UAPSA Haligi Publication

  • Home
  • UAPSA Haligi Publication

UAPSA Haligi Publication The UAPSA Haligi Publication is the official and only recognized publication of the United Architects of the Philippines Student Auxiliary.

14/11/2025

โ€œ๐—ง๐—ต๐—ฒ ๐—ฆ๐˜๐˜‚๐—ฑ๐—ฒ๐—ป๐˜ ๐—ช๐—ต๐—ผ ๐——๐—ผ๐—ฒ๐˜€ ๐—ถ๐˜ ๐—”๐—น๐—นโ€

By Althea C. Bonto, Publication Head of UAPSA Area C2

One of the most common struggles that a college student faces is the balancing between academics and hobbies. For most of them, it simply isn't an option. Sacrifices always have to be made. Greatness demands commitment, and a program as gruelling as Architecture calls for no less.

For ๐—ฌ๐˜‚๐—น ๐—š๐—ฎ๐—ฏ๐—ฟ๐—ถ๐—ฒ๐—น ๐——๐—ถ๐—ผ๐—ป๐˜€๐—ผ๐—ป, a sophomore Architecture student at Silliman University, it isn't as black and white. Instead of choosing between one's hobbies and their academic life, why don't we let our passions feed our architecture?

When he isn't painstakingly poring over the details of his latest plate, Dionson can be
found laying strokes of color down with the precision of a scientist on the verge of a breakthrough. Wet plumes of viridian and burnt sienna stain the fibers of the page, breathing life
into what would be his next plein air piece in his signature realistic flair.

Otherwise, he might be rehearsing for his next choir recital. Yul is also a member of the
Silliman University Campus Choristers, an acclaimed singing ensemble known for its choral
performances and competitions. Recently, he joined a benefit concert at St. Joseph Seminary in
Sibulan with artists from the Negros Oriental Music Society. He says that his hobbies like art and Music have always been his way to express himself and unwind from the demands of Architecture.

Although his relaxed demeanor might tell you differently, Dionson isn't one to shy away
from a competition. One of his feats include joining an eight-hour on the spot painting competition for Pintahusay 2024 at the National Festival of Talents. Representing his hometown of Bais City, he carried with him not just his brushes and paints, but his pride in the culture that
shaped him. Dionsonโ€™s subjects are often windows into the everyday; portrayals of the mundane
that need no flourish to appreciate. Indigenous people in the mountains of Bais, local communities, animals, as well as familiar landmarks and landscapes grace the stretch of his
canvases. His dedication to depicting the beauty of his roots is consistent. He recently painted a
series of watercolor artworks featuring Sillimanโ€™s buildings and landmarks in a collection called
โ€œSilliman Through My Eyesโ€, which went on to be displayed during the Universityโ€™s 124th
Founding Anniversary.

I was agasp with awe after reading about the extent of Yulโ€™s extracurricular pursuits. It
didn't seem normal for a person to flourish in so many aspects of life and still have the vigor left
over for their architecture projects. Yet this wasn't an issue for Yul, in fact, it's art that inspires
many of his projects. He shares with me that the project he is most proud of is his Kindergarten design, the idea for which came from him watching children do origami. Their sense of imagination, evident as they transform a simple sheet of paper into endless forms and shapes,
was pivotal in how Yul approached his design. The angular, jagged roof of the building surges
outward with all the energy of a child ready to play.

โ€œThe goal of this project was to create a nurturing and inspiring environment that
supports childrenโ€™s natural curiosity and freedom to explore,โ€ He adds. โ€œThe design philosophy
was influenced by Takaharu Tezukaโ€™s open and boundary-less approach to learning spaces,
where children can experience a sense of community, movement, and connection with nature.โ€
Even though Yul is in the early part of his architecture journey, thereโ€™s already much to
learn from his approach. He admits that even he experiences periods when his well of creativity
runs dry. Taking it easy, Yul believes, is the key to unlocking imagination. Instead of forcing the
inspiration to arrive, he resets by browsing the internet, taking a walk, buying food, or watching something.

โ€œAfter that, the ideas usually come back naturally,โ€ he supplies.

โ€œI think itโ€™s important to stay curious and open to learning. Whether in art or architecture,
growth takes time. Donโ€™t rush yourself โ€” explore, make mistakes, and enjoy the process. What
matters is that you keep creating and keep moving forward.โ€

For more of Yulโ€™s artworks and projects, you can find them on his page, Yul
Gabriel: Artistry & Architecture.




