Haligi Publication is the official publication page of UAPSA
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Start your August by establishing a new goal!
How about taking your chance to become the next young designer to win the AYDA Awards?
Leave your hesitations behind and begin manifesting a wonderful towards becoming a a champion of a purposeful design poised to solve a global concern.
The AYDA Awards competition is open to Architecture (3rd - 5th year) students and Interior Design (3rd - 4th year) students nationwide.
Just scan the QR code for the form and fill it out!
This yearโs theme of the AYDA Awards competition was finally unveiled!
Everyone who attended the event seemed ready to meet a new generation of young designers who will surely leave us in awe with their visions and stories. We thank our alumni, partners, and judges for joining us in opening this brand new journey of changing the world one design concept at a time.
Now, letโs watch how lively and exciting AYDA Awards 2024 Theme Launch was:
The United Architects of the Philippines Student Auxiliary regretfully mourns the passing of ๐๐ฑ. ๐๐ฎ๐๐ฅ ๐. ๐๐ฅ๐๐๐๐ ๐๐ซ., ๐
๐จ๐ซ๐ฆ๐๐ซ ๐๐ก๐๐ข๐ซ, ๐๐จ๐ฆ๐ฆ๐ข๐ญ๐ญ๐๐ ๐จ๐ง ๐๐๐ฒ๐ฌ ๐๐ง๐ ๐๐๐๐ง๐ฌ ๐
.๐. ๐๐๐๐-๐๐๐๐. A dedicated leader both within and outside UAPSA, and above all, a diligent architecture student with a promising future ahead of him.
His passion for architecture, commitment to excellence, and exceptional leadership inspired others to pursue their dreams and strive for greatness.
During this difficult time, the UAPSA National extends our deepest sympathies and heartfelt condolences to Gual's family. We share in your sorrow and stand with you as you navigate this immense loss. May you find comfort in the cherished memories and the lasting legacy Gual has left behind.
Rest in peace, Mx. Gual. Your memory will forever live in the hearts of UAPSA Community.
๐๐๐ข๐๐๐ข ๐๐๐ง๐ฌ ๐๐๐๐
Written By: ๐พ๐๐ ๐๐๐๐๐๐ก๐
๐๐น๐ผ๐ถ๐น๐ผ ๐๐ถ๐๐ ๐๐ฎ๐น๐น: ๐๐บ๐ฏ๐ฟ๐ฎ๐ฐ๐ถ๐ป๐ด ๐ฃ๐ฟ๐ผ๐ด๐ฟ๐ฒ๐๐ ๐๐ถ๐๐ต ๐ฃ๐ฟ๐ถ๐ฑ๐ฒ ๐ฎ๐ป๐ฑ ๐ฃ๐ฟ๐ผ๐บ๐ถ๐๐ฒ
In the heart of Iloilo, where the past dances with the present and the whispers of history echo through the streets, stands an architectural spectacle that stirs the soul. Iloilo City Hall is the official seat of Iloilo Cityโs government, located in Plaza Libertad, Iloilo City Proper. With its massive size amongst low-rise buildings, it serves as a landmark for locals and tourists alike, offering panoramic views of the city from the top. Completed in August 2011, Iloilo City Hall blends contemporary design with functional spaces, symbolizing the cityโs progress and development.
๐๐ฉ๐ง๐ช๐๐ฉ๐ช๐ง๐ ๐๐ค๐๐๐ง๐ฃ๐๐ฉ๐ฎ ๐ผ๐ข๐๐ ๐๐๐ง๐๐ฉ๐๐๐ ๐พ๐ค๐ข๐ข๐ช๐ฃ๐๐ฉ๐ฎ
Iloilo City Hall captivates with its striking modern architectural design. A contrast of the old and the new, modern and past, Iloilo City Hall departs from the likes of Vigan and Zamboanga which kept with the tradition of restoring the old to adapt with the community. In an attempt to combine the designs of the Aduana, a historical Masonic Temple Building in Plaza Libertad, and the UP Visayas Library Building, Iloilo City Hall is considered to be ultra-modern with a touch of old Roman architecture. It stands modernly elegant amid one of the oldest colonial communities in the region.
๐๐ง๐๐๐ฃ ๐๐๐ฃ๐๐ช๐๐ง๐
Spearheading sustainable design with a solar-powered air-conditioning system, a rooftop garden, and a rain harvesting area, Iloilo City Hall is the first green building not only in Iloilo but in the whole Visayas Region. The architect has implemented a range of innovative features to minimize its ecological footprint, including energy-efficient lighting systems. Its use of locally sourced materials and eco-friendly construction methods further enhances its status as a green building, setting a standard for environmentally conscious architecture in the region.
๐๐ช๐ฃ๐๐ฉ๐๐ค๐ฃ๐๐ก๐๐ฉ๐ฎ ๐๐๐๐๐๐๐ฃ๐๐
Beyond the stunning exterior of Iloilo City Hall stands a paragon of efficiency and functionality. Equipped with state-of-the-art facilities and cutting-edge technology, Iloilo City Hall provides a conducive environment for public service. The halls, ergonomic workspaces, and sustainable features underscore the cityโs commitment to creating an inclusive and environmentally responsible place for Iloilo Cityโs space for governance.
๐๐๐ฃ-๐๐ฎ ๐จ๐๐ฃ๐ ๐๐ก๐ค๐๐ก๐ค
On top of Iloilo City Hallโs dome stands an 18-foot bronze statue called the Lin-ay sang Iloilo (Lady of Iloilo). The inspiration was drawn from the U.S. Capitol Building in Washington, D.C., where a twenty-foot statue called โThe Lady of Freedomโ stands as a symbol of โFreedom triumphant in War and Peace.โ The Lin-ay sang Iloilo characterizing prosperity and aspirations of hope and peace, was designed by Ed Defensor and cast by Franz Herbich in Cebu.
๐ฝ๐๐ฎ๐ค๐ฃ๐ ๐ฉ๐๐ ๐ฝ๐ก๐ช๐๐ฅ๐ง๐๐ฃ๐ฉ
William Coscolluela, an Ilonggo architect, is the mastermind behind the timeless design of the Iloilo City Hall, and the founder of the 61-year-old W.V. Coscolluela and Associates (WVCA), one of the countryโs most prestigious architecture firms. The propensity for hard work combined with his superior intellect allowed him to graduate with the Presidentโs Gold Medal for Architecture from the Mapua Institute of Technology. With a keen eye for details and a passion for architecture, Coscolluela approaches all projects, whether a remodeling project or a large multi-billion peso building project, the same way he treats them as if they were his own.
Coscolluela believes that architecture is about efficiency, in space and in cost. It is a must to approach the design with the desire to be efficient, especially today when costs are calculated per square meter. This goes to show why the Iloilo City Hall is truly a product of this belief, making it a green building, being the first of its kind in the Visayas Region.
๐ผ ๐๐๐ซ๐๐ฃ ๐ค๐ ๐๐ง๐๐๐
Iloilo City Hall stands tall as more than just a bureaucratic center in the heart of Iloilo City. Itโs a symbol of a beacon of identity and unity. Beyond its physical grandeur, Iloilo City Hall serves a deeper purpose as the epicenter of civic life, where the diverse tapestry of Iloiloโs populace converges in a spirit of collective pride and shared destiny. It serves as a unifying force, weaving together the intricate threads of Iloiloโs social fabric. It is a place where culture is celebrated, where historical milestones are commemorated, and where the spirit of solidarity is nurtured through the Ilonggoโs collective action and civic engagement.
From its historic architecture to its role as a nest for Iloiloโs government and public gatherings, Iloilo City Hall unites citizens from all walks of life, fostering a sense of belonging and solidarity among all who call Iloilo a home.
