Audio Esperanto came as a necessity, or even better said as an act of urgency: to fight the barriers of restrictive categorization. In the middle of 90s the only way to be acknowledged was to belong to a scene, to a particular music genre, and you had to fit properly into the set of rules dictated by the specific trends. Farfa – who has always been a huge supporter for eclectic music and a keen lo
ver of music at 360° - decided that the time to give a wakeup signal had arrived. Thus he cracked open a door. Audio Esperanto was born as an expression of a completely new approach: Audio Esperanto came up as a new label, but not as a label in itself; it took up the opportunity of reminding all that music is before everything an universal language. In short, music needs no cataloguing , no barriers, no impositions, no limits. A risky way. The only possible way for Farfa, an artist that has always lived as an outsider compared to the trendy scenes, gradually managed to win respect, esteem and results directly in the “field”, surpassing expectations and risking the famous “one more step further”.
“Audio” stands up for everything that is sound, while “Esperanto” is correlated with the universal idiom. Wide ideas, different and scrupolously selected proposals: taking no impositions from the scene, but giving proposals to the scene, and that only when the heart and the mind were ready to do it. Four EP’s in 2 years, great attention from the international media, which soon enough started to talk about the Phenomenon Farfa – and flattering feedbacks from the major worldwide dj’s, from Danny Tenaglia to John Digweed;
After 2 years the record label stops: Farfa moves to Barcelona , breathes new air, starts to collaborate with the label Serial Killer Vinyl, finds his own dimension and decides to “hibernate” his project. Audio Esperanto comes back, 10 years after its foundation, and 8 years from its birth. Many things happened during this period: Farfa travelled thought the world as one of the most appreciated superstar DJ’s, published his debut album and several EP’s and remixes, but the circle seems to close. After a long period of commissions, openings, collaborations, the last years seem to bringing up again the dangerous barriers that Audio Esperanto has always wanted to fight against. For this reason, in a time of the major recording industry crisis, we come back, with the same desire of challenging the conventions, stirring up the public and giving it a new life. DEMO POLICY:
Send demos to [email protected]. We only accept private streaming and downloadable link (such as private soundcloud url link). We reply only if the tracks are suitable for the label.