11/11/2025
08/11/2025

๐—ง๐—ต๐—ฒ ๐—ฃ๐—ฒ๐—ผ๐—ฝ๐—น๐—ฒ ๐—ผ๐—ณ ๐—”๐—ฟ๐—ฒ๐—ฎ ๐—– โ€“ ๐—ง๐—ต๐—ฒ ๐—™๐˜‚๐˜๐˜‚๐—ฟ๐—ฒ ๐—ผ๐—ณ ๐—”๐—ฟ๐—ฐ๐—ต๐—ถ๐˜๐—ฒ๐—ฐ๐˜๐˜‚๐—ฟ๐—ฒ

World Architecture Day was recently celebrated across the globe with the theme โ€œ๐˜‹๐˜ฆ๐˜ด๐˜ช๐˜จ๐˜ฏ ๐˜ง๐˜ฐ๐˜ณ ๐˜š๐˜ต๐˜ณ๐˜ฆ๐˜ฏ๐˜จ๐˜ต๐˜ฉ: ๐˜Š๐˜ณ๐˜ข๐˜ง๐˜ต๐˜ช๐˜ฏ๐˜จ ๐˜ข ๐˜š๐˜ถ๐˜ด๐˜ต๐˜ข๐˜ช๐˜ฏ๐˜ข๐˜ฃ๐˜ญ๐˜ฆ ๐˜๐˜ถ๐˜ต๐˜ถ๐˜ณ๐˜ฆ.โ€ In line with this, the United Architects of the Philippines Student Auxiliary (UAPSA) commemorated the occasion through a series of online events and competitions that brought together chapters from all over Area C.

The celebration became a testament to the ingenuity and enthusiasm of UAPSA members. They eagerly participated in ArkiTalks, where ideas flourished through meaningful conversations on how architecture can transform communities. Their skills and artistry also shone in various online contests, earning recognition and inspiring others to push creative boundaries.

Among the featured activities were the Virtual Marathon titled โ€œ๐˜š๐˜ต๐˜ณ๐˜ฆ๐˜ฏ๐˜จ๐˜ต๐˜ฉ ๐˜ช๐˜ฏ ๐˜”๐˜ฐ๐˜ต๐˜ช๐˜ฐ๐˜ฏ: ๐˜‰๐˜ถ๐˜ช๐˜ญ๐˜ฅ๐˜ช๐˜ฏ๐˜จ ๐˜ž๐˜ช๐˜ต๐˜ฉ๐˜ช๐˜ฏ, ๐˜™๐˜ฆ๐˜ง๐˜ญ๐˜ฆ๐˜ค๐˜ต๐˜ช๐˜ฏ๐˜จ ๐˜‰๐˜ฆ๐˜บ๐˜ฐ๐˜ฏ๐˜ฅ,โ€ the Visual Communication Competition, and the Area Escapade โ€” all designed to ignite passion and foster collaboration among chapters.

As participant Ron Rianne Ernest Buna shared from his Area Escapade experience:

โ€œ๐˜๐˜ช๐˜ด๐˜ต๐˜ฐ๐˜ณ๐˜บ ๐˜ช๐˜ด ๐˜ฎ๐˜บ ๐˜ค๐˜ฐ๐˜ฎ๐˜ฑ๐˜ข๐˜ด๐˜ด โ€” ๐˜ช๐˜ต ๐˜ต๐˜ฆ๐˜ญ๐˜ญ๐˜ด ๐˜ฎ๐˜ฆ ๐˜ธ๐˜ฉ๐˜ฆ๐˜ณ๐˜ฆ ๐˜ฅ๐˜ฆ๐˜ด๐˜ช๐˜จ๐˜ฏ ๐˜ฃ๐˜ฆ๐˜จ๐˜ช๐˜ฏ๐˜ด ๐˜ข๐˜ฏ๐˜ฅ ๐˜ธ๐˜ฉ๐˜บ ๐˜ช๐˜ต ๐˜ฎ๐˜ถ๐˜ด๐˜ต ๐˜ค๐˜ฐ๐˜ฏ๐˜ต๐˜ช๐˜ฏ๐˜ถ๐˜ฆ. ๐˜Œ๐˜ด๐˜ฑ๐˜ข๐˜ป๐˜ช๐˜ฐ ๐˜ณ๐˜ฆ๐˜ฎ๐˜ช๐˜ฏ๐˜ฅ๐˜ด ๐˜ฎ๐˜ฆ ๐˜ต๐˜ฉ๐˜ข๐˜ต ๐˜ด๐˜ต๐˜ณ๐˜ฆ๐˜ฏ๐˜จ๐˜ต๐˜ฉ ๐˜ฅ๐˜ฐ๐˜ฆ๐˜ด ๐˜ฏ๐˜ฐ๐˜ต ๐˜ฎ๐˜ฆ๐˜ข๐˜ฏ ๐˜ฑ๐˜ฆ๐˜ณ๐˜ฎ๐˜ข๐˜ฏ๐˜ฆ๐˜ฏ๐˜ค๐˜ฆ; ๐˜ช๐˜ต ๐˜ฎ๐˜ฆ๐˜ข๐˜ฏ๐˜ด ๐˜ต๐˜ฉ๐˜ฆ ๐˜ข๐˜ฃ๐˜ช๐˜ญ๐˜ช๐˜ต๐˜บ ๐˜ต๐˜ฐ ๐˜ข๐˜ฅ๐˜ข๐˜ฑ๐˜ต, ๐˜ต๐˜ฐ ๐˜ด๐˜ต๐˜ข๐˜ฏ๐˜ฅ ๐˜ข๐˜จ๐˜ข๐˜ช๐˜ฏ ๐˜ธ๐˜ฉ๐˜ฆ๐˜ฏ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ด๐˜ต๐˜ฐ๐˜ณ๐˜ฎ ๐˜ฑ๐˜ข๐˜ด๐˜ด๐˜ฆ๐˜ด.โ€

His reflection mirrors the resilience and vision that define UAPSA students โ€” architects in the making who learn from the past, adapt to the present, and design for the future.

These young designers may be scattered across the islands of the Visayas, each with distinct stories and perspectives, yet unified in their desires: a goal to build a livable city, a mission for sustainable architecture, and a vision for the people.

๐—ง๐—ต๐—ถ๐˜€ ๐—ถ๐˜€ ๐—”๐—ฟ๐—ฒ๐—ฎ ๐—–.

We are Area Cโ€”๐™ฉ๐™๐™š ๐™›๐™ช๐™ฉ๐™ช๐™ง๐™š ๐™ค๐™› ๐™–๐™ง๐™˜๐™๐™ž๐™ฉ๐™š๐™˜๐™ฉ๐™ช๐™ง๐™š.






03/11/2025

๐—™๐—จ๐—ก ๐—™๐—”๐—–๐—ง ๐— ๐—ข๐—ก๐——๐—”๐—ฌ!!!

Churches reflect the true essence of architecture, revealing its artistry and splendor.

๐˜ฟ๐™ž๐™™ ๐™ฎ๐™ค๐™ช ๐™ ๐™ฃ๐™ค๐™ฌ? The first and oldest Roman Catholic church in the Philippines stands proudly in the Visayas โ€” a true masterpiece of faith and architecture.

Have you been here? Tell us your stories or fun facts about this historic church!




๐ŸŽ™ The micโ€™s on again!๐”๐€๐๐’๐€๐‹๐ˆ๐“๐€๐€๐ returns, reimagined, redefined, and ready to spark new conversations that celebrate sto...
03/11/2025

๐ŸŽ™ The micโ€™s on again!

๐”๐€๐๐’๐€๐‹๐ˆ๐“๐€๐€๐ returns, reimagined, redefined, and ready to spark new conversations that celebrate stories beyond structure.

Tune up as we dive into stories that echo the voices of aspiring architects across the nation.

Keep updated and follow us on Spotify, and donโ€™t forget to share your thoughts on our social media pages. Weโ€™d love to hear it from you! ๐Ÿ—ฃ๏ธ



31/10/2025

Tuning in. Mic warming up.๐ŸŽ™๏ธSomethingโ€™s about to begin.