๐ฟ๐๐ ๐ฎ๐ค๐ช ๐ ๐ฃ๐ค๐ฌ?
Iloilo City Hall was completed in 2011 as a replacement for the old Iloilo City Hall after the city government donated it to the University of the Philippines Visayas, which now serves as the UP Visayas Main Building. The old Iloilo City Hall began its construction during the American colonial period in February 1931 and was completed in 1935. During World War II, Japanese soldiers occupied the building in 1942 and made it their garrison until 1945. It reflects neoclassical architecture and served as the seat of government for many years. In contrast, the Iloilo City Hall located in Plaza Libertad, Iloilo City Proper, showcases modern architectural design and facilities, reflecting the cityโs growth and development. Both are significant in their own right, representing different eras of Iloiloโs history and progress.
๐๐ค๐ค๐ ๐๐ฃ๐ ๐ผ๐๐๐๐
As Iloilo City continues to chart its course toward progress, the Iloilo City Hall stands as a symbol of its unwavering commitment to excellence. It is not merely a building but a beacon of hope, guiding the city toward a future where innovation, sustainability, and inclusivity reign supreme.
Iloilo City Hall is more than just a government building, it is a testament to the cityโs resilience, creativity, and unwavering spirit. From indulging its architectural beauty to delving deeper to its functionality, Iloilo City Hall stands tall with the values it represents: progress, unity, and a vision for a more innovative and brighter tomorrow.
Layout by: ๐๐๐๐๐ ๐๐๐๐ข๐๐ ๐ด๐๐๐๐๐
๐๐ฅ๐๐ ๐ง๐ ๐๐๐ ๐ฎ๐ฆ๐ฉ๐๐ฒ: ๐๐ ๐ง๐ข๐ญ๐ข๐ง๐ ๐๐ซ๐๐ก๐ข๐ญ๐๐๐ญ๐ฎ๐ซ๐๐ฅ ๐๐ฑ๐๐๐ฅ๐ฅ๐๐ง๐๐ ๐๐ง๐ ๐๐ฉ๐๐ซ๐ค๐ข๐ง๐ ๐ญ๐ก๐ ๐
๐ฅ๐๐ฆ๐ ๐จ๐ ๐ ๐๐ซ๐ข๐ฎ๐ฆ๐ฉ๐ก๐๐ง๐ญ ๐๐๐๐๐
Written by: Andrea Patrice A. Campo
When the flames of leadership and the spirit of success resonate throughout the entire nation, the United Architects of the Philippines Student Auxiliary brings together individuals bursting with regional colors, invigorating dreams, and awe-inspiring passion for the profession; all with one united goal to celebrate the conclusion of a transformative fiscal year.
The National Congress 2024 embodies this yearโs goal of collective engagement and the continuous progression of the organization. In the spirit of โAlab ng Tagumpay,โ UAPSA illuminates the path to success for every architecture student to overcome challenges, ignite ambitions, and realize the potential for the years to come. Inspired by the culture of the Philippines and the festivals within the nation, the event includes both online and face-to-face activities to accommodate all delegates nationwide.
The online commencement of the National Congress: Alab ng Tagumpay was held last May 11, 2024. Starting with a webinar, esteemed Filipino architects Ar. Joel Rico, FPIA, UAP, and Ar. Lorelei D.C. de Viana, PhD, FUAP, shared their profound knowledge as they guided participants through a journey of recollecting the past and uncovering the valuable stories that highlight the beauty of tracing the origins of architectural history.
Following the webinar, a cooperative battle of wit during the architectural quiz bee was also held to refresh and test the knowledge of the delegates in the field of Architecture, expanding the horizon of proficiency in different aspects of its practice. Subsequently, a Design-making and Rendering Competition was held, allowing participants to showcase their creative talents and technical skills. Tasked with designing climate-resilient housing facilities, delegates applied design thinking principles to tackle real-world challenges such as sustainability, disaster preparedness, and environmental impact. Despite the event being online, architecture students from all chapters also engaged in team-building activities through a national esports showdown. This encouraged teamwork and social interaction while nurturing a dynamic and friendly online gaming culture within the UAPSA community.
To conclude the online National Congress 2024, Chapter Presidents from all affiliated UAPSA chapters nationwide presented the challenges they faced and the successes they achieved during the fiscal year. The day ended in a National Board of Directors Year-End Meeting, where the progress and accomplishments of the fiscal year were outlined, along with recommendations for the future. The success of the online National Congress 2024: Alab ng Tagumpay set a remarkable precedent for the in-person assembly held days after.
Set in the Queen City of the South, Cebu, Architecture students from all over the Philippines gathered last May 31 to June 2, 2024, for the grandest event that concludes the fiscal year 2023-2024: the in-person National Congress. With the theme, โAlab ng Tagumpay,โ NatCon โ24 was a three-day event that brought people together to create a shared experience, through entertainment, education, and celebration. The events took place within the walls of the School of Architecture, Fine Arts, and Design (SAFAD), the MR Hall of the University of San Carlos, and the Pedro Calungsod Convention Hall of the Sacred Heart Center. These venues provided the perfect backdrop for the UAPSA Nation Congress, which proved to be a hug success.
Spearheaded by Mx. Oliver Alngog Jr., the Commissioner on Congress and Assemblies, and Mx. Symon Saenz Abad, the Director for the National Congress, the event included activities that showcased talents, skills, camaraderie, and creativity as one UAPSA community. On the morning of the first day, delegates, dressed in their vibrant area colors, gathered for the first time. Area A wore majestic purples, Area B donned serene blues, Area C showcased bold reds, and Area D displayed energetic oranges. The event commenced with an Opening Ceremony, filled with anticipation and excitement. Following this, delegates proceeded to the ribbon-cutting of the UAPSA EXPO showcasing a variety of architectural merchandise, innovative projects, classic crafts, and an array of gimmicks. Wandering through the stalls, meeting fellow architecture enthusiasts, and enjoying the display of student talent marked the official start of the National Congress 2024.
In the second half of Day 1, donning white and gold formal attire, the dashing delegates attended the Balangkasan, a modified debate-open forum in the traditional UAP context. In this forum, speakers tackled the topic of โEnvironmental Initiatives and Architectural Consciousness: Advocating the Responsible Design in Protected Environments,โ addressing the critical question, โIs conforming to regulatory measures enough in designing an environment-friendly project?โ Delegates learned the importance of going beyond mere compliance with regulations and exploring innovative and proactive stances for sustainable architecture. The discussions provided valuable insights into the challenges and opportunities in creating environmentally responsible designs for architectural projects.
As one of the highlights of Day 1, the National Excellence Awards honored individuals and chapters, supportive roles for faculty, graduates, and professionals in UAPSA for their exemplary work in leadership, collaboration, scholarship, and service. This segment of the National Congress celebrated the dedication and hard work of those who have significantly impacted the organization and their respective chapters.
The minor awards included categories such as Best UAPSA Chapter of each Area, Best UAPSA Membership Campaign, and Best Thesis, among many others. These awards were selected from each area highlighting the unique strengths and achievements of the chapters and individuals within Areas A, B, C, and D. In addition to the minor awards, major awards were also granted, recognizing the exceptional accomplishments on a national level. These major awards included the Overall Best UAPSA Chapter Event, Overall Best UAPSA Chapter President, and Overall Best UAPSA Chapter. These awards show the highest level of leadership excellence and dedication within the UAPSA community, setting the standard for success and leadership on a national scale.
