Néktar Films

12/11/2023

Bis ans Ende der Liebe es uno de los tres cortos uruguayos incluidos en la sección Cortometrajes de Ficción del festival internacional MIRADAS A TRAVÉS DEL TIEMPO . 23 al 26 de Noviembre. Nos vemos en las salas. Pronto fechas y lugares de exhibición.

01/11/2023

Posted • Felices de contarles que este mes en Montevideo habrá una nueva oportunidad para ver este corto que hicimos con tanto amor.

20/09/2023

Bis ans Ende der Liebe en el Festival Detour. Selección oficial

14/09/2023

Cosas complejas expresadas de manera simple

11/07/2023

Maravillosa experiencia en .workshop Gracias a los organizadores, a los tutores, los compañeros y a ese maravilloso país que quedó para siempre en nuestro corazón. Y no me nombra, una película de y sigue su camino

12/05/2023

Posted • Salvavidas de proyectos. En el proceso de pensar mi actual película me acompañaron y me acompañan muchas personas maravillosamente generosas. Poco ha sido tan frondosamente fructífero como trabajar con en este espacio único y prodigioso. Lo recomiendo para cualquiera que busque emprender un camino profundo y con verdadera libertad.

08/05/2023

Nan Goldin by Laura Poitras.
Un faro siempre

24/04/2023

Posted • .workshop ⚡️[ PAS PARANÁ · SELECTION ] ⚡️

The Produire au Sud workshops of in parternship with , and are thrilled to announce the selected projects for the first edition of PAS Paraná! 🎉

The workshop will be held in Asunción, Paraguay from June 26 to July 1, 2023.

Congratulations to all the projects! 👏

🇦🇷ARGENTINA | INSIDE THE NOISE
directed by
produced by ( )

🇧🇴BOLIVIA | MY KINGDOM IN THIS WORLD
directed by
produced by Camila Molina

🇵🇾PARAGUAY | THE SMELL OF THE OPEN
directed by Arturo Maciel
produced by ()

🇺🇾URUGUAY | LAST NIGHT I THOUGHT I WAS SWIMMING
directed by
produced by ()

🇺🇾URUGUAY | THE UNNAMED
directed by &
produced by

More info about the workshop through the link in our bio ☝️

15/04/2023

Posted • .official Gena Rowlands and John Cassavetes in the editing room (garage) of their Hollywood Hills home, 1967.

04/02/2023

Posted • C’est avec un immense soulagement que nous apprenons la libération ce jour du cinéaste iranien Jafar Panahi, détenu depuis le 11 juillet 2022. Nous n’oublions pas toutes celles et tous ceux qui, en Iran et à travers le monde, subissent la violence et la répression. Le Festival de Cannes restera toujours aux côtés des artistes du monde entier pour la défense de la liberté.

——-

It is with great relief that we learn of the release of Iranian filmmaker Jafar Panahi today, and detained since July 11, 2022. We do not forget all of those who, in Iran and around the world, are subjected to violence and repression. The Festival de Cannes will always remain alongside artists from all over the world in the defense of freedom.

21/11/2022

Productores uruguayos compartiendo valiosas experiencias

10/11/2021

Maravilloso canal de podcast para productores e ainda mais.

Cecilia Salim es cofundadora junto con Georgina Baisch de Murillo Cine, una compañía de producción fundada en 2014. Es una productora que apuesta a ficciones y documentales que abordan la realidad con una mirada autoral e innovadora, acompañando comprometidamente a los directores y sus película...

07/07/2021

@ Marché du Film, Cannes
We brought some fabulous projects.
Don´t miss the screening of UNO, teaser of the feature film by Lucía Aljas, produced by Néktar Films, exec producers Germán Ormaechea and Veronica Pamoukaghlian Viera.

19/03/2021

11/03/2021

UNO, cortometraje de Lucía Aljas y
UNO, proyecto de largometraje en BAFICI
Néktar Films Lucía Aljas Germán Ormaechea
https://vivamoscultura.buenosaires.gob.ar/...

05/03/2021

Oh, what a trailer!

The Golden Bear for Best Film goes to "Bad Luck Banging or Loony P**n" (Babardeală cu bucluc sau p***o balamuc), directed by Radu Jude and produced by Ada Solomon.

Watch the official trailer here: youtube.com/watch?v=8AEgcTSMSOY

The jury statement: "The Golden Bear goes to a film which has that rare and essential quality of a lasting art work. It captures on screen the very content and essence, the mind and body, the values and the raw flesh of our present moment in time. Of this very moment of human existence.

It does so by provoking the spirit of our time (i.e., zeitgeist), by slapping it, by challenging it to a duel. And while doing that, it also challenges this present moment in cinema, shaking, with the same camera movement, our social and our cinematic conventions.

It is an elaborated film as well as a wild one, clever and childish, geometrical and vibrant, imprecise in the best way. It attacks the spectator, evokes disagreement, but leaves no one with a safety distance."

About the film: How p***ographic can consensual s*x be? Does it make a woman guilty? Especially if, as a teacher, she is supposed to be a role model for the young? These questions and more are explored in Radu Jude’s intelligent, innovative and uproarious social portrait.