๐—˜๐——๐—ฆ๐—” ๐—ถ๐—ป ๐—ฉ๐—ถ๐˜€๐—ถ๐—ผ๐—ป, ๐—ก๐—ฒ๐˜ƒ๐—ฒ๐—ฟ ๐—ถ๐—ป ๐—™๐—ฟ๐˜‚๐—ถ๐˜๐—ถ๐—ผ๐—ปWritten By: Jhian Karl D. CardenasCartooning By: Michaeiah Richelle B. Gallanosa๐‘๐ž๐š๐ ๐ญ๐ก...
30/10/2025

๐—˜๐——๐—ฆ๐—” ๐—ถ๐—ป ๐—ฉ๐—ถ๐˜€๐—ถ๐—ผ๐—ป, ๐—ก๐—ฒ๐˜ƒ๐—ฒ๐—ฟ ๐—ถ๐—ป ๐—™๐—ฟ๐˜‚๐—ถ๐˜๐—ถ๐—ผ๐—ป
Written By: Jhian Karl D. Cardenas
Cartooning By: Michaeiah Richelle B. Gallanosa

๐‘๐ž๐š๐ ๐ญ๐ก๐ž ๐Ÿ๐ฎ๐ฅ๐ฅ ๐š๐ซ๐ญ๐ข๐œ๐ฅ๐ž ๐ก๐ž๐ซ๐ž:

Rebuild EDSA Challenge positions itself as a people-powered alternative to top-down planning. Organized by civil society groups and supported by nonprofits, it invites commuters, creatives, and designers to submit bold concepts for a safer, more inclusive, and people-centered EDSA. It requires no fees, pre-registration, or technical blueprintsโ€”just vision and imagination. After decades of exclusion, the opportunity to voice frustrations, sketch, and dream is undeniably appealing.

The initiativeโ€™s value is clear. In a country where urban planning often happens behind closed doors, opening spaces for citizensโ€™ input can already be considered as a small victory. By prioritizing ideas over technical expertise, organizers aim to flip the traditional process, starting with the people who use EDSA daily and leaving refinement to professionals later. Yet, beneath this hope lies a pressing question: whether contests like this can truly shape EDSAโ€™s future, one of the countryโ€™s most complex urban arteries.

That question matters because EDSA is not a blank canvas waiting for reinvention. It is a fragile, overloaded system that carries millions daily โ€” scarred by flooding, pollution, congestion, and decades of compromised planning. Imagining its future through a design contest is both inspiring and dangerousโ€”it invites civic imagination, yet risks reducing real rehabilitation into a gallery of beautiful renderings. True transformation demands not just vision, but persistence โ€” the kind of imagination grounded in data, policy, and lived experience.

Even the challengeโ€™s FAQs expose the boundaries of its ambition. The โ€œprizeโ€ isnโ€™t payment or promiseโ€”itโ€™s simply recognition. And the entries? They begin and end as sketchesโ€”never as solutions. Winning ideas will be โ€œcommunicated to agencies,โ€ but their adoption is not guaranteed. Even the pilot sitesโ€”Cubao, Guadalupe, and Congressional Avenueโ€”while strategically symbolic, represent only fragments of a system that requires comprehensive reform. Without government ownership and institutional accountability, the contest risks producing spectacle more than substance.

While the participants deserve recognition, it is the framework of the competition itself that demands scrutiny. Students, designers, and commuters deserve platforms to voice frustrations and aspirations. Their contributions remind us of lived experiences too often ignored in policymaking. But participation without power is performance. Public input must connect to institutions that can act on it; otherwise, it becomes another round of glossy boards that inspire briefly, then fade without impact.

The real danger lies in how stories like this are told. When civic imagination is mistaken for planning, recognition for reform, and participation for progress, design challenges risk becoming spectacles of hope rather than instruments of change. The public is asked to dream, while institutions continue to delay the hard work of governance.

Beyond another contest, perhaps what EDSA truly needs is not just imagination, but integrationโ€”where civic initiatives like this meet the hard ground of governance and planning. Can NGO-led movements alone spark the systemic change EDSA demands? Or will they remain sparks in a cycle of public hope and government inaction? These are questions worth asking if we want participation to lead not only to inspiration, but to transformation.

Until we demand more than performances of participation, EDSA will remain what it has been for decades: a stage for visions, but never a site of transformation. EDSA has always been rich in ideasโ€”but poor in resolve. If rebuilding it calls for both civic imagination and political courage, then perhaps the question now is this: when will imagination meet action โ€” and when will EDSA finally serve the people it was built for?