Ending Day 1 of the UAPSA Nation Congress, delegates dressed in pink and black casual, embodying the spirit of Barbie and the Rockers. The organization celebrated exceptional beauty and charm regardless of different perceptions and the ideals of diversity, embracing the uniqueness of every individual through Mx. UAPSA, a gender-neutral pageant event orchestrated by the heart of UAPSA. Infusing the tradition of pageantry and paying homage to the pride of each chapter. Beyond the glamour, each candidate representing their respective areas showcased the richness of the Filipino culture and exemplified beauty inside and out. With talents, intelligence, and advocacy, Mx. UAPSA highlighted the essence of true beauty, demonstrating that it encompasses both external appearance and inner virtues.
The 2nd day of the National Congress started with the Miting de Avance where all candidates from different positions for the National Board of Directors presented their platforms, visions, and plans for the fiscal year 2024-2025. To add a sense of cultural pride to the proceedings, delegates, dressed in traditional Barong Tagalog and Filipiniana. Following the session, the Haligi Publication, the official publication of the United Architects of the Philippines Students Auxiliary held the Haligi Gawad Parangal. This awarding ceremony gives appreciation and recognition to the UAPSA Haligi Publicationsโ efforts to document, share, and write about the achievements and activities of UAPSA and the architecture community as a whole. The Haligi Gawad Parangal awards included categories Best Haligi Blog, Most Outstanding Haligi Director and Deputy of Area Councils, Overall Best Haligi Area Council, Most Outstanding Haligi Publication Officer, and Best UAPSA TV Trailer.
Once the delegates had changed into their sports attire, they participated in team-building activities designed to strengthen camaraderie and teamwork among individuals from various regions. These activities encouraged delegates to work together in groups to complete tasks. Themed after โLaro ng Lahi,โ the games that were modeled after traditional Filipino games, helped establish a sense of cultural preservation in our technologically advanced world.
Concluding Day 2 of the National Congress truly illuminated the flame, as delegates adorned the hall with vibrant neon colors during the Dedication Night. Combining the awards and fellowship into one get-together celebrates the individual and group achievements of the organization and its members. The eveningโs highlight were the heartfelt dedication activities that resonated deeply with every delegate in attendance.
As the National Congress delegates gather around the symbol of lightโthe flame of leadership and the spark of successโ they reflect on their deep connection to the organization. They pack away their fears into boxes, summon courage for the adventure ahead, and draw strength from their peers. In this shared and momentous event, UAPSA embraces the spirit of unity, friendship, and purpose that defines the very essence of the organization.
๐๐๐๐๐ ๐๐ | ๐๐ซ๐๐ข๐ฅ๐๐ซ
๐๐ซ๐ ๐ฒ๐จ๐ฎ ๐ซ๐๐๐๐ฒ ๐๐จ๐ซ ๐ญ๐ก๐ ๐๐ฉ๐ข๐ ๐ฌ๐ก๐จ๐ฐ๐๐จ๐ฐ๐ง ๐จ๐ ๐๐๐ ๐๐๐๐ ๐จ๐๐๐๐ ๐๐ ๐๐๐๐๐? ๐ซฃ
UAPSA Haligi Publication is joining forces with Area A to D to bring you the exhilarating UAPSA TV!
So, sit back, relax, be dazzled and inspired as we show you the sneak peak of each Area Assembly trailers, all while celebrating unity, creativity, and camaraderie!
The winners will be announced on ๐๐๐ฅ๐ข๐ ๐ข ๐๐๐ฐ๐๐ ๐๐๐ซ๐๐ง๐ ๐๐ฅ during the UAPSA National Congress to be held at the University of San Carlos, Cebu City.
๐๐๐ฅ๐ฅ๐ ๐๐๐๐ฅ: ๐๐ฑ๐ก๐ข๐๐ข๐ญ๐ข๐ง๐ ๐๐ฅ๐จ-๐ข๐ฅ๐จ ๐๐ข๐ญ๐ฒโ๐ฌ ๐๐ข๐๐ก ๐๐ซ๐๐ก๐ข๐ญ๐๐๐ญ๐ฎ๐ซ๐๐ฅ ๐๐๐ฌ๐ญ
by: ๐
๐๐๐ข๐ ๐ต. ๐๐๐๐๐ข๐๐ ๐
Considered the โ๐ธ๐ ๐๐๐๐ก๐ ๐๐ ๐ผ๐๐๐๐๐โ, the Calle Real is popularly known as the cityโs heritage street. Located along J.M. Basa Street- at the heart of Iloilo cityโs old downtown district, it served as one of the country's oldest business districts. A spot where multiple historical American-Spanish era infrastructures were built, featuring diverse architectural styles such as Neoclassical, Beaux-arts, and Art Deco. Since the Spanish era, this area was renowned as the cityโs center of commerce and was once home to Iloiloโs elites. Despite its popularity, Calle Realโs historical significance is slowly diminishing, as the street has become less maintained. However, recent efforts in revitalizing the street include building restorations and beautifications.
๐ง๐๐ ๐๐๐ฆ๐ง๐ข๐ฅ๐ฌ ๐ข๐ ๐๐๐๐๐ ๐ฅ๐๐๐
During the Spanish era, this street served as the main commercial hub in Iloilo. Even Josรฉ Rizal was impressed by the city when he arrived at the place. In the early years of American occupation, Calle Real was renowned for its high-end European shops. Its street was officially renamed in honor of Jose Maria Basa, a Filipino businessman-propagandist who was a compatriot of Josรฉ Rizal. Despite the deterioration of the Art-Deco buildings along the street, Calle Real remained a popular shopping destination.
The Iloilo City Cultural Heritage Conservation Council declared the district consisting of Aldeguer, Guanco and Iznart, J. M. Basa, and Mapa streets as a heritage zone. On August 8, 2014, the National Historical Commission of the Philippines also recognized it as a heritage zone.
The restoration efforts have been a collaboration between the government and the Iloilo Cultural Heritage Foundation. Other initiatives to revitalize the district include pedestrianization, burying utility wires, and reducing obstructive advertisements. Although permanent pedestrianization is still debated, cultural performances are held to promote Ilonggo heritage and attract tourists. The experimental pedestrianization ended in 2014, but the Philippine Chamber of Commerce Iloilo supports making it permanent to celebrate the rehabilitated heritage buildings on the street.
๐ง๐๐ ๐๐๐ฆ๐ง๐ข๐ฅ๐๐๐๐ ๐๐จ๐๐๐๐๐ก๐๐ฆ ๐ข๐ ๐๐๐๐๐ ๐ฅ๐๐๐
Calle Real is home to historical structures that were built between the late 19th century and early 20th century. Some of these include the Eusebio Villanueva Building, the Javellana Building, the Regent Building, the Aduana de Iloilo, and the S. Villanueva Building.
๐๐๐๐ฒ๐ฏ๐ถ๐ผ ๐ฉ๐ถ๐น๐น๐ฎ๐ป๐๐ฒ๐๐ฎ ๐๐๐ถ๐น๐ฑ๐ถ๐ป๐ด
In 1927, the E/R Villanueva Building was formerly known as Washington International Hotel, which hosted American, British, and Spanish patrons as well as Chinese bankers, merchants, and bankers. In 2012, restorations were made on the building and now it serves as a commercial space.
๐๐ฎ๐๐ฒ๐น๐น๐ฎ๐ป๐ฎ ๐๐๐ถ๐น๐ฑ๐ถ๐ป๐ด
The Javellana Building was built in 1922. During the American era, it was known as a hub of high-end shopping outlets selling products from Europe. This structure's Art Deco architecture has been restored. At present, the old Javellana building is already known as the Sarabia Optical Building.
