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yellow DOG Studios Located just outside of Austin in San Marcos, TX, yellow DOG is a state of the art recording Studio.

Visit yellowdogstudios.com for a complete gear list and more information.

22/11/2024

OUT NOW! ‘The Road’, our new song with Rob Leines, is now streaming everywhere! 🦅

One night after a recording session at YellowDog Studio in Wimberley (when Adam and I were producing the Rob Leines record), we all piled into the back of a pick up and went to have some drinks at the Devil’s Backbone Tavern. On the drive over, Rob asked me if I had ever heard this song ‘The Road’ by Danny O’Keefe. He said a girl had turned him on to the song and he was obsessed with it. We played it on the truck stereo on the ride down to the bar and the song hit me like a ton of bricks. Rob and I had been touring together most of that year and we felt like the song really aligned with where we were at that place and time. I realized I had heard the cut of this song by Jackson Browne but never the original. We decided later that night that we had to record our own version of it. We got together a few months later after the YellowDog had relocated to San Marcos and cut this version.

We hope you love it, share it, and add it to your daily playlist. Thanks for listening!

Listen now: Silverada.com

14/11/2024

Jason Boland & The Stragglers David Percefull - producer / engineer Adam Odor
・・・
Hard Times are Relative - Released May 18, 2018

11/11/2024
08/11/2024

Thanks to all the new followers! Here’s a write up by Lee Zimmerman with American Songwriter to catch ya up on our journey:

Coke Hendry is a singer/songwriter who takes his cues from the place he calls home, the plains of West Texas where he tends to his family’s ranch while drawing inspiration from the land and the cowboy legacy of those hallowed environs.

On his debut album, Stress And Medicine, Hendry draws from the honest emotion imbued in those heartland environs, sharing a set of songs that reflect the influences of others who are identified with a Texas heritage — Townes Van Zandt, Guy Clark, Doug Sahm, Ray Wylie Hubbard and Billy Joe Shaver in particular. Hendry’s no stranger to making music — his first release, an EP titled Bound for Glory appeared nearly a decade ago, followed by a one-off single — but Stress And Medicine is clearly his most emphatic effort yet, one that shows him to be an artist with both the grit and gravitas to stir the soul and create an instant impression.

Recorded at Yellow Dog Studios in Wimberly Texas, and overseen by producer and Grammy Award winner Adam Odor, the ten original songs were written or co-written by Hendry himself. The album features an exemplary backing band consenting of prime Texas talent — Mike Harmeier (Mike and the Moonpies) supplying backing vocals, Geoff Queen featured on pedal steel, Nate C**n playing drums and percussion, Michael Tarabay on bass, Dave Percefull playing organ, and Scott Davis contributing electric guitar and Wurlitzer piano.

Flush with those rich expansive arrangements, a decided down-home sensibility, and a rootsy twang, it shares Hendry’s personal perspectives on life, love and loss. Indeed, those thoughts are gleaned from actual experience. Over the course of his career, he’s encountered the highs and lows that are common to many people in an age of trauma and turmoil. “Those experiences have allowed me to grow both personally and professionally,” he notes. “They’ve affected me on many levels. Nevertheless, I really feel like I found my footing thanks to those who were involved in the making of this album. Hopefully that’s evident in the music. I also have to thank my wife and kids for giving me the foundation I needed to make it all work.”

That’s apparent from the start courtesy of the first single, the driving and decisive album opener “Pocket Full of Dreams,” in particular. With its rambling rhythm and razor-sharp guitar riffs, it shares a theme that can easily resonate with anyone who dares to open their heart and soul to another individual. “It’s about smothering the ego and letting love in,” Hendry says. “It doesn’t matter whether that’s a healthy love for one’s own self or the love that comes from those who put up with us when we aren’t exactly so easy to love.”

He describes “All for a Saturday Night,” the album’s riveting second single, as “A rock ’n’ roll song for rock ’n’ roll people…those that truly live, and some that have died — all for a Saturday night of carousing and carrying on.” Not surprisingly, it boasts a certain Stones-like revelry that stays true to its title, conveying the feeling of promise and possibility that comes from some party persuasion.

The third single planned for release from the album is the bluesy “Buried Alive.” Here again, its darker demeanor offers a message that bears special significance in today’s disruptive and divisive world. “Sometimes people that don’t belong together seem to end up in a relationship with one another,” Hendry muses. “Goals, personalities and other things start to clash. Things start simmering, and before you know it, you feel kinda buried alive. On the other hand however, that’s why we tend to sing the blues!”