๐—ค๐˜‚๐—ฎ๐—ฑ๐—ฟ๐—ถ๐—ฝ๐—ฎ๐—ฟ๐˜๐—ถ๐˜๐—ฒ '๐Ÿฎ๐Ÿฑ: ๐—ง๐—ต๐—ฒ ๐Ÿฏ๐Ÿฏ๐—ฟ๐—ฑ'๐˜€ ๐—š๐—ฟ๐—ผ๐˜‚๐—ป๐—ฑ๐—ฏ๐—ฟ๐—ฒ๐—ฎ๐—ธ๐—ถ๐—ป๐—ด ๐—Ÿ๐—ฒ๐—ด๐—ฎ๐—ฐ๐˜†Author: Fiona Aggalot๐‘๐ž๐š๐ ๐ญ๐ก๐ž ๐Ÿ๐ฎ๐ฅ๐ฅ ๐š๐ซ๐ญ๐ข๐œ๐ฅ๐ž ๐ก๐ž๐ซ๐ž:โ€œIโ€™ve learned that le...
24/10/2025

๐—ค๐˜‚๐—ฎ๐—ฑ๐—ฟ๐—ถ๐—ฝ๐—ฎ๐—ฟ๐˜๐—ถ๐˜๐—ฒ '๐Ÿฎ๐Ÿฑ: ๐—ง๐—ต๐—ฒ ๐Ÿฏ๐Ÿฏ๐—ฟ๐—ฑ'๐˜€ ๐—š๐—ฟ๐—ผ๐˜‚๐—ป๐—ฑ๐—ฏ๐—ฟ๐—ฒ๐—ฎ๐—ธ๐—ถ๐—ป๐—ด ๐—Ÿ๐—ฒ๐—ด๐—ฎ๐—ฐ๐˜†
Author: Fiona Aggalot

๐‘๐ž๐š๐ ๐ญ๐ก๐ž ๐Ÿ๐ฎ๐ฅ๐ฅ ๐š๐ซ๐ญ๐ข๐œ๐ฅ๐ž ๐ก๐ž๐ซ๐ž:

โ€œIโ€™ve learned that leadership is not about being in front; itโ€™s about being present. Itโ€™s not about being the most experienced; it is about being the most committed. You donโ€™t need to start loud to make an impact; you just need to start,โ€ an inspiring message of Mx. Joshua A. Baccay, the National President of 33rd UAPSA of the Fiscal Year 2025-2026 after sharing their story on how commitment and showing up could drive someone to arrive at their goal.
On August 23-24, 2025, the United Architects of the Philippines Student Auxiliary (UAPSA) convened to take part in Quadripartite 2025 โ€“ Soaring Vigor: Passion for a United Ascension at Japanese Garden, Luneta and Palacio de Maynila to acknowledge the people behind the efforts and success of the last fiscal year and to welcome the new era of leadership in shaping the UAPSA for towering possibilities. The program was divided into four sub-events: Team Building, Induction Ceremony, General Assembly and Fellowship Night.


๐—™๐—ผ๐˜‚๐—ป๐—ฑ๐—ฎ๐˜๐—ถ๐—ผ๐—ป ๐—ฎ๐—ป๐—ฑ ๐—•๐—ฒ๐˜†๐—ผ๐—ป๐—ฑ
Construction begins with a foundation. Whereas, this structural element carries the whole weight of the building making sure it is sturdy, long-lasting, and safe to house people like how the incoming officers are being built through challenges.
The first day of the event which was on August 23, 2025 focused on team building at Japanese Garden, Luneta, Metro Manila. The leaders serving as the pillars of their own chapters went through a series of physical activities designed to strengthen connections, build trust, and foster effective communication.
In the same principle, pillars won't be able to stand alone without a foundation constructed beneath them. The team building served as a cornerstone not solely for leaders but to their goal, uniting aspiring architects and delivering service that UAPSA members need and deserve.


๐—” ๐—ก๐—ฒ๐˜„ ๐—Ÿ๐—ฒ๐—ฎ๐—ณ ๐—•๐—น๐—ผ๐—ผ๐—บ๐˜€
A tree sheds leaves during fall and a new leaf blooms in spring. As for UAPSA, this is a mark of a new era of growth, progress, and united actionโ€”to ascend to legacy.
On August 24, 2025, the defining moment of Quadripartite 2025 happenedโ”€ the induction of the 33rd UAPSA Officers at Palacio de Maynila. The National Board of Directors, Standing Committees, and Chapter Presidents took their oath symbolizing the acceptance of responsibility entrusted to them on performing the duty of a leader towards the betterment of the architecture community.
Being in the realm of leadership isn't going to be an easy and steady journey. There will be obstacles after obstacles before reaching the summit; that is why it is important to be humble and resilient. The National Executive Vice President, Mr. Anthony L. Ignacio, gave an emphasis on his speech, โ€œSa simula ng leadership, tayo ang nasa pinakababa kasi madaling kutyain ang ating mga desisyon. And the people whoโ€™ll judge us have the right to do so. So, we have to do good. We have to be resilient and we have to be compassionate. If ever we fumble, always remember the roots of our service, why we serve, or why we even took a step forward.โ€
After the oath, UAPSA National President, Mx. Baccay quoted in his speech, โ€œTo every UAPSA member listening, whether you are an officer or a member, I want you to hear this clearly: There is a flame in you. There is a flame of leadership inside you. You may not see it yet but it's there; and sometimes all you need is a little spark, a chance, a role, a moment to grow into something powerful. Let this year be that moment,โ€ as encouragement for everyone to light up a room using the flame that burns bright inside them.
As the 33rd UAPSA takes off, surely, its light continues to burnโ€”a light fueled by humility and resilient leadership.