๐ฅ๐ฒ๐ด๐ฒ๐ป๐ ๐๐๐ถ๐น๐ฑ๐ถ๐ป๐ด
The Regent Building also known as the Regent Theater is the oldest existing movie theater in the province of Iloilo. It is formerly known as Cine Palace or Palace Theater. Additionally, it was also one of the major establishments synonymous with an Iloilo City flush with money from trade and investment. It was built in 1928, and its interior was renovated in the early-1980โs or late-1970โs and considered to be the one with its facade still relatively intact. At present, it is still housed in a building on J.M. Basa Street, City Proper.
๐๐ฑ๐๐ฎ๐ป๐ฎ ๐ฑ๐ฒ ๐๐น๐ผ๐ถ๐น๐ผ
Located at Muelle Loney St. and Aduana St. along the Iloilo River. The Iloilo Customs is also called Iloilo's โAduanaโ, the Customs Building in Iloilo was built during the American colonial period. It is the second biggest Customs House after Manilaโs. The architecture of the Iloilo Customs House is a copy of the Immigration building in Manila, which is characterized by a tall tower rising at the center of the building.
๐ฆ. ๐ฉ๐ถ๐น๐น๐ฎ๐ป๐๐ฒ๐๐ฎ ๐๐๐ถ๐น๐ฑ๐ถ๐ป๐ด
Serafin Villanueva Building was built in 1925 with an Art Deco architectural style. It was once known to be the International Hotel which accommodated some American guests and traders in the past.
Ultimately, Calle Real is a haven of architectural brilliance. It is just one of the many historical places in the Philippines that exhibit our rich architectural past. As architects develop new architectural styles and techniques, envisioning the future of architecture, it is important to recognize and consider our historical past which shaped not only our structures but also us, as designers.
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๐๐น๐ถ๐ฒ๐ป๐ ๐๐น๐ฑ๐๐ถ๐ป ๐๐ฑ๐ฎ๐ผ
๐๐๐ญ๐ข๐จ๐ง๐๐ฅ ๐๐ก๐๐๐ญ๐๐ซ ๐๐๐ ๐๐จ๐ฆ๐ฉ๐ฅ๐๐ฑ
By: ๐
๐๐ ๐
๐๐๐๐๐ ๐ธ๐๐๐๐ ๐ก ๐ต๐ข๐๐
๐ ๐ง๐ต๐ฒ๐ฎ๐๐ฟ๐ถ๐ฐ๐ฎ๐น ๐ฆ๐ฎ๐ด๐ฎ ๐ผ๐ณ ๐๐ฟ๐, ๐ฃ๐ผ๐น๐ถ๐๐ถ๐ฐ๐, ๐ฎ๐ป๐ฑ ๐ฅ๐ฒ๐ป๐ฒ๐๐ฎ๐น
Nestled within the Cultural Center of the Philippines (CCP) Complex, the Tanghalang Pambansa, originally called the Theater of Performing Arts, stands as a testament to the rich cultural heritage and artistic prowess of the Philippines. Designed by National Artist for Architecture, Leandro Valencia Locsin, this iconic floating volume has played a pivotal role in shaping the country's performing arts and the introduction of modern Filipino Architecture to the international stage. Along with its fame, it failed to dodge public scrutiny, criticized as a symbol of excess and political propaganda. However, despite these criticisms, from its inception to the present day, the Tanghalang Pambansa has been a beacon of creativity and a hub for artistic expression, solidifying its place in Philippine Architectural history.
๐ฃ๐ฟ๐ฒ-๐ฃ๐ฟ๐ผ๐ฑ๐๐ฐ๐๐ถ๐ผ๐ป: ๐ฅ๐ฒ๐ต๐ฒ๐ฎ๐ฟ๐๐ฎ๐น๐ โ ๐ง๐ต๐ฒ ๐ ๐ฎ๐ธ๐ถ๐ป๐ด ๐ผ๐ณ ๐ง๐ฎ๐ป๐ด๐ต๐ฎ๐น๐ฎ๐ป๐ด ๐ฃ๐ฎ๐บ๐ฏ๐ฎ๐ป๐๐ฎ
Conceived in the late 1960s as part of then President Ferdinand Marcosโs Executive Order No. 30, creating the Cultural Center of the Philippines (CCP) Complex and appointing its Board of Trustees, the Tanghalang Pambansa started to manifest in September 1966 headed by its Chairperson former First Lady Imelda Marcos with Alfredo Juinio serving as Structural Engineer and Filipino construction firm DM Consunji as builder. The theater was completed and inaugurated on September 8, 1969, intended to be a symbol of national pride, showcasing the best of Philippine arts and culture to the world.
๐๐ฐ๐ ๐: ๐ง๐ต๐ฒ ๐ข๐ฝ๐ฒ๐ป๐ถ๐ป๐ด ๐๐ฐ๐ - ๐ ๐ฉ๐ถ๐๐ถ๐ผ๐ป๐ฎ๐ฟ๐ ๐๐ฟ๐ฐ๐ต๐ถ๐๐ฒ๐ฐ๐'๐ ๐๐ฒ๐ด๐ฎ๐ฐ๐
Lindy, the visionary architect behind the Tanghalang Pambansa, was known for his bold and innovative architectural style. He sought to blend modernist principles with elements of vernacular Philippine Architecture, creating a unique and distinctly Filipino aesthetic. Locsin's design for the National Theater is characterized by its sweeping lines, grand scale, and use of indigenous materials such as capiz shells. Through his work, he sought to create structures that would not only stand as architectural marvels but also serve as enduring symbols of Philippine identity.
๐๐ฐ๐ ๐๐: ๐ ๐ฎ๐ป ๐๐ ๐ฆ๐ฒ๐น๐ณ- ๐๐ฒ๐ฟ ๐๐ฑ๐ถ๐ณ๐ถ๐ฐ๐ฒ ๐๐ผ๐บ๐ฝ๐น๐ฒ๐
Imelda as a true patroness of art and an honorary architect of the newly formed organization the United Architects of the Philippines (UAP) in 1975, in exchange for her sponsorship of public architectural projects that put the profession in the limelight, pushed for Filipino Architecture that would capture a supposed national cultural identity. The Tanghalang Pambansa then became part of a series of grand architectural projects spearheaded by the former First Lady. Edifice Complex, borrowed from a phrase coined by Behn Cervantes, a Filipino artist and activist writing in the time of the autocratic regime of the Marcosโ. It references the phenomenon where individuals, organizations, or the government become obsessed with building grandiose structures to give an impression of power, status, and progress, often at the expense of more pressing needs.
๐๐ฐ๐ ๐๐๐: ๐ง๐ต๐ฒ ๐๐น๐ถ๐บ๐ฎ๐
- ๐๐ฟ๐๐๐ฎ๐น๐ถ๐๐บ ๐๐บ๐ถ๐ฑ๐๐ ๐๐ฒ๐ฎ๐๐๐
The Tanghalang Pambansa is a prime example of the Brutalist architectural style, characterized by its use of raw concrete and geometric forms. The theater's massive facade, punctuated by a two-storey travertine block suspended 12 meters high by deep concave cantilevers on three sides. The rest of the structure is clad in concrete, textured by crushed seashells originally found on the reclamation site. It houses three performing arts venues, one theater for film screenings, galleries, a museum, and the center's library and archives. Inside, the theater is no less impressive. It boasts state-of-the-art acoustics and a grand lobby, adorned with Filipino-themed finishes. Locsin's marriage of elegant interiors serves to create a sense of intimacy and warmth, contrasting with the starkness often associated with the imposing Brutalist Architecture.
