stupinigi (Italian The hunting residence of Stupinigi) is one of the Residences of the Royal House of Savoy in northern Italy

📸 Pinterest

15/11/2025

Chedworth Roman Villa in Gloucestershire, England, is a nearly 1,800-year-old example of Roman luxury and innovation. Its tepidarium, or warm room, was heated by a sophisticated hypocaust system, where hot air circulated beneath raised floors and through wall flues to maintain a comfortable temperature. The intricate mosaic floors, still visible today, highlight the artistry of the era, while the preserved heating system showcases the advanced engineering that made Roman bathhouses a hallmark of their civilization.

15/11/2025

👑Four months before silence: A last glimpse into the King’s music space

📸 Just a year ago, almost by chance, I stepped into the Music Room of the King’s private apartment at the Neues Palais in Potsdam. I arrived just in time—four months before it would close for restoration. The room felt suspended. Still. With Nicole’s steady help, I opened each shutter one by one, letting the light move across the space inch by inch. It wasn’t just about seeing—it was about feeling how the light landed, how it shaped the room around silence.

🕰 What I found was not grandeur, but intimacy. The kind that’s only possible in a place left untouched for so long. The air carried weight. A kind of quiet that doesn’t ask for anything. The moldings, carved by Johann Christian Hoppenhaupt, weren’t just ornamental—they pressed against the room like memory turned solid. Instruments, masks, fragments of theatre and music all embedded in gold, dulled slightly by time. There was no need to invent emotion. It was already there.

✨ And that patina—the surfaces darkened by age, by breath, by stillness—was overwhelming. Not worn, not faded, but settled. It had the honesty of something left alone. In a back corner, the Mietke harpsichord stood quietly, in half-light. I didn’t rush. I barely spoke. I just photographed what I could before it all closed again, maybe for years. It stays with me, still.

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15/11/2025
15/11/2025

The heaviest object on display in The Queen's Diamond Jubilee Galleries is this limestone sarcophagus, which was dug up on the Abbey's north green in 1869. It was used for two burials - a Roman one in about AD 300-400, and a Saxon one in about AD 900-1000.

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