Although the songs are obviously impactful, they did take time to gestate. “This album is a collection of songs I wrote over several years,” Hendry explains. “Some came to me quickly, while others did not. I never like to rush a song or a lyric. Honest lyrics seem to reveal themselves in their own time.”

Indeed, honesty is an incisive element in Hendry’s backstory. Born and raised in San Angelo Texas, he’s a fifth generation rancher from Coke County Texas, the place that gave him his name. The ranch where he grew up was situated in an isolated area, but having time on his hands, he started making up his own melodies at a youthful age. When he turned 18, he moved to Alpine Texas to go to college, but, as he readily admits now, schooling didn’t quite work out. Nevertheless, he met the man who would become a lifelong friend, Zach Steele, and it was after witnessing Steele and his band perform, he was inspired to pick up a guitar and make music on his own.

Moving to South Dakota to work on a ranch, he took his guitar and found plenty of time to practice, learn chords and prep his songwriting skills. After a year, he relocated once again, this time to Austin where he immersed himself in a rock and roll lifestyle, with all its excess and enticement. He eventually made a move to Arkansas where he formed what he describes as a “hippy jam band.”

Nevertheless, Austin lured him back, allowing him to reconnect with his Texas roots. He played in several bands, among them, a folk-style band called the Front Porch Gypsies. Ever the gypsy himself, he relocated to Nashville for five years, forming an outfit he dubbed Coke Hendry and Medicine Hat, which allowed him to frequently gig in and around the area. He also began raising a family, which brought him full circle back to San Angelo where he lives today.

Meanwhile, his reputation continues to flourish courtesy of touring that brings him to Nashville, throughout his native Texas as well as to Arkansas and Kentucky.

“The songwriting process is the reason I make this music,” Hendry says in retrospect. “It’s a love/hate relationship, but a healing one on a personal level. Taking an idea from my brain and letting some fine studio cats work their magic brings me so much joy once it’s done. When creativity is flowing amongst my peers, I am a happy man. I hope this music takes me around the world and beyond.”
📸: Adam Baker Photography

  ・・・🚨 NOW STREAMING 🚨 “The Devil’s in Stephenville” is now available on all streaming platforms - Produced by !
05/11/2024


・・・
🚨 NOW STREAMING 🚨 “The Devil’s in Stephenville” is now available on all streaming platforms - Produced by !

   ・・・Fresh tune by  out today! Produced by   Available everywhere you listen to music!                                 ...
04/11/2024


・・・
Fresh tune by out today! Produced by Available everywhere you listen to music!
#2024

29/10/2024

Casey Johns summing next EP on our Amek/ sidecar + SSL Bus comp + Otari MX - 5050 at 15 ips. 🔥🔥 it’s only been a year and Ryan keeps spitting them out.
Produced by Engineered by on drums, playing guitar, on bass, on steel, on harmonies & on bgv!

It’s here!  new single!REPOST - Our new single “Old Time Revival” feat.  is OUT TODAY! 💥 Listen! 🎧 Share! 🫂 Get Revived!...
18/10/2024

It’s here! new single!

REPOST - Our new single “Old Time Revival” feat. is OUT TODAY! 💥

Listen! 🎧 Share! 🫂 Get Revived! 🙏🏻

I wrote this tune after a whirlwind trip attending Folk Alliance International earlier this year in Kansas City, MO. I was inspired by the incredible community of artists I’d met and wanted to capture that spirit, while exploring subject matter relevant to our times, including election season, sobriety, the music business, and salvation.

Produced by Adam Odor at in San Marcos, Texas; mixed by Eric Harrison and Mike Ingber at in Austin, TX; and mastered by Peter Lyman at Infrasonic Sound in Nashville, TN

“Old Time Revival” is Dallas Burrow on acoustic guitar and vocals; Colin Brooks on electric guitar, vocals; Sterling Finlay on upright bass and vocals; Cameron Martin on drums, percussion and vocals; Katie Shore on fiddle and vocals; and Dallas’ Dad Mike Burrow on percussion and vocals; PLUS it features West Texas Exiles: Marco Guitierrez on banjo and featured vocals; Colin Gilmore on mandolin and vocals; Daniel Davis on Hammond organ and vocals; Eric Harrison on electric bass and vocals; and Trinidad Leal .trinidad on drums, percussion, and vocals.