๐๐ฐ๐ ๐๐ฉ: ๐ง๐ต๐ฒ ๐๐ฒ๐ป๐ผ๐๐ฒ๐บ๐ฒ๐ป๐- ๐ฆ๐๐ฟ๐๐ด๐ด๐น๐ฒ๐ ๐ฎ๐ป๐ฑ ๐ฅ๐ฒ๐๐ถ๐น๐ถ๐ฒ๐ป๐ฐ๐ฒ
In April 2022, during a visit by the Kanto team (a multimedia group that provides a platform for discourse on issues and themes affecting creative professionals) to the Thirteen Artists Awards exhibit, they observed that behind the stoic facade of Tanghalang Pambansa, signs of aging were apparent. They noted several escalators out of commission, poorly lit corners, the once plush carpeting in need of cleaning, and more worryingly, a small portion of a hallwayโs interior ceiling had collapsed, with the surrounding area cordoned off with scaffolding. To them, it was a regrettable sight to see how this revolutionary piece of Filipino Architecture ambled into old age.
๐๐ฐ๐ ๐ฉ: ๐ง๐ต๐ฒ ๐๐ฝ๐ถ๐น๐ผ๐ด๐๐ฒ- ๐ง๐ต๐ฒ ๐ ๐๐ฐ๐ต-๐๐๐ฎ๐ถ๐๐ฒ๐ฑ ๐๐ฎ๐ฐ๐ฒ๐น๐ถ๐ณ๐
January 2023, CCP brings the curtain down on its main building to give way to Tanghalang Pambansaโs long-overdue facelift through a three-year rehabilitation plan until 2025. The plan emanated from the building audit done from 2018 to 2019, which became the basis for what needed to be addressed and rehabilitated. Aiming at modernizing the theater while it remains true to the original blueprint designed by Leandro Locsin, hoping to preserve its unique architectural character. Hence, the renovation will include upgrades to the theater's facilities, improved accessibility, and enhanced audience experience, ensuring that the Tanghalang Pambansa remains a premier venue for the arts for generations to come.
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๐ ๐๐ฎ๐ป๐บ๐ฎ๐ฟ๐ธ ๐๐น๐ฒ๐ฒ๐ป ๐๐น๐ฎ๐ด๐ฎ๐ฑ๐บ๐ผ
๐๐๐ง ๐๐ข๐ ๐ฎ๐๐ฅ ๐๐จ๐ซ๐ฉ๐จ๐ซ๐๐ญ๐ข๐จ๐ง ๐๐ฎ๐ข๐ฅ๐๐ข๐ง๐
By: Mary Fionah Gwyneth A. Jurado
๐ด๐ ๐๐๐โ๐๐ก๐๐๐ก๐ข๐๐ ๐กโ๐๐ก ๐๐๐๐๐๐ก๐๐ ๐๐๐ก๐๐๐๐๐ก๐๐๐ ๐๐ ๐๐๐๐๐๐๐๐๐๐ , ๐๐๐ ๐กโ๐ ๐คโ๐๐๐ ๐๐๐๐๐๐๐๐๐๐ก๐๐๐ ๐๐๐๐๐๐ ๐๐๐ ๐๐๐๐๐ก๐๐๐๐ ๐๐๐๐ ๐ ๐๐ข๐๐ก๐ข๐๐๐ ๐ก๐๐๐๐ ๐ข๐๐ ๐๐ ๐กโ๐ ๐๐๐ข๐๐ก๐๐ฆ. โ This might be a phrase that best describes the essence of the San Miguel Corporation Building. Just as the brand is well-known for its brewery, its headquarters is equally renowned among the architecture industry for the beauty of its iconic modern style.
๐๐ง๐ฆ ๐๐๐ฆ๐ง๐ข๐ฅ๐ฌ
San Miguel Corporation (SMC) was established in 1890 during the Spanish colonial period, initially as La Fabrica de Cerveza de San Miguel. They are known for being Southeast Asiaโs first brewery manufactured and bottled, and what later evolved to be one of the top-selling beers in the region. On this day, SMC now has various branches and conglomerates in the country including food and drink, finance, infrastructure, oil and energy, transportation, and real estate. With its existence of over 130 years, its history continues to leave an indelible mark across all sectors. After multiple takeovers of chairpersons, changes of brand name, and office relocations, the firm permanently became San Miguel Corporation and resided in their new headquarters located in Mandaluyong.
๐๐๐ข๐จ๐ง ๐ง๐๐ ๐ฆ๐ง๐ฅ๐จ๐๐ง๐จ๐ฅ๐
The San Miguel Corporation Head Office building was built in 1984 and is located at the district of Ortigas Center in Madaluyong City, Philippines. The building stands out as a contemporary corporate office structure known for its sleek and modern design. The Maรฑosa brothers' firm, comprised of Manuel, Jose, and Francisco Maรฑosa, was selected to design the company's complex. The Maรฑosas designed the building to suit the climate and tropical weather conditions of the country. Another objective was to maximize natural lighting inside the area, which was achieved by angling windows to reduce glare and heat absorption. Contributions were also made by Ildefonso Santos, a National Artist for Architecture, as he managed the landscaping of the building.
๐๐๐ ๐ฌ๐ข๐จ ๐๐ก๐ข๐ช?
The headquarters building was inspired by one of the Philippinesโ top attractions, Banaue Rice Terraces as the Maรฑosas and Santos situated ample greeneries on its terraces and slanted windows with angled sun breakers, taking inspiration from nipa huts. The building also features its trapezoidal shape, conjuring the image of Babylonian ziggurats, which is a temple tower of the major cities of Mesopotamia.
Because of the Maรฑosa brothers' dedication to pioneering one of the Philippines' initial green buildings, advocating for the integration of eco-friendly practices and green areas, the San Miguel Corporation building exemplified how to optimize green spaces within building sites, all while maintaining a modern contemporary architectural style. Up until this day, the structure stands as a notable landmark in Mandaluyong City, showcasing its distinctive green architecture with pride.