๐—ง๐—ต๐—ฒ ๐Ÿฏ๐Ÿฏ๐—ฟ๐—ฑ'๐˜€ ๐—•๐—น๐˜‚๐—ฒ๐—ฝ๐—ฟ๐—ถ๐—ป๐˜
A vision map, an action plan, dedication and commitment.
The General Assembly served as a platform where the higher-ups laid out the plans and programs that will serve as guiding goals for UAPSAโ€“to strengthen the foundation, stronger collaboration in the unified purpose, and create something lasting as it takes part in the ascending legacy.

To make the event more engaging and interactive, districts, areas, and commissions are acknowledged, allowing them to answer the question, โ€œHow would you as a chapter, district, area, and commission encourage uapsa members to be more actively engaged in UAPSA?โ€ for them to present their own plans too.

UAPSA NP Mx. Baccay and UAPSA NEVP Mr. Ignacio presented the calendar of activities and important announcements. First agenda was the unveiling of the new logo, which embodies the unity, creativity, and passion of future architects. The second outline was the opening of the membership drive, which will have two batches in September and October.
Moreover, the celebration of World Architecture Day (WAD) will be in the month of October. In November, activities will include the launching of merchandise and the start of a special membership drive for those who are unable to join the first two batches.
Thesis Clinic will also continue in the purpose of helping more architecture students through workshops or one-on-one consultations with registered architects to help them develop their thesis projects through the support of United Architects of the Philippines (UAP). By the end of January 2026, the guidelines for Thesis Clinic financial aid will be released.
For the Philippine Architecture Festival-National Architecture Month (PAF-NAM) celebration, it is scheduled in December and will also be the month for the continuation of other district assembly celebrations.
Furthermore, in March, there will be a screening for the applicants of the UAPSA National Design Competition (UNDC). This is also where the election for the next set of 34th officers of UAPSA will take place.
The National Congress will be held in May, while the Haligi Publication targets the release of the newsletter and magazine.
All these activities are the highlights of the plans set for the entire tenure of the 33rd UAPSA.


๐—˜๐—บ๐—ฏ๐—ฎ๐—ฟ๐—ธ๐—ถ๐—ป๐—ด ๐—Ÿ๐—ฒ๐—ด๐—ฎ๐—ฐ๐˜†
The event culminated in Fellowship Night, a chance for attendees to connect and celebrate. Activities included a time capsule activity where officers wrote letters to their future selves and public reading of anonymous letters of encouragement. Performances and awards for the team-building winners also took place.

Quadripartite 2025 - Soaring Vigor: Passion for United Ascension is a remarkable starting point of this fiscal year's success. From building oneโ€™s trust through foundation and beyond to witnessing a new leaf blooming; to the unveiling of the 33rdโ€™s blueprint โ”€making its way as the officers embark on a legacy in UAPSAโ€™s history. By standing firm with their vision, remaining grounded, and working hand in hand, UAPSA today is set to take part in the momentous step. As UAPSA transitions from the last fiscal year with "One strong UAPSA," the 33rd era will surely continue what once strongly started with the motto โ€œProminence UAPSA, Ascend to Legacy,โ€ to foster a stronger organization and leave a powerful, ascending legacy.




Address


Website

Alerts

Be the first to know and let us send you an email when UAPSA Haligi Publication posts news and promotions. Your email address will not be used for any other purpose, and you can unsubscribe at any time.

Contact The Business

Send a message to UAPSA Haligi Publication:

  • Want your business to be the top-listed Media Company?

Share