“How much automatic coolness is created just through having eleven folks in a band? In this case, it’s at least a ton and it’s an instant old-time revival. Put down your worries about election day, kingdom come, whiskey, fitting yourself into a box, and, generally all your worried: what are we living for? So many worries are shed with this gracious revival fest of a song. Celebrate and shed your nagging thoughts with this easy groove and its electric guitar melodies, mandolin, banjo each highlighted in turns, and sing it to the heavens.“
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 newest single “Coming Down the Mountain” available everywhere today.  Produced by  - you do NOT want to miss this one. ...
18/10/2024

newest single “Coming Down the Mountain” available everywhere today. Produced by - you do NOT want to miss this one. 🔥

“also with Johnny June and a few of my buddies from Mike Harmeier and ” - Drew Cooper

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Recording: Sony / MCI JH24 2" / 24 track analog tape recorder Pro Tools 12 Antelope Orion 32 Otari MTR10 1/4" tape recorder - modified Endless Analog CLASP Console: Trident 88 32x8x2 analog console Dynamics: Neve 2264 (2) dbx 160 VU dbx 165A - modified dbx 160X - modified (2) Lee Jackson 'Big Iron' - custom Lee Jackson build / dbx160 chips w/ Sawter transformers Federal AM864/U - modified / Fairchild inspired Warm WA76 (4) Warm WA2A EQ/pre's: Warm WA12 (API 512+steroids) (2) Neve 1073 (2) Microphones: Condenser: yellowFunken U48 yellowFunken U67 Archutt FS44 (2) Neumann / Geffell UM70 (vintage) AKG C3000 (vintage) ElectroVoice EV 2000 (vintage) Octavia M219 w/ mods CAD M179 (2) Warm WA87 Warm WA47 Warm WA47jr. Roswell Mini K47 (2)

Ribbon: Beyer Dynamic M160 (2) Cascade Fathead w/AMI trans(3) Cascade X15 CAD Trion Dynamic: Sennheiser 421 (2) Telefunken MD421 (2) Shure SM7b (3) Shure - Unidyne 57 Shure Beta 52 ElectroVoice 408 Shure SM57 (6) Guitars / keys: Hammond A100 organ Leslie 245 Leslie 145 Wurlitzer120 electric piano Wurlitzer 200A electric piano Baldwin grand (1920) Mahler upright grand (1898) Arturia MicroBrute analog synth Gibson ES335 w/ Lollar Imperdial PUPs Gibson ES335 custom shop 59’ re-isssue Yamaha FG180 '78 Yamaha short scale acoustic w/ high string set Martin D35 - custom shop Jazz bass w/ Lindy Fralin PUPs Teisco del rey Oatley 6120 Oatley baritone Gibson Les Paul Deluxe Gibson Les Paul Special w/ Lollar P90 PUP Gibson Sonex 81’ Epiphone Wildkat w/ Lollar P90 PUPs + Bigsby Epiphone Casino Fender Stratocaster w/ Abigale PUPs Fender Sratocaster w/ Seymour Duncan PUPs Fender/Squire Jazzmaster baritone with Fralin P90PUP’s Takamine EF385 12 string '78 Recording King ROS-06 Epiphone Thunderbird bass Epiphone Jack Cassidy bass Fender Precision bass '51 reissue w/ flatwounds Fender Jazz Fretless bass w/ flatwounds Brubaker 5 string bass Amps / cabs: Lee Jackson custom 50 watt Plexi Lee Jackson 1812 prototype Supro 8 watt amp w/ 8" speaker Ceriatone OTS Mini 20 Tenn Amp Greer Special 20 Marshall 1959HW Plexi Epiphone Valve Jr. Branham 30 watt head Ampeg B12 (vintage fliptop) Ampeg SVP Pro tube pre-amp + Crown power amp Ampeg SVT 810E cab 2x12 Avatar cab w/Celestion G12 65’s Marshall 4x10 w/ vintage Celestion G1075’s Leslie 125 w/ Jensen P15N Isolation cabs w/ Celestion G1275T Drums: Ludwig kit - 1968 Zyldjian Custom 14" hats Paiste 16" crash Paiste 18" crash Meinl Byzance 21" crash Meinl Byzance 22" crash / ride Sabian 20" crash / ride China Black Beauty snare Anton Fig snare Ludwig Acrolite 1963 DW Craviotto snare Slingerland marching snare Yamaha popcorn snare Iron Cobra double kick pedals DW kick pedal dJembe miscellaneous percussion