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๐๐๐ฎ๐ป ๐๐ฎ๐ฟ๐น๐ผ ๐ฅ๐ฎ๐บ๐ผ๐
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Join us ๐ก๐๐ช in Episode 2 of Season 14 as we unravel the intricate threads of an architectural thesis focused on Mindanao's weaving centers. Discover the criteria that influenced the selection process, envision the real-world applications of this thesis project, and explore the engagement with local communities associated with the weaving centers during research and design. ๐๐๏ธ So, what are you waiting for? Follow as on Spotify, tag and share your thoughts with us on our social media accounts! https://podcasters.spotify.com/pod/show/uapsalitaan/episodes/Season-14--Episode-2-Woven-Wonders-Unraveling-Mindanaos-Architectural-Tapestry-e2lqmiq https://podcasters.spotify.com/pod/show/uapsalitaan/episodes/Season-14--Episode-2-Woven-Wonders-Unraveling-Mindanaos-Architectural-Tapestry-e2lqmiq https://podcasters.spotify.com/pod/show/uapsalitaan/episodes/Season-14--Episode-2-Woven-Wonders-Unraveling-Mindanaos-Architectural-Tapestry-e2lqmiq #UAPSAlitaan #NAW2023 #AbanteUAPSA #CollectiveEngagement
๐๐๐, ๐ฐ๐ก๐๐ญโ๐ฌ ๐ง๐๐ฑ๐ญ? ๐ Explore Season 14's premiere as we delve into an architectural thesis that reimagines Escolta, Manila, with a focus on sustainability and the integration of sustainable practices into its design. Discover the challenges faced in bringing this vision to life. ๐๐ฑ So, what are you waiting for? Follow as on Spotify, tag and share your thoughts with us on our social media accounts! https://podcasters.spotify.com/.../Episode-1-Renaissance... https://podcasters.spotify.com/.../Episode-1-Renaissance... https://podcasters.spotify.com/.../Episode-1-Renaissance... #UAPSAlitaan #NAW2023 #AbanteUAPSA #CollectiveEngagement
AREA B | UAPSA TV Trailer - Director: Desirie Mae Benito - Script Writer: Leeane Panis Kristine Mendoza - Host: Joseph Dailisan - Editor: Lanver Babila Marcus Zingapan #UAPSATV #AbanteUAPSA #CollectiveEngagement
AREA A | UAPSA TV Trailer - Directors and Script Writers: Laila Maniago, Harley Cruz - Hosts: Aron Galvez, Patricia Punzalan - Camera Man: Destinee Pineda, Jeliana Canlas - Editors: Romeo Espiritu, Mich Mistula, Lourie Tolentino, Lian Yutuc #UAPSATV #AbanteUAPSA #CollectiveEngagement
AREA D | UAPSA TV Trailer - Directors and Script Writers: Sophia Reyes - Camera Man: Jeresh Anne Gamutan, Alvin Suico Dologan, Raphaela Dichos - Testimonies: Ms. Fatima Alob, Mx. Jem Batiancela, DG Earl Unito - Editors: Sophia Reyes, Kate Gutierrez , LIF #UAPSATV #AbanteUAPSA #CollectiveEngagement
"๐ฉ๐๐๐๐ ๐๐๐ ๐๐๐๐๐๐๐ ๐๐ ๐๐๐๐๐๐๐๐๐ ๐๐๐๐๐๐๐๐๐๐." Adapt the current and anticipate the future challenges as we reflect on the concept of resilient community. Promote equity, exclusivity, and sustainability in engaging the need and understanding the culture of the people to be connected and flexible in designing a structure. As part of the ๐ช๐ผ๐ฟ๐น๐ฑ ๐๐ฟ๐ฐ๐ต๐ถ๐๐ฒ๐ฐ๐๐๐ฟ๐ฒ ๐๐ฎ๐ celebration, UAPSAlitaan opens again with our ๐ฆ๐ฝ๐ฒ๐ฐ๐ถ๐ฎ๐น ๐๐ฝ๐ถ๐๐ผ๐ฑ๐ฒ: ๐๐ผ๐บ๐บ๐๐ป๐ถ๐๐ถ๐ฒ๐ ๐ณ๐ผ๐ฟ ๐๐ผ๐บ๐บ๐๐ป๐ถ๐๐ถ๐ฒ๐: ๐ฆ๐ต๐ฒ๐น๐๐ฒ๐ฟ๐ถ๐ป๐ด ๐ณ๐ผ๐ฟ ๐ฆ๐๐๐๐ฎ๐ถ๐ป๐ฎ๐ฏ๐ถ๐น๐ถ๐๐. What are you waiting for? Follow as on Spotify, and tag and share your thoughts with us on our social media accounts! https://open.spotify.com/episode/002W9qPi2Q8QeSv1GYAFjD?si=qgACDGiEQpOI0wclFnnbJQ https://open.spotify.com/episode/002W9qPi2Q8QeSv1GYAFjD?si=qgACDGiEQpOI0wclFnnbJQ https://open.spotify.com/episode/002W9qPi2Q8QeSv1GYAFjD?si=qgACDGiEQpOI0wclFnnbJQ #UAPSAlitaan #WAD2023 #ShelteringForSustainability #AbanteUAPSA #CollectiveEngagement
"๐๐ง๐๐๐จ๐ช๐ง๐ ๐ฎ๐ค๐ช๐ง ๐ข๐ค๐ข๐๐ฃ๐ฉ๐จ ๐๐ฃ ๐๐ผ๐๐๐ผ, ๐ฎ๐ค๐ช๐ง ๐ค๐ง๐๐ข๐๐ฉ๐๐จ, ๐ฎ๐ค๐ช๐ง ๐๐ค๐ฃ๐ฃ๐๐๐ฉ๐๐ค๐ฃ๐จ ๐๐๐๐๐ช๐จ๐ ๐ฎ๐ค๐ช ๐ฌ๐๐ก๐ก ๐๐ง๐๐ฃ๐ ๐ฉ๐๐๐ข ๐๐จ ๐ฎ๐ค๐ช ๐ข๐ค๐ซ๐ ๐๐ค๐ง๐ฌ๐๐ง๐ ๐๐ฃ ๐ฎ๐ค๐ช๐ง ๐ก๐๐๐" -Ms. Coline Ann Dugang We are now a few days ahead of our ๐จ๐๐ฃ๐ฆ๐ ๐ฏ๐ฌ๐๐ต ๐๐ป๐ป๐ถ๐๐ฒ๐ฟ๐๐ฎ๐ฟ๐ ๐๐ฒ๐น๐ฒ๐ฏ๐ฟ๐ฎ๐๐ถ๐ผ๐ป! Ready your ears for the 2nd Episode of our ๐ผ๐๐๐๐๐๐๐ผ ๐๐ผ๐๐๐ผ๐๐๐๐ผ๐ผ๐: ๐๐ข๐๐ง๐๐๐ฃ๐ ๐ฝ๐ค๐ช๐ฃ๐๐ก๐๐จ๐จ ๐๐๐ฃ๐๐ช๐ก๐๐ง๐๐ฉ๐๐๐จ. Get ready for another insightful conversation with our guest speaker, ๐๐ฌ. ๐๐จ๐ฅ๐ข๐ง๐ ๐๐ง๐ง ๐๐๐ฒ๐ฅ๐ ๐๐ฎ๐ ๐๐ง๐ , the UAPSA National President of fiscal year 2019-2020, as she talks about Lasting Connections and Relationships along with her struggles and experiences during the transition phase of UAPSA when the pandemic came. Fasten your seatbelts as we illuminate our minds and hearts here on Spotify with our episode hosts, Danica Danielle Paguio and Anne Hernandez https://tinyurl.com/UAPSAlitaanS13EP02 https://tinyurl.com/UAPSAlitaanS13EP02 https://tinyurl.com/UAPSAlitaanS13EP02 Follow, tag, and share your thoughts with us on Facebook, Instagram, and Twitter: @uapsanational and subscribe on UAPSA TV YouTube channel! #AlabUAPSA #IlluminatingHorizons #UAPSA30thAnniversary
"๐ฐ๐ ๐๐ ๐๐๐๐ ๐๐ ๐๐๐๐๐๐๐๐ ๐๐๐๐ ๐๐๐ ๐๐๐๐๐๐ ๐๐๐๐๐๐๐๐, ๐๐๐๐ ๐๐๐ ๐๐๐๐๐๐๐๐ ๐๐๐๐๐๐๐๐๐, ๐๐ ๐๐๐๐๐๐๐๐ ๐๐ ๐๐๐๐๐๐" -John Holmes Get everything set as we start off the ๐จ๐๐ฃ๐ฆ๐ ๐ฏ๐ฌ๐๐ต ๐๐ป๐ป๐ถ๐๐ฒ๐ฟ๐๐ฎ๐ฟ๐ ๐๐ฒ๐น๐ฒ๐ฏ๐ฟ๐ฎ๐๐ถ๐ผ๐ปwith the 1st Episode of ๐ผ๐๐๐๐๐๐๐ผ ๐๐ผ๐๐๐ผ๐๐๐๐ผ๐ผ๐: ๐๐ข๐๐ง๐๐๐ฃ๐ ๐ฝ๐ค๐ช๐ฃ๐๐ก๐๐จ๐จ ๐๐๐ฃ๐๐ช๐ก๐๐ง๐๐ฉ๐๐๐จ. Get a buzz out of time with our guest speaker ๐ ๐. ๐ ๐ฎ๐ฟ๐ ๐๐ผ๐๐ฐ๐ฒ ๐๐ฎ๐๐ฎ๐ป๐ถ๐น๐ผ, the UAPSA National President for the fiscal year 2022-2023, who will be navigating us with her thoughts on tonight's discussion as she projects the limitless distinctiveness. Join us as we crash an insight and steer toward the boundless horizon tonight here on Spotify with this dazzling episode's host ๐ฃ๐ฎ๐๐น๐ผ ๐๐ฎ๐น๐ฎ๐ป๐๐ฎ๐ฑ and ๐๐ฎ๐๐บ๐ถ๐ป ๐ง๐ถ๐น๐น๐บ๐ฎ๐ป. https://tinyurl.com/UAPSAlitaanS13EP01 https://tinyurl.com/UAPSAlitaanS13EP01 https://tinyurl.com/UAPSAlitaanS13EP01 Follow, tag, and share your thoughts with us on Facebook, Instagram, and Twitter: @uapsanational and subscribe on UAPSA TV YouTube channel! #AlabUAPSA #IlluminatingHorizons #UAPSA30thAnniversary
As part of the UAPSALitaan World Architecture Day (WAD) celebration, the United Architects of the Philippines - Student Auxiliary invites you to bond with us in the 1st episode of UAPSALitaan launching on Spotify๐๏ธentitled โ๐๐ ๐๐๐๐๐ ๐๐ง๐ ๐๐ฆ๐ฉ๐๐ญ๐ก๐ฒ: ๐๐ก๐ ๐๐ฆ๐ฉ๐๐๐ญ ๐จ๐ ๐๐ซ๐๐ก๐ข๐ญ๐๐๐ญ๐ฎ๐ซ๐ ๐จ๐ง ๐๐ฌ๐ฒ๐๐ก๐จ๐ฅ๐จ๐ ๐ข๐๐๐ฅ ๐๐ง๐ ๐๐ฆ๐ฉ๐๐ญ๐ก๐ข๐ ๐๐๐ฅ๐ฅ-๐๐๐ข๐ง๐ โ.๐ฅ๐๐ In this fourth episode, the guest speaker and the host have tackled two subtopics which are: How Spaces can Impact our Emotional Well-being and Designing with and for Empathy. They addressed the fundamentals of empathic architecture. Besides studying the users and their behavior, they offer up a channel of understanding that can lead to new methods and innovations to respond to their needs with a design outcome. Don't forget to follow us on Spotify, and tag us & share some insights through your social media account!!!๐ฝ https://tinyurl.com/UAPSAlitaanS12E04 https://tinyurl.com/UAPSAlitaanS12E04 https://tinyurl.com/UAPSAlitaanS12E04 #UAPSALITAAN #UAPWAD2022 #ArchitectureforWellBeing #AlabUAPSA #IlluminatingHorizons
As part of the UAPSALitaan World Architecture Day (WAD) celebration, the United Architects of the Philippines - Student Auxiliary invites you to bond with us in the 1st episode of UAPSALitaan launching on Spotify๐๏ธentitled โ๐๐ ๐๐๐๐๐ ๐๐ง๐ ๐๐ฆ๐ฉ๐๐ญ๐ก๐ฒ: ๐๐ก๐ ๐๐ฆ๐ฉ๐๐๐ญ ๐จ๐ ๐๐ซ๐๐ก๐ข๐ญ๐๐๐ญ๐ฎ๐ซ๐ ๐จ๐ง ๐๐ฌ๐ฒ๐๐ก๐จ๐ฅ๐จ๐ ๐ข๐๐๐ฅ ๐๐ง๐ ๐๐ฆ๐ฉ๐๐ญ๐ก๐ข๐ ๐๐๐ฅ๐ฅ-๐๐๐ข๐ง๐ โ.๐ฅ๐๐ In this fourth episode, the guest speaker and the host have tackled two subtopics which are: How Spaces can Impact our Emotional Well-being and Designing with and for Empathy. They addressed the fundamentals of empathic architecture. Besides studying the users and their behavior, they offer up a channel of understanding that can lead to new methods and innovations to respond to their needs with a design outcome. Don't forget to follow us on Spotify, and tag us & share some insights through your social media account!!!๐ฝ https://tinyurl.com/UAPSAlitaanS12E04 https://tinyurl.com/UAPSAlitaanS12E04 https://tinyurl.com/UAPSAlitaanS12E04 #UAPSALITAAN #UAPWAD2022 #ArchitectureforWellBeing #AlabUAPSA #IlluminatingHorizons
๐๐๐'๐ฌ ๐๐ฉ! ๐๐๐๐๐ฒ ๐๐จ๐ซ ๐๐ง๐จ๐ญ๐ก๐๐ซ ๐๐๐ ๐๐๐ฏ๐๐ซ? ๐ฅณ On behalf of our celebration in this year's ๐๐๐๐๐ ๐๐จ๐ซ๐ฅ๐ ๐๐ซ๐๐ก๐ข๐ญ๐๐๐ญ๐ฎ๐ซ๐ ๐๐๐ฒ (๐๐๐ ๐๐๐๐) โจ"๐ด๐๐โ๐๐ก๐๐๐ก๐ข๐๐ ๐๐๐ ๐๐๐๐-๐๐๐๐๐" โจ We're inviting you to come and join us now ๐ค๐ with our special guest speaker/s: ๐๐ซ. ๐๐๐ซ๐๐ฆ๐ฒ ๐๐ซ๐๐ฌ๐๐ง๐๐ข๐จ, Be part of edifying discussion this upcoming ๐๐๐๐๐๐ฅ๐ข๐ญ๐๐๐ง: ๐๐จ๐ฎ๐ง๐ ๐๐๐๐ฅ๐ as we address "๐ฉ๐๐๐๐๐๐๐๐ ๐ณ๐๐๐, ๐ท๐๐๐๐๐๐ ๐๐๐ ๐ท๐๐๐๐๐๐๐ ๐๐ ๐จ๐๐๐๐๐๐๐๐๐๐๐" where we keep on illuminating horizons as we discuss and collaborate for a new outlook based on our humanistic values that will also inspire our young aspirants and the entire UAPSA Community! ๐ Let's share our voice and ideas for a better understanding of our profession and goals as architects! See you there ๐๐๐ Spotify link: https://tinyurl.com/UAPSAlitaanS12E02 https://tinyurl.com/UAPSAlitaanS12E02 https://tinyurl.com/UAPSAlitaanS12E02 #UAPSAlitaan #UAPWAD2022 #ArchitectureforWellBeing #AlabUAPSA #IlluminatingHorizons
From the countless nights on our drawing boards to our eyes glued to our laptop screens, when was the last time you exercised or even meditated? We know school loads have been taking up most of our time. Let's all take a deep breath and meditate to attain inner peace. Listen to our 7th episode with Ar. Paul Henry B. De Dios as we meditate while on the Triangle Pose to the last episode of UAPSALITAAN Season 10 as he shares how Fitness, Yoga, and Architecture calms the mind and body and how important it is to maintain a level of Physical Fitness for a student, an aspiring architect and architectโs alike. Meditate and stream the last episode of UAPSALITAAN Season 10 here! https://spoti.fi/3d1bpvk https://spoti.fi/3d1bpvk https://spoti.fi/3d1bpvk #UAPSA #UAPSALITAAN #InnerPeace #Fitness
Diagnosed with osteosarcoma at a young age and had his leg amputated, Mr. Ameer Sanchez Ahid did not let it stop him from becoming an active student leader since 2015, founding the Lasallian Mountaineering Society, becoming the 2016-2017 Chapter President of UAPSA-De La Salle University-Dasmariรฑas Chapter. The sixth episode is about how we should be Facing Greatness Against All Odds with Mr. Ameer Sanchez Ahid and continuing to pursue greatness amidst all kinds of adversities that life gives you. Catch the episode on https://spoti.fi/3d1bpvk https://spoti.fi/3d1bpvk https://spoti.fi/3d1bpvk #UAPSA #UAPSALITAAN
In our second year of the pandemic, students and professors are still facing many adversities amidst it. Though some have slowly adjusted with the current learning system, we cannot rule out those who are still struggling with the online classes. In this episode letโs open up the discussion about our level of readiness for face-to-face classes, taking points from the perspectives of both the students, professors and representatives of the staff of Bicol University โ Institute of Design and Architecture. Letโs start the Balakangkasan on our fifth episode along with Ar. Leo Del Rosario, Ar. Hazel Anne Meneses, Ar. Ramon Dealca, Mr. John Rey Llana, Ms. Tori Mayo, and Mr. Ross Saldaรฑa as we answer the questions, Are we ready? Should we start face to face classes in 2022? Stream the fifth episode of UAPSALITAAN Season 10 here! https://spoti.fi/3d1bpvk https://spoti.fi/3d1bpvk https://spoti.fi/3d1bpvk #UAPSA #UAPSALITAAN #F2F
Finances or Money Talk has always been an uncomfortable topic to breach since it doesnโt always boil down to pesos and cents, credit card balances, savings and loans. Finances also encompasses our views and values towards money and how we spend are motivated by it. Ar. Miraflores has always been financially responsible by keeping tabs and managing her expenses. Money on our minds. Letโs Plan for our Personal Finances with Ar. Rosalie Mae B. Miraflores as we talk about how we plan for expenses, budgeting, and savings while we listen to our 4th episode of ๐จ๐๐ฃ๐ฆ๐๐๐๐ง๐๐๐ก ๐ฆ๐ฒ๐ฎ๐๐ผ๐ป ๐ญ๐ฌ: ๐๐ฑ๐๐ผ๐ฐ๐ฎ๐๐ฒโ๐ ๐ ๐ฎ๐ป๐ถ๐ณ๐ฒ๐๐๐ผโ๐. Cha-ching on the link below https://spoti.fi/3d1bpvk https://spoti.fi/3d1bpvk https://spoti.fi/3d1bpvk #UAPSA #UAPSALITAAN #Money #Finances
Who let the dogs outโฆ in the streets??? Animal welfare and stray animals has always been an issue in our communities. Ms. Paula and her team of volunteers from Bantay Animal Welfare-Albay, a voluntary and non-profit organization in Albay that advocates awareness, education, rescue and animal welfare for all strays, neglected and abused animals. Join us together with Ms. Paula Laine Marbella as we talk about how we let our aspins to fend for themselves out in the streets and how we can start giving them their best lives on our third episode Homeless, not Worthless: Having a Heart for Aspins. Tap your paws on the link below https://spoti.fi/3d1bpvk https://spoti.fi/3d1bpvk https://spoti.fi/3d1bpvk #UAPSA #UAPSALITAAN #DogDays #HaveSomeHeart
Do you enjoy listening to podcasts while you leisurely ride your bike? Tune in on ๐จ๐๐ฃ๐ฆ๐๐๐๐ง๐๐๐ก ๐ฆ๐ฒ๐ฎ๐๐ผ๐ป ๐ญ๐ฌ: ๐๐ฑ๐๐ผ๐ฐ๐ฎ๐๐ฒโ๐ ๐ ๐ฎ๐ป๐ถ๐ณ๐ฒ๐๐๐ผโs second episode, Manila Commuter: Right of Way with Mr. Justin De Dios and Engr. Elijah Go Tian as we talk about safety, road etiquette, transport planning, infrastructure, and how all this is leading up to the future of mobility! Hit that pedal on the second episode here! https://spoti.fi/3d1bpvk https://spoti.fi/3d1bpvk https://spoti.fi/3d1bpvk #UAPSA #UAPSALITAAN #Commute #Manila
๐จ๐๐ฃ๐ฆ๐๐๐๐ง๐๐๐ก presents SEASON 10: Advocatesโ Manifesto This season presents advocacies that architects, graduates, and people who are part of the community to stand for their passion and desire to continuously further themselves in different endeavors and to stand for advocacies that matters. This season will surely inspire and motivate us to push ourselves out of the box and become proactive members of society. Stream Brand New Episodes, today at 7PM, only on Spotify! https://spoti.fi/3d1bpvk https://spoti.fi/3d1bpvk https://spoti.fi/3d1bpvk #UAPSA #UAPSALITAAN #Season10
With the effects of ๐ง๐๐ฝ๐ต๐ผ๐ผ๐ป ๐ข๐ฑ๐ฒ๐๐๐ฒ (Rai), the UAPSAlitaan team has adjusted its publishing schedule to open this new season with our episode on โ๐๐๐ ๐๐ค๐ก๐ ๐ค๐ ๐ผ๐ง๐๐๐๐ฉ๐๐๐ฉ๐จ ๐ผ๐๐ฉ๐๐ง ๐พ๐๐ก๐๐ข๐๐ฉ๐๐๐จ.โ Ar. Geomilie Tumamao-Guittap shares what defines a disaster, how countries respond to calamities, and more with episode hosts Erika Galindo from UAPSA-UIC and JM Bonjan from UAPSA-PHINMA COC. Tune into this episode on UAPSAlitaan, available on Spotify, and UAPSA TV on YouTube. https://spoti.fi/3HbrPOX https://spoti.fi/3HbrPOX https://spoti.fi/3HbrPOX ๐๐ฐ๐ณ ๐ต๐ฉ๐ฐ๐ด๐ฆ ๐ธ๐ฉ๐ฐ ๐ธ๐ข๐ฏ๐ต ๐ต๐ฐ ๐จ๐ช๐ท๐ฆ ๐ค๐ข๐ด๐ฉ ๐ฅ๐ฐ๐ฏ๐ข๐ต๐ช๐ฐ๐ฏ๐ด ๐ง๐ฐ๐ณ ๐๐บ๐ฑ๐ฉ๐ฐ๐ฐ๐ฏ ๐๐ฅ๐ฆ๐ต๐ต๐ฆ ๐ท๐ช๐ค๐ต๐ช๐ฎ๐ด, ๐บ๐ฐ๐ถ ๐ฎ๐ข๐บ ๐ฑ๐ณ๐ฐ๐ค๐ฆ๐ฆ๐ฅ ๐ต๐ฐ ๐ต๐ฉ๐ช๐ด ๐ญ๐ช๐ฏ๐ฌ: https://bit.ly/UAPSAAmbaganPH #OdettePH #IgniteUAPSA #VulnerableVernacular
๐จ๐๐ฃ๐ฆ๐๐๐๐ง๐๐๐ก is back again with a brand new season! This season revolves around the discussions regarding ๐๐ฃ๐ซ๐๐ง๐ค๐ฃ๐ข๐๐ฃ๐ฉ๐๐ก ๐๐ฌ๐๐ง๐๐ฃ๐๐จ๐จ ๐๐ฃ๐ ๐ฉ๐๐ ๐ง๐ค๐ก๐ ๐ค๐ ๐ฉ๐๐ ๐ฅ๐๐ค๐ฅ๐ก๐ ๐๐ฃ ๐ฉ๐๐ ๐๐ฃ๐ซ๐๐ง๐ค๐ฃ๐ข๐๐ฃ๐ฉ. You can listen to SEASON 8: LUNTIAN: The People and the Environment through this link: https://spoti.fi/3d1bpvk https://spoti.fi/3d1bpvk https://spoti.fi/3d1bpvk #UAPSA #UAPSALITAAN
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